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The Laryngoscope C 2013 The American Laryngological, V Rhinological and Otological Society, Inc. Contemporary Review Lead and the Deafness of Ludwig Van Beethoven Michael H. Stevens, MM, MD; Teemarie Jacobsen, AuD; Alicia Kay Crofts, AuD Objectives/Hypothesis: To reexamine the cause of Beethoven’s hearing loss because of significant recent articles. Data Sources: Medical and musical literature online, in print, and personal communication. Methods: Relevant literature review. Results: Evidence of otosclerosis is lacking because close gross examination of Beethoven’s middle ears at autopsy did not find any otosclerotic foci. His slowly progressive hearing loss over a period of years differs from reported cases of autoimmune hearing loss, which are rapidly progressive over a period of months. He also lacked bloody diarrhea that is invariably present with autoimmune inflammatory bowel disease. The absence of mercury in Beethoven’s hair and bone samples leads us to conclude that his deafness was not due to syphilis because in that era syphilis was treated with mercury. High levels of lead deep in the bone suggest repeated exposure over a long period of time rather than limited exposure prior to the time of death. The finding of shrunken cochlear nerves at his autopsy is consistent with axonal degeneration due to heavy metals such as lead. Chronic low-level lead exposure causes a slowly progressive hearing loss with sensory and autonomic findings, rather than the classic wrist drop due to motor neuropathy from sub-acute poisoning. Beethoven’s physicians thought that he had alcohol dependence. He particularly liked wine that happened to be tainted with lead. Conclusions: Beethoven’s chronic consumption of wine tainted with lead is a better explanation of his hearing loss than other causes. Key Words: Otosclerosis; autoimmune; syphilis; lead; alcohol. Laryngoscope, 123:2854–2858, 2013 INTRODUCTION There are many opinions regarding the etiology of Beethoven’s hearing loss. This is primarily due to the lack of confirmatory evidence from audiograms, temporal bone histology, and hematological studies. At age 27 Ludwig van Beethoven first noticed a hearing problem. He developed tinnitus, with buzzing and ringing, and became aware that he missed words and phrases. At age 30 he first confessed this problem in a letter to his childhood friend, who was also a physician, Franz Gerhardt Wegeler. It was sent on June 29, 1801. In it Beethoven said, “For the last three years my hearing has grown weaker and weaker—I cannot hear the high notes of instruments or voices—I can hear sounds, but I cannot make out the words.”1 His hearing became slowly and progressively worse, so that by 1814 conversation became impossible. He tried to use an ear trumpet with limited success. He stopped playing the piano in 1815. By 1816 Beethoven was completely deaf in the right ear. In 1818 he resorted to written conversation books, and by 1822 he stopped conducting. At the performance of his Ninth Symphony in 1824, where he was the honorary conductor, he had to be turned toward the cheering crowd to witness the applause when the performance was complete because he could not hear it.2 MATERIALS AND METHODS An extensive review of the musical and medical literature as a part of an unpublished research paper for a master’s degree in history and literature, on file at the University of Utah, was done. The information available from the literature of only the most relevant of proposed diagnoses for Beethoven’s hearing loss will be carefully analyzed, as commenting on all proposed diagnosis is beyond the allotted space of this journal. RESULTS AND DISCUSSION University of Utah School of Medicine, Salt Lake City, Utah, U.S.A Editor’s Note: This Manuscript was accepted for publication on March 4, 2013. Presented at the Triological Society Combined Sections Meeting in Scottsdale, Arizona, January 24, 2013. The authors have no funding, financial relationships, or conflicts of interest to disclose. Send correspondence to Michael H. Stevens, MM,MD, 50 North Medical Drive Suite 3C120, Salt Lake City, UT 84132. E-mail: [email protected] DOI: 10.1002/lary.24120 Laryngoscope 123: November 2013 2854 What do the symptoms described by Beethoven tell us about his hearing loss, as described above? First, it was slowly progressive over a period of years. Second, it involved the high frequencies, at least initially. And third, he had reduced discrimination. Patricia Shearer, in her excellent article supporting cochlear otosclerosis, points out that the age of onset, and the slowly progressive nature of the loss fits with otosclerosis.3 However, there are several strong arguments against this etiology. One is that cochlear otosclerosis usually is associated Stevens et al.: Lead and the Deafness of Ludwig Van Beethoven with good discrimination. In addition, there is no family history of deafness in Beethoven’s family. This is striking, since in a family of musicians like his, deafness would probably have been mentioned had it been present. Most crucial of all, however, is that although no temporal bone histologic examination has been done, because Beethoven’s temporal bones were either lost or stolen, a careful gross examination of the temporal bone was completed at the time