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TONE VS. MODE by Stan Takis More than once I have been
TONE VS. MODE by Stan Takis More than once I have been

... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
Semitones - funmusiccoimages.com
Semitones - funmusiccoimages.com

... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
Tones and Semitones
Tones and Semitones

... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
Shepard Tones - Virtual Math Museum
Shepard Tones - Virtual Math Museum

... If you misread the name of this exhibit, you may have expected to hear some pretty music played on a set of shepherd’s pipes. Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. B ...
Slides - UMD Physics
Slides - UMD Physics

... frequencies to all twelve notes from C to B It is impossible to find a temperament where all the octaves and fifths are perfect Pythagorean: all octaves and all but one fifth are perfect. One fifth is very off (pythagorean comma). ...
Lecture Set 07
Lecture Set 07

... An Interesting observation • When the string is reduced to half, it produces a tone related to the original tone. • The new tone is said to be an OCTAVE higher than the original. – The textbook calls this interval a “diapason” ...
Serial Music - Toot Hill School
Serial Music - Toot Hill School

... Serial music (composer: Schoenberg) is built on a scale called a 12 tone row. The tone row consists of one of each of the 12 notes on the keyboard. This is how the tone row is used to create a composition: 1. The 12 chromatic notes (notes that are a semitone apart) are arranged in a specific order, ...
Bringing some science to music
Bringing some science to music

... In using these modern tools We postpone understanding how some of these tools work until later in the semester. 2. We must develop some kind of strategy to convince us that this ...
WHY study music? 1. Musician 2. Advertising 3
WHY study music? 1. Musician 2. Advertising 3

... • FOUR MAIN properties of sound : Pitch, Dynamics, Tone Color, and Rhythm(time) ...
Lecture 06 Part II a little more history of science
Lecture 06 Part II a little more history of science

... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
Tonic and Dominant
Tonic and Dominant

... known as free resolution of the leading tone. This can ONLY occur if the leading tone is in an inner voice. ...
chap3 hw Compute the Frequencies of the Notes of the C
chap3 hw Compute the Frequencies of the Notes of the C

... PSfrag replacements ...
UNIT 1: ELEMENTS
UNIT 1: ELEMENTS

... highest and lowest pitch in a song or that an instrument can play Pitch – the first tool a composer has in creating a mood. ...
Lecture 21 - UCF Physics
Lecture 21 - UCF Physics

... The Fifth and its Harmonics Not AS ...
Voice leading from IV-V
Voice leading from IV-V

... Parallel fifths and octaves The bass-tenor interval in the IV chord is a fifth, and the bass-alto interval is an octave. This pattern is repeated in the V chord. These progressions are known as parallel fifths and parallel octaves, and should be avoided when writing homophonic and homorhythmic music ...
JS Bach`s canon per tonus
JS Bach`s canon per tonus

... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...
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Tone (linguistics)

Tone is the use of pitch in language to distinguish lexical or grammatical meaning – that is, to distinguish or to inflect words. All verbal languages use pitch to express emotional and other paralinguistic information and to convey emphasis, contrast, and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels. Languages that do have this feature are called tonal languages; the distinctive tone patterns of such a language are sometimes called tonemes /ˈtoʊniːm/, by analogy with phoneme. Tonal languages are extremely common in Africa, East Asia, and Central America, but rare elsewhere in Asia and in Europe; as many as seventy percent of world languages may be tonal.In many tonal African languages, such as most Bantu languages, tones are distinguished by their pitch level relative to each other, known as a register tone system. In multi-syllable words, a single tone may be carried by the entire word, rather than a different tone on each syllable. Often grammatical information, such as past versus present, ""I"" versus ""you"", or positive versus negative, is conveyed solely by tone.In the most widely spoken tonal language, Mandarin Chinese, tones are distinguished by their distinctive shape, known as contour, with each tone having a different internal pattern of rising and falling pitch. Many words, especially those that are monosyllabic, are differentiated solely by tone. In a multisyllabic word each syllable often carries its own tone. Unlike in Bantu systems, tone plays little role in modern Chinese grammar, though the tones descend from features in Old Chinese that did have morphological significance (e.g. changing a verb to a noun or vice versa).Contour systems are typical of languages of the Mainland Southeast Asia linguistic area, including Tai–Kadai, Vietic and Sino-Tibetan languages. The Afroasiatic, Khoisan, Niger-Congo and Nilo-Saharan languages spoken in Africa are dominated by register systems. Some languages combine both systems, such as Cantonese, which produces three varieties of contour tone at three different pitch levels, and the Omotic (Afroasiatic) language Bench, which employs five level tones and one or two rising tones across levels.Many languages use tone in a more limited way. In Japanese, fewer than half of the words have a drop in pitch; words contrast according to which syllable this drop follows. Such minimal systems are sometimes called pitch accent, since they are reminiscent of stress accent languages, which typically allow one principal stressed syllable per word. However, there is debate over the definition of pitch accent, and whether a coherent definition is even possible.
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