Eight sketches: duet for one pianist This is probably the first piano
... signals to trigger the piano playing: the programming determines in what way the computer part depends upon what the pianist plays. In these eight sketches, I have tried to explore and demonstrate different kinds of live interaction between the pianist and the computer. ...
... signals to trigger the piano playing: the programming determines in what way the computer part depends upon what the pianist plays. In these eight sketches, I have tried to explore and demonstrate different kinds of live interaction between the pianist and the computer. ...
Télécharger le pdf
... The music on pages 32 and 33 further underlines the important tritone relationship between B-flat and E. Vivier superimposes the two choirs singing simultaneous chord progressions that use the same succession of pitch sets but transposed at the tritone. Rhythmically, the choirs do not line up—one ch ...
... The music on pages 32 and 33 further underlines the important tritone relationship between B-flat and E. Vivier superimposes the two choirs singing simultaneous chord progressions that use the same succession of pitch sets but transposed at the tritone. Rhythmically, the choirs do not line up—one ch ...
File - Music by Heart Studio
... con fuoco, con passione, dolce, giocoso, and mesto were increasingly used as an indication of their intention to the performers. These terms also indicate the frame of mind of the composers of the period. Music of this period, both vocal and instrumental, was influenced by the lyricism of the human ...
... con fuoco, con passione, dolce, giocoso, and mesto were increasingly used as an indication of their intention to the performers. These terms also indicate the frame of mind of the composers of the period. Music of this period, both vocal and instrumental, was influenced by the lyricism of the human ...
The Mathematics of Musical Instruments
... scale to the first note of that scale (Table 1). These are computed by finding the relationship of each note to the flute’s first harmonic and then dividing to find their relationship to each other. Observe that the sequence of ratios in this scale can be written 8:8, 9:8, 10:8, . . .. A major chord ...
... scale to the first note of that scale (Table 1). These are computed by finding the relationship of each note to the flute’s first harmonic and then dividing to find their relationship to each other. Observe that the sequence of ratios in this scale can be written 8:8, 9:8, 10:8, . . .. A major chord ...
Harmonic innovations in the piano works of Debussy and Ravel
... with the music which went before. Speaking of Debussy, Oscar Thompson says, "As an innovator he has been overtaken and left behind by neoterics b ent on invalidating the old tonal sys~e m entirely. 11 Oscar Thompson: D_ebus s y , Man and Artist (1937), p .1 ~. ...
... with the music which went before. Speaking of Debussy, Oscar Thompson says, "As an innovator he has been overtaken and left behind by neoterics b ent on invalidating the old tonal sys~e m entirely. 11 Oscar Thompson: D_ebus s y , Man and Artist (1937), p .1 ~. ...
Elementary Curriculum Map
... MU.5.H.1.1: Identify the purposes for which music is used within various cultures MU.5.H.1.2: Compare and describe the compositional characteristics used by two or more composers whose works are studied in this class. MU.5.H.2.2: Describe how technology has changed the way audiences experience music ...
... MU.5.H.1.1: Identify the purposes for which music is used within various cultures MU.5.H.1.2: Compare and describe the compositional characteristics used by two or more composers whose works are studied in this class. MU.5.H.2.2: Describe how technology has changed the way audiences experience music ...
glossary of musical terms - Western Michigan University
... MIDI: an acronym for Musical Instrument Digital Interface; a protocol established in the 1970s that allows digital synthesizers to communicate with computers minimalism: a modern compositional approach promoted by Glass, Reich, etc., in which a short melodic/ rhythmic/harmonic idea is repeated and g ...
... MIDI: an acronym for Musical Instrument Digital Interface; a protocol established in the 1970s that allows digital synthesizers to communicate with computers minimalism: a modern compositional approach promoted by Glass, Reich, etc., in which a short melodic/ rhythmic/harmonic idea is repeated and g ...
THE HEXATONIC SYSTEMS UNDER NEO
... Lemma 3.8. If G is a group and X is a set, then a group action of G on X may be defined as a group homomorphism h : G → Sym(X). Definition 3.9. If G acts on X, the orbit of x ∈ X is orbit(x) = {gx |g ∈ G} . 4. The Hexatonic Systems The group hL, P i is the subgroup of the PLR-Group generated by L an ...