of his autopsy, including a description of the Eustachian tube opening, the middle ear space, and the mastoid. In the autopsy report there is no mention of otosclerotic involvement of the oval window, which could have easily been seen by the naked eye.4 Because of the careful description of the gross findings, it is extremely unlikely that this would have been missed. Otosclerosis had been described by A. M. Valsalva in 1735 following an autopsy of a deaf patient,5 and by Beethoven’s time other reports were also available. It is very unlikely that otosclerosis present for over 30 years would not have involved the oval window. Marked atrophy of the cochlear nerves seen at Beethoven’s autopsy is not a finding that is present, even with extensive cochlear otosclerosis. Therefore, evidence of otosclerosis as the cause of his deafness is lacking. In a persuasive paper written by Collin S. Karmody, autoimmune hearing loss has been championed as the cause of Beethoven’s hearing loss.6 Karmody suggests that autoimmune loss could also explain the diarrhea and other medical problems that Beethoven had. Recent papers have noted the association of autoimmune bowel disease with hearing loss. Beethoven himself was the first to think that his hearing loss had something to do with his gastrointestinal problems. However, the criteria described by Brian McCabe of autoimmune hearing loss is that it is usually a bilateral hearing loss that progresses rapidly over a period of weeks or months not years.7 Reported cases have also often presented with sudden hearing loss and vertigo, which Beethoven lacked. Although the clinical presentation of these patients can be quite varied, our review of the literature did not find any reported cases with such a slow progression over many years as Beethoven’s. Beethoven also said that “when people shout I cannot bear it.”1 What does this statement mean? Does it represent recruitment that may be present with a cochlear or sensory loss of hearing of autoimmune disease origin? Is there another explanation? A similar phenomenon is seen with seventh cranial nerve lesions, as described by Geary McCandless at our institution,8 and also with central hyperexcitability due to headache, depression, or anxiety.9 It is well known that Beethoven had headaches as well as depression on multiple occasions.10 In addition, it is interesting to note that Beethoven said that his deafness “caused me the least trouble in playing and composing, the most in association with others.”11 McCabe also appropriately notes that if Beethoven truly had recruitment, he could not have tolerated sound levels of ninety to one hundred decibels while at the piano playing one of his concertos with a full orchestra.11 This may support the concept of phonophobia due to a central or cerebral cause rather than Laryngoscope 123: November 2013 Fig. 1. Lead fluorescence intensity in Beethoven’s hair (LVB) in comparison to standard counts (SN-1) of controls. [Color figure can be viewed in the online issue, which is available at wileyonlinelibrary.com.] recruitment from the peripheral ear. Beethoven’s reaction to people shouting might be interpreted as thus: Since he was a musician, he was embarrassed that someone would have to shout at him to be heard. He suggests this latter possibility in one of his letters.1 In his provocative article of 1958, reprinted in 2004, McCabe felt that Beethoven’s hearing loss was neural in origin because of the finding of shrunken cochlear nerves at autopsy that lacked pith, which the dictionary defines as the center or core.11 This suggested to McCabe the possibility of acquired syphilis as a cause of his hearing loss because of the slowly progressive bilateral nature of that loss. Our reading of Beethoven’s medical history, however, indicates that none of his physicians mentioned his having syphilis. One reason for the proposal of syphilis is Beethoven’s use of a salve that was thought to contain mercury, a drug commonly used for the treatment of syphilis at that time. It has been confirmed, however, that the salve contained ammonium and not mercury.12 In addition, researchers at the U.S. Department of Energy’s Argonne National Laboratory in Argonne, Illinois, found no evidence of mercury in Beethoven’s hair and bone samples.13,14 This gives additional support to the idea that his deafness was not caused by syphilis. What then was the cause of Beethoven’s deafness? Recent analysis of his hair and bone has determined that he had lead poisoning.13,14 Can lead poisoning explain his hearing loss? A lock of his hair removed at the time of his death, and stored in an airtight case, was analyzed in 2000 by researchers in Illinois (Fig. 1). Beethoven’s parietal skull bone was later analyzed in 2005. Both showed markedly elevated lead levels consistent with lead poisoning. The lead found in the bone is very significant in showing that Beethoven had been repeatedly exposed over a period of many years, according to personal communication with Ken Kemner, physicist, Stevens et al.: Lead and the Deafness of Ludwig Van Beethoven 2855 and leader of the X-ray characterization components of this project.15 This is because the lead was found deep in the bone, not just at the surface, indicative of chronic exposure. This is in contrast to the suggestion of Reiter’s that the