Music
... We work with beat, difference between beat and rhythm, very simple rhythms, singing, difference in pitches (high/low) and play on percussion instruments. The children take part in class and whole school assemblies and participate in a Christmas production. The children also differentiate sound quali ...
... We work with beat, difference between beat and rhythm, very simple rhythms, singing, difference in pitches (high/low) and play on percussion instruments. The children take part in class and whole school assemblies and participate in a Christmas production. The children also differentiate sound quali ...
HERE - NWSS Music
... 48. fortissimo or ff: very strong 49. fortississimo or fff: as strong as possible 50. forzando or fz: see sforzando in this list, strong then immediately soft 51. furioso: furiously 52. Grandioso: play grandly 53. Grave: play slowly and seriously 54. Homophony: music written to be played or sung in ...
... 48. fortissimo or ff: very strong 49. fortississimo or fff: as strong as possible 50. forzando or fz: see sforzando in this list, strong then immediately soft 51. furioso: furiously 52. Grandioso: play grandly 53. Grave: play slowly and seriously 54. Homophony: music written to be played or sung in ...
powerpoint - davenantperformingarts
... 84-end: The final climax of the extract. There is a new insistent ostinato in the bass with jarring repeated notes in the upper strings and woodwind, accompanied by a side drum roll. The bass ostinato is finally doubled in long notes by the lower woodwind, creating heterophonic effect I (Bars 88-end ...
... 84-end: The final climax of the extract. There is a new insistent ostinato in the bass with jarring repeated notes in the upper strings and woodwind, accompanied by a side drum roll. The bass ostinato is finally doubled in long notes by the lower woodwind, creating heterophonic effect I (Bars 88-end ...
GEMNOTES: A REALTIME MUSIC NOTATION SYSTEM FOR PURE
... creation of notes, and connection of notes together into beamed groups. Objects 0,1 and 2 are the inlets and outlets of the [$0-voice] subwindow (see below). Objects for rendering notes and other notation elements are instances of PD abstractions created within a subpatch of the [makevoice] abstract ...
... creation of notes, and connection of notes together into beamed groups. Objects 0,1 and 2 are the inlets and outlets of the [$0-voice] subwindow (see below). Objects for rendering notes and other notation elements are instances of PD abstractions created within a subpatch of the [makevoice] abstract ...
Playing the Piano
... A circle of fifths is a chart that organizes all the keys into a system that can be used to relate them with one another. To use it, the twelve notes are arranged in the same order as that of a clock. Starting with a C and going clockwise, five keys are counted to arrive at a G. Starting again with ...
... A circle of fifths is a chart that organizes all the keys into a system that can be used to relate them with one another. To use it, the twelve notes are arranged in the same order as that of a clock. Starting with a C and going clockwise, five keys are counted to arrive at a G. Starting again with ...
List of musical symbols - paulandersonguitar.com
... the 8 represents the quaver or eighth-note). The top number indicates how many of these subdivisions appear in each measure. Usually each beat is composed of three subdivisions. To derive the unit of the basic pulse in compound meters, double this value and add a dot, and divide the top number by 3 ...
... the 8 represents the quaver or eighth-note). The top number indicates how many of these subdivisions appear in each measure. Usually each beat is composed of three subdivisions. To derive the unit of the basic pulse in compound meters, double this value and add a dot, and divide the top number by 3 ...
Reading Music The Treble Clef A treble clef symbol tells you that the
... This approximation then leads to a digital filter implementation (difference equation), whose response yields samples of an exponential curve. In addition, a gain parameter is allowed for to control the speed at which the exponential reaches the target value. The difference equation is given by a si ...
... This approximation then leads to a digital filter implementation (difference equation), whose response yields samples of an exponential curve. In addition, a gain parameter is allowed for to control the speed at which the exponential reaches the target value. The difference equation is given by a si ...
