GCSE Music Revision - The Hazeley Academy
... Ostinato/loops – repeated musical ideas. The shortest ideas are called cells. Phasing – two almost identical parts which go out of sync with each other and gradually, after a number of repetitions, come back into sync again Metamorphosis – gradually changing from one musical idea to another, often ...
... Ostinato/loops – repeated musical ideas. The shortest ideas are called cells. Phasing – two almost identical parts which go out of sync with each other and gradually, after a number of repetitions, come back into sync again Metamorphosis – gradually changing from one musical idea to another, often ...
MS Orchestra EOC Study Guide
... Define a major scale and its use of half steps and whole steps Be able to identify key signatures up to four sharps and four flats Identify the function of the top and bottom number in a time signature Have basic knowledge of rhythms up to 16th notes including dotted notes or dotted rhythms ...
... Define a major scale and its use of half steps and whole steps Be able to identify key signatures up to four sharps and four flats Identify the function of the top and bottom number in a time signature Have basic knowledge of rhythms up to 16th notes including dotted notes or dotted rhythms ...
- Anything Goes
... An analysis of “All through the night” and “Blow Gabriel Blow” presents a great opportunity to introduce aural and analytical / musicianship skills that explore chromatic scales, arpeggios, the circle of fifths and jazz chords. Teachers can use ideas such as: • Comparison of the two songs: i. What ...
... An analysis of “All through the night” and “Blow Gabriel Blow” presents a great opportunity to introduce aural and analytical / musicianship skills that explore chromatic scales, arpeggios, the circle of fifths and jazz chords. Teachers can use ideas such as: • Comparison of the two songs: i. What ...
National 5 Musical Periods and Styles
... Motif A opens the movement. It is a short fanfare played by three clarinets, a bass clarinet and three bassoons. Notice the use of triplets and the six different pitches. The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted tr ...
... Motif A opens the movement. It is a short fanfare played by three clarinets, a bass clarinet and three bassoons. Notice the use of triplets and the six different pitches. The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted tr ...
Traditional Russian Folk Instruments Chordophones Balalaika, a
... Russian buttonaccordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key ...
... Russian buttonaccordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key ...
Glossary Commonly Used Musical Terms and
... scale - The steps or succession of tones belonging to any key. I n solfege, it is: do, re, mi, ...
... scale - The steps or succession of tones belonging to any key. I n solfege, it is: do, re, mi, ...
Study Guide for Music 1000 1 Music Organization of Sound and
... o Martian Luther (1483-1546): created the Lutheran Church, took parts of the C. church and change parts o Giovanni Gabrieli (1525/1526-1594) Wrote the Pope Marcellous Mass Used 2 choirs, 3 voice parts, 4 instrumenal parts plus and organ Gesualdo (1580) o Used harmony to alter feelings Baroque st ...
... o Martian Luther (1483-1546): created the Lutheran Church, took parts of the C. church and change parts o Giovanni Gabrieli (1525/1526-1594) Wrote the Pope Marcellous Mass Used 2 choirs, 3 voice parts, 4 instrumenal parts plus and organ Gesualdo (1580) o Used harmony to alter feelings Baroque st ...
S3 Theory Matters Workbook
... Using the example, this would be C, D and E. So, C and E are a 3rd apart. Another example… What is the distance between G and C? Count G, A, B and C. There are 4 notes named so the distance between G and C is a 4th. The easiest way to do this is counting on your fingers, or using a diagram like the ...
... Using the example, this would be C, D and E. So, C and E are a 3rd apart. Another example… What is the distance between G and C? Count G, A, B and C. There are 4 notes named so the distance between G and C is a 4th. The easiest way to do this is counting on your fingers, or using a diagram like the ...
Project In - Milarianne
... Recorders are often used in schools to aid the teaching of general music. They are extremely easy to play regardless of hand size or embouchure. Early recorders were used mostly in ensembles with other recorders or other soft-sounding instruments, but by the 1600s the recorder was starting to be use ...
... Recorders are often used in schools to aid the teaching of general music. They are extremely easy to play regardless of hand size or embouchure. Early recorders were used mostly in ensembles with other recorders or other soft-sounding instruments, but by the 1600s the recorder was starting to be use ...
STRATFORD PUBLIC SCHOOLS Music Department – Music Theory
... Write all four triad types. Identify four triad types aurally. Demonstrate understanding of 1st and 2nd inversion triads including inversion symbols. Identify triads on major and minor scale degrees using Roman Numerals, popular chord symbols, and scale degree names. • Perform triads on keyboard. • ...
... Write all four triad types. Identify four triad types aurally. Demonstrate understanding of 1st and 2nd inversion triads including inversion symbols. Identify triads on major and minor scale degrees using Roman Numerals, popular chord symbols, and scale degree names. • Perform triads on keyboard. • ...
I Can Only Imagine (Preview only)
... medium-sized church orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. The layout and look was very carefully chosen to provide a fresh and relaxed, yet professional look for the player. Rhythm section: The Rhythm part is for the section pl ...
... medium-sized church orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. The layout and look was very carefully chosen to provide a fresh and relaxed, yet professional look for the player. Rhythm section: The Rhythm part is for the section pl ...
Hosanna - PraiseCharts
... Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. ...
... Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. ...
EC1 Music History -- Music of the Baroque (1600
... Baroque music is a style-period of Western art music composed from approximately 1600 to 1750. It is long period of time that saw many important developments that established the foundation of the music we are familiar with today. Baroque music is a major part of what we call classical music. Compos ...
