Download directing experience - Voice and Speech Trainers Association

CURRICULUM VITAE FOR BONNIE N. RAPHAEL
305 Deepwood Road
Chapel Hill, NC 27514
(919) 969-9555
[email protected]
EDUCATION
B.A. in Speech and Theatre (including work in both theatre and speech pathology)
Brooklyn College, New York, 1964.
M.A. in Theatre (minor concentration in oral interpretation) University of Michigan,
Ann Arbor, l965.
Ph.D. in Theatre (minor concentrations in voice pathology, dramatic literature and
psychology) Michigan State University, East Lansing, l973.
Dissertation Title: "A Descriptive Study of the Relationship Between
The Demands of a Specific Characterization and
Functional Voice Problems in the Male Actor"
SPECIAL TRAINING
Beginning and Advanced Workshops in Voice, Speech, Movement and Acting with
Arthur Lessac, SueAnn Park and others--State University of New York at
Binghamton--summers of l972 and l975. Honorary Certification as Master
Teacher—2003.
Workshop in Voice, Speech, Movement, Acting and Shakespearean Text Analysis
with Kristin Linklater, Tina Packer, John Broome and others--Shakespeare &
Company--month of January, l980.
Alexander Technique with Goddard Binkley in Chicago (1976), with Chris Stevens
in Charlottesville (1980), with Michael Johnson-Chase in Denver (1983-86)
and with Saura Bartner in Chapel Hill (1997-2002). Feldenkrais Training
with Anna Johnson-Chase in Denver (1984-86) and with Bill Hutchinson in
Boston (1993-96). Some yoga training and meditation as well.
Singing Training with Gerald Tate in Denver (1983-85).
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Intensive Workshops with Roy Hart Theatre members Saule Ryan and Carol
Mendelsohn--Mars Hill, North Carolina--August, 1990; New York City-September, l990; Boston--November, l990, March, l99l, October, l992,
February, l993 and l994, and in the spring of l996; with Carol Mendelsohn and
David Goldsworthy--Mars Hill, North Carolina--July, l99l, with Carol
Mendelsohn and Robert Harvey--Celebration Barn Theatre, Maine--August,
l996, and with Ellen Hemphill--Chapel Hill, l997-98.
Phonetics Workshop with Louis Colaianni--Howard Community College, Columbia,
Maryland--January, 2002.
PROFESSIONAL EXPERIENCE
September, l997 through June, 2011
Voice, Speech, Dialects and Text teacher for the Professional Actor Training
Program (MFA) at University of North Carolina (Head of Program
December l997-August 2005. Coach for PlayMakers Repertory
Theatre (Equity-LORT). Rank: Full Professor. Taught three-year
sequence of courses in vocal production (Linklater, Lessac), speech
(IPA, General American) stage dialects and text (Shakespeare and
other heightened text) in the MFA curriculum.
Playmakers Productions Coached
“As You Like It” directed by Joe Haj
“Fences” directed by Serrett Scott
“Shipwrecked!” directed by Tom Quaintance
“Angels in America”—Parts I and II, directed y Brendon Fox
“Big River” directed by Joe Haj
“Pericles” directed by Joe Haj
“Blue Door” directed by Trezana Beverly
“Nicholas Nickleby”—Parts I and II, directed by Joe Haj and Tom Quaintance
“All My Sons” directed by Davis McCallum
“Romeo and Juliet” directed by Davis McCallum
“Crimes of the Heart” directed by John Feltch
“The Little Prince” directed by Tom Quaintance (twice)
“Doubt” directed by Drew Barr
“Top Dog/ Underdog” directed by Raelle Myrick
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“Amadeus” directed by Joe Haj
“The Underpants” directed by Gene Saks
“Tuesdays with Morrie” directed by Joan Darling
“Stones in his Pockets directed by John Feltch
“The Bluest Eye” directed by Trezana Beverly
“The Illusion” directed by Joe Haj
“Front Page” directed by Gene Saks
“String of Pearls” directed by Trezana Beverly
“Frozen” directed by Drew Barr
“God’s Man in Texas” directed by Anthony Powell
“Cyrano de Bergerac” directed by Joe Haj
“A Prayer for Own Meany” directed by David Hammond
“Hobson’s Choice” directed by Blake Robison
“King Lear” directed by Mark Wing-Davey (2 versions)
“The Subject Was Roses” directed by Drew Barr
“Luminosity” directed by David Hammond
“Sunrise in my Pocket” directed by Jeffrey Hayden
“Proof” directed by Ted Shaffner
"The Laramie Project" directed by David Hammond
"The Man Who Came to Dinner" directed by Michael Sexton
"Art" directed by Ted Shaffner
"Playboy of the Western World" directed by John Dillon
"Our Town" directed by David Hammond
"Look Homeward, Angel" directed by Kent Paul
"An O. Henry Christmas" directed by Ted Shaffner
"Side Man" directed by Drew Barr
"Master Harold . . . and the Boys" directed by John Dillon
"All's Well that Ends Well" directed by David Hammond
"Constant Star" directed by Tazewell Thompson
"A Delicate Balance" directed by Nagel Jackson
"An O. Henry Christmas" directed by Ted Shaffner
"The Glass Menagerie" directed by Kent Paul
"W;t" directed by Drew Barr
"Hay Fever" directed by Eric Woodall
"The Tempest" directed by Tazewell Thompson
"Gross Indecency" directed by Loretta Greco
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"Christmas Carol", a one-man version with Ray Dooley
"The Beauty Queen of Leenane" directed by Nagel Jackson
"As You Like It" directed by Tazewell Thompson
"Skylight" directed by John Rando
"Nutcracker" directed by Adam Versenyi
"Master Class", with Kathleen Widdoes, directed by Tazewell Thompson
"Mrs. Klein" directed by Andre Ernotte
"The Threepenny Opera" directed by Bart Sher
Selected Student Productions Coached
“Macbeth” directed by Matthew Arbour
“Romeo and Juliet” directed by David Hammond
“Metamorphosis” directed by Joe Haj
“The Ramayana”-- directed by John Dillon
“Hedda Gabler” directed by Julie Fishell
“Man and Superman” directed by Dede Corvinus
“Love’s Labors Lost” directed by David Hammond
“The Bacchae” directed by James Symons
“Hal and Falstaff” directed by David Hammond
and others
Summer 2009
Voice, Text and Dialects coach for “Hay Fever” directed by Bill Brown and for “Long
Day’s Journey Into Night” directed by John Langs at American Players’ Theatre in
Spring Green, Wisconsin.
January-February 2009
Voice and Text Director for “Macbeth” directed by Gale Edwards at the Oregon
Shakespeare Festival in Ashland, Oregon.
Summer 2008
Voice, Text and Dialects coach for “Widowers’ Houses” directed by Ken Albers at
American Players’ Theatre in Spring Green, Wisconsin.
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Summer 2007
Vocal Director for “Distracted” directed by Liz Diamond and for “Tartuffe” directed
by Peter Amster and starring Anthony Heald at the Oregon Shakespeare Festival in
Ashland, Oregon.
Summer 2004, Winter, 2003 and Summer, 2000
Voice and Dialects Coach at the Guthrie Theater, Minneapolis, Minnesota:
"Hedda Gabler" directed by David Esbjornson (with Laila Robins)
“Three Sisters” directed by Joe Dowling
“Top Girls” directed by Casey Stangl
“Death of a Salesman” directed by Joe Dowling
Guest Teacher for Guthrie Theatre/University of Minnesota BFA Acting Program:
Spring Semester, 2003.
Seminar on Actors’ Use of Dialects for Guthrie Experience: August, 2004.
September, l986 through June, l997
Voice, Speech, Dialects and Text Coach for the American Repertory Theatre and
teacher of voice, speech, dialects and text analysis for the American Repertory
Theatre Institute for Advanced Theatre Training at Harvard University.
(Also taught workshops for Harvard University faculty and teaching
assistants through the Danforth Center for Teaching and Learning, and
served on the Harvard University Commencement Parts committee whose
focus is the selection and performance coaching of Harvard University's
student Commencement speakers.)