Music Vocabulary List
... immediately to the right of the clef to show which notes are to be played sharp or flat throughout a piece of music. time signatures – a numerical symbol showing the number of beats in a bar. The value of the note that gets one beat. For instance 4/4 time means that you have 4 beats per bar. Each be ...
... immediately to the right of the clef to show which notes are to be played sharp or flat throughout a piece of music. time signatures – a numerical symbol showing the number of beats in a bar. The value of the note that gets one beat. For instance 4/4 time means that you have 4 beats per bar. Each be ...
Music Glossary
... baritone: the range of male voice pitch that is deeper than tenor, but not so deep as bass. bass: the deepest range of pitch of a man’s voice; the range of pitch of an instrument within a particular family of instruments. bass clef: symbol placed on the five-line staff in traditional notation indica ...
... baritone: the range of male voice pitch that is deeper than tenor, but not so deep as bass. bass: the deepest range of pitch of a man’s voice; the range of pitch of an instrument within a particular family of instruments. bass clef: symbol placed on the five-line staff in traditional notation indica ...
Semester Exam Study Guide This is a Treble Clef: The bottom part of
... At least 1 or 2 questions will ask you to identify a note outside of the staff. Count your way up or down the musical alphabet to determine the note name. (If you go up the staff, you go forward in the musical alphabet. If you go down the staff, you go backward in the musical alphabet.) This is a fl ...
... At least 1 or 2 questions will ask you to identify a note outside of the staff. Count your way up or down the musical alphabet to determine the note name. (If you go up the staff, you go forward in the musical alphabet. If you go down the staff, you go backward in the musical alphabet.) This is a fl ...
MUSC 1000 Intro to Music
... The ordered flow of music through time The regular, recurrent pulsation of music is called BEAT Some notes happen for the duration of one of these beats – and some are for longer, or shorter LISTENING In the same example – notice that some of the beats are stronger than others – this divides music u ...
... The ordered flow of music through time The regular, recurrent pulsation of music is called BEAT Some notes happen for the duration of one of these beats – and some are for longer, or shorter LISTENING In the same example – notice that some of the beats are stronger than others – this divides music u ...
6th Grade Music Guidebook
... -symbol placed on the staff to locate notes; used for voices and instruments mostly sounding above middle C. ...
... -symbol placed on the staff to locate notes; used for voices and instruments mostly sounding above middle C. ...
File
... Much of the music is in conjunct (stepwise) style (e.g. bar 2), though there are leaps (e.g. fourths in bar 1). Small range of an octave of the main motif bars 1-2 and its clear 2 bar phrase Often the conjunct music is extended to scalic runs, especially in the harpsichord part. Lots of rising seque ...
... Much of the music is in conjunct (stepwise) style (e.g. bar 2), though there are leaps (e.g. fourths in bar 1). Small range of an octave of the main motif bars 1-2 and its clear 2 bar phrase Often the conjunct music is extended to scalic runs, especially in the harpsichord part. Lots of rising seque ...
Historical periods, musical styles, and principal genres in western
... texture: polyphonic, often organized by imitation and canons, or homorhythmic motion: conjunct lines with some wider skips rhythm: regular pulses, but often without a metrical pulse in vocal music; metrical rhythms and strong downbeats in dances and instrumental music harmony: triadic, cadences on p ...
... texture: polyphonic, often organized by imitation and canons, or homorhythmic motion: conjunct lines with some wider skips rhythm: regular pulses, but often without a metrical pulse in vocal music; metrical rhythms and strong downbeats in dances and instrumental music harmony: triadic, cadences on p ...
Grade 9 Instrumental Music Theory Workbook
... Grade 9 Theory Activity 9 – Semitones and the Chromatic Scale * I am responsible for knowing the chromatic scale A chromatic scale contains every possible note between two notes an octave apart. There are 12 different notes in a chromatic scale, each one a semitone away from the next. A chromatic s ...
... Grade 9 Theory Activity 9 – Semitones and the Chromatic Scale * I am responsible for knowing the chromatic scale A chromatic scale contains every possible note between two notes an octave apart. There are 12 different notes in a chromatic scale, each one a semitone away from the next. A chromatic s ...