... Lemma 3.8. If G is a group and X is a set, then a group action of G on X may be defined as a group homomorphism h : G → Sym(X). Definition 3.9. If G acts on X, the orbit of x ∈ X is orbit(x) = {gx |g ∈ G} . 4. The Hexatonic Systems The group hL, P i is the subgroup of the PLR-Group generated by L an ...
RECITAL and CONCERTO IN PIANO BY HANDEL, BEETHOVEN
... first phrase (mm. 1-4) is very powerful: the first beats are block chords, and the third beats are short, passing phrases following a rest. The second phrase includes a downward scale in dotted rhythm and finishes with a perfect cadence. The theme resembles an overture. In Variation One, which reta ...
... first phrase (mm. 1-4) is very powerful: the first beats are block chords, and the third beats are short, passing phrases following a rest. The second phrase includes a downward scale in dotted rhythm and finishes with a perfect cadence. The theme resembles an overture. In Variation One, which reta ...
Dissertation MUSI591 – 10C (HAM)
... word “romanticism”.”28 It would appear unlikely then that Chopin would “reveal the world in expressing himself” through his music, in accordance with Samson’s definition of “Romanticism.”29 Nonetheless, it remains pertinent to at least introduce some of the wider context. In late 1838, Chopin and Ge ...
... word “romanticism”.”28 It would appear unlikely then that Chopin would “reveal the world in expressing himself” through his music, in accordance with Samson’s definition of “Romanticism.”29 Nonetheless, it remains pertinent to at least introduce some of the wider context. In late 1838, Chopin and Ge ...
At The Cutting Edge: Three American Theorists at The End of The
... though George Ives was educated in the United States, his music education was as essentially German as those of Klauser and Ziehn. Kuhn's revolutionary interpretation of historical change portrays scientific development as a succession of tradition-bound periods punctuated by noncumulative breaks. A ...
... though George Ives was educated in the United States, his music education was as essentially German as those of Klauser and Ziehn. Kuhn's revolutionary interpretation of historical change portrays scientific development as a succession of tradition-bound periods punctuated by noncumulative breaks. A ...
Introduction - Dartmouth Math Home
... What makes music sound pleasing? Over many centuries, musicians have worked to create the “perfect” scale. It is agreed upon that the ratios for an octave and a fifth of 2:1 and 3:2 respectively are the most pleasing. However, these ratios cannot be used to build a complete scale without creating a ...
... What makes music sound pleasing? Over many centuries, musicians have worked to create the “perfect” scale. It is agreed upon that the ratios for an octave and a fifth of 2:1 and 3:2 respectively are the most pleasing. However, these ratios cannot be used to build a complete scale without creating a ...
Comparison of Interval Size in Equal Temperament and Just Tuning
... interval (half step, whole step, etc.) up or down by the number of cents indicated in the “Difference” column. A pure beatless Just interval will result. For example: to play a Just tuned major third above C, look in the Difference column to see that the (E) of this major third needs to be played 14 ...
... interval (half step, whole step, etc.) up or down by the number of cents indicated in the “Difference” column. A pure beatless Just interval will result. For example: to play a Just tuned major third above C, look in the Difference column to see that the (E) of this major third needs to be played 14 ...
Lesson_CCC_-_The_Min..
... has a stronger pull back to tonic? The addition of a leading tone gives Example 10 a strong sense of resolution. The same would be true of a progression using vii° instead of VII. In adjusting the diatonic minor scale by incorporating the leading tone from the major scale, we have the same V and vii ...
... has a stronger pull back to tonic? The addition of a leading tone gives Example 10 a strong sense of resolution. The same would be true of a progression using vii° instead of VII. In adjusting the diatonic minor scale by incorporating the leading tone from the major scale, we have the same V and vii ...
Lesson EEE: The Dominant Seventh Chord
... has a stronger pull back to tonic? The addition of a leading tone gives Example 10 a strong sense of resolution. The same would be true of a progression using vii° instead of VII. In adjusting the diatonic minor scale by incorporating the leading tone from the major scale, we have the same V and vii ...
