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Transcript
AUGUST 21–SEPTEMBER 7
AUGUST
WILSON’S
FENCES
1987 WINNER OF PULITZER PRIZE IN DRAMA
CELEBRATING OUR PAST. EYES ON OUR FUTURE.
GLOUCESTERSTAGE.COM
FROM OUR ARTISTIC DIRECTOR
The Hamilton Group
sends best wishes for a
successful season at Gloucester Stage
I can’t think of a more appropriate way to begin our
35th anniversary season than by revisiting the haunting
tunes and lyrics of Jacques Brel which strike us in a
different and deeper way with each engagement.
For the past decade I have been talking to GSC
patrons—some attending their first production and
some who have been attending the theater since its
inception— about what draws them to the theater.
Some like comedies because “it is the summer after
all.” Some like new works since it was the original GSC
Eric C. Engel
mission. Some like musicals while some like plays. The
common ingredients to our most admired productions?
Good stories told by good actors in an intimate setting. Those are the things I
love most about theater, and about our theater in particular. In Gloucester, you
are not just witnessing the action, you are a part of it!
Our deepest gratitude goes out to everyone who is or has played a role in keeping
us in forward motion—audiences, artists, board and staff members, donors, and
members of the press.
Here’s looking forward to another 35 years!
FROM OUR MANAGING DIRECTOR
I believe that going to the theatre is indeed a special
occasion. The uniqueness of the medium is that the
audience and actors share a moment in time that cannot
be recaptured, a shared experience to be treasured
for years to come. What makes each performance
different and unique, though, is that it’s shaped by a new
audience, every time.
Wealth Counseling
InVEStments
InSURANCE
Primary Office:
900 Cummings Center, Suite 201U
Beverly, MA 01915
978-279-9100
www.thehamiltongroup.com
Securities and advisory services offered through
representatives of Lincoln Financial Securities.
Member SIPC, which is not affiliated with The Hamilton Group.
LFS-879094-031314
Coming through our doors today, you will have noticed
some changes to our lobby, new seats in the auditorium,
Costin Manu
and other improvements. We are constantly working
towards enhancing your experience. None of these
improvements would have been possible without you and your contributions, our
supporters, donors and sponsors. We thank you and we appreciate your faith in
us and in our future—a strong validation of the work we do.
Whether it’s to relive great old memories or discover the latest, we want you to
experience unforgettable moments with us. I am looking forward to meeting all
of you and to making new friends. Enjoy!
1
STAFF
BOARD OF DIRECTORS
Managing Director
Costin Manu
Geoffrey Richon
Vice President
Founding Artistic Director, Emeritus
Israel Horovitz
Elizabeth Neumeier
Treasurer
Media Relations Manager/
Youth Acting Workshops Director
Heidi J. Dallin
Mary Lou Crane
Secretary
Artistic Director
Eric C. Engel
Box Office and Communications Manager
Rachel Arias
Grant Writer
Candace Wheeler
Production Manager
Joe Short
Resident Lighting Designer
Russ Swift
Robert Boulrice
President and Chair
Mary John Boylan
Jean Cooney, Emerita
Robert Ellis
Richard P. Mills
Curt Siebert
Bea Waring
BOARD OF ADVISORS
Assistant Box Office Manager
Tom Martin
Lori Cianculli
Kevin J. Clancy, Ph.D.
Beth & Linzee Coolidge
Mark Gottesman
Thomas S. Grilk, Esq.
Judith Hoglander
Israel Horovitz
Jerry Maguire
Steve McCarthy
Carolyn Stewart
Barry Y. Weiner, Esq.
Dr. Kenneth Weiss
Regina Villa
Box Office Associate
Jordan Westling
GLOUCESTER STAGE COMPANY
2014 Company Dramaturg
Joe Stallone
Technical Director
Ray Jenness
House and Company Manager
Elsa McLaughlin
Assistant House and Company Managers
Tina Cersosimo, Denise Gallo
Assistant Production Manager
Brendan Marr
Production Photographer
Gary Ng
Youth Acting Workshops Assistant
Talia DeWolfe
Graphic Designer
Melissa Wagner O’Malley
Program Designer
Derk Smid/DFS Creative
Program, Brochures, and Poster Printing
Noble Ford Productions, Inc.
2
267 East Main Street
Gloucester, MA 01930
www.gloucesterstage.com
Administrative Office: 978-281-4099
Box Office: 978-281-4433
Fax: 978-281-0550
Katharine Lane Weems (1899–1989), Grey Fox, 1971, bronze. Gift of the artist, 1984. [2407]
GSC STAFF & BOARD
REOPENING AUGUST 2014
DISCOVER the Cape Ann Museum and
the many stories it has to tell, all relating to
a singularly remarkable place: Cape Ann. The
Museum’s rich collections represent the
history of the region—its people, its
industries, and especially its arts and culture.
We invite you to discover and explore
the newly renovated Museum when
we reopen our doors this summer.
STAY INFORMED AT
capeannmuseum.org
Gloucester Stage Summer 2014.indd 1
4/29/14 2:01 PM
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Friday – Saturday Open 3:30 pm for Dinner
Tuesday Live Music 7:00 – 9:00pm
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3
FROM OUR BOARD PRESIDENT
Experience
New England charm
at its best.
Dear Patron of the Gloucester Stage,
I am honored as president of the board of directors
to offer these words of thanks to you.
Delicious Breakfast. Spectacular View.
Oceanfront Breakfast Café
open to the public
7:30AM - 11:00AM, 7 days a week.
Following in the impressive footsteps of my predecessor, Bea Waring, I have the job of leading our board
in assuring that we have the resources to light our stage
for another season so that our actors, directors and
technicians can do their incredible work for you.
Without an audience to respond to their work,
actors, directors and technicians are not a happy lot.
Robert Boulrice
For 35 glorious years you have come to our theater to
help make magic happen, often with tears, often with laughter but always with
your support. And your support is vital. Take a moment and look at the list of
friends and patrons below. If your name appears, Bravo! If it does not, know you
are missed and that we need you. Please speak to us and we will show you how
easily your name can be listed among us.
Very few theaters can claim a tradition of excellence as longstanding as that
of the Gloucester Stage Company. You are part of something special and you are
appreciated. Thank you for being with us tonight.
125 Atlantic Road
Gloucester, MA 01930
978.283.0014 ✦ 800.732.6313
AtlantisOceanfrontInn.com
Accountants For Achievers.
For over 30 years, individuals and small business owners
have counted on our team for tax and business advice. So can you.
HOWARD M. FRISCH, CPA, CFP
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Brian N. Wall, CPA, EA  Josephine Scuderi
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978.281.2639
128 Main Street, Gloucester
[email protected]
OUR SUPPORTERS
Gloucester Stage Company thanks all of our 2014 donors! Ticket revenue covers less than
50% of each show’s budget. Donations and grants make up the rest. Please talk to a member
of GSC about donor benefits. If we have inadvertently overlooked your name or you would
like your listing changed, please contact the office at 978-281-4099. Donations received
between June 6, 2013 and June 24, 2014 are listed below.
CHAMPION $100,000+
Anonymous
SUSTAINER $2,000–$2,999
Kevin J. and Kathleen A. Clancy
Anna Crouse
UNDERWRITER $10,000–$99,999 Kanter Kallman Foundation
John and Mollie Byrnes
Stone Soup Fund
Kathe and Allan Cohen and The
Geoffrey Richon
Selma and Bayness Andrews
Barry and Susan Weiner
Fund of the Boston Foundation
Phillip and Eve Cutter
SPONSOR $1,000–$1,999
Applied Materials Foundation
Cape Ann Savings Bank
Willard C. Tilson Foundation
Robert Boulrice
Mark and Janet Gottesman
Thomas Burger and Andree Robert
Richard and Anne Rosenfeld
Bayard and John Cobb
Bob and Barbara Ellis
BENEFACTOR $5,000–$9,999
Catherine England
J. Linzee and Elizabeth Coolidge
The Bruce J. Anderson Foundation Susan and George Evans
Alexander Dingee and Susan Gray Thomas S. Grilk
Harry and Judith Hoglander
Bayard and Bea Waring
Sigrid Lindo
John and Mary Ann McCormick
PATRON $3,000–$4,999
Curt Siebert
Stephen and Jill Bell
Peter and Kathleen Van Demark
Lindsay and Garth Greimann
Thomas and Kristin Zarrella
Richard Mills
4
DONOR $500–$999
John and Mary Antes
John and Jan Bell
Mary Curtis
Michael & Linda Frieze
Margaretta Hausman
Thomas Janis and Joseph Weglarz
Sheila Lummis
Joe and Eileen Mueller
Kenneth and Judith Revis
Richard and Jean Roberts
Bonnie and Joel Shelkrot
Arnold and Rachel Oberai- Soltz
Robin Tattersall
William Taylor
Dolores M. Laughlin and Robert K.
