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Ornamentation in Music
Ornamentation in Music

... Appoggiatura: a note preparatory to another or to a chord acting as an unprepared suspension. The appoggiatura is always played on the beat - the principal note follows. The duration of the appoggiatura in performance is determined by the note value of the principal note; for an undotted principal n ...
7 PITCH AND TIMBRE
7 PITCH AND TIMBRE

... OUR AUDITORY SYSTEM HAS THE ABILITY TO LISTEN TO COMPLEX SOUNDS IN DIFFERENT MODES. WHEN WE LISTEN ANALYTICALLY, WE HEAR THE DIFFERENT PARTIALS SEPARATELY. WHEN WE LISTEN SYNTHETICALLY (OR HOLISTICALLY), WE FOCUS ON THE WHOLE SOUND AND PLAY LESS ATTENTION TO THE INDIVIDUAL PARTIALS. A TONE WITH SEVE ...
A Guide to Part Writing Involving Root Position Triads
A Guide to Part Writing Involving Root Position Triads

Composing with Numbers: Arnold Schoenberg and His Twelve
Composing with Numbers: Arnold Schoenberg and His Twelve

... Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on an E and ends on a B[, which is also a triton ...
here - Krenek.at
here - Krenek.at

... This   first   movement   of   the   sonata   follows   the   traditional   form   of   such   a   movement,   as   it   has   an   exposition   containing   two   contrasting   themes,   a   development  section  and  a  recapitulation.  The ...
Western music history, pitch salience, key profiles, and the origins of
Western music history, pitch salience, key profiles, and the origins of

... Smoothness, fusion, familiarity ...
Music Rubric-Vocal Performance Individual
Music Rubric-Vocal Performance Individual

... singing range. Extremes in range sometimes cause tone to be less controlled. Tone quality typically stays controlled. ...
Up and Down the Scale
Up and Down the Scale

...  Other combinations of tones that sound well have frequency ratios that are ratios of whole numbers (integers).  It was believed olden times, that this last property makes music “perfect” and was therefore a gift from the gods, not to be screwed with.  This allowed Pythagoras to create and unders ...
study guide - Junior High Band
study guide - Junior High Band

... Avoid emphasizing the fourth scale degree; use it only as a passing tone or neighbor tone. (Passing tones are non-chord tones played between chord tones, i.e., in Bb7 play D Eb F where D and F are longer than Eb. Neighbor tones are non-chord tones that are above or below chord tones, i.e., in Bb7 pl ...
Benward Chapter 6
Benward Chapter 6

... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
Tonal Harmony Chapter 11 Non Chord Tones 1
Tonal Harmony Chapter 11 Non Chord Tones 1

...  9-8 suspension is a special kind of suspension because the note of resolution should NOT be present anywhere in the texture when a suspension occurs  11-10 suspensions is actually a 4-3 suspension  9-8 suspension is NOT labeled as a 2-1 suspension because 2-1suspension if found much less frequen ...
Background Tone Test Interval Test Hypotheses Procedure Findings
Background Tone Test Interval Test Hypotheses Procedure Findings

... Blocks: differing in variability: levels for this test were, 1: same instrument, same octave, different start note up and down 2: different instrument, same octave, different start note up and down 2.5: same instrument, different octave, different start note up and down 3: different instrument, diff ...
6/26/06 Introduction We all have a mental/aural image of “music
6/26/06 Introduction We all have a mental/aural image of “music

... The treble clef is often called the “G” clef because it articulates the position of the note G (the second line from the bottom of the staff). Its swirly shape is even derived from a fancy letter “G.” The bass clef, or “F” clef articulates the position of the tone F on the staff. It shows that the p ...
Brief background The tonal hierarchy The first probe tone study
Brief background The tonal hierarchy The first probe tone study

... focal substantive tones on another level and vice versa  in the major mode ‚ the tonic tone is the tone of ultimate rest toward which all other ones tend to move.  On the next higher level the third and fifth of the scale ‚ active melodic tones relative to the tonic, join the tonic as structural t ...
Grade 8 Playing Test #2 (February 2017) /42 Name: Date
Grade 8 Playing Test #2 (February 2017) /42 Name: Date

... unsatisfactory. Sound is weak and/or sound uncharacteristic of the instrument. ...
lecture15
lecture15

... • As shown in (c) on the figure, the pitch matched that shown in (a) • By looking on the spectrum, it is clear that they have the same harmonics, with different values • The period in (c) is T = t1+ t2 • The harmonics are therefore the same, however, the fundamental is weaker ...
Grade 9 Band Playing Test #3 (March 2017) /32 Name: Date
Grade 9 Band Playing Test #3 (March 2017) /32 Name: Date

