Scales
... There are many different types of scales. They are the backbone of music. A major scale is a series of 8 consecutive notes that use the following pattern of half and ...
... There are many different types of scales. They are the backbone of music. A major scale is a series of 8 consecutive notes that use the following pattern of half and ...
File - The Whole Schools Initiative
... the piece whereas rhythm has patterns. • Tempo is the speed of the beat. Tempos can range from very slow to very fast. • Words that can describe rhythm: bouncy, smooth, trotting, galloping, even, ...
... the piece whereas rhythm has patterns. • Tempo is the speed of the beat. Tempos can range from very slow to very fast. • Words that can describe rhythm: bouncy, smooth, trotting, galloping, even, ...
File
... • How loud or soft the music is to be played. • Dynamic instructions are written in Italian. ...
... • How loud or soft the music is to be played. • Dynamic instructions are written in Italian. ...
File - Whole Schools Initiative
... different aspects of expression which produces an overall feeling that the performer or performers give the piece. • Words that describe mood: happy, sad, joyful, scary, playful, tense, peaceful, foreboding ...
... different aspects of expression which produces an overall feeling that the performer or performers give the piece. • Words that describe mood: happy, sad, joyful, scary, playful, tense, peaceful, foreboding ...
Listening
... Playing Technique “What playing technique is used by the strings throughout the extract?” There are only THREE possible techniques. • Pizzicato - Plucked strings. • Tremolando - Rapid bowing of notes. • Drum Roll Because of this, it will only ever refer to a member of the strings or percussion famil ...
... Playing Technique “What playing technique is used by the strings throughout the extract?” There are only THREE possible techniques. • Pizzicato - Plucked strings. • Tremolando - Rapid bowing of notes. • Drum Roll Because of this, it will only ever refer to a member of the strings or percussion famil ...
Instrumental Music Interm 1st 9 weeks
... I can identify, notate, and perform pitches within the practical performance range of my instrument. I can identify, notate, and perform basic rhythms including quarter notes, half notes, dotted half notes, whole notes and corresponding rests. I can sight-read, accurately, 4-8 measure examples at a ...
... I can identify, notate, and perform pitches within the practical performance range of my instrument. I can identify, notate, and perform basic rhythms including quarter notes, half notes, dotted half notes, whole notes and corresponding rests. I can sight-read, accurately, 4-8 measure examples at a ...
Music Lesson Plan
... amount of colored water to produce the desired note/sound: Do - 7 oz. Re - 9 ½ oz. Mi - 12 ½ oz. Fa - 14 oz. So - 16 ½ oz. La - 17 ½ oz. Ti - 18 ½ oz. Do - 19 oz. ...
... amount of colored water to produce the desired note/sound: Do - 7 oz. Re - 9 ½ oz. Mi - 12 ½ oz. Fa - 14 oz. So - 16 ½ oz. La - 17 ½ oz. Ti - 18 ½ oz. Do - 19 oz. ...
Peripetie by Arnold Schoenberg
... Very large orchestra with full percussion section and quadruple woodwind section (3 flutes and a piccolo, 3 oboes and cor anglais, 3 clarinet and a bass clarinet, 3 bassoons and a contra bassoon). Big brass section (6 horns, 3 trumpets, 4 trombones and a tuba) Unusual timbres created e.g. usin ...
... Very large orchestra with full percussion section and quadruple woodwind section (3 flutes and a piccolo, 3 oboes and cor anglais, 3 clarinet and a bass clarinet, 3 bassoons and a contra bassoon). Big brass section (6 horns, 3 trumpets, 4 trombones and a tuba) Unusual timbres created e.g. usin ...
National 4 Concepts
... songs. The music of the verse is repeated, often with different words, and (between verses) the chorus is normally repeated, featuring different music to the verse. Scat singing - Nonsense words, syllables and sounds are improvised (made up) by the singer. ...
... songs. The music of the verse is repeated, often with different words, and (between verses) the chorus is normally repeated, featuring different music to the verse. Scat singing - Nonsense words, syllables and sounds are improvised (made up) by the singer. ...
Elements of Music - Jessamine County Schools
... • One of the most basic elements of music. • Melody is made up of individual notes that are usually placed in an orderly manner • These notes have a particular – Pitch – Duration (length) ...
... • One of the most basic elements of music. • Melody is made up of individual notes that are usually placed in an orderly manner • These notes have a particular – Pitch – Duration (length) ...