Productions Coached:
"The Wild Duck" directed by Francois Rochaix
"Woyzeck" directed by Marcus Stern
Revivals of Gozzi's "King Stag" (Andrei Serban production)
Robert Brustein's adaptation of "Six Characters in Search of an Author"
"The Cabinet of Dr. Caligari" directed by Bob McGrath
"The Old Neighborhood" by David Mamet, with Tony Shaloub
"Man and Superman" with Cherry Jones directed by David Wheeler
"The Tempest" directed by Ron Daniels
"Buried Child" directed by Marcus Stern
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"Tartuffe" (Robert Auletta adaptation) directed by Francois Rochaix
"Slaughter City" by Naomi Wallace, directed by Ron Daniels
"Alice in Bed" by Susan Sontag, directed by Bob McGrath
"The Naked Eye" by Paul Rudnick, directed by Christopher Ashley
"Long Day's Journey Into Night" with Claire Bloom, directed by Ron Daniels
"The Oresteia" by Aeschylus (Robert Auletta adaptation) with Randy Danson
directed by Francois Rochaix
"Waiting for Godot" directed by David Wheeler
"King Henry V" directed by Ron Daniels
"Demons" by Robert Brustein, directed by Francesca Zambello
"Accident" directed by Marcus Stern
"Threepenny Opera" directed by Ron Daniels
"Ubu Rock" directed by Andrei Belgrader
"Trojan Women: A Love Story" by Charles Mee, Jr. directed by Robert Woodruff for
the A.R.T. Institute
"King Henry IV", Parts 1 and 2 directed by Ron Daniels
"What the Butler Saw" directed by David Wheeler
"The Cherry Orchard" with Claire Bloom, directed by Ron Daniels
"A Touch of the Poet" with Daniel J. Travanti directed by Joe Dowling
"The America Play" directed by Marcus Stern
"Hot and Throbbing" directed by Anne Bogart
"Picasso at the Lapin Agile" directed by David Wheeler
"Shlemiel the First" directed by David Gordon
"Agamemnon" and "The Libation Bearers" (Robert Auletta adaptation)
directed by Francois Rochaix for the A.R.T. Institute
"Black Snow" directed by Richard Jones
"Heartbreak House" directed by David Wheeler
"Dream of the Red Spider" directed by Ron Daniels
"Silence, Cunning, Exile" directed by Ron Daniels
"L.A. Plays" directed by Steve Maler
"The Caretaker" directed by David Wheeler
"Those the River Keeps" directed by David Rabe
"Cakewalk" with Elaine Stritch directed by Ron Daniels
"Macbeth" directed by Alvin Epstein
"Hamlet" with Mark Rylance directed by Ron Daniels
"Misalliance" directed by David Wheeler
"Orestes" (Charles Mee adaptation) directed by Tina Landau for the
A.R.T. Institute
"The Seagull" directed by Ron Daniels
"Hedda Gabler" directed by Adrian Hall
"Servant of Two Masters" directed by Andrei Belgrader
"The Homecoming" directed by David Wheeler
"Once in a Lifetime" directed by Anne Bogart
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"When We Dead Awaken" directed by Robert Wilson
"The Writing Game" directed by Michael Bloom
"Steel" directed by Derek Walcott
"King Lear" with F. Murray Abraham directed by Adrian Hall
"Power Failure" with Christopher Lloyd directed by Michael Engler
"Bald Soprano/The Chairs" directed by Andrei Belgrader
"Twelfth Night" with Cherry Jones and Diane Lane directed by Andrei Serban
"Major Barbara" with Cherry Jones directed by Michael Engler
"The Father" with Christopher Lloyd, directed by Robert Brustein
"The Lost Boys" directed by Jerome Kilty
"Road to Nirvana" directed by Michael Bloom
Euripides' "Orestes" directed by Tina Landau for the A.R.T. Institute
"Caucasian Chalk Circle" directed by Slobodan Unkovski
"Serpent Woman" directed by Andrei Serban
"Platonov" directed by Liviu Ciulei
"Mastergate" directed by Michael Engler
"In Twilight: Tales from Chekhov" directed by Tina Landau
"Fun" and "Nobody" directed by David Wheeler
"The Miser" directed by Andrei Serban
"Life is a Dream" directed by Anne Bogart
"Peer Gynt" directed by Slobodan Unkovski for the A.R.T. Institute
"Right You Are (if you think you are)" directed by Robert Brustein
"Gillette" directed by David Wheeler
"Quartet" with Lucinda Childs directed by Robert Wilson
"Uncle Vanya" with Christopher Walken, directed by David Wheeler
"Big Time" directed by Steve Schachter
"'Tis Pity She's A Whore" directed by Michael Kahn
"Kaethchen Von Heilbronn" directed by Anne Bogart for the A.R.T. Institute
"Tonight We Improvise" directed by Robert Brustein
"The End of the World (With Symposium to Follow)" with Ken Howard, directed by
Richard Foreman
"Sweet Table at the Richelieu" directed by Andrei Serban
"The Day Room" directed by David Wheeler
"The Good Woman of Setzuan" with Priscilla Smith, directed by Andrei Serban
"Archangels Don't Play Pinball" directed by Dario Fo
and several other plays.
September, 1982 through August, l986:
Voice, Speech and Dialects Coach for the Denver Center Theatre Company, teacher
of vocal production at the National Theatre Conservatory (opened in October,
l984), and research associate for the Denver Center for the Performing Arts
Recording and Research Center.
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Productions Coached:
"Quilters" directed by Barbara Damashek
"The Tempest" directed by Edward Payson-Call
"The Hostage" directed by Donovan Marley
"Arms and the Man" directed by Ed Hastings
"Of Mice and Men" directed by Richard Geer
"Spokesong" directed by Peter Hackett
"Cyrano de Bergerac" directed by Wally Chappel
"Taming of the Shrew" directed by Barbara Damashek
"The Three Sisters" directed by Edward Payson-Call
"Front Page" directed by Jerry Zaks
"Night of the Iguana" directed by Walter Schoen
"Romeo and Juliet" directed by Caroline Eves
"The Importance of Being Earnest" directed by John Broome
"Hamlet" with Daniel Davis directed by Allen Fletcher
"They Knew What They Wanted" with Michael Winters directed by James Moll
"Pericles" with Byron Jennings directed by Laird Williamson
Moliere's "Don Juan" with Byron Jennings directed by Garland Wright
“The Cherry Orchard” directed by Garland Wright
"The Emperor Jones" directed by Don McKayle
"Design for Living" directed by Allen Fletcher
"Pygmalion" with Annette Bening, directed by James Moll
and a number of other plays.
Also coached "Twelfth Night" for David Chambers at the Repertory Theatre of St.
Louis in September, l985.
Summers of l979, l980, l981 and l983:
Voice Coach for the Colorado Shakespeare Festival and Visiting Professor of
Theatre, University of Colorado at Boulder. Taught intensive course in voice
and speech for actors.
Productions Coached:
"Richard III" directed by Jack Clay
"Comedy of Errors" directed by David Knight
"Measure for Measure" directed by Leslie Reidel
"All's Well that Ends Well" directed by Michael Kahn
"Taming of the Shrew" directed by Tom Markus
"Julius Caesar" directed by Martin Cobin
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"Hamlet" directed by Jack Clay
"King Henry V" directed by Gavin Cameron-Webb
"Love's Labour's Lost" directed by Daniel S. P. Yang
"King Lear" directed by Bill Glover
"King Henry IV, Part II" directed by Tom Markus
"A Midsummer Night's Dream" directed by Ronald Mitchell
September, l981 through June, l982:
Voice, Speech and Movement Coach for the Missouri Repertory Theatre (Patricia
McIlrath, Artistic Director). Associate Professor, Department of Theatre,
University of Missouri, Kansas City. Taught beginning and advanced voice
training and beginning and advanced stage movement in the MFA Acting
and Directing curriculum, and speech for the theatre to undergraduates.