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5
OUR SUPPORTERS (CONTINUED)
CONTRIBUTOR $250–$499
James & Anne Barker
MJ Boylan
Walter Hess and Janice Cane
Eric Engel
Stefan Abramo and Barbara
Ennis-Abramo
Frank & Mitzi Ferguson
Deborah Freeman
Susan Frey
Rose and Bill Hausman
Robert & Pamela Irwin
Sally Jackson
Alan Joslin and Deborah Epstein
Lorraine Law
Paul and Jackie Littlefield
William and Anastasia Lyman
Barbara McLaughlin
Elizabeth Neumeier
David and Marie Louise Scudder
Kathleen & Eugene Skrabut
John and Betty Smallwood
Catherine and Paul Stanley
Gabriel Tkacik
Dawn C. Tucker
Verisk Analytics Employees
Susannah Wolfe
Charles and Margaret Ziering
SUPPORTER up to $249
Robert Ackerman
Marie Alfieri
Cynthia Allen
Anna Andella
Melvin Arsenault
Paula and Joseph Axelrod
Nancy Baker
Melvin and Carol Barron
Linda Berard
Hank and Wendy Betts
Bernice and Diana Blitz
David and Maureen W. Bovet
Barbara Boyle
Gerard Boyle
John and Jane Bradley
Linda Braun
Barbara Brewer
Barbara Bridges-Elliot
Chester and Anthea Brigham
Martha Brown
Betty Brudnick
Karen Budrow
Arthur Carakatsane and Judy Miller
Frederick Carnevale
Bettie Cartwright
Derek Cavanaugh
Joseph & Josephine Ciardiello
Kathe and Allen Cohen
Dorothy and Richard Cole
Kelly Cook
Donna Cotter
Frederick Cowan
Beryl Cox
Mary Lou Crane
Stephen & Carole Davis
Diane Debono Schafer
Craig and Laurel Deery
Charlotte Dewitt [for Nona Porter]
Joseph-Rocque Dion [for Rocque’s
Mom and David’s Mom]
Joseph Donohue
Mary Kay Dyer
6
Alice and Kenneth Erickson
Roberta Erwin
Diane Faissler
Helen and Joseph Featherstone
Sharon and William Fermon
Peter and Myrna Finn
Frances and John Fleming
Jane Forsyth
Richard Thomas & Adel Fougnies
Karl and Joan Frank
Harris Freeman
Marion Frost
Margaret Gardner
Deborah Geurtze
Robert Gillis
John Gintell
Linda Girard
Paul Cary Goldberg
Linda Goldstein
Curtis Gollrad
Nathaniel Gorton
Beth Graham
Cheryl and Kenneth Grey
Carl and Judith Gustin
Susanne Guyer and Thad Carpen
Susan Hand
Edward and Margaret Handy
Jan Hansen
Fred and Terri Hansen
Kenneth and Anne Herman
Arthur and Eloise Hodges
Peter Hornbeck
Charlie Hovey
Deborah Hughes
Lois Jacobs
Annette Jacobs
Edith Jacobs [and for Ron Hunter
and Nona Porter]
Katherine Janis
Murray and Linda Janower
Cheryl and Harold Jones
Herbert and Elinore Kagan
Meredith & David Kantor
George and Linda Kauss
Thomas Keating
Martine Kellett
Robert Kent
Lynne and Abdullah Khambaty
Tom and Maryanne Kiely
Jerome Klein
Dan Klein
Patricia Knaggs
Richard and Anita Korzeniewski
Edward and Hollis Kowaloff
Jacob and Melody Kriteman
Jacqueline Kronenberg
Joan and Miles Kulukundis
Ann Lane
Elizabeth Lanigan
James Latham
Philip Leahy
Gary and Stephanie LeDuc
Reuel & Malvina Liebert
Mike & Sandra Lombardo
David and Janet Loring
Peter J. and Elaine M Lucas
Frank Masse and Gail Magenis
Donald Maier
Barbara Main
Maureen Malloy
Mary Malone
Costin (Konstantin) Manu
Anna Matturro
Joyce McCarthy
Paul and Catherine McGeary
Kimberly McGovern
Jay McLauchlan
Catherine & John Meany
Irwin and Patricia Miller
Loretta Mineo
Nancy Morgan
Gretchen and Ned Morse
Paula Mullendore
John and Marie Murray
John Newhall
James Newhall
Robert Nolan
Thomas O’Neill
Monica Osterman
Nancy Peace
Russell D. and R. David Porper
Christopher Pullman
Rosemary Pye
Charmaine Quinby-Stickney
Robert Read
Ann Reilly
David Rhinelander
Warren Rhodes
Karen Ristuben
Patricia Roach
Town of Rockport
Ronald Rosen
Dr. Bruce & Jane Rosenberg
Melvin and Martha Rosenblatt
Wallace Rowe
James Rusche and Patricia Epperly
Henry and Susan Sacks
Judith Salkovitz
Elizabeth Sampson
Jean Sawicki
Charlotte Sciola
Nanda & Albert Scott
Cape Ann Shakespeare Troupe
Larry and Miriam Shutzer
Arthur Siciliano
Steve and Barbara Sienkiewicz
Trina Smith
Rosamond and Russel Smith
Miriam Sommer
Judith and Newton Spurr
Danuta Stachiewicz M.D. [and for
Nona Porter]
Suzanne Stacy
Joseph Stiliano
Eugene Sullivan
Paulett Taggart
Richard Talkov & Susan Davies
Anthony A. Tappe
Jolinda & William Taylor
Dan Thal
John G. Thatcher
Sharon Tomasulo
Claire Tomlinson
Sylvia Topp
Steve Vavak and Beate BeckerVavak
Alan & Donna Vilian
Regina Villa
David & Sue Wahr
Edward Walker
Allison Warren
Stephen and Lee Whitfield
William & Debbie Whiting
Pat & Robert Whynott
Dorothy Winer
Emily Winterson
David and Enid Wise
Kim & Bill Wright
Joe Wrinn
Janice and Elliot Wyner
BETTER SEATS CAMPAIGN
[AND FACILITY IMPROVEMENT]
Anna Andella
John and Mary Antes
Melvin Arsenault
Stephen Bell
Linda Berard
Hank and Wendy Betts
Bernice Blitz
Robert Boulrice
Gerard Boyle
MJ Boylan
Linda Braun
Chester and Anthea Brigham
Karen Budrow
Janice Cane
Cape Ann Shakespeare Troupe
Donna Cotter
Frederick Cowan
Mary Lou Crane
Mary Curtis
Philip and Eve Cutter
Stephen Davis
Mary Kay Dyer
Bob and Barbara Ellis
Helen and Joseph Featherstone
Frances and John Fleming
Jane Forsyth
Deborah Freeman
Harris Freeman
Dr. Susan Frey
Michael and Linda Frieze
Marion Frost
Richard Glantz
Curtis Gollrad
Mark and Janet Gottesman
Beth Graham
Garth and Lindsay Greimann
Fred and Terry Hansen
William and Rosalyn Hausman
Eloise Hodges
Harry and Judith Hoglander
Charles Hovey
Robert and Pamela Irwin
Todd Kates [for Richard Carey]
Jerome Klein
Dan Klein
Dr. Jacob and Melody Kriteman
Diane Allenberg and James Latham
Sigrid Lindo
Donald Maier
Costin Manu
Joyce McCarthy
Irwin and Patricia Miller
Nancy Morgan
Paula Mullendore
Liz Neumeier
John Newhall
James Newhall
R. David Porper
Brian Price
Christopher Pullman
Patricia Roach
Richard and Jean Roberts
Ronald Rosen
Melvin and Martha Rosenblatt
Susan and Henry Sacks
David and Marie Louise Scudder
Curt Siebert
Suzanne Stacy
Beate Becker-Vavak and Stephen
Vavak
Joseph Stiliano
Eugene Sullivan
Richard Talkov
Donna Vilian
Regina Villa
Bayard and Bea Waring
Barry and Susan Weiner
Stephen Whitfield
Susannah Wolfe
Joe Wrinn
Elliot and Janice Wyner
Thomas and Kristin Zarrella
DONORS TO “A NEW PHONE
SYSTEM FOR GSC”
Robert Boulrice
Catherine England
Costin Manu
Richard Mills
Curt Siebert
Bayard and Bea Waring
7
Anna Crouse Murch treated Broadway, local stages equally
By Gail McCarthy
The Gloucester Daily Times / January 8, 2014
GLOUCESTER’S ANNA CROUSE MURCH WAS AS COMFORTABLE SELLING TICKETS
at the annual Annisquam Sea Fair here as she was shaking up the Broadway establishment to create discount tickets to make live theater accessible to a broader audience.
Her life was divided between the bustling metropolis of Manhattan and the
picturesque natural beauty of a seaside village that dates to Colonial times.
She and her husband Russel Crouse (1893-1966)—a Pulitzer Prize-winning playwright—
traveled in diverse circles. While in New York City, they were privy to the Who’s Who of
actors and directors of Broadway theater; and
in the summer, they played in the social circles of the Annisquam, where— among their
many activities—Russel would watch his two
children through binoculars as they sailed on
their boats “Anything Goes” and the “TimLin”
and Anna organized activities for the children
at the yacht club.
Both the New York and Gloucester worlds
will miss Anna’s presence. She died December 29, just a month shy of turning 98 years
old, after a life of holding down numerous
roles in the theater and music worlds.
Born Anna Erskine, she was the daughter
of a Columbia English professor and writer,
John Erskine, who also helped to establish
the Julliard School of Music. Her father
served at its first president. One of his students at Columbia was Oscar Hammerstein.
She is survived by her two children with
Crouse. Her daughter Lindsay Crouse, who
resides part time here, is a stage, television
and film actress who earned an Academy
Award nomination for her supporting role
alongside Sally Field in “Places in the Heart”
and has performed regularly at Gloucester
Stage Company. Anna’s son, Timothy, is an Anna Crouse with Mayor John V. Lindsay on the
day the TKTS booth opened in 1973.
author whose works include “The Boys on
Photo courtesy of the Theatre Development Fund
the Bus,” about the media coverage of the
1972 presidential campaign. He also co-wrote a revival of “Anything Goes” with John
Weidman, which won them a Tony Award for best revival in 1987.
Both children remain familiar faces in Annisquam where they ran around in their
youth and where they made lifelong friends.
Anna, who was raised in Manhattan, would grow up to be involved in a number of
cultural efforts. Her obituary in The New York Times noted her efforts in the creation of
the discount TKTS booth in Times Square and her part in the “resuscitation of Lincoln
Center Theater.”
“…She had long believed that the theater industry itself should get behind a reducedprice outlet to make unused tickets available at the last minute to people who could not
afford the ever-escalating admission price of Broadway shows,” the obituary noted.
