TONE VS. MODE by Stan Takis More than once I have been
... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
Semitones - funmusiccoimages.com
... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
Tones and Semitones
... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
Shepard Tones - Virtual Math Museum
... If you misread the name of this exhibit, you may have expected to hear some pretty music played on a set of shepherd’s pipes. Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. B ...
... If you misread the name of this exhibit, you may have expected to hear some pretty music played on a set of shepherd’s pipes. Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. B ...
Slides - UMD Physics
... frequencies to all twelve notes from C to B It is impossible to find a temperament where all the octaves and fifths are perfect Pythagorean: all octaves and all but one fifth are perfect. One fifth is very off (pythagorean comma). ...
... frequencies to all twelve notes from C to B It is impossible to find a temperament where all the octaves and fifths are perfect Pythagorean: all octaves and all but one fifth are perfect. One fifth is very off (pythagorean comma). ...
Lecture Set 07
... An Interesting observation • When the string is reduced to half, it produces a tone related to the original tone. • The new tone is said to be an OCTAVE higher than the original. – The textbook calls this interval a “diapason” ...
... An Interesting observation • When the string is reduced to half, it produces a tone related to the original tone. • The new tone is said to be an OCTAVE higher than the original. – The textbook calls this interval a “diapason” ...
Serial Music - Toot Hill School
... Serial music (composer: Schoenberg) is built on a scale called a 12 tone row. The tone row consists of one of each of the 12 notes on the keyboard. This is how the tone row is used to create a composition: 1. The 12 chromatic notes (notes that are a semitone apart) are arranged in a specific order, ...
... Serial music (composer: Schoenberg) is built on a scale called a 12 tone row. The tone row consists of one of each of the 12 notes on the keyboard. This is how the tone row is used to create a composition: 1. The 12 chromatic notes (notes that are a semitone apart) are arranged in a specific order, ...
Bringing some science to music
... In using these modern tools We postpone understanding how some of these tools work until later in the semester. 2. We must develop some kind of strategy to convince us that this ...
... In using these modern tools We postpone understanding how some of these tools work until later in the semester. 2. We must develop some kind of strategy to convince us that this ...
WHY study music? 1. Musician 2. Advertising 3
... • FOUR MAIN properties of sound : Pitch, Dynamics, Tone Color, and Rhythm(time) ...
... • FOUR MAIN properties of sound : Pitch, Dynamics, Tone Color, and Rhythm(time) ...
Lecture 06 Part II a little more history of science
... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
Tonic and Dominant
... known as free resolution of the leading tone. This can ONLY occur if the leading tone is in an inner voice. ...
... known as free resolution of the leading tone. This can ONLY occur if the leading tone is in an inner voice. ...
UNIT 1: ELEMENTS
... highest and lowest pitch in a song or that an instrument can play Pitch – the first tool a composer has in creating a mood. ...
... highest and lowest pitch in a song or that an instrument can play Pitch – the first tool a composer has in creating a mood. ...
Voice leading from IV-V
... Parallel fifths and octaves The bass-tenor interval in the IV chord is a fifth, and the bass-alto interval is an octave. This pattern is repeated in the V chord. These progressions are known as parallel fifths and parallel octaves, and should be avoided when writing homophonic and homorhythmic music ...
... Parallel fifths and octaves The bass-tenor interval in the IV chord is a fifth, and the bass-alto interval is an octave. This pattern is repeated in the V chord. These progressions are known as parallel fifths and parallel octaves, and should be avoided when writing homophonic and homorhythmic music ...
JS Bach`s canon per tonus
... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...
... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...