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The Renaissance
The Renaissance

... • These refugees brought with them classical scholarship that had originally been lost to the West • Medieval artists who originally strove to suggest strong spiritual characters started exploring ways to suggest actual figures standing in realistic landscapes during the Renaissance • An increased i ...
City-states - SharpSchool
City-states - SharpSchool

... A rebirth of classic Greek & Roman learning which produced new attitudes towards culture and learning. It had a new emphasis on individual achievement where men explored the richness & variety of human experience in the here and now. ...
Italian Renaissance Toward the end of the 14th century AD, a
Italian Renaissance Toward the end of the 14th century AD, a

... were living in a new age. The barbarous, unenlightened “Middle Ages” were over, they said; the new age would be a rebirth of learning and literature, art and culture. This was the birth of the period now known as the Renaissance. For centuries, scholars have agreed that the Italian Renaissance (anot ...
The Renaissance
The Renaissance

... People had lost their faith in the church and began to put more focus on human beings Secular •Moved away from life in the church ...
THE RENAISSANCE BEGINS
THE RENAISSANCE BEGINS

... importance of the individual person and moved away from religion and took a more secular view on the world. ...
THE RENAISSANCE BEGINS
THE RENAISSANCE BEGINS

... importance of the individual person and moved away from religion and took a more secular view on the world. ...
Renaissance - jstachowiak
Renaissance - jstachowiak

... was a painter, sculptor, architect, scientist, mathematician, engineer, and anatomist. One of the foremost families of the Renaissance, the Medicis produced three popes and several rulers of Florence. The family was also a strong patron of the arts and sciences: Michelangelo, Donatello, Raphael, and ...
Renaissance - Barren County Schools
Renaissance - Barren County Schools

... • Other books printed were mainly for entertainment purposes focusing on daily lives of people (the Vernacular) – The Prince by Machiavelli—self-interest more important than morals (how to keep political power) – Utopia by Sir Thomas Moore—ideal society – Works of Shakespeare focused on humanism— hu ...
Il Duomo St. Peter`s St. Paul`s US capital (Florence) (Rome) (London)
Il Duomo St. Peter`s St. Paul`s US capital (Florence) (Rome) (London)

... Northern Renaissance • By the end of the 15th century, Italian city-states no longer had a monopoly on Asian goods – Other nations want to get wealthy through trade – Explorations by Spain and Portugal in the late 1400s opened new trade routes to Asia ...
Renaissance
Renaissance

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Corporate Creativity
Corporate Creativity

... – Recognition that humans are creative – Appreciation of art as a product of man ...
The Renaissance and Exploration
The Renaissance and Exploration

... right, but what is politically effective – the end justifies the means  Rulers may have to deceive enemies and their own people to be good leaders in a wicked world  Today Machiavelli’s name is associated with trickery ...
Chapter 13
Chapter 13

... • “Only my books and records and those of my ancestors did I determine to keep well sealed . . . . These my wife not only could not read, she could not even lay hands on them. I kept my records at all times . . . Locked up and arranged in order in my study . . . . I never gave my wife permission to ...
The Renaissance
The Renaissance

... • Northern artists and writers imitated Italian styles while adding new methods and ideas of their own. • As a result of the printing press, books became more available and people became more literate. ...
Italian Renaissance Part 2
Italian Renaissance Part 2

... Renaissance in Northern Europe  Changing circumstances in northern Europe End of 100 Years War Eventual end of bubonic plague  Ideas spread north from Italy Artists who returned from Italy  Growth in merchant class ...
Renaissance
Renaissance

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WHAT WAS THE RENAISSANCE? The Renaissance is the name
WHAT WAS THE RENAISSANCE? The Renaissance is the name

... at the centre of the universe and other planets and the sun revolved around it. How was Renaissance belief different? During the Renaissance people began to think and question more. Renaissance man took the idea that “man was made in God’s image” from the bible and said this meant that man must be s ...
Renaissance and Reformation
Renaissance and Reformation

... the most powerful and influential citystates in Italy. • Italy did not develop a strong monarchial state, which posed some problems for them. • Machiavelli, a political philosopher, developed one of the most influential works written on political power. – He wrote The Prince, and in it he addressed ...
Renaissance - Mrs. Lehman Mrs. Lehman
Renaissance - Mrs. Lehman Mrs. Lehman

... • Books used to be copied by hand • Books could now be printed in large numbers • More people learned to read • People began to learn a broad array of topics ...
The Renaissance
The Renaissance

... - Human nature and the dignity of man were considered important. - Emphasis was placed on the present life as important in itself (instead of medieval emphasis on the present life merely as preparation for heaven). ...
The Italian Renaissance - Mr. Ryan Teaches History
The Italian Renaissance - Mr. Ryan Teaches History

... Roman art had been very realistic, and Renaissance painters developed new techniques for representing both humans and landscapes in a realistic way. By making distant objects smaller than those close to the viewer, artists could paint scenes that appeared three-dimensional. ...
The Renaissance
The Renaissance

... on worldly subjects (like literature or philosophy) and on human potential and achievements • Stimulated the study of Greek and Roman literature and culture ...
Chapter Sixteen - Tamara Chrystyna Reay
Chapter Sixteen - Tamara Chrystyna Reay

... • Linear perspective: a graphic system that showed artists how to create the illusion of depth ...
Christian Crusades: East and West Medieval
Christian Crusades: East and West Medieval

... 1. The Rise of City-States: Genoa, Venice & Florence – What is a City-State? – City (urban) v country (rual) – How different from most of Europe? – How might a city set the stage for a “rebirth” to occur? ...
Sandro Botticelli
Sandro Botticelli

... Sam Simpson ...
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Waddesdon Bequest



In 1898 Baron Ferdinand Rothschild bequeathed to the British Museum as the Waddesdon Bequest the contents from his New Smoking Room at Waddesdon Manor. This consisted of a wide-ranging collection of almost 300 objets d'art et de vertu which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica. Earlier than most objects is the outstanding Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection is in the tradition of a schatzkammer or treasure house such as those formed by the Renaissance princes of Europe; indeed, the majority of the objects are from late Renaissance Europe, although there are several important medieval pieces, and outliers from classical antiquity and medieval Syria.Following the sequence of the museum's catalogue numbers, and giving the first number for each category, the bequest consists of: ""bronzes"", handles and a knocker (WB.1); arms, armour and ironwork (WB.5); enamels (WB.19); glass (WB.53); Italian maiolica (WB.60); ""cups etc in gold and hard stone"" (WB.66); silver plate (WB.87); jewellery (WB.147); cutlery (WB.201); ""caskets, etc"" (WB.217); carvings in wood and stone (WB.231–265). There is no group for paintings, and WB.174, a portrait miniature on vellum in a wooden frame, is included with the jewellery, though this is because the subject is wearing a pendant in the collection.The collection was assembled for a particular place, and to reflect a particular aesthetic; other parts of Ferdinand Rothschild's collection contain objects in very different styles, and the Bequest should not be taken to reflect the totality of his taste. Here what most appealed to Ferdinand Rothschild were intricate, superbly executed, highly decorated and rather ostentatious works of the Late Gothic, Renaissance and Mannerist periods. Few of the objects could be said to rely on either simplicity or Baroque sculptural movement for their effect, though several come from periods and places where much Baroque work was being made. A new display for the collection, which under the terms of the bequest must be kept and displayed together, opened on 11 June 2015.
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