8
Local Sea Fair
But Anna’s cultural efforts grew to include her beloved summer home in the granite-strewn village in Gloucester. She was part of the committee to buy a new organ for
the Annisquam Village Church, and she worked tirelessly to organize the toy table at
the annual summer Sea Fair, which included a yearly pilgrimage to a Boston toy broker, where she would pore over the best choices.
Anna worked in the world of Broadway theater even before she married Crouse. She
was a budding actress who later worked with Broadway writers and producers. Anna
was also a writer, and she wrote articles for major magazines and co-wrote two children’s books with her husband.
Russel Crouse, along with his writing partner Howard Lindsay, co-wrote the book
for “Sound of Music” in the late 1950s. The writing team earlier won the Pulitzer Prize
for Drama in 1946 for “State of the Union.”
The pair first teamed up when the two revised P.G. Wodehouse and Guy Bolton’s book
for the Cole Porter musical that would eventually be titled “Anything Goes,” starring Ethel
Merman. They produced 15 shows together in 30 years, Anna said in a 2008 interview
with the Gloucester Times. She ran their office for four years, before she had children.
She and Crouse first came to Cape Ann in the 1930s at the invitation of their friends,
actress Jean Dixon and Ted Ely. The Crouses fell in love with the area’s beauty and
tranquility and later bought a home. In the 2008 interview, Anna said a great deal of
“The Sound of Music” was written in Annisquam.
Role model
Lindsay Crouse, in a telephone interview from New
York City Tuesday, remembered her mother as an
amazing role model, before and after the death of her
father. (Anna would remarry in 1978.)
“When she was in the middle of her life, I watched
her recreate herself and really ally herself with the next
generation,” she said of her mother’s work on cultural
efforts in Manhattan.
“The extraordinary thing about her is that she was very
involved at all levels of theater,” Lindsay said. “I’d go up
Lindsay Crouse
to some theater in Harlem or way downtown to some
little place and I’d look at the program and see my mother as a benefactor.
“The quality I adored is that it didn’t matter if she was running the toy table at the
Annisquam Sea Fair, or whether it was an opening on Broadway,” Lindsay added.
“She was just as involved in (the fair) as with any opening night of my father.”
“She taught me, perhaps, the most profound lesson as a woman operating in the
world,” Lindsay said. “It didn’t matter what stage you were on—it didn’t matter whether
it was Gloucester Stage or Broadway. It’s one of the things that has allowed me to be
happy in my life, because life in the arts is up and down all the time, and if you define
yourself by where your greatest success lays, you will be in trouble as you get older.”
Letters of support
Lindsay said she has opened many letters this week from members of boards her
mother had served on, and so often the writers commented on her mother’s ability to
continued…
9
Anna Crouse Murch… (continued)
keep a discussion focused with just a few words.
“She was someone who simply got involved,” said Lindsay. “I remember there
was a social program for the kids at the Annisquam Yacht Club with shuffle board
nights and the writing of plays. She was always encouraging us to be imaginative.
She organized typing lessons for all of us, and those of us who took them are so
grateful to her. I’m one of the fastest typists I know.”
Kathleen Adams, the music director at Annisquam Village Church, recalled when
Anna was the key fundraising person for a new organ at the historic church in the
mid-1980s.
“She spearheaded the campaign and remained a staunch supporter. She is a
person who knows how to go to the heart of something and not get distracted
with little side discussions,” Adams said. “We started a concert series, and she was
always there to support that. She really believed in it.
Annisquam tickets
“One of the interesting things for me is that even though she had her life back in
New York with an elite Broadway crowd, she treated everything in Annisquam with
the same weight,” Adams recalled. “She was just as interested and just as present.”
When Adams read of Anna’s work to establish a discount Broadway ticket booth,
she quickly recalled another vision of her.
“At the Annisquam Sea Fair, she inhabited a ticket booth, which is an indication
of what a democratic person she was and how she valued community over status,”
said Adams.
Michael Wheeler, a friend of the family and Annisquam resident, is also among
the many who mourn the loss of the Cape Ann cultural matriarch.
“She is a very important person in the community and well beyond that,” he said.
“They had their New York life with all the celebrities, but in Annisquam they were
another pair of parents who had sunburned kids at the beach. They also had actors
and directors come up to visit. This Gloucester house was an important part of her
life.” Wheeler said Anna was extremely warm and much loved.
“At the same time, she was very honest and forthright,” he said. “She was the furthest thing from a superficial person.
“She was clear about her ideas, both politically and in the arts—and in a good
way. She was not afraid of disagreeing with other people,” Wheeler said. “She was
generous both in spirit and materially with people. It’s a real loss for her kids, and
she also was an enormous figure in our lives. And there are scores of people in
Gloucester who can say the same thing. “
Reprinted courtesy of The Gloucester Daily Times
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11
WHO’S WHO AT GSC
ERIC C. ENGEL (Artistic Director; Director: Jacques Brel…, 4000 Miles, Fences)
is in his eighth season as GSC’s artistic director following two years serving as
producing and associate artistic director and three years as a guest director. Jacques
Brel… marks the 25th production he has directed at Gloucester Stage. Recent GSC
directing credits include Spring Awakening (recipient of Independent Reviewers of
New England Awards for Best Director and Best Production of a Musical), Dueling
Divas, The Norman Conquests trilogy of plays, and Nine Circles (originally directed
for the Publick Theatre Boston). He has been a director and arts administrator in the
Boston area for more than twenty-five years and is currently director of Memorial
Hall/Sanders Theatre and College Theater Venues in the Office for the Arts at
Harvard. He has directed for numerous companies including the Nora Theater
Company (of which he was a founding member), the Lyric Stage Company of Boston,
SpeakEasy Stage Company, Boston Playwrights’ Theater, The Súgán Theatre
Company, and as an artist in residence at Harvard University, Emerson College, the
Boston Conservatory and Brandeis University where he earned his MFA. He has
staged four Elliot Norton award-winning productions: Death of a Salesman (The
Nora), Sing Me to Sleep (Coyote Theatre), Collected Stories (GSC), and Entertaining Mr.
Sloane (Publick Theatre).
COSTIN MANU (Managing Director) was executive director of the Sandusky State
Theatre in Ohio and the theatre manager, the manager of programming, marketing
and development, and the city’s manager of arts, culture and theatres, at the awardwinning Rose Theatre in Brampton in Ontario, Canada. He was an associate producer
for the hit comedy Six Dance Lessons In Six Weeks on Broadway. Over the last 35
years, he has produced more than 50 professional plays and musicals and directed
almost just as many. He has also worked extensively as a theater director, as well
as an actor in film, television and theater in Europe, Canada and the United States.
With a background in directing, programming, marketing, publicity, fundraising and
sponsorship, he has also produced or booked numerous touring Broadway shows,
concerts, theatrical events, fundraisers and arts presentations with many top names
in the entertainment business. Costin was the founding managing and artistic
director of Victoria Playhouse Petrolia, another award-winning regional professional
theatre, and the general manager at the Waterloo Entertainment Centre and Theatre
Athena. In 2005 Costin was contracted to consult on the future development of
Theatre Cambridge in Ontario. He was appointed its producing artistic director and
immediately launched a drive to build a brand new venue. That project became a
reality with the opening of the state-of-the-art, 500-seat Dunfield Theatre in 2011.
She: “Books.”
He: “Used...{thoughtful pause}...
and unusual!”
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ISRAEL HOROVITZ’s (Founding Artistic Director) plays have
been translated and performed in as many as 30 languages,
worldwide. His 70+ plays include Line (now in its 41st year of
continuous performance, off-Broadway, at 13th St. Repertory
Theatre), The Indian Wants The Bronx (introduced Al Pacino), Rats,
Morning, The Primary English Class (starred Diane Keaton, offBroadway), The Wakefield Plays, The Widow’s Blind Date, Today I Am
A Fountain Pen, Park Your Car In Harvard Yard (starred Jason Robards
on Broadway), North Shore Fish, Fighting Over Beverley, Lebensraum, My Old Lady (in
the repertory of the Moscow Art Theatre), Free Gift, Cat-Lady, Stations of the Cross, One
12
13
Under, 50 Years of Caddieing, Speaking Well of the Dead, Unexpected Tenderness, Fast
Hands, Security, A Mother’s Love, Sins of the Mother (IRNE Best New Play 2009, optioned
for 2014 Broadway premiere), 6 Hotels (including The Audition Play, Fiddleheads and
Lovers, Speaking of Tushy, 2nd Violin, Beirut Rocks, and The Hotel Play), Compromise, The
Secret of Mme. Bonnard’s Bath,The Vote in Orange, The P Word, Virtual Alex, The Bump,
Finally!, and his newest full-length play Gloucester Blue, which is playing in regional
theatres around the country. Screenplays include Author! Author!, The Strawberry
Statement (Prix du Jury, Cannes Film Festival), Sunshine (European Academy Award –
Best Screenplay), New York, I Love You, and EMMY-nominated James Dean. Horovitz
wrote, directed and performed the award-winning documentary 3 Weeks After Paradise,
shown in the USA on Bravo. He wrote and directed a feature film based upon his play My
Old Lady, starring Maggie Smith, Kevin Kline and Kristin Scott Thomas, which opens in
cinemas world-wide in October. A collection of his poetry, Heaven and Other Poems, will
be published in October by Three Rooms Press. Awards include the OBIE (twice), the Prix
de Plaisir du Théâtre, The Prix Italia (for radio plays), The Sony Radio Academy Award
(for Man In Snow), The European Academy Award – Best Screenplay (for Sunshine), The
Christopher Award, The Drama Desk Award, an Award in Literature of the American
Academy of Arts and Letters, The Elliot Norton Prize, a Lifetime Achievement Award
from B’Nai Brith, The Literature Prize of Washington College, an honorary Doctorate
in Humane Letters from Salem (Massachusetts) State College, Boston Public Library’s
Literary Lights Award, The Walker Hancock Prize, and many others. Horovitz was artistic
director of Gloucester Stage’s first 28 years, and is founder and active artistic director of
the New York Playwrights Lab. He teaches a master class in screenwriting at Columbia
University and La Fèmis, France’s national film school, and a playwriting master class
at University of St. Andrews, Scotland. Horovitz visits France, frequently, where he often
directs French-language productions of his plays. He is the most-produced American
playwright in French theatre history, and was recently decorated as Commandeur de
l’Ordre des Arts et des Lettres, France’s highest honor for foreign artists. His memoires,
Un New-Yorkais a Paris, were published in France by Grasset. He also works frequently
in Italy where he is co-director of Compagnia Horovitz-Paciotto. The 70/70 Horovitz
Project, created by NYC’s Barefoot Theatre, began on Horovitz’s 70th birthday. During the
following year 70 of Horovitz’s plays were given productions and/or readings by theatres
in more than 20 countries around the globe. Horovitz is married to Gillian AdamsHorovitz and is the father of five children. (May, 2014.)