... Tone quality is generally quite good. A few instances where tone quality is not ideal. Usually plays with a good sense of style. ...
as a PDF
as a PDF

... Consequently, these notes are sensitive and have a specific way of resolving when the next functional category is achieved. Stabilizers (s) combine with foundation and active tones to produce complete triads. Most of the time they are inert, but sometimes they may also act like dissonances in terms ...
Chinese musical scales are all based pentatonic scales. There are
Chinese musical scales are all based pentatonic scales. There are

... composed by distinct method. The key rule is never think they are ordered scales like westerns. Chinese music often be composed as tone groups, And usually the group is formed with 3 or 4 tones( Many books said there are only 3 tones per group, but I often saw 4 tones in a group). That means you may ...
A Non-Pythagorean Musical Scale Based on Logarithms
A Non-Pythagorean Musical Scale Based on Logarithms

... A beat frequency is a frequency defined as the absolute difference between two pitches sounded simultaneously; when this frequency is in the audible range and is perceived as a distinct pitch, it is called a difference tone. While audible beat frequencies are often considered undesirable artifacts i ...
Ms - cloudfront.net
Ms - cloudfront.net

... paragraphs describing the music’s tone and the mood it creates in you. You must also read and discuss sections of The End of the Affair and complete the diction/explanation sheet. You must then write a seven-sentence paragraph summarizing the book’s tone and describing how Bendrix and Sarah contribu ...
Non-chord Tones
Non-chord Tones

... Non-chord tones • Non-chord tones (non-harmonic tones) are parts of a melody that are not part of the harmony • They can be found in any voice and are used to embellish the music • They may be accented (on a downbeat) or unaccented (on an upbeat) • Three parts: Preparation (note before), NCT, resol ...
lhs music theory final exam review sheet
lhs music theory final exam review sheet

... 2. If, when connecting triads whose roots are a 5th (or a 4th) apart the common tone is NOT retained in the same voice, move all voices to the NEAREST chord tones which result in correct doubling and spacing. 3. When connecting triads whose roots are a second apart, move all the upper voices to the ...
Technique Rubric
Technique Rubric

... is sometimes uncontrolled in the normal playing range. Extremes in range are usually uncontrolled. Occasionally the tone quality detracts from the overall performance. The beat is somewhat erratic and some rhythms are accurate, with ...
Document
Document

... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...
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Tone (linguistics)

Tone is the use of pitch in language to distinguish lexical or grammatical meaning – that is, to distinguish or to inflect words. All verbal languages use pitch to express emotional and other paralinguistic information and to convey emphasis, contrast, and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels. Languages that do have this feature are called tonal languages; the distinctive tone patterns of such a language are sometimes called tonemes /ˈtoʊniːm/, by analogy with phoneme. Tonal languages are extremely common in Africa, East Asia, and Central America, but rare elsewhere in Asia and in Europe; as many as seventy percent of world languages may be tonal.In many tonal African languages, such as most Bantu languages, tones are distinguished by their pitch level relative to each other, known as a register tone system. In multi-syllable words, a single tone may be carried by the entire word, rather than a different tone on each syllable. Often grammatical information, such as past versus present, ""I"" versus ""you"", or positive versus negative, is conveyed solely by tone.In the most widely spoken tonal language, Mandarin Chinese, tones are distinguished by their distinctive shape, known as contour, with each tone having a different internal pattern of rising and falling pitch. Many words, especially those that are monosyllabic, are differentiated solely by tone. In a multisyllabic word each syllable often carries its own tone. Unlike in Bantu systems, tone plays little role in modern Chinese grammar, though the tones descend from features in Old Chinese that did have morphological significance (e.g. changing a verb to a noun or vice versa).Contour systems are typical of languages of the Mainland Southeast Asia linguistic area, including Tai–Kadai, Vietic and Sino-Tibetan languages. The Afroasiatic, Khoisan, Niger-Congo and Nilo-Saharan languages spoken in Africa are dominated by register systems. Some languages combine both systems, such as Cantonese, which produces three varieties of contour tone at three different pitch levels, and the Omotic (Afroasiatic) language Bench, which employs five level tones and one or two rising tones across levels.Many languages use tone in a more limited way. In Japanese, fewer than half of the words have a drop in pitch; words contrast according to which syllable this drop follows. Such minimal systems are sometimes called pitch accent, since they are reminiscent of stress accent languages, which typically allow one principal stressed syllable per word. However, there is debate over the definition of pitch accent, and whether a coherent definition is even possible.
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