... has a stronger pull back to tonic? The addition of a leading tone gives Example 10 a strong sense of resolution. The same would be true of a progression using vii° instead of VII. In adjusting the diatonic minor scale by incorporating the leading tone from the major scale, we have the same V and vii ...
NCAS/NAfME MUSIC GLOSSARY - National Core Arts Standards
... suggested assessment process, embedded within a unit of study, that includes a series of focused tasks to measure student achievement within multiple process components Moderately complex formal structure musical form with three or more sections (such as rounded binary, rondo, or other novel design ...
... suggested assessment process, embedded within a unit of study, that includes a series of focused tasks to measure student achievement within multiple process components Moderately complex formal structure musical form with three or more sections (such as rounded binary, rondo, or other novel design ...
a database for persian music - School of Electronic Engineering and
... (music of the large cities) and ethnic music (music of the different ethnic groups living in smaller cities, villages, and mountainous areas). The first uses more ornamentations and free rhythms. The second uses simple melodies, which are more preserved and are closer to the ancient tradition. Both ...
... (music of the large cities) and ethnic music (music of the different ethnic groups living in smaller cities, villages, and mountainous areas). The first uses more ornamentations and free rhythms. The second uses simple melodies, which are more preserved and are closer to the ancient tradition. Both ...
Haydn: London Symphony, No.104 (Movement one)
... were still some limitations in the development of individual instruments (i.e. the limited restriction of pitches to brass instruments still without valves). Note: In the London Symphony the transposing instruments are the clarinets, horns and trumpets. At this time there were no valves on the brass ...
... were still some limitations in the development of individual instruments (i.e. the limited restriction of pitches to brass instruments still without valves). Note: In the London Symphony the transposing instruments are the clarinets, horns and trumpets. At this time there were no valves on the brass ...
Musical system of ancient Greece
... of the internal divisions of the tetrachords (see below for more detail) such that méson not consist of three whole tone steps (b-a-g-f), an interstitial note, the diázeuxis ('dividing') was introduced between Paramése and Mése. The tetrachord diezeugménon is the 'divided'. To bridge this inconsiste ...
... of the internal divisions of the tetrachords (see below for more detail) such that méson not consist of three whole tone steps (b-a-g-f), an interstitial note, the diázeuxis ('dividing') was introduced between Paramése and Mése. The tetrachord diezeugménon is the 'divided'. To bridge this inconsiste ...
July 5 - UCSB Music Department
... (F#). Therefore, the key signature that represents the G-scale (“key of G”) will be one sharp, placed next to the time signature. This tells the singer that the piece is “in G major,” and that all the Fs in the piece should be sharp, because F# belongs to the unique key, G-major. If a composer uses ...
... (F#). Therefore, the key signature that represents the G-scale (“key of G”) will be one sharp, placed next to the time signature. This tells the singer that the piece is “in G major,” and that all the Fs in the piece should be sharp, because F# belongs to the unique key, G-major. If a composer uses ...
rhythm / duration / metre
... b) Play triplet quavers Play using backward and forward extensions in a piece b) Use 4th position (eg. G maj. 2 octave scale) a) Read and understand multimeasure rests b) Understand how articulation affects the character of a piece c) Compose a question and answer phrase in a major key a) Vary the s ...
... b) Play triplet quavers Play using backward and forward extensions in a piece b) Use 4th position (eg. G maj. 2 octave scale) a) Read and understand multimeasure rests b) Understand how articulation affects the character of a piece c) Compose a question and answer phrase in a major key a) Vary the s ...
Level One Benchmarks for Strings
... Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the parts of his/her instrument and know how to take care of it. Tone Quality and Intonation Produce ...
... Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the parts of his/her instrument and know how to take care of it. Tone Quality and Intonation Produce ...
Harmony
In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the ""vertical"" aspect of music, as distinguished from melodic line, or the ""horizontal"" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with ""tensions"". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) ""resolves"" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between ""tense"" and ""relaxed"" moments.