Baruch Adonai (Preview only)
... The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rh ...
... The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rh ...
Salvation Is Here (Preview only)
... The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rh ...
... The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rh ...
Mourning Into Dancing (Preview only)
... The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rh ...
... The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rh ...
Glossary
... texture Musical texture can be viewed from several perspectives. For instance, (1) a texture can be described as ‘thin’ if it is in only two parts, whereas a six-part texture is ‘ thick’; (2) even the same chord placed in an either higher or lower register will sound respectively thinner or thicker ...
... texture Musical texture can be viewed from several perspectives. For instance, (1) a texture can be described as ‘thin’ if it is in only two parts, whereas a six-part texture is ‘ thick’; (2) even the same chord placed in an either higher or lower register will sound respectively thinner or thicker ...
Music Appreciation Midterm Review
... shifts of the accent so that I goes against the steady beat? ...
... shifts of the accent so that I goes against the steady beat? ...
Music Vocabulary
... entire composition is to be played smoothly. Major- One of the two modes of the tonal system. Music written in major keys have a positive affirming character. Measure- The unit of measure where the beats on the lines of the staff are divided up into two, three, four beats to a measure. Minor- One of ...
... entire composition is to be played smoothly. Major- One of the two modes of the tonal system. Music written in major keys have a positive affirming character. Measure- The unit of measure where the beats on the lines of the staff are divided up into two, three, four beats to a measure. Minor- One of ...
World Music
... constructed of two essential parts – time and pitch. 1. How long does a sound last? (time) 2. How high or low is that sound? (pitch) B. Aspects of Time 1. Pulse – strong, underlying beat; pulse can be strong or weak 2. Rhythm – patterns within a pulse; can be long or short 3. Tempo – speed of the pu ...
... constructed of two essential parts – time and pitch. 1. How long does a sound last? (time) 2. How high or low is that sound? (pitch) B. Aspects of Time 1. Pulse – strong, underlying beat; pulse can be strong or weak 2. Rhythm – patterns within a pulse; can be long or short 3. Tempo – speed of the pu ...
TERMS AND CONCEPTS OF 20TH C. MUSIC GENERAL: ostinato
... proportional notation -- music in which the actual duration of the notes is specified only by the placement of the notes within the measure; i.e., closer together = shorter note values, more spread apart = longer note values rhythm -- the organization of the time element in music serialized rhythm - ...
... proportional notation -- music in which the actual duration of the notes is specified only by the placement of the notes within the measure; i.e., closer together = shorter note values, more spread apart = longer note values rhythm -- the organization of the time element in music serialized rhythm - ...
Document
... RHYTHM IN A COMPOSITION INCLUDES 1. THE NATURE OF RHYTHMIC ACTIVITY – PATTERNED OR UNPATTERNED, REGULAR OR IRREGULAR, SIMPLE OR COMPLEX, REPETITIVE OR NON-REPETITIVE, SUSTAINED OR SPORADIC 2. TEMPO OR TEMPOS CHANGES – CONSISTANT OR INCONSISTENT, FAST OR SLOW, MANY OR FEW CHANGES 3. DENSITY OF RHYTHM ...
... RHYTHM IN A COMPOSITION INCLUDES 1. THE NATURE OF RHYTHMIC ACTIVITY – PATTERNED OR UNPATTERNED, REGULAR OR IRREGULAR, SIMPLE OR COMPLEX, REPETITIVE OR NON-REPETITIVE, SUSTAINED OR SPORADIC 2. TEMPO OR TEMPOS CHANGES – CONSISTANT OR INCONSISTENT, FAST OR SLOW, MANY OR FEW CHANGES 3. DENSITY OF RHYTHM ...
7th Grade Elements Test
... c) ½ d) 4 3. A pattern of short and long sounds is a: a) Rhythm b) Steady beat c) Melody d) Pulse 4. The pulse of the music is the: a) steady beat b) melody c) harmony d) timbre 5. 2/4 meter is also known as _________ meter. a) triple b) quadruple c) ternary d) duple 6. Triple meter can also be writ ...
... c) ½ d) 4 3. A pattern of short and long sounds is a: a) Rhythm b) Steady beat c) Melody d) Pulse 4. The pulse of the music is the: a) steady beat b) melody c) harmony d) timbre 5. 2/4 meter is also known as _________ meter. a) triple b) quadruple c) ternary d) duple 6. Triple meter can also be writ ...
Music Elements Test PDF
... c) ½ d) 4 3. A pattern of short and long sounds is a: a) Rhythm b) Steady beat c) Melody d) Pulse 4. The pulse of the music is the: a) steady beat b) melody c) harmony d) timbre 5. 2/4 meter is also known as _________ meter. a) triple b) quadruple c) ternary d) duple 6. Triple meter can also be writ ...
... c) ½ d) 4 3. A pattern of short and long sounds is a: a) Rhythm b) Steady beat c) Melody d) Pulse 4. The pulse of the music is the: a) steady beat b) melody c) harmony d) timbre 5. 2/4 meter is also known as _________ meter. a) triple b) quadruple c) ternary d) duple 6. Triple meter can also be writ ...
Music Study Guide - Moore Public Schools
... Blues, a 12-bar form developed during the late 19th century by African American performers. Blues embraces a variety of styles, including downhome or country blues, boogie-woogie, classic blues, jump blues, and Chicago (urban) blues. Blues directly or indirectly influenced the vast majority of popul ...
... Blues, a 12-bar form developed during the late 19th century by African American performers. Blues embraces a variety of styles, including downhome or country blues, boogie-woogie, classic blues, jump blues, and Chicago (urban) blues. Blues directly or indirectly influenced the vast majority of popul ...