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HEIDI J. DALLIN (Media Relations; Director, Youth Acting Workshops) — Heidi
J. Dallin has been associated with the Gloucester Stage since her high school years.
Publicist: clients include the Cape Ann Symphony, Chockstone Pictures, North Shore
Music Theatre, Jim’s Bagel & Bake Shoppe, Duckworth’s Bistrot, Annisquam Arts
& Crafts, Skin Cancer Awareness, Healthy Gloucester Collaborative, and Suzuki
Method. Actress: originated the role of Hillary Clinton in Hillary and Monica: The
Winter of Her Discontent (2001 Off Broadway; 2003 National Black Theatre Festival;
Winner 2008 Midtown International Theatre Festival Award: Outstanding Lead
Actress in a Play). Panelist & Presenter: 2010 Association of Writers Conference.
Television: CNN, Inside Edition, Fox 25 News, South Korea’s National News, and
Cape Ann TV (host); featured in “Hillary’s People Problem” and “Hillary’s Campaign
Videos,” produced by Mo Rocca and Dallin. Narrator: Katy and The Big Snow
(Cape Ann Symphony), Peter and The Wolf (CAS and Quincy Symphony). Director:
Castaways, Doo-Wop Wed Widing Hood, Wizard of Oz, Oliver, and Grease (Beeman
School, Gloucester); Youth Acting Workshops’ Holiday Delights; GSC, The Little Match
Girl; 2012 HGC Public Service Announcement. Teacher: Youth Acting Workshops since
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2003 inception, Eastern Point Day School, Glen Urquhart, and Swampscott Schools.
Member, HGC Youth Substance Use Prevention Steering Committee; advisor to
Gloucester Youth Council; and creative consultant for HGC PSA Series. Education:
magna cum laude graduate with special concentration in dramatic expression:
literary and artistic, Harvard University.
RACHEL ARIAS (Box Office and Communications Manager) is in her third
season with GSC. She has previously worked in the box office for Blue Man Group
in Boston and as a marketing/communications intern with the Celebrity Series of
Boston. Rachel graduated from Bridgewater State University with a BA in media and
communications studies.
CANDACE WHEELER (Grant Writer) has been a consulting grant writer for
Gloucester Stage since March 2013. A long-time fan of Gloucester Stage, Candace
had plenty of exercise in grant-writing in her 30 years in municipal government. She
graduated from Harvard College in 1972 and Harvard Graduate School of Design
in 1974. She is active in the Gloucester arts community through the Society for the
Encouragement of the Arts (seARTS) and as member of the Ten Pound Studio silk
painters group.
JOE SHORT (Production Manager) — This is Joe’s first season with GSC. Other
production management/technical direction work includes Bridge Rep of Boston,
The Gamm Theate, The Boston Conservatory, and The Wilbury Group. Acting
credits include NY/Off-Broadway: The Merchant of Venice, (Public Theatre/NYSF);
Regional: Strange Interlude, (Shakespeare Theatre of DC); New England: The Big
Meal, The Beauty Queen of Leenane, Anne Boleyn, Hamlet, and Festen (The Gamm
Theatre), Rich Girl (Lyric Stage), The Lover (Bridge Rep of Boston), These Shining
Lives (Stoneham Theatre), All’s Well That Ends Well (Commonwealth Shakespeare
Co) and A Christmas Carol (Trinity Rep). He is a founding artistic associate of Bridge
Rep of Boston, and serves on the board of Providence’s Wilbury Group Theatre. Joe
teaches acting at the University of Rhode Island and Rhode Island College. He holds
an MFA from Brown University/Trinity Rep.
BRENDAN MARR (Assistant Production Manager) — GSC: Spring Awakening,
North Shore Fish, This is Our Youth, Dueling Divas, and Driving Miss Daisy; Regional:
9 to 5, Guys & Dolls (North Shore Music Theatre); Next Fall, The Divine Sister
(Speakeasy Stage Company). Other: lighting and sound design, Cape Ann Theatre
Collaborative, Cape Ann Shakespeare Troupe, and Fishtown Players.
JOE STALLONE (Company Dramaturg 2014; Resident Properties/Set Dressing
Designer, 4000 Miles, Fences) — GSC: Spring Awakening, North Shore Fish, This Is
Our Youth, Driving Miss Daisy, Round and Round the Garden, Carnival, Master Harold
and the Boys, 9 Circles, Crimes of the Heart. Boston area (select): props/set dressing
design: Distant Music, Dr. Jekyll & Mr. Hyde, Miracle on 34th Street (Stoneham Theatre);
Distracted, Absurd Person Singular, The Other Place, Brundibar/But the Giraffe, Sila
(Central Square Theatre); The World Goes ’Round, Rent, Collected Stories, Marry Me
a Little (New Repertory Theatre); Blood Rose Rising (Honest Ghost Productions);
Moonlight & Magnolias, Bat Boy, Last Night of Ballyhoo (AFD Theatre); Little Dog
Laughed (Hovey Players). Directing: A Little Night Music, Side By Side By Sondheim,
Our Town (asst. dir.), Table Manners (AFD Theatre); Plaza Suite (Quannapowitt
Players); Lost in Yonkers (TCAN Players); The Tale of the Allergist’s Wife (Wellesley
Players); On Golden Pond (Winchester Players); Trial by Jury (Sudbury Savoyards). Mr.
Stallone holds BA degrees from Boston College in theatre and dramatic literature. He
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arts organizations through its Arts Contribution Program.
RUSS SWIFT (Resident Lighting Designer, Jacques Brel…, Auld Lang Syne,
4000 Miles, Fences) — GSC, ninth season as resident designer: Spring Awakening;
North Shore Fish; Round and Round the Garden; Carnival; “Master Harold”...and the
Boys; 9 Circles; Crimes of the Heart; Living Together; The Most Happy Fella; Fighting
Over Beverley; Table Manners; Tender; Trying; You’re A Good Man, Charlie Brown;
The Breath of Life; The Goat or, Who is Sylvia?; Sins of the Mother; Billy Bishop Goes
to War; Enigma Variations; Going to St. Ives; Doubt: A Parable; Dear Liar; The Belle of
Amherst; Ponies; The Widow’s Blind Date; Calvin Berger, The Secret of Mme. Bonnard’s
Bath; The Price; The Heidi Chronicles; Long Day’s Journey Into Night; My Old Lady;
Dinner with Friends; A Grand Night for Singing; Marry Me a Little; Compromise;
Spinning into Butter; The Loman Family Picnic. Boston area (select): Snow White
(Wheelock Family Theatre); Scarlet Letter, Sunshine Boys (Worcester Foothills); It’s
All True (Lyric Stage); Cosi fan Tutte, Lysistrata, Rags (The Boston Conservatory); The
Odd Couple, Giants Have Us in Their Stories, A Midsummer Night’s Dream, 12th Night,
Wedding Band, 2010 and 2012 Gala (Boston Arts Academy). Other: Mr. Swift has
also designed for Tri-Cities Opera, the Summer Theatre in Meredith Village, Gordon
College, Endicott College, the Jewish Theatre of New England, the Publick Theatre,
Chamber Theatre Productions, Boston Lyric Opera, the Worcester Forum Theatre,
Boston Playwrights’ Theatre, and the Theatre of Newburyport. Regional: Milwaukee
Repertory Theater, Bristol Riverside Theatre, American Ensemble Theatre,
Stephan Petronio Dance Company, the Caldwell Theatre, KewPee Corporation,
and the Trinidad Theatre Workshop. Mr. Swift has been on the faculty or staff
at Northeastern University, Emerson College, Endicott College, Westfield State
University, Eastern Connecticut State University, Salem State University, Community
College of Rhode Island, and Groton School. He is currently the production manager
for the theatre department at Boston College. Russ resides in Wilbraham with his
wife, Mayre, and daughter, Michaela.
RAY JENNESS (Technical Director) has been a theatre professional for more than
fifty-five years. He has an advanced degree in theater arts from the University of
Connecticut and has studied at Wesleyan University and the Eugene O’Neill Memorial
Theater Foundation. Ray was a founding member of the Worcester Children’s Theater
and Vermont Theater Company. He has created stages in numerous ski lodges,
warehouses, grange halls, and public parks and has designed performance spaces in
several schools. As an actor he has performed with The Market Theater, The Green
Mountain Guild and Theater Ludicrum. He has taught theater at numerous secondary
schools and colleges throughout New England, most recently at The Waring
School, Manchester-Essex High School, and Gloucester Stage Company’s school for
teenagers. He is currently president of The Cape Ann Shakespeare Troupe.
TOM MARTIN (Assistant Box Office Manager) is excited to return to Gloucester
Stage after previously working the Summer 2012 season. He has previously worked
with the Suffolk University Theatre Department and Central Square Theater.
Tom has previously studied at Regent’s College of London and is currently a
senior theatre major with concentrations in directing and performance at Suffolk
University in Boston.