Stage 1: Desired Results Stage 2 : Assessment Evidence Stage 3
... performance class. Exceptions can be made on a case-‐by-‐case basis. ...
... performance class. Exceptions can be made on a case-‐by-‐case basis. ...
Shifted Downbeats in Classic and Romantic
... notated meter in any voice. The section can be effectively played and projected in 2/4 meter. Performance of the section as if in duple meter produces a charming contrast to the opening and closing material of the piece. Considering both the scope of the section and the lack of a threebeat pulse, th ...
... notated meter in any voice. The section can be effectively played and projected in 2/4 meter. Performance of the section as if in duple meter produces a charming contrast to the opening and closing material of the piece. Considering both the scope of the section and the lack of a threebeat pulse, th ...
Unit A: Instrumental Techniques
... A. Demonstrate and understand the rhythmic values of the following notes and rests: whole, half, quarter, eighth, and dotted quarter, dotted half, sixteenth, dotted 8th, triplet (eighth and quarter), syncopation and tied rhythms. B. Correctly identify the names of lines and spaces in a clef relative ...
... A. Demonstrate and understand the rhythmic values of the following notes and rests: whole, half, quarter, eighth, and dotted quarter, dotted half, sixteenth, dotted 8th, triplet (eighth and quarter), syncopation and tied rhythms. B. Correctly identify the names of lines and spaces in a clef relative ...
KEY TERMINOLOGY AT GCSE Texture Unison A simple texture with
... bridge. This changes the volume but also the sound. ...
... bridge. This changes the volume but also the sound. ...
National 4 Concepts
... Singing using nonsense words, syllables and sounds. Used often in Jazz when words would prevent improvisation. e.g. Du dn du dn Dat or Scoo bn doo bn Dat or Diddly dum, diddly dee. ...
... Singing using nonsense words, syllables and sounds. Used often in Jazz when words would prevent improvisation. e.g. Du dn du dn Dat or Scoo bn doo bn Dat or Diddly dum, diddly dee. ...
VAN TECH MUSIC MUSIC THEORY LEARNING GUIDE Level IIA
... We tend to have common rhythmic pairings of dotted rhythms; an example of this is a dotted quarter and an eighth note pairing. These rhythmic pairings are common in most musical literature such as marches, waltzes and symphonies. Students should become familiar with thesepatterns as a form of “rhyth ...
... We tend to have common rhythmic pairings of dotted rhythms; an example of this is a dotted quarter and an eighth note pairing. These rhythmic pairings are common in most musical literature such as marches, waltzes and symphonies. Students should become familiar with thesepatterns as a form of “rhyth ...
Gamelan 2
... HARMONY No harmony “Chords” happen when more than one note is played at once but this isn’t considered harmony Pentatonic but only because all the instruments are Notice on 4th (kempli) beat everyone plays note 2 – can be a useful way of following the structure ...
... HARMONY No harmony “Chords” happen when more than one note is played at once but this isn’t considered harmony Pentatonic but only because all the instruments are Notice on 4th (kempli) beat everyone plays note 2 – can be a useful way of following the structure ...
Time signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are to be contained in each bar and which note value is to be given one beat. In a musical score, the time signature appears at the beginning of the piece, as a time symbol or stacked numerals, such as 11px or 34 (read common time and three-four time, respectively), immediately following the key signature or immediately following the clef symbol if the key signature is empty. A mid-score time signature, usually immediately following a barline, indicates a change of meter.There are various types of time signatures, depending on whether the music follows simple rhythms or involves unusual shifting tempos, including: simple (such as 34 or 44), compound (e.g., 98 or 128), complex (e.g., 54 or 78), mixed (e.g., 58 & 38 or 68 & 34), additive (e.g., 3+2+38), fractional (e.g., 2½4), and irrational meters (e.g., 310 or 524).