Middle School Band Curriculum 1
... staff pitch names to 2 ledger lines above and below; sharp and flat signs; bass and treble clef signs; simple repeat; legato style/articulation. (1B, 1C, 2A, 2B, 2D) ...
... staff pitch names to 2 ledger lines above and below; sharp and flat signs; bass and treble clef signs; simple repeat; legato style/articulation. (1B, 1C, 2A, 2B, 2D) ...
44. Jerry Goldsmith Planet of the Apes: The Hunt (opening)
... drum at Bar 16. The three-note motif’s rhythm is at the end of Bar 17 and then in a new triplet form at the end of Bar 21. 23-37: The riff is now taken over by woodwind, while the long notes move to the trombones. The tonal centre is now E flat. There is a new bass line in lower woodwind and double ...
... drum at Bar 16. The three-note motif’s rhythm is at the end of Bar 17 and then in a new triplet form at the end of Bar 21. 23-37: The riff is now taken over by woodwind, while the long notes move to the trombones. The tonal centre is now E flat. There is a new bass line in lower woodwind and double ...
Concert Band Week 9 Map Connections 3PP.1.b Describe the uses
... SW write an SCR describing their intonation during the performance Do Now: Key Signature review Pair share DOL: treble clef 2 worksheet Warmup Scales Eb Review Intonation Golden Eagle Pair Share for Intonation In Heaven’s Air DOL for Intonation Seussical Practice after 4pm ...
... SW write an SCR describing their intonation during the performance Do Now: Key Signature review Pair share DOL: treble clef 2 worksheet Warmup Scales Eb Review Intonation Golden Eagle Pair Share for Intonation In Heaven’s Air DOL for Intonation Seussical Practice after 4pm ...
Artistic Song Leading (Lesson 2)
... In music notation, a note is used to represent the sounds of the music. The type of note tells the singer the duration and the sound and their placement on the staff tells the pitch. First examine the following diagram of an "eighth note" and make note of the different elements that make up the note ...
... In music notation, a note is used to represent the sounds of the music. The type of note tells the singer the duration and the sound and their placement on the staff tells the pitch. First examine the following diagram of an "eighth note" and make note of the different elements that make up the note ...
ADVANCED INSTRUMENTAL STUDIES
... Apart from improvising with left-hand accents on the snare and hi-hat, we can create new patterns through alternative left-hand movement. This basically means that we move the left hand to other voices (sounds) on the drumset, beginning with the toms. One general idea is to moving the left-hand acce ...
... Apart from improvising with left-hand accents on the snare and hi-hat, we can create new patterns through alternative left-hand movement. This basically means that we move the left hand to other voices (sounds) on the drumset, beginning with the toms. One general idea is to moving the left-hand acce ...
1 Interlude: Two-to-One Counterpoint Introduction In the last
... between those two voices on strong beats (beats 1 and 3). The Weak Beat Most of the differences between first and second species counterpoint have to do with the treatment—both melodic and harmonic—of weak-beat pitches in the contrapuntal voice (beats 2 and 4 in our examples). As we mentioned above, ...
... between those two voices on strong beats (beats 1 and 3). The Weak Beat Most of the differences between first and second species counterpoint have to do with the treatment—both melodic and harmonic—of weak-beat pitches in the contrapuntal voice (beats 2 and 4 in our examples). As we mentioned above, ...
Singing Renaissance Music From Partbooks
... Of the scores containing bar lines that coincide in all voices (types 1 and 2 above), there is disagreement over how they should be employed. Editors in one camp feel that the music should be rebarred so that the notes fit into metrically accented patterns based on the text or musical content. The ...
... Of the scores containing bar lines that coincide in all voices (types 1 and 2 above), there is disagreement over how they should be employed. Editors in one camp feel that the music should be rebarred so that the notes fit into metrically accented patterns based on the text or musical content. The ...
Piano Long term Plan
... Develop chamber music skills, large ensemble/orchestral Opportunity to play in skills mixed ensembles e.g. piano trio ...