JORDAN WESTLING (Box Office Associate) is a 2014 graduate from Gloucester
High School and will be attending UMass Amherst in the fall. She is very excited to
be a part of the GSC team.
18
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RACHEL McCLENAGHAN (Production Assistant/Intern and Box Office Associate) — Regional: Massachusetts High School Theatre Festival. Education: Ipswich
High School, attending Emerson College in the fall. High school productions: My Fair
Lady, Once Upon a Mattress, Little Women, Missconception, and Sound of Music.
BRUCE BAIN
REALTOR
ELSA McLAUGHLIN (House and Company Manager) graduated from Castleton
State College in Vermont with a BA in theater and moved to Boston soon after.
She has been fortunate to work with Commonwealth Shakespeare Company, New
Repertory Theater, and Actors’ Shakespeare Project, and is very excited to spend
her summer at GSC.
TINA CERSOSIMO (Assistant House and Company Manager) is thrilled to be
returning to Gloucester Stage for a fourth season. Regionally, Tina serves as the
managing director of The F.U.D.G.E. Theatre Company. Tina teaches seventh grade
history at the Susan B. Anthony Middle School for the Arts in Revere, where she
co-founded the drama program and directs the annual musical.
DENISE GALLO (Assistant House and Company Manager) came to GSC shortly
after moving here from the Boston area. This is her third season with GSC starting
first as a volunteer and then filling in for the box office and assisting the house
managers. She was the stage manager of Heidi Dallin’s 2012 production of Holiday
Delights. She came to GSC with a life-long passion for the arts and enjoys learning
the process and development that starts with an idea and ends with the magic of a
live performance.
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MEDIA SPONSOR
CORPORATE SPONSOR
1987 PULITZER PRIZE FOR DRAMA WINNER
1987 TONY AWARD FOR BEST PLAY
AUGUST WILSON’S
FENCES
We are proud
to Support
the GlouceSter
StaGe company
Directed by Eric C. Engel
Featuring Daver Morrison*
and Jacqui Parker*
We remain true to our vision
to positively affect the lives of
every person, business and
organization within the
communities we serve.
with Warren Jackson*, Gregory Marlow*, Jermel Nakia*,
Jared Michael Brown and Bezawit Strong
Set Design, J. Michael Griggs†
Costume Design, Molly H. Trainer†
Props Master, Joe Stallone
Lighting Designer, Russ Swift†
Fight Choreographer, Angie Jepson
Stage Manager, Marsha Smith*
†
*Member of Actors’ Equity Association (AEA)
Represented by United Scenic Artists, Local USA-829 of the IATSE
Originally produced by YALE REPERTORY THEATRE, Lloyd Richards, Artistic Director
Sponsored by John and Mollie Byrnes
Fences is presented by special arrangement with Samuel French, Inc.
Member FDIC
Member DIF
THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS
PRODUCTION IS A VIOLATION OF UNITED STATES COPYRIGHT LAW AND AN ACTIONABLE FEDERAL OFFENSE.
Director’s Note
To my mind, Fences — along with Death of a Salesman, Our Town, Long
Day’s Journey Into Night, and Angels in America — is one of the five greatest
American plays. It is the last with which I have taken a personal stage
journey. While the story is deeply planted in the black American experience
of a particular time and place, its themes — like those of all great pieces of
literature — are and, for better and worse, will remain profoundly universal.
Eric Engel
Cast of Characters
Troy Maxson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daver Morrison*
Jim Bono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gregory Marlow*
Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jacqui Parker*
Lyons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Warren Jackson*
Gabriel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jermel Nakia*
Cory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jared Michael Brown
Raynell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bezawit Strong
Setting
The Maxson household, front porch and yard, in Pittsburgh.
Time
It is 1957.
ADDITIONAL STAFF
Set Construction: Ray Jenness, Joseph Short
Production Assistants: Joe Fanning, Brendan Marr
SPECIAL THANKS
Carol Antos
Joy Cochran
Leslie Held
Richard Itczak
Ashley Preston
Troy Siegfreid
David Warnock
Patriot Fence Company
Sullivan Tire
Gloucester YMCA
*Gloucester Stage Company operates under the NEAT Rider to the
Small Professional Theatre contract with Actors’ Equity Association
and is a member of NEAT (The Producer’s Association of New England
Area Theaters), and StageSource.
†
Represented by United Scenic Artists, Local USA-829 of the IATSE.
August Wilson: Creating a Cultural Mythology
by Joe Stallone, Gloucester Stage Company Dramaturg
One of America’s most powerful and original dramatists, August Wilson
offered an alternative history of the 20th century, as seen from the perspective
of black Americans. He celebrated the lives of those seemingly pushed to the
margins of national life, but who were simultaneously protagonists of their own
drama and evidence of a vital and compelling community.*
Considered to be his crowning achievement, August Wilson is best known for
ten plays known as The Pittsburgh Cycle. Each play is set in a different decade,
and all, except one, are set in Pittsburgh’s Hill District, Wilson’s childhood home.
Fences is one of the most beloved of the cycle, winning both the Pulitzer Price
and Tony Award. These ten plays chronicle the African-American experience,
telling the story of a people decade by decade in 20th century America. Wilson
did not set out to write a ten-play series. It was after writing his third play,
Ma Rainey’s Black Bottom, that he realized he had written three plays in three
different decades and so decided to continue until each decade was represented.
Wilson told the story of a people with a distinct history in America, but
also aware of their roots in another land and another time; he wrote to assist
in the search for and creation of a black identity in America. Wilson said, “The
one thing we did not have as black Americans was a mythology.” Dr. Michael
Downing, professor of English at Kutztown University of Pennsylvania and
Wilson scholar, writes, “To date, much of my personal research has involved
Wilson’s development of a new mythology for people of African-American
descent living in America.” Downing quotes Henry Louis Gates, Jr., of Harvard,
“It is the black poet who bridges the gap in tradition, who modifies tradition
when experience demands it, who translates experience into meaning and
meaning into belief.” Professor Downing tells us that “Wilson’s emerging
mythology re-inscribes the cultural symbolic landscape, providing a new sign
system where blacks can flourish and grow in their own way, according to their
own values, their own rhythms, their own beliefs, and their own language.
It’s part music, part history, part politics, and part fable. It’s a sociology lesson
and a celebration. It’s the creation of cultural myth.” In Wilson’s plays, his
dramatic technique follows a pattern, taking “pejorative, racist stereotypes
and turns them into holy archetypes — sacred symbols which are imbued with
new meaning and power — and, most importantly, are direct products of the
African-American experience. Instead of attempting to hide or ignore the role
of such stereotypes within the African-American experience, Wilson celebrates
them and gives them value as part of the social fabric and history.”
While his goal may have been specifically targeted toward and about
black Americans and their cultural history, the beauty, artistry, and depth
of August Wilson’s dramas, that which makes them endure and impact
audiences worldwide, is that they are at the same time specific and universal
*from The Cambridge Companion to August Wilson by C.W.E. Bigsby
24
25
in nature and truth. Who of us has not at some time felt unfulfilled and helpless
about changing our circumstances? Or have had the damaged dreams of
one generation visited upon us in the next generation, feeling trapped inside
family patterns? Growing into adulthood and wrestling with what it means to
be a man or woman, defining value in your life — and the value of your life is
never a simple thing. Betrayal, whether by a spouse, parent, sibling or friend,
hurts deeply regardless of race or culture. The difference for most cultures
is that there is a cultural and social mythology to show us a way to explain,
understand, and deal with these things in a context that we know innately and
viscerally — a cultural mythology. Imagine having nowhere to turn or to look to
for a bigger picture, a higher perspective of understanding which felt right and
correct and true. August Wilson helped quell that distress by providing a context
and perspective, a lens through which to look and find, if not answers or truths,
at least a place where the questions can reside.
ABOUT THE COMPANY
DAVER MORRISON* (Troy Maxson) — GSC: debut. Daver has
performed all across the country from New York to Los Angeles in
television, film, voice overs, commercials, and with theatre
companies such as the Guthrie Theater, Portland Center Stage,
North Shore Music Theatre, Colorado Shakespeare Festival,
Clarence Brown Theatre, Illinois Shakespeare Festival, Geva
Theatre, Roxbury Repertory Theatre, Charlotte Rep, Capital Rep. Some favorite roles:
Davenport in A Soldier’s Play (IRNE Award), the title role in Othello, Simon in The
Whipping Man, MacDuff in MacBeth, Lincoln in TopDog UnderDog, Willum in The
Nerd, and The Man in Woody Guthrie’s American Song (Ovation Award Nomination).
Television (select): ‘24,’ ‘All My Children,’ ‘The Young and the Restless.’
JACQUI PARKER* (Rose) — GSC: Ponies, Going to St. Ives. Boston
(select): Marilla in Anne of Green Gables (Wheelock Family
Theatre); Coriolanus, Hamlet, and Much Ado About Nothing
(Commonwealth Shakespeare Productions), Billie Holiday in Lady
Day at Emerson’s Bar and Grill, Elizabeth in Old Settler, Jesus in
Miss Witherspoon (Lyric Stage Company), Mrs. Keckley and Mrs.
Thomas in A Civil War Christmas, and Mother in Breath Boom (Huntington Theatre
Company), Caroline in Caroline or Change and Inez in Our Lady of 121st Street
(Speakeasy Stage), Banquo in Macbeth (Actor’s Shakespeare Project), and numerous
other regional theatre companies. As a stage director some of Parker’s favorites were
Stop and Frisk, Xernona and The Grand Drago X, 12 Angry Jurors, Once on This Island,
The Miracle Worker, The Life, and The Trial of One Short Sighted Black Woman vs
Mammy Louise and Safreeta Mae. Ms. Parker completed a Playwright Fellow at the
Huntington Theatre Company. Her play Jeanie Don’t Sing No Mo received a staged
reading at the Calderwood Pavilion, produced by the Huntington theatre Company.
