Elements of Music
... – A relationship between two notes (interval) is either stable or unstable – Unstable (dissonant) intervals resolve to stable (consonant) intervals ...
... – A relationship between two notes (interval) is either stable or unstable – Unstable (dissonant) intervals resolve to stable (consonant) intervals ...
AP-Music-Theory-Study-Guide
... o Common (pivot) chord modulation- using one or more chords that are common to both keys as an intersection between them o Common tone modulation- using one or more tones that are common to both keys as an intersection between them o Phrase modulation- modulations without common chords or tones • Ne ...
... o Common (pivot) chord modulation- using one or more chords that are common to both keys as an intersection between them o Common tone modulation- using one or more tones that are common to both keys as an intersection between them o Phrase modulation- modulations without common chords or tones • Ne ...
scottish - Gryffe Music
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
The Baroque Period
... associated with particular feelings Composers experimented with ways to make music imitate the voice Tendency toward more rigid formal design More regular metric organization/composers began to use bar lines to organize their music Use of more straightforward major and minor keys ...
... associated with particular feelings Composers experimented with ways to make music imitate the voice Tendency toward more rigid formal design More regular metric organization/composers began to use bar lines to organize their music Use of more straightforward major and minor keys ...
HIGH FREQUENCY VOCABULARY AND DEFINITIONS 5TH
... Interval of eight notes, either up or down A short repeated rhythmic or melodic pattern Music based on a five tone scale Very soft Soft The highest pitched instrument in the woodwind family , ; in 4/4 time, receives one beat Single-reed instrument in the woodwind family The notation of the entire ...
... Interval of eight notes, either up or down A short repeated rhythmic or melodic pattern Music based on a five tone scale Very soft Soft The highest pitched instrument in the woodwind family , ; in 4/4 time, receives one beat Single-reed instrument in the woodwind family The notation of the entire ...
Listening
... • Imitation - A musical idea being passed around instruments or instrumental families. • Pedal - A sustained note which can be either either low in the bass, or high in the melody. • Ostinato - A repeating musical phrase. Often heard in the bass. ...
... • Imitation - A musical idea being passed around instruments or instrumental families. • Pedal - A sustained note which can be either either low in the bass, or high in the melody. • Ostinato - A repeating musical phrase. Often heard in the bass. ...
Elements of Music
... Binary – AB form; music has two sections Form – The way music is arranged Call and Response – Soloist sings, then congregation repeats or echoes what the soloist sang. (Originated in Africa) ABA – Ternary form; music has three sections – the “A” section is played twice ...
... Binary – AB form; music has two sections Form – The way music is arranged Call and Response – Soloist sings, then congregation repeats or echoes what the soloist sang. (Originated in Africa) ABA – Ternary form; music has three sections – the “A” section is played twice ...
Year-9-Music
... o A repeated musical pattern in the bass part upon which chords and melodies can be performed and varied. This variety often gets more complex as the piece proceeds o A unifying feature in much music of the Baroque period and popular songs. o This makes Ground Bass a particular type of variation for ...
... o A repeated musical pattern in the bass part upon which chords and melodies can be performed and varied. This variety often gets more complex as the piece proceeds o A unifying feature in much music of the Baroque period and popular songs. o This makes Ground Bass a particular type of variation for ...
Harmony from the Inside
... Only barbershoppers call them this! (Others call them: dominant sevenths or major-minor sevenths.) Like a major triad, but with an extra note on top. Called ‘7th chord’ because of number of steps between root and the top note. There are different types of 7th, like there are different types of triad ...
... Only barbershoppers call them this! (Others call them: dominant sevenths or major-minor sevenths.) Like a major triad, but with an extra note on top. Called ‘7th chord’ because of number of steps between root and the top note. There are different types of 7th, like there are different types of triad ...
Clefs - Eureka High School Bands
... The top number of a time signature tells how many beats are in a measure. The bottom number of a time signature tells what note value gets one count. If the bottom number is a “4,” a quarter note gets one count. If it is an “8,” the eighth note gets one count. If it is a “2,” the half note gets one ...
... The top number of a time signature tells how many beats are in a measure. The bottom number of a time signature tells what note value gets one count. If the bottom number is a “4,” a quarter note gets one count. If it is an “8,” the eighth note gets one count. If it is a “2,” the half note gets one ...
File
... Example of chamber music i.e. 8/9 performers not designed to be played in a formal concert setting The 6 Brandenburg Concertos were written between 1711 and 1720, and in 1721 were dedicated to the Margrave of Brandenburg, maybe ordered or part of a job application ...
... Example of chamber music i.e. 8/9 performers not designed to be played in a formal concert setting The 6 Brandenburg Concertos were written between 1711 and 1720, and in 1721 were dedicated to the Margrave of Brandenburg, maybe ordered or part of a job application ...
