Domain5Comp43 - Thefutureteacher
... • Instruments include un pitched and melodic instruments examples include: wood block, triangle, drums, xylophones, and glockenspiels. • Three levels of teacher training ...
... • Instruments include un pitched and melodic instruments examples include: wood block, triangle, drums, xylophones, and glockenspiels. • Three levels of teacher training ...
Unpacking Outcomes - NESD Curriculum Corner
... Demonstrate increased skills and abilities Outcome (circle the verb and underline the qualifiers) CP 6.7 Demonstrate increased skills and abilities in the use of voice and instruments. KNOW Vocabulary – sound pattern, harmony., parts, , style, vocal expression, technique, style, criteria, clarit ...
... Demonstrate increased skills and abilities Outcome (circle the verb and underline the qualifiers) CP 6.7 Demonstrate increased skills and abilities in the use of voice and instruments. KNOW Vocabulary – sound pattern, harmony., parts, , style, vocal expression, technique, style, criteria, clarit ...
scottish - Gryffe Music
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
vocabulary - Berkner AP Music Theory
... Notation – Written music indication pitch and rhythm Octave – The interval between the first and eighth degrees of the diatonic scale Parallel Keys – Major and minor keys having the same key note (tonic). Pentatonic scale - Formed from five notes (from the Greek pente: five). Most common is the five ...
... Notation – Written music indication pitch and rhythm Octave – The interval between the first and eighth degrees of the diatonic scale Parallel Keys – Major and minor keys having the same key note (tonic). Pentatonic scale - Formed from five notes (from the Greek pente: five). Most common is the five ...
Revision Notes
... Inversion (this is where the melody is effectively played upside down – same intervals, but the opposite way) ...
... Inversion (this is where the melody is effectively played upside down – same intervals, but the opposite way) ...
vocabulary - AP Music Theory
... Parallel Keys – Major and minor keys having the same key note (tonic). Pentatonic scale - Formed from five notes (from the Greek pente: five). Most common is the five black notes on the piano keyboard. Period - A musical statement, made up of two or more phrases and a cadence. Phrase – An independe ...
... Parallel Keys – Major and minor keys having the same key note (tonic). Pentatonic scale - Formed from five notes (from the Greek pente: five). Most common is the five black notes on the piano keyboard. Period - A musical statement, made up of two or more phrases and a cadence. Phrase – An independe ...
"The Elements of Music"
... scale, identified as root, second, third, etc. • Consonance/dissonance = the balance of notes in a melody that create moments of relative tension and resolution. ...
... scale, identified as root, second, third, etc. • Consonance/dissonance = the balance of notes in a melody that create moments of relative tension and resolution. ...
What to Listen For
... The Fisk Jubilee Singers’ arrangement of this spiritual is in strophic form, a song structure in which the same music is repeated for every stanza of the poem, with a repeated refrain. Listen to the first two verses of this song. You will hear a refrain, the first verse, the refrain, and then the se ...
... The Fisk Jubilee Singers’ arrangement of this spiritual is in strophic form, a song structure in which the same music is repeated for every stanza of the poem, with a repeated refrain. Listen to the first two verses of this song. You will hear a refrain, the first verse, the refrain, and then the se ...
Debussy
... French composer: Claude Debussy (1862-1918), linked the romantic era with the twentieth century. His works are associated with the impressionistic movement in art by their invocation of mood, color, and fluidity. While impressionism has been the enduring term for his musical style, Debussy was more ...
... French composer: Claude Debussy (1862-1918), linked the romantic era with the twentieth century. His works are associated with the impressionistic movement in art by their invocation of mood, color, and fluidity. While impressionism has been the enduring term for his musical style, Debussy was more ...
A Survey of Traditional Music of West Africa-Ghana
... Western derived music- a preponderance of African musical elements married to certain foreign elements, especially those of the Western musical practices. Music performed on tribal basis and which, if it transcended its boundaries, did so because people who belonged to that tribe had travelled outsi ...
... Western derived music- a preponderance of African musical elements married to certain foreign elements, especially those of the Western musical practices. Music performed on tribal basis and which, if it transcended its boundaries, did so because people who belonged to that tribe had travelled outsi ...
Comparison of Sonata IV by Biagio Marini and Trio
... The piece ends with a Picardy third, utilizing the element of surprise to end on an optimistic note. By contrast, Corelli sounds much more refined than Marini. As the piece opens, the descending walking bass is indicative of a new independence between the voices of the ensemble. No longer does the m ...
... The piece ends with a Picardy third, utilizing the element of surprise to end on an optimistic note. By contrast, Corelli sounds much more refined than Marini. As the piece opens, the descending walking bass is indicative of a new independence between the voices of the ensemble. No longer does the m ...