lead represented exposure that was limited to the time period at the end of Beethoven’s life due to medical interventions.16 The speed of human hair growth differs from person to person and from time to time within one individual, so his ability to pinpoint times of exposure raises considerable doubt.17 Reiter’s analysis shows lead peaks between 200 and 369 days before Beethoven’s death, but Reiter does not venture to suggest the origin of these peaks. The scientific community feels that hair analysis has many issues that need to be resolved before it can become a useful tool in understanding environmental exposure, and that hair analysis is useful for only about a year of exposure time.18 Whole blood levels are the best way to follow lead exposure in a living person, but lead levels in bone give the most accurate measurement of total body burden and are thus a better measurement of chronic exposure levels.19 Even at low blood levels, chronic exposure to lead can result in a slowly progressive high-frequency loss.20,21 Increasing blood levels of lead correlate directly with the amount of hearing loss.22–24 Findings at Beethoven’s autopsy included wrinkled cochlear nerves that lacked pith. The recent retranslation of the original autopsy report in Latin state that “the acoustic nerves were wrinkled and were without a medulla.”2 This damage to the central portion of the nerve is suggestive of axonal degeneration that is seen in humans with lead injury. Recent studies have demonstrated abnormal auditory brainstem responses in lead exposure indicative of a neural site of damage.25,26 One of the primary reasons that lead poisoning has been rejected as a cause of Beethoven’s hearing loss is that over a period of 30 years it has been assumed that he would have developed other neurological symptoms such as wrist drop. Traditionally the neuromuscular disorder associated with lead poisoning has been primarily a motor disorder. This classic lead toxicity picture, however, is one of subacute exposure over a mean period of 4 to 5 years, and is currently felt to be a form of leadinduced porphyria by the Mayo Clinic.27 A remarkable article from Latvia studied 151 workers with inorganic long-term lead exposure over a period of 8 to 47 years with a mean of 21.7 years.28 In 46 workers who had neuropathy, mild sensory and autonomic neuropathic features were found rather than the classic motor neuropathy. The researchers of this study and researchers at the Mayo Clinic think these findings are due to a direct neurotoxic effect of lead. In this group of 46 patients they also found mood disturbances, abnormal liver and kidney function, and gastrointestinal disturbances similar to those experienced by Beethoven. Their sensory symptoms included pain and paresthesias in the feet and hands, of which Beethoven complained, and which he thought were due to arthritis. The first neuropathic symptoms in these Latvian patients took between 7 and 45 years after initiation of Laryngoscope 123: November 2013 2856 exposure. There has been no previous study that has reported such extended exposure. This is similar to the toxic neuropathy seen with other heavy metals. It occurs at lower levels of exposure over a long period of time. Where could the lead have come from that resulted in this devastating loss of hearing? Although lead can be acquired from a number of external sources, including dishes, lead-lined wine flasks, lead crystal, or mineral water at the spas, in our opinion the most likely source for Beethoven was wine. It is well known that at that time lead was added illegally to inexpensive wine to improve the flavor. Beethoven was particularly fond of the adulterated or fortified Hungarian wine. It has been suggested that after the death of Beethoven’s mother when he was 17 years old, he began to use some wine to help deal with his loss.29 As as result, there would have been 10 years for his symptoms of tinnitus to begin. When he was 30 years of age, Beethoven began to consume a lot of wine with meals to stimulate his appetite and ease his abdominal pain. This coincides with when he confessed his hearing loss to others. Four of his physicians who treated him at different times during the final 17 years of his life were of the opinion that he had an alcohol dependence problem.10 Alexander Wheelock Thayer, a significant Beethoven musicologist, found in a meticulous study of Beethoven’s daily housekeeping records that the cost of his wine purchases was far from moderate.30 Friends and tavern owners relate his drinking a bottle of wine with each meal.31 Beethoven himself relates several instances when he became intoxicated.30 Although Wegeler states that he never observed Beethoven drunk,32 he had not personally lived with him since his early days in Bonn, so this opinion lacks proximate knowledge. His personal secretary Anton Schindler, also denied Beethoven’s alcohol problem, but he also deliberately destroyed some of the pages of Beethoven’s conversation books that were used extensively to communicate when Beethoven could not hear.10 The purpose of this destruction may have been to erase the evidence of Beethoven’s alcohol problem. It is well known that Schindler made deliberate falsifications to conceal certain deficits in Beethoven’s character. Schindler also stated that “Beethoven