Electric Counterpoint: Steve Reich Background: Electric
... This piece is divided into 2 main sections with a coda. The main sections are then subdivided Into 4 small sections, each of which is defined by changes in key and texture. Detailed Analysis (3rd movement ‘fast’): Ostinato: The piece begins with guitar 1 repeating a one bar ostinato. Note Addition: ...
... This piece is divided into 2 main sections with a coda. The main sections are then subdivided Into 4 small sections, each of which is defined by changes in key and texture. Detailed Analysis (3rd movement ‘fast’): Ostinato: The piece begins with guitar 1 repeating a one bar ostinato. Note Addition: ...
lecture 3 review
... 1. The early history of Western music was dominated by: 2. The embellishment of the musical line, with devices such as trills, mordents and grace notes. 3. The Mass was broken into five sections what are those sections? 4. Another term for Gregorian chant. 5. What are the two principal keyboard inst ...
... 1. The early history of Western music was dominated by: 2. The embellishment of the musical line, with devices such as trills, mordents and grace notes. 3. The Mass was broken into five sections what are those sections? 4. Another term for Gregorian chant. 5. What are the two principal keyboard inst ...
Elements of rock styles - KU Information Technology
... • In popular music, usually the vocal line • Contains main musical ideas of piece – Motive = short, distinct figure – Riff = motive with a distinct rhythm that repeats throughout piece – Hook – text phrase or musical idea that “grabs you” – repeated frequently ...
... • In popular music, usually the vocal line • Contains main musical ideas of piece – Motive = short, distinct figure – Riff = motive with a distinct rhythm that repeats throughout piece – Hook – text phrase or musical idea that “grabs you” – repeated frequently ...
Beautiful city
... (A-A for violin, D-D for viola and cello). The bottom string is lowered by a fourth to be an octave below the third string (D-d for violin, G-g for viola and cello). Each part is notated on two staves (D and A for violin; G and D for viola and cello). Each staff represents a pair of matching strings ...
... (A-A for violin, D-D for viola and cello). The bottom string is lowered by a fourth to be an octave below the third string (D-d for violin, G-g for viola and cello). Each part is notated on two staves (D and A for violin; G and D for viola and cello). Each staff represents a pair of matching strings ...
homework - WordPress.com
... They were both completely fascinated with drones and repetition, so tended to use these as the basis for their compositions. Young took this to extremes, basing entire pieces on a very long, extended notes played very loudly and adding harmonics to it. He would often revisit pieces, constantly rewor ...
... They were both completely fascinated with drones and repetition, so tended to use these as the basis for their compositions. Young took this to extremes, basing entire pieces on a very long, extended notes played very loudly and adding harmonics to it. He would often revisit pieces, constantly rewor ...
here - Duo Domenico
... In many of Ortiz’ recercadas the notion of “solo plus accompaniment” does not really hold; the “solo” is essentially an ornate and improvisatory embellishment for a madrigal. In this recercada, at least, the “accompaniment” is a repeated chordal bass-line, giving the melody a little more lime-light. ...
... In many of Ortiz’ recercadas the notion of “solo plus accompaniment” does not really hold; the “solo” is essentially an ornate and improvisatory embellishment for a madrigal. In this recercada, at least, the “accompaniment” is a repeated chordal bass-line, giving the melody a little more lime-light. ...
Tuesday Baroque July 23, 2013 Fancois Couperin II, Le Grand
... enough to represent his vast catalog of more than 3000 original works. For reference;; he scored even more music than his compatriot, Johann Sebastian Bach (they were close friends). Georg Philipp also composed in every possible genre, including sacred and secular cantatas, masses, oratorios, passio ...
... enough to represent his vast catalog of more than 3000 original works. For reference;; he scored even more music than his compatriot, Johann Sebastian Bach (they were close friends). Georg Philipp also composed in every possible genre, including sacred and secular cantatas, masses, oratorios, passio ...
playing the organ works of mendelssohn
... Sonata No. 1, Allegro assai vivace Pedal technique is often reduced to the simple question whether one “may” or “may not” use the heel in the works of a given composer. I can’t even begin to address the problems I have with that oversimplified approach! In the “Schübler” Chorales, I now recommend he ...
... Sonata No. 1, Allegro assai vivace Pedal technique is often reduced to the simple question whether one “may” or “may not” use the heel in the works of a given composer. I can’t even begin to address the problems I have with that oversimplified approach! In the “Schübler” Chorales, I now recommend he ...
The Common-Tone Diminished Seventh Chord 7
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
2015 Chorus Midterm Review Sheet
... SPHS Midterm 2015 Chorus Review Sheet accidentals – sharps, double sharps, flats, double flats, and naturals, when introduced apart from the key signature bass clef– the lower set of parallel lines in the grand staff beam – a line connecting two or more notes of value less than a quarter note beat – ...
... SPHS Midterm 2015 Chorus Review Sheet accidentals – sharps, double sharps, flats, double flats, and naturals, when introduced apart from the key signature bass clef– the lower set of parallel lines in the grand staff beam – a line connecting two or more notes of value less than a quarter note beat – ...
chap3 hw Compute the Frequencies of the Notes of the C
... PROBLEM: We have seen that musical tones can be modeled mathematically by sinusoidal signals. If you read music or play the piano you are aware of the fact that the piano keyboard is divided into octaves, with the tones in each octave being twice the frequency of the corresponding tones in the next ...
