Ornamentation in Music
... Appoggiatura: a note preparatory to another or to a chord acting as an unprepared suspension. The appoggiatura is always played on the beat - the principal note follows. The duration of the appoggiatura in performance is determined by the note value of the principal note; for an undotted principal n ...
... Appoggiatura: a note preparatory to another or to a chord acting as an unprepared suspension. The appoggiatura is always played on the beat - the principal note follows. The duration of the appoggiatura in performance is determined by the note value of the principal note; for an undotted principal n ...
7 PITCH AND TIMBRE
... OUR AUDITORY SYSTEM HAS THE ABILITY TO LISTEN TO COMPLEX SOUNDS IN DIFFERENT MODES. WHEN WE LISTEN ANALYTICALLY, WE HEAR THE DIFFERENT PARTIALS SEPARATELY. WHEN WE LISTEN SYNTHETICALLY (OR HOLISTICALLY), WE FOCUS ON THE WHOLE SOUND AND PLAY LESS ATTENTION TO THE INDIVIDUAL PARTIALS. A TONE WITH SEVE ...
... OUR AUDITORY SYSTEM HAS THE ABILITY TO LISTEN TO COMPLEX SOUNDS IN DIFFERENT MODES. WHEN WE LISTEN ANALYTICALLY, WE HEAR THE DIFFERENT PARTIALS SEPARATELY. WHEN WE LISTEN SYNTHETICALLY (OR HOLISTICALLY), WE FOCUS ON THE WHOLE SOUND AND PLAY LESS ATTENTION TO THE INDIVIDUAL PARTIALS. A TONE WITH SEVE ...
Composing with Numbers: Arnold Schoenberg and His Twelve
... Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on an E and ends on a B[, which is also a triton ...
... Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on an E and ends on a B[, which is also a triton ...
here - Krenek.at
... This first movement of the sonata follows the traditional form of such a movement, as it has an exposition containing two contrasting themes, a development section and a recapitulation. The ...
... This first movement of the sonata follows the traditional form of such a movement, as it has an exposition containing two contrasting themes, a development section and a recapitulation. The ...
Western music history, pitch salience, key profiles, and the origins of
... Smoothness, fusion, familiarity ...
... Smoothness, fusion, familiarity ...
Music Rubric-Vocal Performance Individual
... singing range. Extremes in range sometimes cause tone to be less controlled. Tone quality typically stays controlled. ...
... singing range. Extremes in range sometimes cause tone to be less controlled. Tone quality typically stays controlled. ...
Up and Down the Scale
... Other combinations of tones that sound well have frequency ratios that are ratios of whole numbers (integers). It was believed olden times, that this last property makes music “perfect” and was therefore a gift from the gods, not to be screwed with. This allowed Pythagoras to create and unders ...
... Other combinations of tones that sound well have frequency ratios that are ratios of whole numbers (integers). It was believed olden times, that this last property makes music “perfect” and was therefore a gift from the gods, not to be screwed with. This allowed Pythagoras to create and unders ...
study guide - Junior High Band
... Avoid emphasizing the fourth scale degree; use it only as a passing tone or neighbor tone. (Passing tones are non-chord tones played between chord tones, i.e., in Bb7 play D Eb F where D and F are longer than Eb. Neighbor tones are non-chord tones that are above or below chord tones, i.e., in Bb7 pl ...
... Avoid emphasizing the fourth scale degree; use it only as a passing tone or neighbor tone. (Passing tones are non-chord tones played between chord tones, i.e., in Bb7 play D Eb F where D and F are longer than Eb. Neighbor tones are non-chord tones that are above or below chord tones, i.e., in Bb7 pl ...
Benward Chapter 6
... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
Tonal Harmony Chapter 11 Non Chord Tones 1
... 9-8 suspension is a special kind of suspension because the note of resolution should NOT be present anywhere in the texture when a suspension occurs 11-10 suspensions is actually a 4-3 suspension 9-8 suspension is NOT labeled as a 2-1 suspension because 2-1suspension if found much less frequen ...
... 9-8 suspension is a special kind of suspension because the note of resolution should NOT be present anywhere in the texture when a suspension occurs 11-10 suspensions is actually a 4-3 suspension 9-8 suspension is NOT labeled as a 2-1 suspension because 2-1suspension if found much less frequen ...
Background Tone Test Interval Test Hypotheses Procedure Findings
... Blocks: differing in variability: levels for this test were, 1: same instrument, same octave, different start note up and down 2: different instrument, same octave, different start note up and down 2.5: same instrument, different octave, different start note up and down 3: different instrument, diff ...
... Blocks: differing in variability: levels for this test were, 1: same instrument, same octave, different start note up and down 2: different instrument, same octave, different start note up and down 2.5: same instrument, different octave, different start note up and down 3: different instrument, diff ...
6/26/06 Introduction We all have a mental/aural image of “music
... The treble clef is often called the “G” clef because it articulates the position of the note G (the second line from the bottom of the staff). Its swirly shape is even derived from a fancy letter “G.” The bass clef, or “F” clef articulates the position of the tone F on the staff. It shows that the p ...
... The treble clef is often called the “G” clef because it articulates the position of the note G (the second line from the bottom of the staff). Its swirly shape is even derived from a fancy letter “G.” The bass clef, or “F” clef articulates the position of the tone F on the staff. It shows that the p ...