Productions Coached:
"A Christmas Carol" directed by James Asaad
"The Royal Family" directed by Albert Pertalion
"Loose Ends" directed by Francis Cullinan
"Crown of Thorns" directed by James Asaad
"Macbeth" directed by Norris Houghton
"Trouble in Chioggia" directed for the MFA program by Louis Fantasia
and a number of other plays.
September, l976 through June, 1981:
Assistant Professor, Department of Drama, University of Virginia. Taught Voice
and Movement Training (two-year sequence) in the MFA acting curriculum.
Taught undergraduate courses in Voice and Speech for the Actor, Movement
for the Actor and Introduction to Acting and Directing. Taught graduate
level courses in Stage Dialects and in Contemporary Acting and Directing
Theory and Technique (from Stanislavski through avant-garde directors).
Productions Coached:
"The Three Sisters"
"The Bacchae"
"Butley"
"A Moon for the Misbegotten"
"Spring's Awakening"
"The Birthday Party"
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"Love for Love"
"Old Times"
"Long Day's Journey into Night"
"Taming of the Shrew"
and a number of other plays.
Also coached "As You Like It" during this time for the Virginia Museum Theatre in
Richmond.
Summer, l976:
Teacher at the Lessac National Summer Workshop at the State University of New
York at Binghamton.
September, l973 through June, l976:
Assistant Professor of Dramatic Production, Northwestern University. Taught Voice
for Performance, Training the Actor's Voice, Stage Dialects, Acting-Beginning Characterization. Special Assistant to the Dean, School of Speech
for l975-76 academic year--undergraduate counseling and administration.
Productions Coached:
"Serjeant Musgrave's Dance"
"Man and Superman"
"The House of Blue Leaves"
"Romeo and Juliet"
"Love's Labour's Lost"
"The Magistrate"
"Summer and Smoke"
and a number of other plays.
Also coached "The Au Pair Man" for the Evanston Theatre Company during this
time.
Summer, l973:
Visiting Professor, Department of Drama and Theatre, University of Georgia.
Taught advanced workshop in acting voice and movement (with Jay E.
Raphael), taught beginning acting and stage movement for University of
Georgia Summer High School Institute.
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September, l971 through June, l973:
Lecturer, Department of Theatre, Southern Illinois University. Taught voice and
articulation for the actor.
Productions Coached:
"Waiting for Godot"
"The Balcony"
"The Stranger"
and a number of other plays.
September, l970 through June, 1971:
Instructor, School of Theatre, Ohio University. Taught Voice Training for the Actor,
Stage Dialects, Acting, Oral Interpretation, tutorials with advanced acting
students in the Professional Actor Training Program.
Productions Coached:
"Live Like Pigs"
"The Importance of Being Earnest"
"The Birds"
and a number of other plays.
Summer, l969:
Lecturer, Michigan State University Extension College at Grand Rapids. Taught
graduate-level course in teaching creative dramatics.
September, l965 through June, l967:
Lecturer, Department of Speech and Theater, Brooklyn College. Taught required
speech, voice and diction.
DIRECTING EXPERIENCE
"Butterflies Are Free" at the University of Virginia
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"Jesse and the Bandit Queen" at the University of Virginia
"Twelfth Night" at the University of Virginia
"Once Upon A Mattress" at the University of Virginia
"Three Men on a Horse" at the Heritage Repertory Theatre (Summer,
l978)
ACTING EXPERIENCE
Zofia in "Tongue of a Bird" by Ellen McLaughlin for StreetSigns Theatre Company,
Chapel Hill, North Carolina (2/00)
Mother in "In the Lake of the Woods", written and directed by Paul
Frellick (staged reading), Chapel Hill, North Carolina (10/99)
Ensemble Member in "Eulogy for a Warrior" for Archipelago Theater,
Chapel Hill, North Carolina (4/98)
Paula Strasberg in "Nobody Dies on Friday" by Robert Brustein (staged
reading) for American Repertory Theatre, Cambridge, Massachusetts.
(Spring, l997)
Natasha in "The Three Sisters" at the University of Virginia
Witch of Endor in "King David" for the University of Virginia School
of Music
Flora Van Huysen in "The Matchmaker" at the University of Virginia
Cornelia Van Gorder in "The Bat" for the Heritage Repertory Theatre
Lavinia Penniman in "The Heiress" for the Heritage Repertory Theatre
Margaret in "Life with Father" for the Heritage Repertory Theatre
Simone Evrard in "Marat/Sade" for the Performing Arts Company (PAC)
Madame Jourdain in "Le Bourgeoise Gentilhomme" for the PAC
Ismene in "Antigone" for the PAC
Various Roles in "Oh, What a Lovely War" for the PAC
Mrs. Petkoff in "Arms and the Man" for the Summer Circle Repertory
Psychological Training Films for MSU School of Human Medicine
and a number of other roles.
Voiceover acting for American Repertory Theatre productions of "Major Barbara",
"When We Dead Awaken", "Macbeth"; Beckett's "Eh, Joe" and "Ghost Time".
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WORKSHOPS, PAPERS AND GUEST APPEARANCES
“Theatre Techniques for Patients with Voice Disorders”—presentation and panel
discussion for Voice Conference: Demystifying Management of Voice Disorders—
UNC Center for School Leadership—Chapel Hill—August 2010.
“The Best of All Possible Worlds”—G. Paul Moore Lecture, given at Voice
Foundation Annual Symposium on Care of the Professional Voice—Philadelphia—
June 2010.
“Overcoming Obstacles to Optimum Vocal Performance”-- workshop presented for
the Voice Foundation Annual Symposium on Care of the Professional Voice—
Philadelphia—May 2008.
“Putting Your Best Voice Forward”—participatory workshop presented for Women
in Leadership Development (WILD) Conference—Meredith University, Raleigh—
November 2006.
“Standard Speech”—moderated panel at Voice and Speech Trainers Association
annual conference—Roosevelt University, Chicago—August 2006.
Voice and Speech for Actors, Introduction to Shakespeare, Performing Shakespeare’s
Monologues—courses taught at Shake Rag Alley Center for the Arts in Mineral
Point, Wisconsin—August 2006.
“Intelligibility Onstage”—workshop presented for the Voice Foundation Annual
Symposium on Care of the Professional Voice—Philadelphia—June 2006.
“Putting Your Best Voice Forward”—guest lecture for International Studies class at
University of North Carolina—October 2005.
Voice and Speech for Actors, Introduction to Shakespeare—courses taught at Shake
Rag Alley Center for the Arts in Mineral Point, Wisconsin—August 2005.
“Things that Go Bump in the Larynx”—presentation to the Voice Foundation
Symposium on Care of the Professional Voice—Philadelphia, June 2004.
“Reducing Hyperfunctional Voice Production in Speakers”—workshop presented
for the Voice Foundation on Care of the Professional Voice—Philadelphia, June
2004.
Vocal Performance Workshops—two full days of intensive workshops designed and
conducted for the Vanderbilt University Voice Center in Nashville—April 2004.
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“A Better Mousetrap: Strategies for More Effective Voice and Dialect Coaching”—
presentation for annual conference of Association for Theatre in Higher Education
(ATHE)—New York City, August 2003.
“Research and Publication”—panel and discussion presented for annual conference
of Voice and Speech Trainers Association—New York City, August, 2003.
“Doing the Wrong Things the Right Way”—participatory workshops presented for
BA and BFA programs at University of Minnesota, Twin Cities campus—May, 2003.
“Special Needs of Professional Actors”—presentation for Communication Disorders
class at University of Minnesota, Twin Cities campus—Minneapolis, April, 2003.
“Carryover: From Voice and Speech Class to Performance”—panel presentation for
Association of Theatre in Higher Educational annual national conference—San
Diego, July, 2002.
Master Class and Participatory Workshop for Vocal Health Day at Levine School of
Music—Washington, DC—June, 2002.
“Modifying Vocal Production for Different Acoustical Spaces”—workshop
presented for the Voice Foundation Symposium—Philadelphia—June, 2002.