Baroque - Leo Hayes High School
... • J.S Bach reacted to all the fancy decorations of the time and added them into his music…..layering melodies and making them complex with fast moving notes and trills • Composers starting to add dynamics and tempo markings • Improvisation became common, even in church • Music used to express emoti ...
... • J.S Bach reacted to all the fancy decorations of the time and added them into his music…..layering melodies and making them complex with fast moving notes and trills • Composers starting to add dynamics and tempo markings • Improvisation became common, even in church • Music used to express emoti ...
• Melody = a succession of pitches at specific durations that begins
... a 'piece' = a musical composition which is played on instruments. ...
... a 'piece' = a musical composition which is played on instruments. ...
Chapter 9 - eacfaculty.org
... these are. The most common second inversion triad you will see is the tonic, but others do happen. • Uses: – Cadential – the tonic 6/4 chord resolves to the V chord at the cadence. Used in this manner, it is a decoration of the V chord. Always double the bass in this case. – Passing Bass – The bass ...
... these are. The most common second inversion triad you will see is the tonic, but others do happen. • Uses: – Cadential – the tonic 6/4 chord resolves to the V chord at the cadence. Used in this manner, it is a decoration of the V chord. Always double the bass in this case. – Passing Bass – The bass ...
Document
... than music. It is only in the 20th century that this term has been employed to refer to a period in music history. ...
... than music. It is only in the 20th century that this term has been employed to refer to a period in music history. ...
Variation
... Change the rhythm Change the pitch Remove notes Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
... Change the rhythm Change the pitch Remove notes Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
GRADE FOUR Expectations in Class Active Participation with
... Begin altered sounds using “#”, “b” and natural accidentals; Begin introduction of Melodic and Harmonic minor scales; Introduce orchestra instruments; Introduce treble & bass clef; Letter names of notes Harmony Intervals of chords within the major scale using syllables and note names; Identify caden ...
... Begin altered sounds using “#”, “b” and natural accidentals; Begin introduction of Melodic and Harmonic minor scales; Introduce orchestra instruments; Introduce treble & bass clef; Letter names of notes Harmony Intervals of chords within the major scale using syllables and note names; Identify caden ...
The Baroque Period
... ordinary dialogue was sung instead of spoken; aria, where a single character would expound upon his or her thoughts in a more elaborate, structured musical form; and chorus, where a large group of actors would all sing together. This same structure was sometimes used with religious texts, in which c ...
... ordinary dialogue was sung instead of spoken; aria, where a single character would expound upon his or her thoughts in a more elaborate, structured musical form; and chorus, where a large group of actors would all sing together. This same structure was sometimes used with religious texts, in which c ...
Don Gray - Arranging Barbershop
... 4. Basses: roots and fifths only; not below low-F, not above middle-C. ...
... 4. Basses: roots and fifths only; not below low-F, not above middle-C. ...
AUGMENTED SIXTH CHORDS Definition
... A6 chords are most often built on the note a half step above the dominant (b6) of the scale in both major and minor keys (as the above examples in the key of C). A6 chords may also be built on the note a half step above the tonic (b2) or the fourth scale degree (see below for examples). Sound: It6 s ...
... A6 chords are most often built on the note a half step above the dominant (b6) of the scale in both major and minor keys (as the above examples in the key of C). A6 chords may also be built on the note a half step above the tonic (b2) or the fourth scale degree (see below for examples). Sound: It6 s ...
Guide to Analysis of Music
... Musical features: such as (but not limited to) harmony, melody, and rhythm Structural features: such as (but not limited to) form, phrases, motifs and texture Contextual features: such as (but not limited to) style, time, culture, geography and history. STEP 1 – TIMELINE (Musical features) I ...
... Musical features: such as (but not limited to) harmony, melody, and rhythm Structural features: such as (but not limited to) form, phrases, motifs and texture Contextual features: such as (but not limited to) style, time, culture, geography and history. STEP 1 – TIMELINE (Musical features) I ...
Music Vocabulary
... Measure- The unit of measure where the beats on the lines of the staff are divided up into two, three, four beats to a measure. Minor- One of the two modes of the tonal system. The minor mode can be identified by the dark, ...
... Measure- The unit of measure where the beats on the lines of the staff are divided up into two, three, four beats to a measure. Minor- One of the two modes of the tonal system. The minor mode can be identified by the dark, ...
C:\Documents and Settings\Borys Medicky\My Documents\Basso
... involved always has a major third, even if it is not indicated (resolution of third to octave from rule 6c above). This is the equivalent of the modern “authentic” or “perfect” cadence. 8a. When the bass ascends a fifth or descends a fourth, both chords require a terza naturale (i.e. a third drawn f ...
... involved always has a major third, even if it is not indicated (resolution of third to octave from rule 6c above). This is the equivalent of the modern “authentic” or “perfect” cadence. 8a. When the bass ascends a fifth or descends a fourth, both chords require a terza naturale (i.e. a third drawn f ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.