Powerpoint
... a five line stave. Intervals between notes need to be sung accurately. As the singer can have a variety of possible voice types, i.e. soprano, mezzo-soprano or alto, the starting note of these phrases can vary. Pitches have a wide range from high to very low. Some of the lowest pitches are at the en ...
... a five line stave. Intervals between notes need to be sung accurately. As the singer can have a variety of possible voice types, i.e. soprano, mezzo-soprano or alto, the starting note of these phrases can vary. Pitches have a wide range from high to very low. Some of the lowest pitches are at the en ...
Introduction to Music: Musical Forms
... Musical form in which a statement of a theme or melody or harmonic pattern is followed by a series of altered versions of the theme . The practice , originally involving use of a repeated bass line (basso ostinato , or ground bass) , began in early-16th-cent . dance music in Italy and Spain . Engl ...
... Musical form in which a statement of a theme or melody or harmonic pattern is followed by a series of altered versions of the theme . The practice , originally involving use of a repeated bass line (basso ostinato , or ground bass) , began in early-16th-cent . dance music in Italy and Spain . Engl ...
Notation Note lengths and rests from semibreve to semiquaver
... Candidates should understand and correctly use language from the following list. Where appropriate they should be able to recognise and name features heard. The lists define the vocabulary which willbe used in the listening test. Candidates will not be penalised for correctly using other terminology ...
... Candidates should understand and correctly use language from the following list. Where appropriate they should be able to recognise and name features heard. The lists define the vocabulary which willbe used in the listening test. Candidates will not be penalised for correctly using other terminology ...
File
... • Develop his musical skills at this time both as a composer and organist/musician • Married 1st wife in 1707 she died in 1720 • Married second wife in 1721, she was 16 years younger than Bach • Poor health in has last few years • Died in 1750 after two failed eye operations ...
... • Develop his musical skills at this time both as a composer and organist/musician • Married 1st wife in 1707 she died in 1720 • Married second wife in 1721, she was 16 years younger than Bach • Poor health in has last few years • Died in 1750 after two failed eye operations ...
Music KS3 Skills Framework DOCX File
... Can improvise with confidence using different pentatonic scales as part of a group performance and read from a lead sheet. Is able to take on an independent part within the ensemble performing from notation on different instruments and dynamics are used with thought and control. Respond musically to ...
... Can improvise with confidence using different pentatonic scales as part of a group performance and read from a lead sheet. Is able to take on an independent part within the ensemble performing from notation on different instruments and dynamics are used with thought and control. Respond musically to ...
Дисциплина «Профессиональное общение на иностранном языке
... them only fragments of themes are developed. Besides, new elements of musical material can be used in them. The transformation of themes in free variations is very impressive and enriches music. For this reason it is often used in various genres, especially dance genres. Such genre free variations a ...
... them only fragments of themes are developed. Besides, new elements of musical material can be used in them. The transformation of themes in free variations is very impressive and enriches music. For this reason it is often used in various genres, especially dance genres. Such genre free variations a ...
African Origins and Acculturation in the New World
... • Can be “dirtied” by adding bottlecaps to produce a buzzing sound. ...
... • Can be “dirtied” by adding bottlecaps to produce a buzzing sound. ...
Chapter Five: Baroque Art and Music
... • Two elements remain constant – Expressive, sometimes extravagant melody – Strong supporting bass ...
... • Two elements remain constant – Expressive, sometimes extravagant melody – Strong supporting bass ...
File
... Including: Seventh chords – a triad with an added seventh Inversions – changing the order of notes in the chord by changing what note is in the bass Cluster chords – a chord with at least three notes adjacent in the scale A sequence of tones that are all perfect fifths above each other. C maj – no s ...
... Including: Seventh chords – a triad with an added seventh Inversions – changing the order of notes in the chord by changing what note is in the bass Cluster chords – a chord with at least three notes adjacent in the scale A sequence of tones that are all perfect fifths above each other. C maj – no s ...
here
... - Polychords – simultaneous use of two or more simple chords (common in 20th century compositions) - Tone Cluster – truly simultaneous musical chord comprised of consecutive tones separated chromatically: sound very dissonant - Open fifths – the tonic and dominant note of the chord, without the medi ...
... - Polychords – simultaneous use of two or more simple chords (common in 20th century compositions) - Tone Cluster – truly simultaneous musical chord comprised of consecutive tones separated chromatically: sound very dissonant - Open fifths – the tonic and dominant note of the chord, without the medi ...
Traditional sub-Saharan African harmony
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).