"Putting your Best Voice Forward"--participatory workshop presented for the
Chapel Hill Chapter of Altrusa (international women's service organization)--Chapel
Hill--February, 2002.
"Doing the Wrong Things the Right Way"--participatory workshops presented for
the Theatre Conservatory at Roosevelt University--Chicago--February, 2002.
"Vocal Performance Skills Workshops"--Concordia University--Montreal--October,
2001.
"Death by Committee"--workshop presented (with directors, actors and stage fight
choreographer) for Association for Theatre in Higher Education--Chicago--August,
2001.
“The Gifts of Aging”—poetry reading for hospitalized patients at Carol Woods
Retirement Community—Chapel Hill—April, 2001.
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Master Class in Theatre Voice Techniques--lecture/workshop presented for
graduate Voice Disorders class, Department of Communication Disorders at
University of North Carolina--Chapel Hill—November, 2000.
“Application of Theatre Voice Techniques for Clinical Voice Patients”—daylong
workshop presented for Montreal General Hospital—November, 2000.
"State of the Profession"--presentation to the Voice and Speech Trainers Association
at international conference--Fairfax, Virginia--August, 2000.
"Burnout: Strategies to Prevent It"--panel presentation for Association for Theatre in
Higher Education--Washington, DC--August, 2000.
"Wreaking Havoc: Creating Violence Through Collaboration of Acting, Voice and
Movement"--workshop presented (with several others) for Association for Theatre in
Higher Education--Washington, DC--August, 2000.
"Voice Coaching in the Educational and Professional Theatre"--panel presentation
for Association for Theatre in Higher Education--Washington, DC--August, 2000.
"Vocal Support for Actors: A Workshop and Demonstration" presented for the Voice
Foundation Symposium on Care of the Professional Voice--Philadelphia, July, 2000.
"Things That Work"--chaired session for annual meeting of Voice and Speech
Trainers Association (VASTA)--Toronto, August, l999.
"Crossover Techniques--Interdisciplinary Interactivity: Voice Seminar, l999"--Theatre
Voice specialist (presentations, master classes, warm-ups, break out sessions) for 6day workshop convened by Oren Brown (Juilliard School of Music, retired) at Utah
State University--Logan, Utah, July, l999.
“The Assertive Woman’s Voice”—participatory workshop for University Women’s
Club—Chapel Hill—March, l999.
"Things That Work"--chaired session for annual meeting of Voice and Speech
Trainers Association (VASTA)--San Antonio, August, l998.
Master Class in Theatre Voice Techniques--lecture/workshop presented for
graduate Voice Disorders class, Department of Communication Disorders at
University of N. Carolina--Chapel Hill, July, l998.
"Coaching Professional Actors"--workshop/demonstration presented for Voice
Foundation Symposium--Philadelphia, June, l998.
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"Violence Without Victims--two-part workshop taught with David Leong for the
annual meeting of the Voice and Speech Trainers Association--Chicago, August,
l997.
Intensive Course for Teachers, Coaches, Therapists and Directors--daylong course
taught for the British Voice Association at the Royal Academy of Music--London,
April, l997.
Vocal Techniques for Different Media--presentation to annual conference of British
Voice Association--London, April, l997.
"Doing the Wrong Things the Right Way"--participatory workshop for annual
conference of British Voice Association--London, April, l997.
"Vocal Health for Actors and Singers" and "The Vocal Instrument"--panel
presentations for New England Theatre Conference Annual Convention-Providence, November, l996.
"Vocal Energy without Vocal Injury"--workshop for second and third-year students
in Actors Studio MFA Program--New York City. September and October, 1996.
"Coping with Background Noise"--presentation as part of "The Teacher's Voice:
Surviving the Classroom--workshop for national convention of the Association for
Theatre in Higher Education (ATHE)--New York, August, l996.
"Accessing Your Total Voice"--participatory workshop for American Association of
Community Theatre--New York, June, l996.
"Acting Voice Training"--presentation and panel discussion at Voice Foundation
25th Annual Symposium on Care of the Professional Voice--Philadelphia, June, l996.
"The Actor's Voice: What Can It Teach Us?"--presentation and workshop at "Focus
on Voice Therapy" Conference--Beth Israel Hospital, Boston, April, l996.
"Developing the Voice for Performance"--two-day workshop for Departments of
Music and Theatre and Dance at the University of New Hampshire--Durham, New
Hampshire, April, 1996.
"MEDEA Vocal Workshop"--Wellesley College, February, l996.
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"Vocal-Physical Warm-Up and Voice Development"--participatory workshop
presented for American College Theatre Region I Festival--Regis College, February,
1996.
"Vocalizing Gender"--panel and workshop presented for the national convention of
the Association for Theatre in Higher Education (ATHE)--San Francisco, August,
l995.
"Things that Work"--chaired a participatory workshop at annual meeting of Voice
and Speech Trainers Association (VASTA)--San Francisco, August, l995.
"Doing the Wrong Things the Right Way", and Master Class in Voice and Speech
Coaching for Actors in Performance presented for bi-annual meeting of the
Canadian Voice Association--Toronto, Ontario, May, l995.
"The Art and Science of Vocal Performance: Enhancements for Voice Therapy"-double mini-seminar presented with Ron Scherer, Tom Cleveland and Bob Coleman
for national convention of the American Speech, Language and Hearing Association
(ASHA)--New Orleans, November, l994.
"Stage Dialects, from Training Through Performance"--presentation, with Kathy
Devecka, for national convention of Association for Theatre in Higher Education
(ATHE)--Chicago, August, l994.
"Things that Work"--chaired a participatory workshop at annual meeting of Voice
and Speech Trainers Association (VASTA)--Chicago, August, l994.
"Doing the Wrong Things the Right Way"--part of a daylong workshop presented
for New York State meeting of ASHLA--upper New York state--April, l994.
"Maximizing Vocal Effectiveness"--workshop presented for regional meeting of
Young Presidents' Organization Forty-Niners--Boston--March, l994.
"What does a Voice Teacher Do, Anyway?"--panel discussion presented for chairs
and Deans at annual convention of Association for Theatre in Higher Education-Philadelphia--August, 1993.
"Vocal Extension"--series of master classes taught at national convention of Voice
and Speech Trainers Association--Philadelphia--August, l993.
"Course for Instructors in Vocal Communication"--three-day workshop taught for
British Voice Association--University of London--July, l993.
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"Emotional and Chemical Effects on Voice"--panel presented at Voice Foundation
Symposium on Care of the Professional Voice--Philadelphia--June, l993.
"Theatre Strategies for Overcoming Hyperfunctional and Hypofunctional Vocal
Production"--participatory workshop for the Canadian Association of Speech and
Language Pathologists and Audiologists--Prince Edward Island--May, l993.
Series of Shakespeare in Performance Workshops for Division of Drama, Duke
University, Durham, North Carolina--January and February, l993.
Monologue Workshop for the Department of Theatre, Concordia University,
Montreal--September, l992.
"Emotional Expression Without Burnout: Special Needs of the Professional Voice
User"--presentation for Canadian Voice Care Foundation Symposium on Care of the
Professional Voice--Banff, Alberta, Canada--August, l992
Master Class: The Acting Voice--for Canadian Voice Care Foundation Symposium
on Care of the Professional Voice--Banff, Alberta, Canada --August, l992.
"The Voice of Theatre"--presentation, with Kristin Linklater, for the Boston area
theatre community on current issues in voice and speech training and coaching-February, l992.
"Theatre Voice '92"--selected participant in week-long symposium on the state of the
art of voice coaching hosted by Cicely Berry at the Royal Shakespeare Theatre's
Other Place, Stratford-Upon-Avon, January, l992
"The Acting Voice"--day-long participatory workshop for actors as part of Lenox Hill
Hospital's "Enhancing Your Voice" series--New York City, November, l99l.
Vocal Skills and Facilitation Workshops for students and acting, voice and
movement faculty members at American Music and Dramatic Academy--New York
City, November, l99l.