Other plays include Dark as a Thousand Midnights (IRNE Award). Jacqui received the
2004 Boston Theatre Hero Award from StageSource and the 2009 Drylongso Award
for consistent and courageous contributions in the struggle against racism. Ms.
Parker is an Elliot Norton award winning actress and seven-time winner of the IRNE
Award (Independent Reviewers of New England).
26
WARREN JACKSON* (Lyons) — GSC: debut. National Tour:
Macbeth, Romeo & Juliet (Benvolio). Chicago: Shoes (World
Premiere, BTA Nominee Featured Actor); Cymbeline/Pericles, The
Return of the King, others. Regional: Tempest (Ariel); Fences (Cory);
Railroad Bill, Clandestine Marriage, others. Off-Off Broadway:
Rainman, Coriolanus, Henry V (Fluellen), King Lear (Edmund),
Romeo & Juliet (Romeo), others. Television: Green Screen Adventures Chicago,
Midwest regional Emmy Ensemble Nominee). Education: MFA, University of Arizona.
A company member with Brave New World Rep: The Long Christmas Dinner (Charles),
Merry Wives of Windsor. He is based in Brooklyn, New York.
GREGORY MARLOW* (Bono) — GSC: debut. Broadway: Linda
Eder, A Holiday Concert. National/International Tour: Smokey Joe’s
Cafe, Hair–40th Anniversary European and Italian. Off-Broadway:
Sawbones (Here Arts Center), Absolution of W.M. (Negro Ensemble
Company), Spring! Peace! (Cherry Lane Theatre). Chicago: Escape
(American Theatre Company), In the Red and Brown Water.
Regional/Stock: Pippin (Leading Player), Jacquel Brel (Man 2), Violet (Flick, NJ
premiere), Dreamgirls (CC White), Smokey Joe’s Cafe (Adrian). Film: Far From Heaven
(Reginald Carter). Television: HBO’s Addiction. Education: MFA (acting); The Theatre
School at DePaul University, AMDA. Chicago native currently residing in a concrete
jungle called New York City.
JERMEL NAKIA* (Gabriel) — GSC: debut. Off-Broadway: A Gilbert
and Sullivan Christmas Carol. Regional: A Lesson Before Dying
(Grant), A Raisin in the Sun, Once On This Island, Richard II, Show
Boat, Disney’s Aladdin Live, Tin Pan Alley Rag, Stone Heart:
Everyone Loves A Journey West, Your Arms Too Short to Box With
God, Into the Woods, The Heart of Biddy Mason, Biloxi Blues.
International: La Cage Aux Folles (English Theatre Frankfurt, Germany) Film: After the
Wizard, The One Who Wears Red. Television: Mighty Times: The Children’s March
(Academy Award Winner best documentary) ‘24,’ ‘Mind of Mencia,’ HBO project.
Education: Pepperdine University. He resides in Los Angeles.
JARED MICHAEL BROWN (Cory) — GSC: debut. Regional:
As You Like It (Actors Shakespeare Project), Whipping Man
(Understudy, New Repertory Theatre), How We Got On (Company
One), MLK: A Monumental Life (Constitution Hall). Education:
Emerson College.
BEZAWIT STRONG (Raynell) — Bezzie is a second-grader who
loves soccer, books, and theatre. She was born in Ethiopia and
came to the United States when she was six months old. Her first
role on stage was as Little Coalhouse in a Chelsea High School
production of Ragtime. Most recently, she appeared in the 2013
Youth Acting Workshop production of Holiday Delights at the Gloucester Stage
Company. Bezzie is thrilled to be a part of the cast of Fences.
ERIC C. ENGEL (Artistic Director; Director: Jacques Brel…, 4000 Miles, Fences) is in
his eighth season as GSC’s artistic director following two years serving as producing
and associate artistic director and three years as a guest director. Jacques Brel…
marks the 25th production he has directed at Gloucester Stage. Recent GSC directing
credits include Spring Awakening (recipient of Independent Reviewers of New England
Awards for Best Director and Best Production of a Musical), Dueling Divas, The
Norman Conquests trilogy of plays, and Nine Circles (originally directed for the Publick
Theatre Boston). He has been a director and arts administrator in the Boston area
27
for more than twenty-five years and is currently director of Memorial Hall/Sanders
Theatre and College Theater Venues in the Office for the Arts at Harvard. He has
directed for numerous companies including the Nora Theater Company (of which
he was a founding member), the Lyric Stage Company of Boston, SpeakEasy Stage
Company, Boston Playwrights’ Theater, The Súgán Theatre Company, and as an
artist in residence at Harvard University, Emerson College, the Boston Conservatory
and Brandeis University where he earned his MFA. He has staged four Elliot Norton
award-winning productions: Death of a Salesman (The Nora), Sing Me to Sleep (Coyote
Theatre), Collected Stories (GSC), and Entertaining Mr. Sloane (Publick Theatre).
J. MICHAEL GRIGGS† (Set Designer) — GSC: Auld Lang Syne, Trad. Off Broadway:
Lost Lake this fall at Manhattan Theatre Club. Boston area: Romance, No Man’s
Land, No Child, Nobody Dies on Friday, Animals and Plants, Boston Marriage, How
I learned to Drive, and others at The American Repertory Theatre. The Sanctuary
Lamp, Well of the Saints, The Lonesome West, St. Nicholas, and others for the Súgán
Theatre Company. Also, productions for Speakeasy Stage Company, New Repertory, Lyric Stage Company, The Publick Theatre, Tir Na Theatre, Harvard University,
and Opera Providence. Television: Mystery, Fetch with Ruff Ruffman, many others for
WGBH and PBS. Education: MFA, University of California, San Diego. Other: Michael
is the chair of the scene design program at the University of Illinois.
MOLLY TRAINER† (Costume Designer) member USA 829 — GSC (select): Master
Harold and the Boys, Tender, Trying, An Ideal Husband, The Breath of Life, You’re a
Good Man Charlie Brown, Doubt, A Parable, Billy Bishop Goes to War, The Laramie
Project, The Subject Was Roses; Boston area (select): The Whipping Man, The
Elephant Man, Indulgences, Mr. Roberts, A House With No Walls, Ragtime (New
Repertory Theatre); Deported / a dream play, (Boston Playwrights Theatre); The
Real Inspector Hound, Entertaining Mr. Sloane (Publick Theatre of Boston); Pericles,
Twelfth Night, The Taming of the Shrew, (Actors’ Shakespeare Project); The Golden
Age (Emerson Stage); A View From the Bridge (New College Theatre); Some Men
(SpeakEasy Stage Company); Three Tall Women, Arms and the Man, (Lyric Stage
Company of Boston); The Sweetest Swing in Baseball, Macbeth, The Laramie Project
(Boston Theatre Works); The Sanctuary Lamp, The Well of the Saints (Súgán Theatre
Company); Regional (select): A Streetcar Named Desire, Falsettos (Foothills Theatre);
The Fantasticks, Bat Boy, The Cherry Orchard (Salem State Theatre). Education: BS,
Northeastern University; University of the South (photography); The School of the
Museum of Fine Arts, Boston; The School of Fashion Design, Boston. For more,
including upcoming productions, log on to www.mollytrainer.com.
JOE STALLONE (Company Dramaturg 2014; Resident Properties/Set Dressing
Designer, 4000 Miles, Fences) — GSC: Spring Awakening, North Shore Fish, This Is
Our Youth, Driving Miss Daisy, Round and Round the Garden, Carnival, Master Harold
and the Boys, 9 Circles, Crimes of the Heart. Boston area (select): props/set dressing
design: Distant Music, Dr. Jekyll & Mr. Hyde, Miracle on 34th Street (Stoneham Theatre);
Distracted, Absurd Person Singular, The Other Place, Brundibar/But the Giraffe, Sila
(Central Square Theatre); The World Goes ’Round, Rent, Collected Stories, Marry Me
a Little (New Repertory Theatre); Blood Rose Rising (Honest Ghost Productions);
Moonlight & Magnolias, Bat Boy, Last Night of Ballyhoo (AFD Theatre); Little Dog
Laughed (Hovey Players). Directing: A Little Night Music, Side By Side By Sondheim,
Our Town (asst. dir.), Table Manners (AFD Theatre); Plaza Suite (Quannapowitt
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Players); Lost in Yonkers (TCAN Players); The Tale of the Allergist’s Wife (Wellesley
Players); On Golden Pond (Winchester Players); Trial by Jury (Sudbury Savoyards). Mr.
Stallone holds BA degrees from Boston College in theatre and dramatic literature. He
maintains his regional real estate brokerage practice, supporting local and regional
arts organizations through its Arts Contribution Program.
RUSS SWIFT (Resident Lighting Designer, Jacques Brel…, Auld Lang Syne, 4000
Miles, Fences) — GSC, ninth season as resident designer: Spring Awakening; North
Shore Fish; Round and Round the Garden; Carnival; “Master Harold”...and the Boys;
9 Circles; Crimes of the Heart; Living Together; The Most Happy Fella; Fighting Over
Beverley; Table Manners; Tender; Trying; You’re A Good Man, Charlie Brown; The
Breath of Life; The Goat or, Who is Sylvia?; Sins of the Mother; Billy Bishop Goes to
War; Enigma Variations; Going to St. Ives; Doubt: A Parable; Dear Liar; The Belle of
Amherst; Ponies; The Widow’s Blind Date; Calvin Berger, The Secret of Mme. Bonnard’s
Bath; The Price; The Heidi Chronicles; Long Day’s Journey Into Night; My Old Lady;
Dinner with Friends; A Grand Night for Singing; Marry Me a Little; Compromise;
Spinning into Butter; The Loman Family Picnic. Boston area (select): Snow White
(Wheelock Family Theatre); Scarlet Letter, Sunshine Boys (Worcester Foothills); It’s
All True (Lyric Stage); Cosi fan Tutte, Lysistrata, Rags (The Boston Conservatory); The
Odd Couple, Giants Have Us in Their Stories, A Midsummer Night’s Dream, 12th Night,
Wedding Band, 2010 and 2012 Gala (Boston Arts Academy). Other: Mr. Swift has
also designed for Tri-Cities Opera, the Summer Theatre in Meredith Village, Gordon
College, Endicott College, the Jewish Theatre of New England, the Publick Theatre,
Chamber Theatre Productions, Boston Lyric Opera, the Worcester Forum Theatre,
Boston Playwrights’ Theatre, and the Theatre of Newburyport. Regional: Milwaukee
Repertory Theater, Bristol Riverside Theatre, American Ensemble Theatre,
Stephan Petronio Dance Company, the Caldwell Theatre, KewPee Corporation,
and the Trinidad Theatre Workshop. Mr. Swift has been on the faculty or staff
at Northeastern University, Emerson College, Endicott College, Westfield State
University, Eastern Connecticut State University, Salem State University, Community
College of Rhode Island, and Groton School. He is currently the production manager
for the theatre department at Boston College. Russ resides in Wilbraham with his
wife, Mayre, and daughter, Michaela.
