![my summary of the major scale](http://s1.studyres.com/store/data/000320265_1-e096006e280562c1535d371f54aad09d-300x300.png)
my summary of the major scale
... C, D, E, F, G, A, B, C A major scale begins with the letter C (lower), and also ends with the letter C (upper). Similarly, if the major scale begins with a F it also ends with a F. The major scales have numbers that represents each letter, these numbers are called degrees. The first scale is lower C ...
... C, D, E, F, G, A, B, C A major scale begins with the letter C (lower), and also ends with the letter C (upper). Similarly, if the major scale begins with a F it also ends with a F. The major scales have numbers that represents each letter, these numbers are called degrees. The first scale is lower C ...
Music History Lecture Notes
... Types of Texture: Compositional Styles • Monophony – Single voice. Melody alone. Can be many performers, playing the exact same thing, simultaneously. • Homophony – Parallel voices or melody with chordal accompaniment. ...
... Types of Texture: Compositional Styles • Monophony – Single voice. Melody alone. Can be many performers, playing the exact same thing, simultaneously. • Homophony – Parallel voices or melody with chordal accompaniment. ...
Tin Pan Alley Notes
... a. It is useful to identify any “gimmicks” that the composer might have used to make this song recognizable. It might be a melodic idea, or it might be a rhythmic one. It will be important to highlight these features of the chorus. b. What is the form i. Form of Chorus: Typical Forms include: AABA, ...
... a. It is useful to identify any “gimmicks” that the composer might have used to make this song recognizable. It might be a melodic idea, or it might be a rhythmic one. It will be important to highlight these features of the chorus. b. What is the form i. Form of Chorus: Typical Forms include: AABA, ...
What to Listen For
... Bach not only borrowed the pitches of the chorale melody that someone else composed, he used its bar form as the form for this movement. Bar form is A-A-B form; the first section of music repeats and is then followed by contrasting music. The first A section sounds like this: [0:29–1:32]. The second ...
... Bach not only borrowed the pitches of the chorale melody that someone else composed, he used its bar form as the form for this movement. Bar form is A-A-B form; the first section of music repeats and is then followed by contrasting music. The first A section sounds like this: [0:29–1:32]. The second ...
Vocal Music Intermediate Baseline Assessment Section One
... a. opera b. madrigal c. a cappella 24. Three or more pitches sounded simultaneously create a ____. a. scale b. chord c. accent 25. Two performers, performing two different parts is referred to as _____. a. solo b. duet c. trio 26. A group of musicians who perform together a. solo b. Ensemble c. A ca ...
... a. opera b. madrigal c. a cappella 24. Three or more pitches sounded simultaneously create a ____. a. scale b. chord c. accent 25. Two performers, performing two different parts is referred to as _____. a. solo b. duet c. trio 26. A group of musicians who perform together a. solo b. Ensemble c. A ca ...
Chapter 7 - Petal School District
... Arranger – a musician who reworks existing musical material Arranging for instrumental groups include changing a melodic/lyrical line to a particular instrument. Transcriptions are arrangements of music transferred from one medium to another (ex: from vocal with lyrics to piano or another instrumen ...
... Arranger – a musician who reworks existing musical material Arranging for instrumental groups include changing a melodic/lyrical line to a particular instrument. Transcriptions are arrangements of music transferred from one medium to another (ex: from vocal with lyrics to piano or another instrumen ...
Ragtime Inventing - Kinross High School
... The aim of this project is to compose a minimalist piece of music for instruments each using a different loop, a keyboard instrument can also be used to support the harmony by playing drones. The loops are based on chord notes and arpeggio patterns. Irregular time signatures are also used. The techn ...
... The aim of this project is to compose a minimalist piece of music for instruments each using a different loop, a keyboard instrument can also be used to support the harmony by playing drones. The loops are based on chord notes and arpeggio patterns. Irregular time signatures are also used. The techn ...
Article: Phrasing...Speaking in Musical Sentences.Blue Grass News
... Like a craftsman sizing up the job before starting to work, the musician must first study the music before performing it. After our analysis is complete, we are much better prepared to create a convincing execution of the phrases. However, there is a fundamental difference between a craftsman and a ...
... Like a craftsman sizing up the job before starting to work, the musician must first study the music before performing it. After our analysis is complete, we are much better prepared to create a convincing execution of the phrases. However, there is a fundamental difference between a craftsman and a ...
Peer Gynt Suite No. 1
... Texture: homophonic- melody supported by chords and polyphonic- more than one melody playing at the same time. Tempo: alla marcia e molto marcato: march like but marked Tonality: minor Form: ritarnello: which is a recurring passage of music ...
... Texture: homophonic- melody supported by chords and polyphonic- more than one melody playing at the same time. Tempo: alla marcia e molto marcato: march like but marked Tonality: minor Form: ritarnello: which is a recurring passage of music ...
The Renaissance
... and motets were the primary forms for sacred vocal polyphony. These were accompanied by the lute or a small instrumental ensemble or consort. Secular vocal forms included motets, madrigals and songs, while instrumental pieces were usually short polyphonic works or music for dancing. Renaissance poly ...
... and motets were the primary forms for sacred vocal polyphony. These were accompanied by the lute or a small instrumental ensemble or consort. Secular vocal forms included motets, madrigals and songs, while instrumental pieces were usually short polyphonic works or music for dancing. Renaissance poly ...
2009 HSC Music 1 Aural Skills Sample Answers
... • The Scat singing provides a response to the main melody of the trumpet. It has a harsh, gravelly timbre which has an interest of its own. The fact that it is an improvisatory style also helps it be a part of the ensemble’s energy. It also accents off beats • Excessive vibrato from trumpet player ...