... Baroque music is a style-period of Western art music composed from approximately 1600 to 1750. It is long period of time that saw many important developments that established the foundation of the music we are familiar with today. Baroque music is a major part of what we call classical music. Compos ...
Louisiana College Department of Music
... 24 Italian Songs and Arias (G. Schirmer) or 26 Italian Songs and Arias (Hal Leonard) 28 Italian Songs and Arias of the 17th and 18th Centuries (Hal Leonard) 50 Art Songs from the Modern Repertoire (Hal Leonard) Twentieth Century Art Songs (G. Schirmer) First Book of Soprano, Mezzo-Soprano, Tenor and ...
... 24 Italian Songs and Arias (G. Schirmer) or 26 Italian Songs and Arias (Hal Leonard) 28 Italian Songs and Arias of the 17th and 18th Centuries (Hal Leonard) 50 Art Songs from the Modern Repertoire (Hal Leonard) Twentieth Century Art Songs (G. Schirmer) First Book of Soprano, Mezzo-Soprano, Tenor and ...
mus 1p definitions. test 2
... a foundation of simple chords. Basso Continuo. Italian for "continuous bass." See figured bass. Also refers to performance group with a bass, chordal instrument (harpsichord, organ), and one bass melody instrument (cello, bassoon). Figured Bass. Baroque practice consisting of an independent bass lin ...
... a foundation of simple chords. Basso Continuo. Italian for "continuous bass." See figured bass. Also refers to performance group with a bass, chordal instrument (harpsichord, organ), and one bass melody instrument (cello, bassoon). Figured Bass. Baroque practice consisting of an independent bass lin ...
Freshman Band Scale Checkoff/Final Exam Freshman Band Final
... You will need to know the following information for your band final: Identify the treble (G clef) _____ and the bass (F clef) ________ Name the notes of the treble clef lines (EGBDF) and spaces (FACE) Name the notes of the bass clef lines (GBDFA) and spaces (ACEG) Identify the staff, bar lin ...
... You will need to know the following information for your band final: Identify the treble (G clef) _____ and the bass (F clef) ________ Name the notes of the treble clef lines (EGBDF) and spaces (FACE) Name the notes of the bass clef lines (GBDFA) and spaces (ACEG) Identify the staff, bar lin ...
the fundamental principles of harmony
... inversion chords - Accord de Sixte or Premier renversement de l’accord - contain within them both relics of Figured Bass (numbers indicating intervals above the bass) or concepts of flipping over the members of the triad and hence turning upside down « the agreement » between these pitches. Without ...
... inversion chords - Accord de Sixte or Premier renversement de l’accord - contain within them both relics of Figured Bass (numbers indicating intervals above the bass) or concepts of flipping over the members of the triad and hence turning upside down « the agreement » between these pitches. Without ...
abrsm 2 - ISAS Portal
... described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. ...
... described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. ...
Notes - Higher Music
... extra notes. Ornaments are often short and add melodic and rhythmic interest. The first example shows first how a mordent is written and then how it is played: the main note is played, followed by the note above, then the main note again. ...
... extra notes. Ornaments are often short and add melodic and rhythmic interest. The first example shows first how a mordent is written and then how it is played: the main note is played, followed by the note above, then the main note again. ...
Music Fundamentals Primer Lesson 4
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
GCSE set works condensed info
... mood (eg. v7: all instruments drop out, adding contrast to the drums’ build up to the last verse) Harmony is less important than melody and rhythm. Only 4 chords in the whole song, but chord changes are very noticeable because they introduce new sections and moods. ...
... mood (eg. v7: all instruments drop out, adding contrast to the drums’ build up to the last verse) Harmony is less important than melody and rhythm. Only 4 chords in the whole song, but chord changes are very noticeable because they introduce new sections and moods. ...
Notation
... Staccato Dots Dots placed above or below note heads indicate that the notes should be played staccato, in a detached manner Musicians often play a staccato quarter note as if it were an eighth note followed by an eighth rest ...
... Staccato Dots Dots placed above or below note heads indicate that the notes should be played staccato, in a detached manner Musicians often play a staccato quarter note as if it were an eighth note followed by an eighth rest ...
glossary of musical terms
... Phrase - A single line of music played or sung. A musical sentence. Piano - An instruction in sheet music to play softly. Abbreviated by a “p”. Pitch - The frequency of a note determining how high or low it sounds. Pizzicato - String instruments that are picked instead of bowed. Polyphony - Combinin ...
... Phrase - A single line of music played or sung. A musical sentence. Piano - An instruction in sheet music to play softly. Abbreviated by a “p”. Pitch - The frequency of a note determining how high or low it sounds. Pizzicato - String instruments that are picked instead of bowed. Polyphony - Combinin ...
General Introduction - Web Library of Seventeenth
... experienced performers or even instrumentalists, especially students, who will be encountering music of this period for the first time. Many instrumentalists consulting this anthology will not have access to replicas of historical instruments, but will be reading this music on modern instruments, ei ...
... experienced performers or even instrumentalists, especially students, who will be encountering music of this period for the first time. Many instrumentalists consulting this anthology will not have access to replicas of historical instruments, but will be reading this music on modern instruments, ei ...
National 4 Scottish Music
... either be right up against the bottom skin of the drum – which makes it a snare drum and has a 'rattly' sound – or moved away from the bottom skin – which makes it a side drum with a 'dry' sound where no rattles can be heard. ...
... either be right up against the bottom skin of the drum – which makes it a snare drum and has a 'rattly' sound – or moved away from the bottom skin – which makes it a side drum with a 'dry' sound where no rattles can be heard. ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.