(f-fo0) sin(2rrf0t) + (2n+l)!
... matrices and their left pseudo-inverses were calculated for many cases. Sane of the combinaticns of parameters examined are listed in Table I. In these cases, time was considered to be zero at the middle of the selected- data windows. Table II lists the elements of the first four rows of the left ps ...
... matrices and their left pseudo-inverses were calculated for many cases. Sane of the combinaticns of parameters examined are listed in Table I. In these cases, time was considered to be zero at the middle of the selected- data windows. Table II lists the elements of the first four rows of the left ps ...
COMMUNICATIONS
... lies in the range Awunder consideration. This gives rise to a continuous spectrum having infinite peaks at the ends of the frequency excursion, and is perhaps more familiar as the amplitude probability distribution of a sine wave. These considerations are not limited to modulating wave shape; in fac ...
... lies in the range Awunder consideration. This gives rise to a continuous spectrum having infinite peaks at the ends of the frequency excursion, and is perhaps more familiar as the amplitude probability distribution of a sine wave. These considerations are not limited to modulating wave shape; in fac ...
angle modulation
... Power content is constant and fixed, and there is no waste of power transmitted ...
... Power content is constant and fixed, and there is no waste of power transmitted ...
Universal frequency-dependent conduction of
... 1a), at higher frequencies currents can occur in localized pairs or clusters, whose characteristic “RC” time equals the reciprocal frequency of the AC driving, as shown in Fig. 1b. This is in line with previous work analyzing the contributions of localized pairs at high frequencies [2, 42]. Note als ...
... 1a), at higher frequencies currents can occur in localized pairs or clusters, whose characteristic “RC” time equals the reciprocal frequency of the AC driving, as shown in Fig. 1b. This is in line with previous work analyzing the contributions of localized pairs at high frequencies [2, 42]. Note als ...
Equalization (audio)
Equalization (British: equalisation) is the process of adjusting the balance between frequency components within an electronic signal. The most well known use of equalization is in sound recording and reproduction but there are many other applications in electronics and telecommunications. The circuit or equipment used to achieve equalization is called an equalizer. These devices strengthen (boost) or weaken (cut) the energy of specific frequency bands.In sound recording and reproduction, equalization is the process commonly used to alter the frequency response of an audio system using linear filters. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. An equalizer is the circuit or equipment used to achieve equalization. Since equalizers, ""adjust the amplitude of audio signals at particular frequencies,"" they are, ""in other words, frequency-specific volume knobs.""In the field of audio electronics, the term ""equalization"" has come to include the adjustment of frequency responses for practical or aesthetic reasons, often resulting in a net response that is not truly equalized. The term EQ specifically refers to this variant of the term. Stereos typically have adjustable equalizers which boost or cut bass or treble frequencies. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent.Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement to correct the response of microphones, instrument pick-ups, loudspeakers, and hall acoustics. Equalization may also be used to eliminate unwanted sounds, make certain instruments or voices more prominent, enhance particular aspects of an instrument's tone, or combat feedback (howling) in a public address system. Equalizers are also used in music production to adjust the timbre of individual instruments by adjusting their frequency content and to fit individual instruments within the overall frequency spectrum of the mix.The most common equalizers in music production are parametric, semi-parametric, graphic, peak, and program equalizers. Graphic equalizers are often included in consumer audio equipment and software which plays music on home computers. Parametric equalizers require more expertise than graphic equalizers, and they can provide more specific compensation or alteration around a chosen frequency. This may be used in order to remove (or to create) a resonance, for instance.