... Develop chamber music skills, large ensemble/orchestral Opportunity to play in skills mixed ensembles e.g. piano trio ...
"Three Beats for Beatbox Flute" by Greg Patillo In 2011, the National
... (very quiet/no sound). The star marks the time at which the flautist is instructed to "hold back". The straight arrow indicates space between eighth notes, clear by the presence of blue. Towards the end of the second movement, it is possible to hear the strain Wu places on the notes' forward momentu ...
... (very quiet/no sound). The star marks the time at which the flautist is instructed to "hold back". The straight arrow indicates space between eighth notes, clear by the presence of blue. Towards the end of the second movement, it is possible to hear the strain Wu places on the notes' forward momentu ...
Basic Elements of Music
... Broken chords, or arpeggios, appear when individual tones of a chord are sounded on after another. They may also appear in the melody or accompaniment. 3. Rhythm ...
... Broken chords, or arpeggios, appear when individual tones of a chord are sounded on after another. They may also appear in the melody or accompaniment. 3. Rhythm ...
Unit 1 - Carroll County Schools
... *Explore the half note through movement *Identify two tied quarter notes and half note *Identify half rest *Perform simple ostinato to accompany chants *Perform an American Folk Song Vocabulary: *low do *half note *tied notes *half rest *ostinato *folk song Standards Addressed: *AH-P-SA-S-Mu1: begin ...
... *Explore the half note through movement *Identify two tied quarter notes and half note *Identify half rest *Perform simple ostinato to accompany chants *Perform an American Folk Song Vocabulary: *low do *half note *tied notes *half rest *ostinato *folk song Standards Addressed: *AH-P-SA-S-Mu1: begin ...
GCSE Music Revision - The Hazeley Academy
... Phasing – two almost identical parts which go out of sync with each other and gradually, after a number of repetitions, come back into sync again Metamorphosis – gradually changing from one musical idea to another, often by changing one note at a time Layering – adding new musical parts, commonl ...
... Phasing – two almost identical parts which go out of sync with each other and gradually, after a number of repetitions, come back into sync again Metamorphosis – gradually changing from one musical idea to another, often by changing one note at a time Layering – adding new musical parts, commonl ...
General Music Curriculum - Iowa City Community School District
... product. (effective communication, creativity, collaboration, productivity/accountability) a. performs with the group by maintaining the beat shared by the group b. explores various levels of body percussion (claps, snaps, pats, stamps) c. performs steady beat and simple rhythmic patterns on untuned ...
... product. (effective communication, creativity, collaboration, productivity/accountability) a. performs with the group by maintaining the beat shared by the group b. explores various levels of body percussion (claps, snaps, pats, stamps) c. performs steady beat and simple rhythmic patterns on untuned ...
My analysis and thoughts on Gershwin – An American in Paris
... Although the magic of Gershwin’s melodies and infectious rhythms can’t be missed, overall, what captured my attention when listening intently and looking closely was Gershwin’s use of counterpoint as arguably the main thread throughout the composition; the most obvious way in which he creates unity, ...
... Although the magic of Gershwin’s melodies and infectious rhythms can’t be missed, overall, what captured my attention when listening intently and looking closely was Gershwin’s use of counterpoint as arguably the main thread throughout the composition; the most obvious way in which he creates unity, ...
Theory PreTest - DHS Marching Band Featured in Times
... b. three or more different pitches played at the same time c. three or more instruments playing in unison d. three or more strings twisted into one e. none of the above ...
... b. three or more different pitches played at the same time c. three or more instruments playing in unison d. three or more strings twisted into one e. none of the above ...
The Elements of Music
... Instruments without pitch: percussive instruments such as the snare drum, bass drum (can be pitched), brake drum, tambourine, jingle bells, etc. ...
... Instruments without pitch: percussive instruments such as the snare drum, bass drum (can be pitched), brake drum, tambourine, jingle bells, etc. ...