preferred wine of the heights around Buda to every other. But as he was no judge of wine, and therefore could not tell the adulterated from the pure, and by drinking the former he often caused great derangements to his weak stomach, but no warning had any effect on him.”33 Alcohol dependence is known to have a strong family history, and Beethoven’s family exhibits this. His own father and grandmother died of complications directly due to alcohol. Beethoven’s problem was that of dependence, as he had increased tolerance, used larger amounts over a longer period of time, and made no effort to reduce consumption. He did not, however, meet the criteria for alcohol abuse commonly known as alcoholism.10 Francois Mai, a psychiatrist at the University of Ottawa in Canada, thinks that Beethoven’s alcohol Stevens et al.: Lead and the Deafness of Ludwig Van Beethoven dependence problem was due to underlying depression as a result of his hearing loss. His reaction to the loss was so severe that Beethoven considered taking his own life in 1802. Symptoms of depression are present in numerous letters written by Beethoven. In one that is particularly striking, he talks of suicide by his own hand.1 However, lead can also cause the aggression, impulsivity, headaches, and depression that Beethoven exhibited on numerous occasions. Can any other of Beethoven’s other medical problems be traced to lead? Today lead is known in thirdworld countries to cause hepatotoxicity, kidney damage, and abdominal colic.34,35 The onset of abdominal problems in his teenage years was perhaps due to the start of his use of wine to deal with his mother’s death. His symptoms of severe abdominal pain are a good description of “lead colic.” He also had diarrhea, which could have been due to pancreatitis that was seen at the time of his autopsy. As he was overly concerned about constipation, some of his diarrhea could have been iatrogenic. In our review of the literature, there is no mention of blood in the stools, which is invariably present with autoimmune inflammatory bowel disease, and Beethoven is not described as being anemic from blood loss. Findings observed with inflammatory bowel disease such as adhesions, strictures, or perforations were not mentioned in his autopsy report. However, it is possible that Beethoven may have had irritable bowel syndrome, which is often associated with depression. This could also explain his response to the spa treatments. They may have helped his abdominal symptoms by soothing his emotions. A shrunken, macronodular liver found at Beethoven’s autopsy is a common but not pathopneumonic finding of primary sclerosing cholangitis that is seen with autoimmune inflammatory bowel disease.36 However, although alcohol commonly causes a large, fatty, micronodular liver in early stages of cirrhosis, it can also produce a shrunken, macronodular liver in endstage cirrhosis.37 One cannot tell the cause of the cirrhosis at autopsy by the appearance of the liver.38 Pruritis, which often accompanies primary sclerosing cholangitis, was notably absent. It is therefore much more likely that his cirrhosis was due to alcohol than primary sclerosing cholangitis.39 Lead may have also played a role in the liver toxicity. Although inflammatory bowel disease has been reported with autoimmune hearing loss, there is not conclusive evidence that Beethoven had either. George Frederic Handel was also known to have had headaches, irritability, rheumatic pains, bizarre behavior, and colic presumably from the lead in the wine that he drank.40 CONCLUSION We agree with the statement by Jeffrey Harris in the 2010 William F. House lecture at the annual Neurotology Society meeting that “we will probably never know the cause of Beethoven’s hearing loss.”41 If we possessed audiograms, temporal bone histology, blood tests, Laryngoscope 123: November 2013 and microscopic examination of tissues, we could definitely pinpoint the cause of Beethoven’s deafness. Lacking these, in our opinion, the best explanation of Beethoven’s deafness is that it was due to the lead in the wine that he drank. His other medical problems can also be related to lead, alcohol, or both. Ludwig van Beethoven’s medical history may therefore be summarized as being caused by one entity: his consumption of wine tainted with lead. ACKNOWLEDGEMENT Special thanks to Clough Shelton, M.D., Chairman of Otolaryngology, Head and Neck Surgery, University of Utah School of Medicine, for reading this article. BIBLIOGRAPHY 1. Anderson E. The Letters of Beethoven. New York, NY: St. Martin’s Press; 1961; 1:60. 2. Davies PJ. Beethoven in Person: His Deafness, Illnesses, and Death. Westport, CT: Greenwood Press; 2001. 3. Shearer PD. The Deafness of Beethoven: an Audiologic and Medical Overview. Am J of Otol 1990;11:1–5. 4. Scorsby M. Beethoven’s Deafness. J Laryngol Otol 1930;45:329–343. 5. Valsalva AM. Opera, hoc est, tractatus de aure humana. Venice, Italy: Pitteri; 1735. 6. Karmody CS, Bachor ES. The deafness of Ludwig van Beethoven: an immunopathy. Otol Neurotol 2005;26:809–14. 7. McCabe BF. Autoimmune Sensorineural Hearing Loss. Laryngoscope 1979;88:585–589. 8. McCandless GA, Schumacher MH. Auditory Dysfunction with Facial Paralysis. Arch Otolaryngol 1979;105: 271–274. 9. Phillips DP, Carr MM. 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