Consultant in Voice and Speech Curriculum Development for American Music and
Dramatic Academy--New York City, October, l99l.
"Public Speaking and the Physician"--instructional course presented with Dr. Wilbur
James Gould and Dr. Robert T. Sataloff for the American Academy of
Otolaryngology--Head and Neck Surgery--Kansas City, September, l99l.
19
"Things That Work"--chaired a participatory workshop for convention of the Voice
and Speech Trainers Association--Seattle, August, l99l.
"The Path of the Masters: Finding Your Own Path"--panel presented for annual
convention of Association for Theatre in Higher Education--Seattle, August, l99l.
"Violent Points of View"--panel presented for annual convention of Association for
Theatre in Higher Education--Seattle, August, l99l.
"The Integration of Voice Science, Voice Pathology, Medicine, Public Speaking,
Acting and Singing"--panel presented for Voice Foundation's Twentieth Symposium
on Care of the Professional Voice--Philadelphia, July, 1991.
"Public Speaking: The Team Approach to Training"--presentation (with Wilbur
James Gould, M.D. et al) for the Voice Foundation's Twentieth Symposium on Care
of the Professional Voice--Philadelphia, July, l99l.
"Improving Resonance through Kinesthetic Sensation on the Hard Palate", and
"Screaming without Suffering"--participatory workshops presented at the Voice
Foundation's Twentieth Annual Symposium on Care of the Professional Voice-Philadelphia, July, l99l.
"The Particular Needs of Professional Voice Users as Patients"--presentation at
annual meeting of British Voice Association--London, June, l99l.
"Exercises and Strategies for Improving Voice Projection"--workshop presented at
annual meeting of British Voice Association--London, June, l99l
"The Performing Voice"--demonstration and discussion presented for the public as a
part of Lenox Hill Hospital's Voice Potential Workshops series--with Robert T.
Sataloff, M.D. and William Riley, M.A.--New York, May, l99l.
"What An Interesting Accent!"--participatory workshop presented for the Young
Presidents' Organization (YPO) University--Boston, April, l991.
"Are You Boring?"--participatory workshop presented for the Young Presidents'
Organization (YPO) University--Boston, April, 1991.
"Application of Theatre Voice and Speech Training Techniques to the Treatment of
Common Vocal Problems"--day-long participatory workshop for the annual
conference of the Canadian Association of Speech and Language Pathologists and
Audiologists--Montreal, Quebec, April, 1991.
20
"Public Speaking and the Physician"--instructional course presented with Drs.
Wilbur James Gould and Robert T. Sataloff for the American Academy of
Otolaryngology--Head and Neck Surgery. San Diego, September, l990.
"Things That Work"--chaired participatory workshop at Voice and Speech Trainers
Association (VASTA) Convention--Chicago, August, l990.
Voice and Speech Seminar for Actors--conducted a workshop (with Bob Chapline)
for StageSource--Boston, June, l990.
"Age Related Problems Affecting Voice in Professional Singers and Actors"-presentation at Voice Foundation Symposium on Care of the Professional Voice
(VFSCPV)--Philadelphia, June, 1990.
"Public Speaking Workshop"--presented with Dr. Wilbur James Gould and others at
VFSCPV--Philadelphia, June, l990.
"Exploring Vocal Potential through Freeing the Body"--chaired a panel at VFSCPV-Philadelphia, June, l990.
"Common Speaking Voice Problems--Case Studies with Optional Solutions"-contributor to panel at VFSCPV--Philadelphia, June, l990.
"Relationship of Speaking and Singing in Training and in Health"--panel cosponsored by Miller Health Care Institute for Performing Artists and the Voice
Foundation. New York, Metropolitan Opera House, Nov, l989.
"Customizing Your Physical/Vocal Warm-Up for the Needs of a Particular Role"-participatory workshop presented at the New England Theatre Conference Annual
Convention. Boston, November, l989.
"Preparing for Performance"--master class presented for Longy School of Music.
Cambridge, October, l989.
"Public Speaking and the Physician"--instructional course presented with Drs.
Wilbur James Gould and Robert T. Sataloff for the American Academy of
Otolaryngology--Head and Neck Surgery. New Orleans, September, l989.
"Things that Work"--chaired session at VASTA Convention--New York, August,
l989.
21
"Common Voice Problems of Actors and Singers: Symptoms, Diagnosis, Treatment
and Prognosis"--chaired session at the Association for Theatre in Higher Education
(ATHE) Convention--New York, August, l989.
"The Sounds of Violence"--workshop presented at the ATHE Convention--New
York, August, l989.
"Workshop on Public Speaking"--presented with Dr. Wilbur James Gould and others
at VFSCPV--Philadelphia, June, 1989.
"Vocal Coaching and Speech Pathology: An Exchange of Ideas"--presented with
Donna Aronson and Pamela Lynn Harvey at VFSCPV--Philadelphia, June, l989.
"Mini-Workshop in Techniques for Counteracting Laryngeal Hyperfunction"-presented at VFSCPV--Philadelphia, June, l989.
"The Actor's Voice: What Can It Teach Us?"--mini-seminar presented with Pamela
Lynn Harvey and Donna Aronson to the national convention of the American
Speech, Hearing and Language Association--Boston, November, l988.
"Integration of Voice and Speech Training into Acting Courses"--participatory
workshop taught as part of "Preparing the Acting Teacher"--University of
Washington, Seattle, August, l988.
"The Art of Coaching Actors in Production--presentation at ATHE Convention--San
Diego, August, l988.
"The Voice Outdoors"--workshop for ATHE Convention--San Diego, August, l988.
"The Sounds of Violence"--series of evening workshops taught at the Society of
American Fight Directors National Summer Workshop--Memphis, July, l988.
Three-week workshop in voice, speech and Shakespeare for acting students at the
Colorado College--Colorado Springs, July, l988.
"Things that Work"--chaired session at VASTA Convention--New York, June, l988.
"Public Speaking Voice"--workshop taught with Dr. Wilbur James Gould and others
for VFSCPV--New York, June, l988.
"Special Needs of the Professional Voice User"--short course taught for the Illinois
Speech, Language and Hearing Association Convention--Chicago, February, 1988.
22
"Turf: Are You Invading My Territory?"--Point-Counterpoint session for the Illinois
Speech, Language and Hearing Association Convention--Chicago, February, l988.
Vocal Survival and Professional Technique Workshops--five days for the SAK
Theatre, EPCOT Center, Disneyworld, Orlando, September, l987.
Two-week workshop in voice and speech for acting students at Colorado College-Colorado Springs, July, l987.
"Longevity, Flexibility and Artistry in Speaking and Performing"--presentation for
the Seventh Annual Conference on the Use and Care of the Human Voice-University of Minnesota, Minneapolis, June, l987.
Series of from 2-4 mini-workshops in voice work for actors presented at the l983
through l988 annual VFSCPV--Juilliard School, New York.
"Speaking in Public Places"--participatory workshop for the Council on Women and
the Church/Committee on Women's Concerns/Presbyterian Church (USA)-Granby, Colorado, August, l986.
"Improving Voice and Speech Skills in Young Actors"--five-day workshop for the
International Thespian Society at their retreat for theatre teachers and directors-Snowbird, Utah, August, l986.
"Structuring the Two and Three-Year Training Program: Voice and Speech"-presentation to the National Educational Theatre Conference--New York, August,
l986.
"Intervention Work with Actors: Bridging the Gap Between Voice and Movement"-presentation (with Michael Johnson-Chase, Alexander teacher, and students of the
National Theatre Conservatory) for the National Educational Theatre Conference-New York, August, l986.
"Establishing Guidelines for Training and Evaluating Theatre Voice and Speech
Specialists"--presentation to the National Educational Theatre Conference--New
York, August, l986.
"Care of the Professional Voice for Singers"--a team-taught participatory workshop
presented to singing students and faculty at the Aspen Music Festival--July, l986.
"Voice Modifications of Stage Actors: Acoustic Analyses"--presentation to VFSCPV-Juilliard School, New York, June, l986.
