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Evangelia KOPSALIDOU The comparison of Kaija Soriaho’s music to Greek female composers of the 21st century. Kaija Soriaho as an innovative composer of the 21st century impresses with her music. As Greek musicologists and music educators while listening to her music we think of two active Greek female composers: Lena Platonos (1951-) and Eleni Kalaindrou (1939-). Even if their work is not so extensive we can think of some similarities concerning the conception of music, its relation to the text and the use of electronic sounds. Lena Platonos was a “child” of Manos Hatzidakis (1925-1994) as she had a professional relationship with him for many years and a personal friendship. She was born in Crete, Greece. She is a pianist and a composer of electronic and art song music. She composes songs, music for theater, ballets, the television and pieces of contemporary “classical” music. Eleni Karaindrou is a greek composer best known for scoring the films of the director Theodoros Angelopoulos (1935-2012). Apart from music studies in Greece and Paris she has also studied history and archeology. She had composed music for theater and cinema. The aim of this paper is to deal with the “music” relationship of these three female composers concerning mostly the repertory, the use of electronic music and musical instruments and the connection between text and music. For this purpose we are going to choose works that have as many similarities as possible without excluding those ones with notable differences.