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Jean-Philippe
Collard-Neven
Born in 1975
Born in 1975, he is Belgian pianist, composer and improviser. Jean-Philippe CollardNeven leads an atypical career where classical, contemporary, jazz, improvisation, French
Chanson and electro go hand in hand with theatre, dance, fine arts, cinema and literature.
Far from being eclectic "a bit of everything", this variety is an expression of his passion
as well as an open-mindedness which seeks to create and weave links between styles, genres
and eras. Since his childhood, Jean-philippe Collard-Neven learned jazz tunes and songs from
his father's lap and soon began to play soundtracks, by ear, which intrigued him. Improvising
and playing without sheet music is instrumental to his sound and music. For him, this will
always be an instinctive and natural act, impervious to the rigidity of academic learning.
Equally, this spontaneous learning never differentiates between 'great' and 'light' music. Any
music that moves him is good to go, the magnanimity of a rock group can easily bear
comparison with a string quartet.
Pianist in the Musiques Novuelles ensemble from 1997 to 2003, Jean-Philippe CollardNeven has also played with Art Zoyd (France), Ensemble 88 (France), Namur Chamber
Choir, the Chamber Orchestra of Wallonia, Lille Philharmonic Orchestra, the Royal Flemish
Orchestra (Antwerp) and Ictus. He has also developed strong relationships with the Danel
Quartet, Debussy Quartet, the French violinist Fabrice Bihan, the violist Paul Declercq, the
French violist Vincent Royer (2 CDs and 1 vinyl record with SUB ROSA), the Quebecois
cellist Emilie Girard-Charest, the bass-baritones José van Dam, Laure Delcampe, Elise
Gäbele, the jazzmen Jean-Louis Rassinfosse, Fabrice Alleman, Philippe Catherine, Bart
Quartier, Fabrizzio Cassol, Xavier Desandre-Navarre, the Quebecoise Jean Derome, Pierre
Tanguay, Helmut Lipsky, Michel Donato, conductors Patrick Davin and Pierre Bartholomée,
composers Jean-Luc Fafchamps (1 CD with FUGA LIBERA), Claude Ledoux, Benoît
Mernier, Luc Ferrari, David Shea, Horatiu Radulescu, Bruno Mantovani, Vinko Globokar,
Michel Gonneville, Jean-Pierre Deleuze, Fabian Fiorini…
In theatre, he has collaborated with producers such as Geneviève Damas, Pietro Pizzuti,
Claire Gatineau, Jeanine Godinas, Ariane Buhbinder, Valérie Cordy, Didier de Neck, Ingrid
von Wantoch Rekowski, Martine Godard…
He has equally worked with artist Bob Verschueren, French painter Diane de Valou and
the Canadian painter-filmmaker Jean Detheux
He has composed and improvised music for artists such as François Emmanuel, JeanLuc Outers, Dimitri Verhulst, Tom Lannoye, Marcel Moreau, Alain Spièss, Eugène
Savitzkaia…
He composed the music for the documentary "l'Or Bleu de Damien de Pierpont" and,
finally, he will compose the music for an animation feature which is in the making.
His music has regularly accompanied silent films and cinema. He recently played the
original music composed by Gaston Paulin for the Emile Reynaud's pantomimes - the pioneer
of cinema.
Equally, he produces sound installations which he then records in "field recording" and
makes use of, as a support, in his concerts, for example, in the Musée Ingres, in the Passage
Pommeraye in Nantes and at the Raffinerie in Brussels during the Ars Muscia of 2012.
Jean-Philippe Collard-Neven's music has been used several times in French, Japanese
and German cinema. His theatrical and cinematic music is also part of a discography released
by Sub Rosa (Incidental Music).
Since 2003, he has created a strong relationship with the Jazz bass player Jean-Louis
Rassinfosse. After releasing two CDs as a duo for FUGA LIBERA, they started a series of
fruitful collaborations with various artists. First of all, with Fabrice Alleman and XavierDesandre-Navarre with whom they recorded Braining Storm, as well as FUGA LIBERA.
Thereafter, he collaborated with the bass-baritone José van Dam in a project on Carlos Gardel
(a CD is being produced). He currently plays in a sextet alongside the Debussy Quartet for an
original repertoire. He is also co-operating with the Danel Quartet, the cellist Fabrice Bihan,
vibraphonist Bart Quartier and the flutist Pierre Bernard.
As a pianist, improviser and composer, he has played in numerous festivals in Belgium,
France, the Netherlands, German, Italy, Poland, Spain, Tunisia, Chile, Mexico, Peru, Canada,
Japan... For several years, Jean-Philippe Collard-Neven developed special links with certain
countries, notably Canada, where he played with a number of local artists, taught at the
Montreal Conservatory of Music and recorded several CDs. He also performed in Japan,
where he recorded with FLAU who organise his tours as well. In June 2011, he recorded a CD
in Osaka with the electronic Japanese artist AUS.
He won first prize in the 1993 Dexia competition as well as the FUGA trophy, awarded
by the Union of Belgian Composers in 2003, for his participation in the Belgian repertoire. In
2008, he obtained "l'Octave de l'artiste de l'année" and the "coup de coeur" from the Charles
Cros Academy for the Didascalies CD which was devoted to the works of Luc Ferrari. His
music can be heard in more than 15 discographies and on numerous radio and television
recordings.
For many years, Jean-Philippe Collard-Neven has enjoyed a special link with the
Quebecois music scene. He has performed there in a trio with Jean Derome and Pierre
Tangua. Their collaboration, which led them to perform at the OFF Jazz Festival in Montreal
and the Québec Jazz Festival, has been recorded (soon to be released). He has recently played
in a trio with Michel Donato and the violinist Helmut Lipsky and then formed a duo with the
classical cellist Emilie Girard-Charest. This duo has already inspired many composers such as
Michel Gonneville, Jean-Pierre Deleuze and the Belgian Jean-Luc Fafchamps, who created a
great trilogy in October 2013.
Jean-Philippe Collard-Neven is a Chamber Music Professor at the Royal Conservatory
of Mons. There, he has several projects enabling students to get a foot into the world of
theatre, film making and literature. He organises a variety of pedagogical events as part of the
Ars Musica Festival, "Grand Hornu", "L'Espace Senghor" in Brussels, Rambouillet's House of
Culture, the Baobab Theatre and the School of Boendael.
As part of the Master-classes, he invites artists such as Michel Gonneville, Vinko
Globokar, Jean-Louis Rassinfosse, Jean Detheux, Marc Herouet to Mons. Jean-Philippe
Collard-Neven has also taught at the Conservatory of Montreal, Lima, PESM in Dijon, and
the Royal Conservatory of Brussels. He has led many musical seminars with children from
schools exercising positive discrimination as part of projects supported by the COCOF in the
Autrique House (Schaerbeek).