23
"Improving Vocal Technique in Professional Voice Users"--DCPA team presentation
to the Colorado Speech and Hearing Association Convention--Breckenridge, April,
l986.
"Vocal Survival for Rock 'n Roll Singers"--team taught a half-day, participatory
workshop for singers at the Denver Center for the Performing Arts--March, l986.
Follow-up workshop: "Screaming for Singers"--April, l986.
"Giving Up Your Little Girl Voice"--a participatory workshop for Colorado Press
Women--Denver, March, l986.
"Professional Voice: Use and Abuse"--guest lecture delivered with other members of
the Recording and Research Center team--at the University of Colorado at Boulder,
sponsored by Schools of Music and Education--February, l986.
"Customizing Your Warm-Up for a Particular Performance" and "The Actor's
Approach to Dialect Acquisition"--participatory workshops at the Rocky Mountain
Theatre Association Festivention--Grand Junction, January, l986.
"Optimum Standards for the Training of Voice and Speech Specialists in the
Theatre"--chaired a commission and panel presentation at the national convention of
the American Theatre Association (ATA)--Toronto, August, l985.
"Some Acoustic and Glottal Characteristics of the Actor's Projected Voice"--research
paper presented at the national convention of the ATA--Toronto, August, l985.
Intensive Workshop in New York dialect for cast of "Guys and Dolls" at Vail
Community Theatre--July, l985.
"Exploratory Study of Vocal Fatigue and Strain in Professional Actors"--presentation
to VFSCPV--Denver, June, l985.
"Optimum Standards for the Training of Voice and Speech Specialists in the
Theatre"--chaired a panel discussion at the ATA Convention--San Francisco, August,
l984.
"Vocal Strain"--participated in a panel at the ATA Convention--San Francisco,
August, l984.
"Care of the Professional Voice"--team-taught a daylong pre-convention workshop
for the ATA--San Francisco, August, l984.
24
Workshop in Voice, Speech, Dialects Methodology and Approaches to Shakespeare
for the Alliance Theatre School--three-and-one-half days--Atlanta, August, l984.
"Care of the Professional Voice"--team-taught a one-day workshop for professional
actors and singers co-sponsored by the Missouri Repertory Theatre and Bethany
Medical Center--Kansas City, July, l984.
"Keeping the Voice Healthy"--team taught a participatory workshop for the National
Association of Teachers of Singing Convention--Denver Center for the Performing
Arts, July, l984.
"Speaking for Singers"--paper presented to the National Association of Teachers of
Singing regional convention--Boulder, July, l984.
"Medical Care of Vocalists"--participated in a panel discussion presented at the
Biology of Music Making Conference--Denver Center for the Performing Arts, July,
l984.
"Projection in Public Speaking and Acting"--presentation to VFSCPV--Juilliard
School, New York, June, l984.
Team-taught a short course in Research on and Needs of the Professional Voice Use
for residents in Otolaryngology at the University of Colorado Medical School-Denver, April and May, l984.
"Tailoring the Warm-Up for Special Needs of Performance"--workshop presented at
the Rocky Mountain Theatre Association Festivention--January, l984.
"Training a Mixed Professional-Apprentice Company for the Classical Theatre"-presentation to the ATA convention--Minneapolis, August, l983.
Two-week workshop in voice and speech for MFA acting students at the Dallas
Theater Center--March, l983.
Intensive weekend workshops for Creede Repertory Theatre Acting Company-summers of l982 and l983.
Three-week workshop in voice and speech for the resident acting company at the
Dallas Theater Center. Voice coach for its concurrent production of Feydeau's "The
Turkey" (“The French Have a Word for It”) directed by Derek Goldby--January, l981.
Intensive Voice and Speech Audition Workshop for Actors' Information Project-New York, Spring, l981.
25
"Working with Common Problems in Actors' Voices"--paper presented to the ATA
Convention--San Diego, August, l980.
"From Ritual to Relevance: Tailoring the Vocal Warm-Up to the Individual Actor"-participatory workshop at the American College Theatre Regional Festival-Greensboro, North Carolina, February, l980.
"Theatre Speech and Voice: The Beginning Course"--paper presented to the
Southeastern Theatre Conference (SETC) Convention--Atlanta, March, l979.
"Team-Teaching Approach to Historical Acting Styles"--paper on the contributions
of the voice and speech specialist presented to the SETC Convention--Atlanta,
March, l979.
Mini-Workshop in Laughing, Crying and Screaming as Special Vocal Skills for the
Actor--ATA Convention--New Orleans, August, l978.
"Preparing a Cast for a Dialect Show"--paper presented to the SETC Convention-Lexington, Kentucky, March, l978.
"The Use of Rhythm in the Training of the Theatrical Craftsman"--presentation at the
SETC Convention--Lexington, Kentucky, March, l978.
Two-day workshop in "Habitual Awareness: the Lessac System" at the College of
William and Mary--Williamsburg, Spring, l978.
Short Course in "Habitual Awareness: the Lessac System" for the Speech Association
of America Convention--Washington, D.C.--December, l977.
Chairperson, "Diagnosis of Actors' Voice Problems"--ATA Convention--Chicago,
August, l977.
Chairperson, "Causes, Prevention and Treatment of Occupational Injuries in Actors,
Singers and Dancers"--ATA Convention--Los Angeles, August, l976.
Workshop in Rhythm Training for the Actor (presented with Jay E. Raphael)-Virginia Theatre Conference annual convention--Richmond, October, l976.
26
PUBLICATIONS
(In Press) Raphael, Bonnie N. “The Best of All Possible Worlds” G. Paul Moore Lecture,
2010. Journal of Voice.
Raphael, Bonnie N. “Tribute to Dorothy Runk Mennen” in Voice and Speech Review: A
World of Voice, published by Voice and Speech Trainers Association, 2011. P. 18.
Raphael, Bonnie N. “Hyperfunctional Voice in an Actor” in Voice Therapy: Clinical Studies
(3rd edition), edited by Joseph C. Stemple, Ph.D. and Lisa Thomas Fry. San Diego: Plural
Publishing Inc., 2010. Pp.377-82.
Raphael, Bonnie N. “Theatre Voice Coaching” in Western Drama Through the Ages.
J. Kimball King (ed.) Westport CT: Greenwood Press, 2007. Vol. II, pp. 558-561.
Raphael, Bonnie N. “Special Considerations Relating to Members of the Acting
Profession” in Professional Voice: The Science and Art of Clinical Care (3rd ed.)
edited by Robert T. Sataloff. San Diego: Singular Publishing Group, 2006.
Raphael, Bonnie N. and Robert T. Sataloff, “Increasing Vocal Effectiveness” in
Treatment of Voice Disorders edited by Robert T. Sataloff. San Diego: Plural
Publishing Group, 2005. (pp. 46-57)
Freed, Sharon, Bonnie Raphael and Robert T. Sataloff, “The Role of the Acting-Voice
Trainer in the Medical Care of Professional Voice Users” in Treatment of Voice
Disorders, edited by Robert T. Sataloff. San Diego: Plural Publishing Group, 2005.
(pp. 105-114).
Raphael, Bonnie. “A Voice for Owen Meany” in Voice and Speech Review.
Cincinnati, OH: VASTA (2005), Volume IV, #1 (pp. 167-169).
Raphael, Bonnie N. “Special Considerations Relating to Members of the Acting
Profession” in Professional Voice: The Science and Art of Clinical Care (3rd ed.)
edited by Robert T. Sataloff. San Diego: Singular Publishing Group.
Raphael, Bonnie N. and Robert T. Sataloff, “Increasing Vocal Effectiveness” in
Professional Voice: The Science and Art of Clinical Care (3rd ed.) edited by Robert T.
Sataloff. San Diego: Singular Publishing Group.
Raphael, Bonnie N. “Carryover: Bringing Skills Acquisition from Studio to Life” in
Voice and Speech Review. Cincinnati, OH: VASTA, 2003, Volume III, #1 (pp. 72-76).