ANGIE JEPSON (Fight Choreographer) — Ms. Jepson is an actress, fight choreogra-
pher, and professor in the greater Boston area. As a choreographer, she has worked
with the Huntington Theatre Company, SpeakEasy Stage Company, the Lyric Stage
Company and New Repertory Theatre, among many others. She is thrilled to be
working with Gloucester Stage.
MARSHA SMITH* (Stage Manager) — GSC: Jacques Brel Is Alive and Well and Living
in Paris, This Is Our Youth, Spring Awakening, Round and Round the Garden, Fighting
Over Beverly, Living Together, An Ideal Husband,Tender, Sins of the Mother, Last of the
Red Hot Lovers, Doubt, Widow’s Blind Date, Ponies, The Price. Regional: On The Town
(Lyric Stage Company); Burning, The Company We Keep, The Farm, 5 Down 1 Across,
Little Black Dress (Boston Playwrights’ Theatre); 9 Circles, Entertaining Mr Sloane
(The Publick Theatre); Einstien’s Dreams (Underground Railway Theatre). Education:
BFA in stage management Emerson College. Marsha Lives on her family’s farm in
Hudson, New Hampshire, and is glad to be back at GSC.
JOE FANNING (Production Assistant) — GSC: debut. Regional: Rooms: A Rock
Romance (Bad Habit Productions). Other: The Servant of Two Masters, Steel
Magnolias, The Homecoming, and The Dresser (Salem State University). Joe has
also worked as an ASM on Kafka In Tel Aviv, and The Hot L Baltimore (Salem State
University). Education: studying stage management at Salem State University.
29
ANDREW ANDREWS (Master Electrician) — Regional: Secret Garden, Unbleached
American, Something’s Afoot (Stoneham Theatre); 39 Steps, 3 Sisters, Drowsy Chaperone
(Boston College); Hairspray, Into the Woods (Reagle Players of Greater Boston)
Education: BS in industrial and theatre technology, Fitchburg State College, 2005.
AUGUST WILSON (April 27, 1945 – October 2, 2005) authored Gem of the Ocean,
Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven
Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These
works explore the heritage and experience of African-Americans, decade-bydecade, over the course of the twentieth century. His plays have been produced at
regional theaters across the country and all over the world, as well as on Broadway.
In 2003 Mr. Wilson made his professional stage debut in his one-man show, How
I Learned What I Learned. Mr. Wilson’s works garnered many awards, including
Pulitzer Prizes for Fences (1987) and for The Piano Lesson (1990), a Tony Award for
Fences, Great Britain’s Olivier Award for Jitney, as well as seven New York Drama
Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and
Gone, The Piano Lesson, Two Trains Running, Seven Guitars, and Jitney. Additionally,
the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and
Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation
of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor,
Recycle, The Coldest Day of the Year, Malcolm X, The Homecoming and the musical
satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and
awards, including Rockefeller and Guggenheim Fellowships in Playwrighting,
the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National
Humanities Medal by the President of the United States, and received numerous
honorary degrees from colleges and universities, as well as the only high school
diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus
of New Dramatists, a member of the American Academy of Arts and Sciences, a
1995 inductee into the American Academy of Arts and Letters, and on October 16,
2005, Broadway renamed the theater located at 245 West 52nd Street: The August
Wilson Theatre. Mr. Wilson was born and raised in the Hill District of Pittsburgh,
Pennsylvania, and lived in Seattle, Washington, at the time of his death. He is
immediately survived by his two daughters, Sakina Ansari and Azula Carmen
Wilson, and his wife, costume designer Constanza Romero.
*ACTORS’ EQUITY ASSOCIATION (AEA) was founded in 1913 as the first of the
American actor unions. Equity’s mission is to advance, promote and foster the art of
live theatre as an essential component of our society. Today, Equity represents more
than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre
as a profession, upholding the highest artistic standards. Equity negotiates wages and
working conditions and provides a wide range of benefits including health and pension
plans for its members. Through its agreement with Equity, this theatre has committed
to the fair treatment of the actors and stage managers employed in this production.
AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
UNITED SCENIC ARTISTS (USA-LOCAL 829) is a labor union representing
designers and artists in the entertainment industry. Benefits of membership include
the security of working under a collective bargaining agreement, better working
conditions and ages, and access to health insurance, a pension plan, an annuity
plan, and a 401(K). Its members are artists and craftspeople working in film, theater,
opera, ballet, television, industrial shows, commercials, and exhibitions. usa829.org
†
30
Featuring bagels, donuts, muffins, pastries,
decorated & dessert cakes, pies, gourmet coffees,
plus bagel sandwiches and daily specials.
All products baked daily on premises!
Wireless internet available.
Drive-Thru Open!
Opens 5:00 a.m. daily
Across from the Gloucester Train Station
26 Railroad Ave. 978-283-3383 Gloucester, MA
31
Dis
Glo
c ove r Yo u r C r e
a t i ve P o t e n t i a l a t
cester St
u
a g e Yo u
t h A c t i n g Wo r k s h o p s
All The World’s a Stage Make Yours Cape Ann
Working with Buyers & Sellers
Jennifer Anderson & Ron Goulart
www.JenAndRon.com
RE/MAX Advantage Real Estate
(978) 281-1260
Photo by Gary Ng
Passports
SUMMER SESSION 2014
Youth Acting Workshops
For ages 6–18
Photo by Gary Ng
An Introduction to
Professional Theatre
Fridays, beginning July 11: a six-week session
R E S TAU R A N T
Fine dining in a casual atmosphere!
Catering for all occasions
Lunch and dinner daily
110 Main Street, Gloucester, Mass.
(978) 281-3680
passportsrestaurant.wordpress.com
Make your evening complete with dinner at The Rudder!
photo by Charles de Gaspe Beaubien
Learn the basics of professional theatre:
Theatre games, improvisation, vocal and physical
expression, character preparation, scene study,
storytelling, writing, public speaking and confidence
building training.
TAUGHT BY HEIDI DALLIN
Plus special guest teaching collaborations with:
• Willie Loco Alexander, musician, singer & songwriter
• Paula Plum, award winning actress
• Derek Geary, composer and pianist
• Israel Horovitz, playwright and Gloucester Stage
artistic director emeritus
• Gloucester Stage seasoned theatre professionals
The Rudder Restaurant is located across Smith Cove, just a short walk from the Gloucester
Stage Company. We offer a complete dinner menu as well as a lighter fare starting at 5pm
every night. Come and enjoy our food and water view before and after curtain time.
Upcoming Youth Acting Workshops:
Early seating for theater goers.
We look forward to making your evening enjoyable!
Expanded sessions for fall and winter
Photo by Gary Ng
Fall 2014: Fridays & Saturdays, Sept. & Oct.
Winter 2015: Fridays & Saturdays, Feb. & March
Register now for all classes. Space is limited.
For more information contact Heidi Dallin at
978.281.4099 or visit gloucesterstage.com
32
Now in its 58th year—Gloucester’s Oldest Seasonal Restaurant
The Rudder Restaurant
73 Rocky Neck Ave, Gloucester, MA 01930
(978) 283-7967
www.rudderrestaurant.com
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This history-rich facility is a full-service venue.
Contact the Gloucester Stage Company today for more information
on leasing this space during the off-season. Meet with a member
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Gloucester Stage can be a great venue for your next event.
Gloucester Stage: a vital, year-round community resource.
Phone: 978-281-4099 | Fax: 978-281-0550
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www.gloucesterstage.org
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PROUD TO (TECH) SUPPORT GLOUCESTER STAGE COMPANY
Congratulations to
Gloucester Stage Company
on its 35th season!
DECORATIVE ARTS
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OUR 2014 SEASON
ALWAYS A NEW AND REFESHING
APPROACH TO FLORAL DESIGN JUNE 12 – JULY 6
JACQUES BREL IS
ALIVE AND WELL
AND LIVING IN PARIS
DIRIK
ELLIS
JABARA
SULLIVAN
Music by Jacques Brel
Based on Jacques Brel’s lyrics and commentary
Production conception, English lyrics, additional material by
Eric Blau and Mort Shuman
Directed by Eric C. Engel
Music Director David McGrory
Often haunting, always vividly dramatic, sometimes funny, heartrending and poetic, the songs of Jacques Brel have been recorded by
countless artists throughout the world. Encompassing themes of joy
and sorrow, love and loss, life and death, this compilation of Brel’s finest
work celebrates the diverse complexity of the human heart.