Melody - StudyDaddy
... characterize any musical sound as one that has a perceivable and measurablepitch, determined by its frequency (nu mber of vibrations per second). This pitchdepends on the length or size of a vibrating object. For example, a short st ring vibratesfaster (has a higher frequency) than a long string (wh ...
... characterize any musical sound as one that has a perceivable and measurablepitch, determined by its frequency (nu mber of vibrations per second). This pitchdepends on the length or size of a vibrating object. For example, a short st ring vibratesfaster (has a higher frequency) than a long string (wh ...
Blues basics, Style basics the musical background of rock
... 5. Often hard to hear, esp. when starting to listen for a. First step focusing on the bass line - “listening down to the bottom” b. Usually the foundation for chords - so when it moves, harmony generally is changing 6. Blues exercise 7 Speed at which change – harmonic rhythm a. It’s Only Rock and Ro ...
... 5. Often hard to hear, esp. when starting to listen for a. First step focusing on the bass line - “listening down to the bottom” b. Usually the foundation for chords - so when it moves, harmony generally is changing 6. Blues exercise 7 Speed at which change – harmonic rhythm a. It’s Only Rock and Ro ...
Definitions, Quiz 1
... longer than another. Meter. The grouping of beats into larger, regular patterns, notated as measures. The two basic meters are duple (two beats) and triple (three beats); quadruple (four beats) is the most common. In simple meters, such as duple, triple, and quadruple, each beat subdivides into two; ...
... longer than another. Meter. The grouping of beats into larger, regular patterns, notated as measures. The two basic meters are duple (two beats) and triple (three beats); quadruple (four beats) is the most common. In simple meters, such as duple, triple, and quadruple, each beat subdivides into two; ...
Extra Credit assignments - Forest Hills High School
... 3. In Bach’s Little Fugue in G minor there was a total of four different voices, this makes the music _____________________. 4. Pitches that blend with a melody to create a more rich sound are called the _____________________. 5. A minuet often has two parts and each is repeated. This means that it ...
... 3. In Bach’s Little Fugue in G minor there was a total of four different voices, this makes the music _____________________. 4. Pitches that blend with a melody to create a more rich sound are called the _____________________. 5. A minuet often has two parts and each is repeated. This means that it ...
Music is made up of many different things called elements
... Degrees of loudness or softness in music are called…… When the same melody is played by one instrument and then by another, it takes on different expressive effects because of each instruments tone colour. ...
... Degrees of loudness or softness in music are called…… When the same melody is played by one instrument and then by another, it takes on different expressive effects because of each instruments tone colour. ...
Glossary of Musical Terms
... Polyrhythm: The simultaneous playing of contrasting and repeating rhythms that create a consistent rhythmic texture or groove Syncopation: The accenting of certain notes that fall between the "main beats" of the ...
... Polyrhythm: The simultaneous playing of contrasting and repeating rhythms that create a consistent rhythmic texture or groove Syncopation: The accenting of certain notes that fall between the "main beats" of the ...
GRADE FOUR Expectations in Class Active Participation with
... Begin altered sounds using “#”, “b” and natural accidentals; Begin introduction of Melodic and Harmonic minor scales; Introduce orchestra instruments; Introduce treble & bass clef; Letter names of notes Harmony Intervals of chords within the major scale using syllables and note names; Identify caden ...
... Begin altered sounds using “#”, “b” and natural accidentals; Begin introduction of Melodic and Harmonic minor scales; Introduce orchestra instruments; Introduce treble & bass clef; Letter names of notes Harmony Intervals of chords within the major scale using syllables and note names; Identify caden ...
Music Vocabulary - Phoenix Symphony
... Melody. A rhythmic succession of single tones organized into a cohesive or aesthetic whole. Meter. The grouping in which a succession of rhythmic pulses or beats is organized; indicated by a meter signature at the beginning of a work. Meter signature. An indicator of the meter of a musical work, usu ...
... Melody. A rhythmic succession of single tones organized into a cohesive or aesthetic whole. Meter. The grouping in which a succession of rhythmic pulses or beats is organized; indicated by a meter signature at the beginning of a work. Meter signature. An indicator of the meter of a musical work, usu ...
MHST 309 History of Rock Lecture 3 – Roots of Rock
... E. Designed to be performed by and listened to by persons of limited musical training and ability F. Often in verse/chorus or AABA form 1. Two sections using the same melody, but different words 2. Contrasting section of equal length 3. Return to initial melody H. Ex. Woodsman Spare that Tree 1. cle ...
... E. Designed to be performed by and listened to by persons of limited musical training and ability F. Often in verse/chorus or AABA form 1. Two sections using the same melody, but different words 2. Contrasting section of equal length 3. Return to initial melody H. Ex. Woodsman Spare that Tree 1. cle ...
Listening
... • Check the number of times you hear the extract. • Whole sentences aren’t necessary - you can use bullet points if it helps you. • Spelling isn’t counted - but make sure it is at least understandable. ...
... • Check the number of times you hear the extract. • Whole sentences aren’t necessary - you can use bullet points if it helps you. • Spelling isn’t counted - but make sure it is at least understandable. ...
Rhythm
Rhythm (from Greek ῥυθμός, rhythmos, ""any regular recurring motion, symmetry"" (Liddell and Scott 1996)) generally means a ""movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions"" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as ""timed movement through space"" (Jirousek 1995,) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).In Thinking and Destiny, Harold W. Percival defined rhythm as the character and meaning of thought expressed through the measure or movement in sound or form, or by written signs or words Percival 1946, 1006.