... PROBLEM: We have seen that musical tones can be modeled mathematically by sinusoidal signals. If you read music or play the piano you are aware of the fact that the piano keyboard is divided into octaves, with the tones in each octave being twice the frequency of the corresponding tones in the next ...
File - Eric Matthews` Efolio
... and not three like the name suggests, two treble pitched instruments, 1 bass pitched instrument, and a harpsichord with a figured bass. A concerto was a piece of music that was purely for instrumental use and was performed by ensembles. An ensemble's size could range from a small ensemble, concertin ...
... and not three like the name suggests, two treble pitched instruments, 1 bass pitched instrument, and a harpsichord with a figured bass. A concerto was a piece of music that was purely for instrumental use and was performed by ensembles. An ensemble's size could range from a small ensemble, concertin ...
1306 Study guide I.doc
... Sharp: A pitch that is to be played 1/2 step higher Flat: A pitch that is to be played 1/2 step lower Contour: Shape or outline of a melody formed by its notes Tune: A melody that is easily recognized, memorized, and sung. Scale: An ascending or descending pattern of half and/or whole steps. Key: Th ...
... Sharp: A pitch that is to be played 1/2 step higher Flat: A pitch that is to be played 1/2 step lower Contour: Shape or outline of a melody formed by its notes Tune: A melody that is easily recognized, memorized, and sung. Scale: An ascending or descending pattern of half and/or whole steps. Key: Th ...
In-Depth Listening by BYA (Bloom`s Taxonomy)
... is a lot more like a piano solo. You can hear the piano a lot louder than the other instruments. The fourth section repeats part of the first section moving the tempo faster. It ends with the bass by itself. This piece is similar to ours because we both use a walking bass. They feel jazzy and like t ...
... is a lot more like a piano solo. You can hear the piano a lot louder than the other instruments. The fourth section repeats part of the first section moving the tempo faster. It ends with the bass by itself. This piece is similar to ours because we both use a walking bass. They feel jazzy and like t ...
Document 3a 42kb
... the piano. It also did not appeal to us as well as it would of because we felt it had an older feel to the piece that we didn’t like. The music is good because it all fits together well even though it sounds improvised. We think the music is also good because it sounds not practised. We like how the ...
... the piano. It also did not appeal to us as well as it would of because we felt it had an older feel to the piece that we didn’t like. The music is good because it all fits together well even though it sounds improvised. We think the music is also good because it sounds not practised. We like how the ...
National 4 Concepts
... The music has two, three or four beats in each bar, and each beat is a crotchet (1 beat note) and each beat can be divided into 2. If you try saying the word 'sim-ple' in each beat, and it fits with the notes, then you are listening to simple time. Simple time signatures are written as 2/4, 3/4 and ...
... The music has two, three or four beats in each bar, and each beat is a crotchet (1 beat note) and each beat can be divided into 2. If you try saying the word 'sim-ple' in each beat, and it fits with the notes, then you are listening to simple time. Simple time signatures are written as 2/4, 3/4 and ...
arranging for strings i
... Isaac goes on to say that, the first violin part should remain in first position most of the time, except for an occasional shift to third position. The cellos shouldn’t include a tenor clef, and the second violin part should be less difficult than the first violin part. ...
... Isaac goes on to say that, the first violin part should remain in first position most of the time, except for an occasional shift to third position. The cellos shouldn’t include a tenor clef, and the second violin part should be less difficult than the first violin part. ...
Theory Intro
... Ê Authentic cadence – V to I (chord root in bass, tune ends on 1) Ê If weakened by different melody note or bass note, imperfect ...
... Ê Authentic cadence – V to I (chord root in bass, tune ends on 1) Ê If weakened by different melody note or bass note, imperfect ...
Historical periods, musical styles, and principal genres in western
... composers: Bernart of Ventadorn, Beatrice of Dia, Adam de la Halle, and hundreds of others ...
... composers: Bernart of Ventadorn, Beatrice of Dia, Adam de la Halle, and hundreds of others ...
Elements of Music
... Sonata form is a musical form that has been used widely since the early Classical period. It has typically been used in the first movement of multimovement pieces, and is therefore more specifically referred to as sonata-allegro form or firstmovement form. Study of the sonata form in music theory r ...
... Sonata form is a musical form that has been used widely since the early Classical period. It has typically been used in the first movement of multimovement pieces, and is therefore more specifically referred to as sonata-allegro form or firstmovement form. Study of the sonata form in music theory r ...
Concepts for the Music Theory Sections of the Graduate Preliminary
... - No parallel 5ths or parallel octaves (also no "contrary" 5ths or octaves--this is when consecutive 5ths or octaves are created by contrary instead of parallel motion) - Resolve all "tendency tones" in the same voice--a leading-tone must resolves UP by half-step to the tonic; 7ths of "dominant 7th" ...
... - No parallel 5ths or parallel octaves (also no "contrary" 5ths or octaves--this is when consecutive 5ths or octaves are created by contrary instead of parallel motion) - Resolve all "tendency tones" in the same voice--a leading-tone must resolves UP by half-step to the tonic; 7ths of "dominant 7th" ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.