43 CHAPTER 8, ORNAMENTATION Ornamentation is, in its most
... from performer to performer by virtue of his understanding of the character of the work being performed and his musical training. This applies to both modern and historical performers. Improvisation of ornamentation is not the case with the music of François Couperin. While many Baroque composers le ...
... from performer to performer by virtue of his understanding of the character of the work being performed and his musical training. This applies to both modern and historical performers. Improvisation of ornamentation is not the case with the music of François Couperin. While many Baroque composers le ...
JAY MCSHANN's HOOTIE BLUES
... approximately one hundred and five beats per minute in 4/4. In one instance, the meter changes to 5/4 for the duration of measure 8. I chose to notate it this way as I felt McShann’s ph ...
... approximately one hundred and five beats per minute in 4/4. In one instance, the meter changes to 5/4 for the duration of measure 8. I chose to notate it this way as I felt McShann’s ph ...
Worksheet - Bellevue City Schools
... a. distance between two measures b. distance between pitches c. distance between clefs ...
... a. distance between two measures b. distance between pitches c. distance between clefs ...
expressionist - davenantperformingarts
... To be able to analyse the music and give examples of where specific compositional techniques are used. (Analysis – Grade B) ...
... To be able to analyse the music and give examples of where specific compositional techniques are used. (Analysis – Grade B) ...
Music Theory in a Minute BILL CARLSON MUSIC INFORMATICS AND COMPUTING DR. CHUAN
... Each note is referred to as a Pitch. Going from one C through all of the notes to the next C is an Octave. (i.e. C,D,E,F,G,A,B,C) All the notes contained between are in the same ...
... Each note is referred to as a Pitch. Going from one C through all of the notes to the next C is an Octave. (i.e. C,D,E,F,G,A,B,C) All the notes contained between are in the same ...
63. Familia Valera Miranda Se quema la chumbamba
... The melodic language of the cuatro solo is much more varied, with a wider range and use of all the notes of the G harmonic minor scale. In addition, a chromatic C# is used quite frequently, normally as a chromatic inflection onto the dominant. Later in the solo, more E naturals and F naturals are us ...
... The melodic language of the cuatro solo is much more varied, with a wider range and use of all the notes of the G harmonic minor scale. In addition, a chromatic C# is used quite frequently, normally as a chromatic inflection onto the dominant. Later in the solo, more E naturals and F naturals are us ...
Slide 1
... track of an array list of Notes, as well as certain other parameters such as tempo, volume, time signature (class TimeSignature). The note keeps track of what instrument it is played on, its volume, length, tempo, and pitch. The note also stores this pitch symbolically and has some methods for compu ...
... track of an array list of Notes, as well as certain other parameters such as tempo, volume, time signature (class TimeSignature). The note keeps track of what instrument it is played on, its volume, length, tempo, and pitch. The note also stores this pitch symbolically and has some methods for compu ...
“Something`s Coming” from West Side Story
... Syncopated “push” rhythms – accompaniment and riff ‘push’ on third beat of the bar (Tony’s first note comes in with a syncopated push on the 3rd beat) ...
... Syncopated “push” rhythms – accompaniment and riff ‘push’ on third beat of the bar (Tony’s first note comes in with a syncopated push on the 3rd beat) ...
Time signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are to be contained in each bar and which note value is to be given one beat. In a musical score, the time signature appears at the beginning of the piece, as a time symbol or stacked numerals, such as 11px or 34 (read common time and three-four time, respectively), immediately following the key signature or immediately following the clef symbol if the key signature is empty. A mid-score time signature, usually immediately following a barline, indicates a change of meter.There are various types of time signatures, depending on whether the music follows simple rhythms or involves unusual shifting tempos, including: simple (such as 34 or 44), compound (e.g., 98 or 128), complex (e.g., 54 or 78), mixed (e.g., 58 & 38 or 68 & 34), additive (e.g., 3+2+38), fractional (e.g., 2½4), and irrational meters (e.g., 310 or 524).