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UNDERSTANDING MICROPHONES - Wodonga Senior Secondary …
UNDERSTANDING MICROPHONES - Wodonga Senior Secondary …

5023.AFE4300 FAQ
5023.AFE4300 FAQ

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... Hi Pass Filter set below frequency of interest. ...
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Em05: Series-Resonant LCR Circuit

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MAX7034 315MHz/434MHz ASK Superheterodyne Receiver General Description

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IOSR Journal of Electronics and Communication Engineering (IOSR-JECE)

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Audio Presentation – Continuous Sigma TM April 2015

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Op Amp integrated 8th order Butterworth low pass filter
Op Amp integrated 8th order Butterworth low pass filter

... passband response, making them ideal for instrumentation applications that require minimum deviation from the DC gain throughout the passband. Figure 1 shows the difference between Bessel and Butterworth filter frequency responses. With the filter cutoff frequencies set at 1kHz, trace A shows the Be ...
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SGC-6289Z 数据资料DataSheet下载

EXERCISES RESONAT CIRCUITS 5.21 The resonant circuit of the
EXERCISES RESONAT CIRCUITS 5.21 The resonant circuit of the

... Knowing that the quality factor of the coil (L with internal resistance r) in the circuit of the Figure 1 at 0=1Mrad/s is Qb=50, and that the antiresonant circuit receives the maximum power at this frequency, obtain: a) Values of r, L and C. b) Value of the current through the coil if the frequency ...
AN9789: Audio Quality Measurement Primer
AN9789: Audio Quality Measurement Primer

... Society of America and published by the American Standards Association in 1936. The tentative standard shows two frequency weighting curves “A” and “B” which were modeled on the ear’s response to low and high levels of sound respectively. The most common weighting today is “A-weighting” dB(A), which ...
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Owner`s Manual

... Connect the +12V terminal of the amplifier to the + terminal of the battery using the same diameter as the ground cable, making sure you install in-line fuse holder, approximately 300 or 400 mm. From the + terminal of battery, making sure that there is no fuse in the battery holder All audio pipe am ...
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TEST SHEET FOR PROCO RAT – bass and diode

Section H7: Frequency Response of Op-Amp Circuits
Section H7: Frequency Response of Op-Amp Circuits

... bandwidth, output resistance, CMRR, PSRR, and the slew rate may be important in the selection of an appropriate device and the successful design of an amplifier system. Other considerations in the design of multiple opamp circuits include: ¾ The gain per stage. This is determined by dividing the gai ...
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GYROSTAR® Ultra-Small angular velocity sensor with Murata`s

< 1 ... 14 15 16 17 18 19 20 21 22 ... 37 >

Equalization (audio)



Equalization (British: equalisation) is the process of adjusting the balance between frequency components within an electronic signal. The most well known use of equalization is in sound recording and reproduction but there are many other applications in electronics and telecommunications. The circuit or equipment used to achieve equalization is called an equalizer. These devices strengthen (boost) or weaken (cut) the energy of specific frequency bands.In sound recording and reproduction, equalization is the process commonly used to alter the frequency response of an audio system using linear filters. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. An equalizer is the circuit or equipment used to achieve equalization. Since equalizers, ""adjust the amplitude of audio signals at particular frequencies,"" they are, ""in other words, frequency-specific volume knobs.""In the field of audio electronics, the term ""equalization"" has come to include the adjustment of frequency responses for practical or aesthetic reasons, often resulting in a net response that is not truly equalized. The term EQ specifically refers to this variant of the term. Stereos typically have adjustable equalizers which boost or cut bass or treble frequencies. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent.Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement to correct the response of microphones, instrument pick-ups, loudspeakers, and hall acoustics. Equalization may also be used to eliminate unwanted sounds, make certain instruments or voices more prominent, enhance particular aspects of an instrument's tone, or combat feedback (howling) in a public address system. Equalizers are also used in music production to adjust the timbre of individual instruments by adjusting their frequency content and to fit individual instruments within the overall frequency spectrum of the mix.The most common equalizers in music production are parametric, semi-parametric, graphic, peak, and program equalizers. Graphic equalizers are often included in consumer audio equipment and software which plays music on home computers. Parametric equalizers require more expertise than graphic equalizers, and they can provide more specific compensation or alteration around a chosen frequency. This may be used in order to remove (or to create) a resonance, for instance.
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