Brief background The tonal hierarchy The first probe tone study
... focal substantive tones on another level and vice versa in the major mode the tonic tone is the tone of ultimate rest toward which all other ones tend to move. On the next higher level the third and fifth of the scale active melodic tones relative to the tonic, join the tonic as structural t ...
... focal substantive tones on another level and vice versa in the major mode the tonic tone is the tone of ultimate rest toward which all other ones tend to move. On the next higher level the third and fifth of the scale active melodic tones relative to the tonic, join the tonic as structural t ...
Grade 8 Playing Test #2 (February 2017) /42 Name: Date
... unsatisfactory. Sound is weak and/or sound uncharacteristic of the instrument. ...
... unsatisfactory. Sound is weak and/or sound uncharacteristic of the instrument. ...
lecture15
... • As shown in (c) on the figure, the pitch matched that shown in (a) • By looking on the spectrum, it is clear that they have the same harmonics, with different values • The period in (c) is T = t1+ t2 • The harmonics are therefore the same, however, the fundamental is weaker ...
... • As shown in (c) on the figure, the pitch matched that shown in (a) • By looking on the spectrum, it is clear that they have the same harmonics, with different values • The period in (c) is T = t1+ t2 • The harmonics are therefore the same, however, the fundamental is weaker ...
Grade 9 Band Playing Test #3 (March 2017) /32 Name: Date
... Tone quality is generally quite good. A few instances where tone quality is not ideal. Usually plays with a good sense of style. ...
... Tone quality is generally quite good. A few instances where tone quality is not ideal. Usually plays with a good sense of style. ...
as a PDF
... Consequently, these notes are sensitive and have a specific way of resolving when the next functional category is achieved. Stabilizers (s) combine with foundation and active tones to produce complete triads. Most of the time they are inert, but sometimes they may also act like dissonances in terms ...
... Consequently, these notes are sensitive and have a specific way of resolving when the next functional category is achieved. Stabilizers (s) combine with foundation and active tones to produce complete triads. Most of the time they are inert, but sometimes they may also act like dissonances in terms ...
Chinese musical scales are all based pentatonic scales. There are
... composed by distinct method. The key rule is never think they are ordered scales like westerns. Chinese music often be composed as tone groups, And usually the group is formed with 3 or 4 tones( Many books said there are only 3 tones per group, but I often saw 4 tones in a group). That means you may ...
... composed by distinct method. The key rule is never think they are ordered scales like westerns. Chinese music often be composed as tone groups, And usually the group is formed with 3 or 4 tones( Many books said there are only 3 tones per group, but I often saw 4 tones in a group). That means you may ...
A Non-Pythagorean Musical Scale Based on Logarithms
... A beat frequency is a frequency defined as the absolute difference between two pitches sounded simultaneously; when this frequency is in the audible range and is perceived as a distinct pitch, it is called a difference tone. While audible beat frequencies are often considered undesirable artifacts i ...
... A beat frequency is a frequency defined as the absolute difference between two pitches sounded simultaneously; when this frequency is in the audible range and is perceived as a distinct pitch, it is called a difference tone. While audible beat frequencies are often considered undesirable artifacts i ...
Ms - cloudfront.net
... paragraphs describing the music’s tone and the mood it creates in you. You must also read and discuss sections of The End of the Affair and complete the diction/explanation sheet. You must then write a seven-sentence paragraph summarizing the book’s tone and describing how Bendrix and Sarah contribu ...
... paragraphs describing the music’s tone and the mood it creates in you. You must also read and discuss sections of The End of the Affair and complete the diction/explanation sheet. You must then write a seven-sentence paragraph summarizing the book’s tone and describing how Bendrix and Sarah contribu ...
Non-chord Tones
... Non-chord tones • Non-chord tones (non-harmonic tones) are parts of a melody that are not part of the harmony • They can be found in any voice and are used to embellish the music • They may be accented (on a downbeat) or unaccented (on an upbeat) • Three parts: Preparation (note before), NCT, resol ...
... Non-chord tones • Non-chord tones (non-harmonic tones) are parts of a melody that are not part of the harmony • They can be found in any voice and are used to embellish the music • They may be accented (on a downbeat) or unaccented (on an upbeat) • Three parts: Preparation (note before), NCT, resol ...
lhs music theory final exam review sheet
... 2. If, when connecting triads whose roots are a 5th (or a 4th) apart the common tone is NOT retained in the same voice, move all voices to the NEAREST chord tones which result in correct doubling and spacing. 3. When connecting triads whose roots are a second apart, move all the upper voices to the ...
... 2. If, when connecting triads whose roots are a 5th (or a 4th) apart the common tone is NOT retained in the same voice, move all voices to the NEAREST chord tones which result in correct doubling and spacing. 3. When connecting triads whose roots are a second apart, move all the upper voices to the ...
Technique Rubric
... is sometimes uncontrolled in the normal playing range. Extremes in range are usually uncontrolled. Occasionally the tone quality detracts from the overall performance. The beat is somewhat erratic and some rhythms are accurate, with ...
... is sometimes uncontrolled in the normal playing range. Extremes in range are usually uncontrolled. Occasionally the tone quality detracts from the overall performance. The beat is somewhat erratic and some rhythms are accurate, with ...
Document
... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...
... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...