27
Raphael, Bonnie N. "Staged Violence: Greater than the Sum of its Parts", in Voice
and Speech Review. Cincinnati, OH: VASTA, 2001, Volume II, #1 (pp. 22-29).
Raphael, Bonnie N. "How to Avoid Burnout" in VASTA Newsletter, published by
the Voice and Speech Trainers Association. Volume XV, Number 2 (Winter, 2001),
pp. 1, 7-8.
Raphael, Bonnie N. "Case Study: Hyperfunctional Voice in an Actor"" in Voice
Therapy: Clinical Studies, (2nd edition) edited by Joseph C. Stemple, Ph.D. San
Diego: Singular Publishing Group, 2000 (pp.409-421).
Raphael, Bonnie N. "Dancing on Shifting Ground: Voice Coaching in the
Professional Theatre". Voice and Speech Review. Cincinnati: VASTA, 2000, Volume
I, #1 (pp. 165-170).
Raphael, Bonnie N. "A Consumer's Guide to Voice and Speech Training", in Vocal
Visions, edited by Marian Hampton and Barbara Acker. New York: Applause , l997,
pp. 203-213.
Raphael, Bonnie N. "Special Considerations Relating to Members of the Acting
Profession" in Professional Voice: The Science and Art of Clinical Care (2nd ed.)
edited by Robert T. Sataloff. San Diego: Singular Publishing Group, l997, pp. 203205.
Raphael, Bonnie N. and Robert T. Sataloff, "Increasing Vocal Effectiveness" in
Professional Voice: The Science and Art of Clinical Care (2nd ed.) edited by Robert
T. Sataloff. San Diego: Singular Publishing Group, l997, pp. 721-729.
Freed, Sharon L., Bonnie N. Raphael, and Robert T. Sataloff, "The Role of the ActingVoice Trainer in Medical Care of Professional Voice Users" in Professional Voice:
The Science and Art of Clinical Care (2nd ed.) edited by Robert T. Sataloff. San
Diego: Singular Publishing Group, l997, pp. 765-774.
Raphael, Bonnie N. "Screaming Without Suffering" Voice Talk, published by the
Canadian Voice Care Foundation. Vol. I, Issue 3, Fall, l995, p. 9.
Scherer, Ronald C., David W. Brewer, Raymond Colton, Lucille S. Rubin, Bonnie N.
Raphael, Richard Miller, Elizabeth Howell and G. Paul Moore. "Panel: The
Integration of Voice Science, Voice Pathology, Medicine, Public Speaking, Acting
and Singing” Journal of Voice Volume VIII, #4 (December, l994), pp. 359-374.
Raphael, Bonnie N. "A Consumer's Guide to Voice and Speech Training" New
England Theatre Journal, Volume V (1994), pp. 101-114.
28
Raphael, Bonnie N. "Hyperfunctional Voice in An Actor" in Voice Therapy: Clinical
Studies, edited by Joseph C. Stemple, Ph.D. St. Louis: Mosby Year Book, Inc., l993.
(pp 163-168).
Raphael, Bonnie. "Voyagers of the Not-Known". in American Repertory Theatre
News, Volume XII, Number 3 (May, l992), p. 6.
Rubin, Lucille S., Ruth Epstein, Catherine Fitzmaurice, Bonnie Raphael and Pamela
Lynn Harvey. "Common Speaking Voice Problems: Case Studies with Optional
Solutions", Journal of Voice, Volume V, Number 4 (November, l99l), pp. 321-327.
Raphael, Bonnie. "The Sounds of Violence: Vocal Training in Stage Combat",
Theatre Topics, Volume I, Number 1 (March, l99l), pp. 73-86.
Raphael, Bonnie N. "Special Considerations Relating to Members of the Acting
Profession" Chapter 6 in Sataloff, Robert T. et al, Professional Voice: The Science
and Art of Clinical Care. New York: Raven Press, l99l. pp 85-89.
Raphael, Bonnie N. and Robert T. Sataloff, "Increasing Vocal Effectiveness" Chapter
29 in Sataloff, Robert T. et al, Professional Voice: The Science and Art of Clinical
Care. New York: Raven Press, l99l. pp 359-374.
Raphael, Bonnie. "The Sounds of Violence--Part III: Topping the Competition."
Fight Master. Volume XII, Number 3 (Fall, l989), pp 8-10.
Raphael, Bonnie. "The Sounds of Violence--Part II: Vocal Safety and Technique."
Fight Master. Volume XII, Number 2 (Spring, l989), pp 8-13.
Raphael, Bonnie. "The Sounds of Violence--Part I: The Real Thing." Fight Master.
Volume XII, Number 1 (Winter, l989), pp 12-15.
Raphael, Bonnie. "Whom does the Voice Coach Serve--and How?" Voice and
Speech Trainers Association Newsletter. Volume II, Number 1 (Winter, l989), pp 1-2.
Raphael, B.N. and Scherer, R.C. "Voice Modifications of Stage Actors: Acoustic
Analyses." Journal of Voice. Volume I, Number 1. (March, l987), pp 83-87.
Acker, B.F., Miller, R., Raphael, B.N., Rubin, L.S., Scherer, R.C. and Sundberg, J.
"Discussion: The Speaking Voice." Journal of Voice. Volume I, Number 1 (March,
l987), pp 88-91.
29
Raphael, B.N. "Improving the Singer's Speaking Voice." Journal of the National
Association of Teachers of Singing (NATS). Volume XLIII. (November/December,
l986), pp 9-13.
Scherer, R.C. and Raphael, B.N. "Voice Projection: an Electroglottographic Study of
Theatre 'Call' Technique." ASHA. Volume XXVIII, Number 10 (1986). p. 70 (A).
Scherer, R.C., Titze, I.R., Raphael, B.N., Wood, R.P., Ramig, L.A. and Blager, F.B.
"Vocal Fatigue in a Trained and Untrained Voice User." in Vocal Fold Physiology:
Laryngeal Function in Phonation and Respiration. T. Baer, C. Sasaki and K. Harris
(Eds.) College-Hill Press, San Diego, l986.
Raphael, B.N. and Scherer, R.C. "Repertory Actors' Perceptions of the Voice in
Relation to Various Professional Conditions." Transcripts of the Fourteenth
Symposium: Care of the Professional Voice. New York: Voice Foundation, June,
l985. pp 102-113.
Scherer, R.C., Raphael, B.N., Wood, R.P., Ramig, L.A. and Blager, F.B. "Vocal
Fatigue in a Professional Voice User." Transcripts of the Fourteenth Symposium:
Care of the Professional Voice. New York: Voice Foundation. June, l985. pp 124130 (g).
Scherer, R.C., Titze, I.R., Raphael, B.N., and Wood, R.P. "An Acoustic Study of Vocal
Fatigue." Abstracts of the Eighth Midwinter Research Meeting, Association for
Research in Otolaryngology, February 3-7, l985. Clearwater Beach, Florida. p. 152.
Raphael, B.N. and Scherer, R.C. "Actors' Perception of Performance-Related Vocal
Factors." DCPA Research Report. (1/1985), pp. 157-206.
Scherer, R.C., Titze, I.R., Raphael, B.N. and Wood, R.P. "Vocal Fatigue: Prolonged
Talking by Trained Voices." DCPA Research Report. (1/1985), pp. 120-156.
Raphael, B.N. "Loudness and Projection as Related to Public Speaking and Acting."
Transcripts of the Thirteenth Symposium: Care of the Professional Voice. New
York: The Voice Foundation, June, l984. pp 255-266.
Titze, I.R., Scherer, R. C, Burzynski, R.C. and Raphael, B.N. "Voice Analysis with
Acoustic and Glottographic Methods." ASHA. Volume XXVI, Number 10 (1984), p.
59 (A).
Raphael, B.N. "Preparing a Cast for a Dialect Show." Communication Education.
Volume XXXIII, Number 1 (January, l984), pp 43-51.