Quick Reference Guide to Music Notation
... beats. Similarly, rests have duration. Rests indicate space in the music where there is no note being sung or played. All this counting and measuring is called the metre of the music. Music is very mathematical in nature. Here are the durations of notes and rests. Whenever you see a dot ( · ) after ...
... beats. Similarly, rests have duration. Rests indicate space in the music where there is no note being sung or played. All this counting and measuring is called the metre of the music. Music is very mathematical in nature. Here are the durations of notes and rests. Whenever you see a dot ( · ) after ...
Musical Terms - Rogers State University
... • The tonic, or (I) chord is the chord of rest, or home base – Example C, or D • The dominant, or (V) chord, is the chord of movement – Example G, or A • The subdominant, or (IV) chord – F, or G • So, a I, IV, V chord progression would be C, F, G or D, A, G. ...
... • The tonic, or (I) chord is the chord of rest, or home base – Example C, or D • The dominant, or (V) chord, is the chord of movement – Example G, or A • The subdominant, or (IV) chord – F, or G • So, a I, IV, V chord progression would be C, F, G or D, A, G. ...
Notes - Higher Music
... Half a tone, eg G to Ab on a keyboard. From one fret to another on a guitar. See Tone. Below is the chromatic scale in which every interval is a semitone. ...
... Half a tone, eg G to Ab on a keyboard. From one fret to another on a guitar. See Tone. Below is the chromatic scale in which every interval is a semitone. ...
Quarter - Colorado River Schools
... half notes and dotted quarters. 1.5 PO 4. reading and notating music using standard musical notation. ...
... half notes and dotted quarters. 1.5 PO 4. reading and notating music using standard musical notation. ...
2009 HSC Music 1 Aural Skills Sample Answers
... Sample Answers — Written Examination This document contains ‘sample answers’, or, in the case of some questions, ‘answer may include’. These are developed by the examination committee for two purposes. The committee does this: (a) as part of the development of the examination paper to ensure the ...
... Sample Answers — Written Examination This document contains ‘sample answers’, or, in the case of some questions, ‘answer may include’. These are developed by the examination committee for two purposes. The committee does this: (a) as part of the development of the examination paper to ensure the ...
"The Elements of Music"
... • Functional harmony = the system by which different chords relate to each other in a particular key. Chords in a key are defined by Roman numeral (for example, I, ii, iii). • Chord progression = the movement of chords as they change during a piece of music. ...
... • Functional harmony = the system by which different chords relate to each other in a particular key. Chords in a key are defined by Roman numeral (for example, I, ii, iii). • Chord progression = the movement of chords as they change during a piece of music. ...
Four-Part Harmony
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
doc Fundamentals
... Melody: a series of pitches that are organized across time; horizontal, linear aspect of music -tunes: easily sing-able melodies -motives: melodic fragments that are short and repetitive -themes: the basic subject of a longer work : melodies may be conjunct or disjunct : melodies may have wide or na ...
... Melody: a series of pitches that are organized across time; horizontal, linear aspect of music -tunes: easily sing-able melodies -motives: melodic fragments that are short and repetitive -themes: the basic subject of a longer work : melodies may be conjunct or disjunct : melodies may have wide or na ...
Teacher Notes - Kokoda Track Memorial Walkway
... Some extreme pitches in piano and piccolo Use of clusters Dissonant harmonies Repetition of single pitches ...
... Some extreme pitches in piano and piccolo Use of clusters Dissonant harmonies Repetition of single pitches ...
Music Theory 101
... half-step to get the key. For example, if the last sharp is C, raise it a half step which is D, the key is D major. When the key signature has flats, look at the second to the last flat and you get the key. So for example A flat is the second to the last flat sign in the key signature, this means th ...
... half-step to get the key. For example, if the last sharp is C, raise it a half step which is D, the key is D major. When the key signature has flats, look at the second to the last flat and you get the key. So for example A flat is the second to the last flat sign in the key signature, this means th ...
Grade 4 Module 2
... Read, write, and perform rhythmic notation, including sixteenth notes, dotted notes, and syncopation (e.g., eighth/quarter/eighth note and eighth-rest/quarter/eighth note). ...
... Read, write, and perform rhythmic notation, including sixteenth notes, dotted notes, and syncopation (e.g., eighth/quarter/eighth note and eighth-rest/quarter/eighth note). ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.