... • The Scat singing provides a response to the main melody of the trumpet. It has a harsh, gravelly timbre which has an interest of its own. The fact that it is an improvisatory style also helps it be a part of the ensemble’s energy. It also accents off beats • Excessive vibrato from trumpet player ...
African American Symphonic Works - Paul
... because the conductors had approached the text from a classic eurocentric perspective. “In 20th century eurocentric music, the composers are very specific about what they want. They write it down,” Cobbs says. “Black music often depends on oral tradition. Unless the conductor has a sense of how it s ...
... because the conductors had approached the text from a classic eurocentric perspective. “In 20th century eurocentric music, the composers are very specific about what they want. They write it down,” Cobbs says. “Black music often depends on oral tradition. Unless the conductor has a sense of how it s ...
01_front - Massey Research Online
... topics of scales, melody, voicings, harmony and rhythm are examined in separate chapters with over two hundred notated musical examples used to demonstrate the materials in their context. This thesis also seeks to explain the relationships between these elements and presents the material in a fonn a ...
... topics of scales, melody, voicings, harmony and rhythm are examined in separate chapters with over two hundred notated musical examples used to demonstrate the materials in their context. This thesis also seeks to explain the relationships between these elements and presents the material in a fonn a ...
Music Glossary
... note value—a symbol used to show how long a tone should be held: expressed as a whole and its parts, including half note, quarter note, eighth note, etc. octave—the interval distance of eight notes (C-C, D-D, F#-F#, etc) paired eighth notes—two eighth notes barred together partner song – two or more ...
... note value—a symbol used to show how long a tone should be held: expressed as a whole and its parts, including half note, quarter note, eighth note, etc. octave—the interval distance of eight notes (C-C, D-D, F#-F#, etc) paired eighth notes—two eighth notes barred together partner song – two or more ...
Tonality vs. Atonality
... • Tonality. A tonal center embodied in the tonic triad. • Tonality is established by the progression V-I and the resolution of the leading tone to the tonic pitch. Harmonic progressions point towards the tonic. • Functional harmony. Chords are polarized around a tonal center. • Voice-Leading Procedu ...
... • Tonality. A tonal center embodied in the tonic triad. • Tonality is established by the progression V-I and the resolution of the leading tone to the tonic pitch. Harmonic progressions point towards the tonic. • Functional harmony. Chords are polarized around a tonal center. • Voice-Leading Procedu ...
Koko homework - WordPress.com
... • Cueing happens throughout the performance – creates structure and contrasting sections ...
... • Cueing happens throughout the performance – creates structure and contrasting sections ...
CHAPTER 10: WEST AFRICA
... These three volumes provide comprehensive breadth in their coverage of the African continent. Of particular relevance: a Dogon masked dance from Mali (17-10); a praise song for a king from the Fulbe people of Cameroon (17-11); performances on various Fulbe instruments, such as sanza (17-12—similar t ...
... These three volumes provide comprehensive breadth in their coverage of the African continent. Of particular relevance: a Dogon masked dance from Mali (17-10); a praise song for a king from the Fulbe people of Cameroon (17-11); performances on various Fulbe instruments, such as sanza (17-12—similar t ...
Appendix H Musical Concepts
... Music is patterns of melody, rhythm, harmony, tempo/dynamics, and timbre combined to create repetition, variation and contrast. We use these patterns to create music and we respond emotionally and intellectually to our perceptions and interpretations of these patterns of music. ...
... Music is patterns of melody, rhythm, harmony, tempo/dynamics, and timbre combined to create repetition, variation and contrast. We use these patterns to create music and we respond emotionally and intellectually to our perceptions and interpretations of these patterns of music. ...
Area of Study 03
... • Sequence – when a tune is repeated a step higher (ascending sequence) or a step lower (descending sequence). • Pitch bend – bending the note on a guitar or any string instrument/voice or keyboard/synthesizer. ...
... • Sequence – when a tune is repeated a step higher (ascending sequence) or a step lower (descending sequence). • Pitch bend – bending the note on a guitar or any string instrument/voice or keyboard/synthesizer. ...
elements-of-music
... only one line of music sounding alone- gregorian chant S Homophonic means one line ...
... only one line of music sounding alone- gregorian chant S Homophonic means one line ...
Melodic Techniques in Jazz Improvisation
... In this new column about utilizing the art of melody in jazz improvisation I would like to present my ideas and examples as a series. Two questions that come up immediately - "what is a melody?", and "what is melodic improvising?" - lead me to begin the discussion with a definition of melody and of ...
... In this new column about utilizing the art of melody in jazz improvisation I would like to present my ideas and examples as a series. Two questions that come up immediately - "what is a melody?", and "what is melodic improvising?" - lead me to begin the discussion with a definition of melody and of ...
Music Appreciation Midterm Review
... 5. The director of an orchestra, choir, or other performing group is called a __________. ...
... 5. The director of an orchestra, choir, or other performing group is called a __________. ...
Chapter Outline A. Goals a. Listen closely to popular music b. Learn
... iv. Typically drawing upon a variety of preexisting musical traditions c. Popular music must be seen in relation to a broader musical landscape C. Theme 1: Listening critically a. Consciously seeking out meaning in music b. Drawing on some knowledge of how music is put together c. Understanding musi ...
... iv. Typically drawing upon a variety of preexisting musical traditions c. Popular music must be seen in relation to a broader musical landscape C. Theme 1: Listening critically a. Consciously seeking out meaning in music b. Drawing on some knowledge of how music is put together c. Understanding musi ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).