30
Raphael, B.N. "Bridging the Gap Between Theoretical Research and Practical Needs
of Voice Professionals." Transcripts of the Twelfth Symposium: Care of the
Professional Voice. Part I: Scientific Papers. New York: Voice Foundation, June,
l983. pp 40-45.
Raphael, B.N. "Sounds that Give Delight." Stage/Space (a publication of the Denver
Center Theatre Company). Issue Number 22 (1983?), pp 9-10.
Raphael, B.N. "Advice to the Player: How to Perform . . . Shakespeare's
Monologues." Dramatics. Volume LIII, Number 3 (November, l981), pp 42-46.
Raphael, B.N. "Class Acts: Home on the . . . Range." Dramatics. Volume LII,
Number 1 (September, l980), pp 12-15
Raphael, B.N. "Class Acts: Projection." Dramatics. Volume LI, Number 1
(September/October, l979), pp 36-37.
Raphael, B.N., "Class Acts: Physical and Vocal Warm-Up." Dramatics. Volume L,
Number 2 (November/December, l978), pp 38-39.
Raphael, B.N. (Editor). "Theatre Speech and Voice Program Supplement." American
Theatre Association Theatre News. Volume IX, Number 7. Washington, D.C.,
March, l977. pp 7-21.
Raphael, B.N. "Specialist Needed for Voice and Speech." American Theatre
Association Theatre News. Volume VIII, Number 6. Washington, D.C., March, l976.
Raphael, B. N. "Post-Convention Workshop in Total Actor Training: 'I Sing the
Body Electric.'" American Theatre Association Theatre News. Volume VII, Number
4. Washington, D.C.: November/December, l974.
Raphael, Bonnie N. (Editor). American Theatre Association Summer Theatre
Directory. Washington, D.C.: l972 and l973 editions.
Articles About:
Saklad, Nancy (ed.) Voice and Speech Training in the New Millennium:
Conversations with Master Teachers. “Bonnie Raphael”. Applause Theatre &
Cinema Books. New York: 2011 (pp.211-220).
Meyer, Ursula. "An Interview with Bonnie Raphael", in The Voice in Violence . . .
Voice and Speech Review. Cincinnati, OH: VASTA, 2001 (pp. 16-21).
31
Peithman, Stephen. "Now You're Talking!", Stage Directions. Volume XI, Number 9
(October, l998), pp 53-59.
Peithman, Stephen. "Warming to the Task", Stage Directions. Volume XI, Number 8
(September, l998), pp 41-42.
Credle, Melanie. "Professor Helps Actors Get Voice Just Right",
Preview
Magazine (in the Chapel Hill Herald Sun), October 17, 1997, (pp 3-4).
Tilney, Victoria L. "Prepping at the Rep", Harvard Magazine. Volume 95, Number 5
(May-June, l993), pp 64-68.
Raun, Patricia. "Resident Voice Internship Available at the American Repertory
Theatre." Voice and Speech Trainers Association Newsletter, Volume 5, Number 2
(Fall, l991), pp. 1, 6.
Harvey, Pamela Lynn. "Stranger in a Strange Land." Voice and Speech Trainers
Association Newsletter, Volume I, Number 2 (March, l988), p. 1.
"Harvard Takes Acting to a Higher Level." New York Times, Saturday, November
28, l987, p. 9.
WNET-Thirteen, INNOVATION. "Figures of Speech," produced by Duncan Scott in
cooperation with the DCPA Recording and Research Center, January 1, l986--several
national broadcasts between l986 and l989.
CNN, NEWSWATCH. "Science and Technology Today: The DCPA Story,"
produced by Charles Crawford, December 16, l985--international.
"From the Lungs to Larynx to Lip, it's Jitter, Shimmer and Blip." Smithsonian
Magazine, Journal Number 18239 (July, l985), pp. 78-87.
EXTERNAL ADJUDICATOR FOR TENURE AND/OR PROMOTION OF
SPECIALISTS IN VOICE AND SPEECH AT:
University of Kansas
York University in Toronto
Pennsylvania State University
University of Connecticut
Duke University
Wayne State University
University of Wyoming
32
Carnegie Mellon University
University of Missouri at Kansas City
University of Hartford
University of Cincinnati
Knox College
University of Wisconsin, and others
EXTERNAL ADJUDICATOR FOR DOCTORAL DISSERTATION OF
Marth Munro at Potchefstroom University in South Africa
MEMBERSHIP IN PROFESSIONAL ORGANIZATIONS
Voice and Speech Trainers Association (since l985; member of founding Board of
Directors, Chair of Guidelines for Certification Committee, member of
Bibliography Committee. Made Honorary Lifelong Member in 1996)
The Voice Foundation (since l978; member of Sackler Awards committee, 1992-94)
Journal of Voice (member of Editorial Board from Marchl987-June 2011)
Actors' Equity Association (since 1989)
Association for Theatre in Higher Education (l986-2005; charter member)
American Theatre Association (1970-1986)
Chairperson, Theatre Speech and Voice Program, l975-1977
Co-Chairperson for the l974 Post-Convention Workshop in Total
Actor Training: "I Sing the Body Electric"
Illinois-Wisconsin Regional Judge for the l974 American College
Theatre Festival
New England Theatre Conference--l996-l997
Southeastern Theatre Conference--1976-1981
Chairperson, Theatre Movement, Voice and Speech Committee from l978
until l981
Association for Women Faculty and Professionals—University of North Carolina—
l999-2009.
GRANTS, AWARDS AND HONORS
33
Honorary certification as Master Teacher of Lessac System of Voice, Speech and
Movement Training—May, 2003.
Research Leave, College of Arts and Sciences, University of North Carolina at
Chapel Hill—spring semester, 2003. (Residency at the Guthrie Theater and
the University of Minnesota: March through May, 2003.)
Faculty Partners Grant, College of Arts and Sciences, University of North Carolina at
Chapel Hill--1998-1999, 1999-2000.
Listed in Twentieth Edition of Marquis' Who's Who in American Women, l997.
New England Theatre Conference Award for Achievement in Theatre, l996.
Leadership and Service Award and Honorary Lifetime Membership, Voice and
Speech Trainers Association, l996.
University of Virginia, College of Arts and Sciences Faculty Research Grant, l980.
Listed in the l980 edition of Outstanding Young Women of America.
Excellence in Teaching: Dean's Recognition List, University of Virginia College of
Arts and Sciences--Spring, l977 and Spring, l978.
Distinguished Woman of the American Theatre Association. Cited in American
Theatre Association Theatre News, Volume X, Number 2 (November, l977).
Eidophusikon Award for the most significant contribution to theatre at Michigan
State University during l969-1970 (shared with Jay E. Raphael)--June, 1970.
Graduate Council Fellowship, Michigan State University, l969-1970 (first woman in
Department of Theatre to win this full tuition scholarship).
Graduate Assistantship, Performing Arts Company, Michigan State University for
the academic years of l967-68 and l968-69--actress in resident company.
Certificate of Achievement in Theatre, awarded by faculty committee of the Theatre
Department, University of Michigan--April, l965.
Administrative Responsibilities:
34
Head, Professional Actor Training Program, University of North Carolina:
12/97-8/05.
Personnel and Advisory Committees—Department of Dramatic Art
Administrative Board, General College, UNC—l997-2000.
Chair, Search Committees—Department of Dramatic Art—l998.
PRIVATE CONSULTATION
Private Presentational Skills Consultant since 1985--clients have included a sitting
President of the United States, a Cabinet member, the Postmaster General of the
United States, major political figures and network television and radio broadcasters
(including Dan Rather of CBS), a number of well-known performers (including
Annette Bening, F. Murray Abraham, Christopher Lloyd, Anna Deveare Smith,
Cherry Jones and Diane Lane), trial lawyers, advertising executives (including
several from Young and Rubicam), members of the Board of the New York Stock
Exchange and leaders in private industry (consultant to Cambridge Energy Resource
Associates--Daniel Yergin, President--from 1989 to l997; Young Presidents
Organization and Fisher Scientific International—Paul Montrone, CEO; etc.).
Updated 8/11, BNR