Sponsored by Richard Rosenfeld of Rocky Neck in honor and memory of his father,
Jerome Rosenfeld, who first produced and introduced Jacques Brel... for Boston
audiences in the 1970s
JULY 10 – 27
AULD LANG SYNE
By Jack Neary
Directed by Doug Lockwood
PLUM
SNEE
Part mystery, part drama, part comedy, Auld Lang Syne will make you
laugh, laugh, laugh! And you may even shed a few tears. This South
Boston tale of a New Year’s Eve “business” encounter between a neighborhood low life from South Boston and a retired school teacher will be
around for a long time—but see it here, now! Some strong language.
Sponsored by Eve and Phil Cutter; additional support by Bayard and Bea Waring
JULY 31 – AUGUST 17
4000 MILES
By Amy Herzog
Directed by Eric C. Engel
CARROLL
MA
MUIRHEAD
RASH
The play looks at how two outsiders find their way in today’s world. After
suffering a major loss while he was on a cross-country bike trip, 21-yearold Leo seeks solace from his feisty 91-year-old grandmother Vera in
her West Village apartment in New York City. Over the course of a single
month, these unlikely roommates infuriate, bewilder, and ultimately
reach each other.
Sponsored by Kathe and Allan Cohen and The Selma and Bayness Andrews Fund of
the Boston Foundation
36
Celebrating 1 Year in Our New Location
at 274 Main Street!
Open 9–5 Tuesday–Friday and 9–3 Saturday
Daily Deliveries • Weddings • Funerals • Giftware
274 Main Street • Gloucester • 978.282.9582
37
OUR 2014 SEASON (CONTINUED)
AUGUST 21 – SEPTEMBER 7
FENCES
By August Wilson
Directed by Eric C. Engel
BROWN
JACKSON
MARLOW
MORRISON
This sensational drama starred James
Earl Jones as Troy Maxson, a former
star of the Negro baseball leagues
who now works as a garbage man in
NAKIA
PARKER
STRONG
1957 Pittsburgh. Excluded from the
major leagues during his prime, Troy’s bitterness takes its toll on his
relationships with his wife and his son, who now wants his own chance
to play ball.
Sponsored by John and Mollie Byrnes
HOLIDAY DELIGHTS
Directed by Heidi Dallin
Photos by Gary Ng
DECEMBER 19 – 21
A holiday season event for all
ages!
Atlantic Vacation Homes
A festive evening of stories,
songs and dance celebrating
family and traditions during the
holiday season featuring students
from Gloucester Stage Youth Acting
Workshops.
Your Best Choice in Rentals
on Cape Ann and North of Boston.
www.atlanticvacationhomes.com
1-855-434-4087
NEW MENU.
NEW WINE LIST.
NEW EXPERIENCE.
One family since 1957.
Join us today for lunch,
dinner, or our new Sunday
Breakfast Buffet, 9am–12pm
THEGLOUCESTERHOUSE.COM
(978) 283-1812
38
Carole Lynn Sharoff
Residential Sales
Realtor, CBR, GRI
[email protected]
978.282.7747
Exceeding Expectations
39
SUNDAY TALK BACKS
Join Gloucester Stage actors and directors for these free, post-show discussions.
JUNE 22
Jacques Brel Is Alive And Well And Living In Paris
JULY 13
Auld Lang Syne
AUG. 3
4000 Miles
AUG. 24
Fences
NEW PLAY READING SERIES
All readings start at 7 pm, followed by a discussion with the playwright, cast and
director. Seating is general admission. Suggested donation: $20
MONDAY, AUGUST 4
GLOUCESTER
BLUE
by Israel Horovitz
PLAEHN
SOLORZANO
WALSH
WHEELER
featuring Therese
Plaehn, Francisco Solorzano, Lewis Wheeler and Robert Walsh
An adult dark comedy about house painters and paint…sex, violence,
murder and sex. The latest of Horovitz’s Gloucester-based plays.
MRS. WARREN’S PROFESSION
SHIPLEY
O’BRIEN
MONDAY, AUGUST 25
PITCHED
by Jon Busch
featuring Elliot Norton Award winners
Anne Gottlieb and Robert Pemberton
GOTTLIEB
PEMBERTON
These two dramas, one over a century old and the other a brand
new work by Marblehead playwright Jon Busch, present riveting
tales about women confronted with the discovery that their
livelihood is dependent upon industries they abhor.
40
On The
35th Anniversary Season
MONDAY, AUGUST 11
by George Bernard Shaw
featuring Broadway veterans and
GSC favorites Sandra Shipley and
Paul O’Brien
Helping Raise The Curtain
JON R. MORSE, CPA, PC
38 Pleasant Street
Gloucester, MA 01930
Phone (978) 283-2224
Fax (978) 283-0113
[email protected]
41
SUPPORT GSC
click here to support online!
Join our growing family of friends who help bring professional theater
to Cape Ann. Call us at 978-281-4099. There are many ways you can
help. Here are just a few:
BECOME A FINANCIAL BENEFACTOR: All donations are tax-deductible. GSC is a
501(c)(3) non-profit organization.
PROVIDE HOUSING: Do you have a spare room for a visiting actor, director or
playwright during the run of a show? During the season we need housing.
CLEANING YOUR WORKSHOP? We need power tools to build our beautiful sets:
drills or drill drivers, preferably cordless 12-volt. We also use hand tools.
Consider donating used tools that are still in working order.
PROVIDE IN-KIND SERVICES: Many of our supporters contribute by donating
time and materials. If you are a plumber, carpenter, electrician, printer or
graphic designer—we can use your support.
CAPE ANN SYMPHONY
2014-2015 OUR SIXTY THIRD SEASON
Inspiration and Wonder!
A NIGHT AT THE OPERA • Saturday, September 27, 2014, 8pm
VOLUNTEER: Whether your interest is in learning to hang and focus lights,
building a set, stuffing and stamping envelopes, ushering or assisting our box
office, you will work with professionals happy to show you the ropes.
WISH LIST: dry cleaning services; office supplies; cleaning/paper products;
computers and/or accessories.
Want to join the
GSC Family?
Yes! I am interested in being a:
Volunteer
Production Sponsor o
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Mara Bonde, soprano
Thomas Jones, baritone
Ethan Bremner, tenor
Krista Rivers, mezzo
BIZET, MOZART, PUCCINI, ROSSINI, VERDI AND MORE!
THE HOLIDAY POPS • Sat, Nov. 29, 2014, 8pm • Sun, Nov, 30, 2pm
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Store: 76 Prospect Street, Gloucester, MA
42
Featuring the Cape Ann Symphony Chorus, Wendy Betts, Director, TCHAIKOVSKY, Nutcracker
excerpts, ANDERSON, Christmas Festival\Joyous Holiday choral selections and a Holiday Sing-along
DEVEAU PLAYS BEETHOVEN • Sunday, March 22, 2015, 2pm
Featuring world-renowned pianist
David Deveau
playing Beethoven Piano Concerto No. 1
• CATERING & EVENT
MANAGEMENT
• PERSONAL CHEFS’
SERVICES
• CHEFS’ TABLE
• TEAM BUILDING EVENTS
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PAST & PRESENT • Saturday, May 9, 2015, 8pm
Let us make your next
event one to remember!
ORDER ONLINE: www.capeannsymphony.org
BY PHONE: 978-281-0543
BY MAIL: Cape Ann Symphony / PO Box 1343 / Gloucester, MA 01930
The father and daughter team
of Richard and Erin Svobada
will perform GANDOLFI, Double Concerto
for Clarinet & Bassoon
click here to order online!
Yes! I’d like to subscribe to GSC’s 2014 Summer Season!
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form to Gloucester Stage Company, 267 East Main Street, Gloucester, MA 01930.
FLEXIBLE SUBSCRIPTION: THE GLOUCESTER STAGE MEMBERSHIP
With Membership, enjoy four or eight admissions to GSC to be used anytime during
the season. More reasons to get your Membership:
Savings: Receive $5 to $7.50 off each single ticket price!
Flexibility: Come to four plays or accompany three guests to one play, etc.
Priority Seating: Obtain the best seats we can offer at the time you reserve.
Easy Exchange Privileges: We waive our “no exchange policy” for you.
Circle of Friends card: Your card entitles you to 2-for-1 tickets at more than 50
Boston theaters.
Please Note: The Membership Series includes Jacques Brel, Auld Lang Syne,
4000 Miles, and Fences. Tickets for other events must be purchased separately.
SUBSCRIPTION
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PP#
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PR PYMT _____/ _____:______
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ENT DB _____/ _____:______
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11 Rogers Street, Gloucester, MA 01930 ★ 978-282-7399
www.capeannbrewing.com
45
click here to purchase your raffle ticket online!
Buy Your Raffle Tickets Now!
One 1st Prize: $5,000 | Three 2nd Prizes: $1,000 | Four 3rd Prizes: $500
Tickets: $100 — Only 300 tickets will be sold!
Drawing: Sunday, September 7, 2014
We’ve heard time and time again that while patrons enjoy participating in
the Gloucester Stage Raffle, they wish we would find a way to avoid the
raffle speech before every performance. We’ve heard you, but we still need
to raise that money in order to bring you professional theater. If you can
purchase a raffle ticket, please consider doing so early in the season so we
can, as they say on public radio, return to our regular programming.
Remember, we only sell 300 raffle chances. Once those tickets are
purchased, we can eliminate the pre-show ritual altogether!
978-283-5131 office
978-281-7155 fax
email: [email protected]
Don’t delay! Purchase your raffle ticket by phone (978-281-4433), online
(www.gloucesterstage.org), or use the order form below.
RUDY MACCHI
G. Everett Mahony, Inc.
Insurance of every form since 1922
5C Dr. Osman Babson Rd.
P.O. Box 1107
Gloucester, MA 01930
Raffle Tickets Order Form
GSC Raffle Tickets: $100.00 Quantity:______ Total Due: $____________
PAYMENT METHOD
o My check for $_________ is enclosed.
o Visa o MC o Discover
Credit Card Number: __________________________________________________________________
Address: _____________________________________________________________________________
Large selection of fine wines
Friendly knowledgeable staff
Barware
Ice cold beer
City: ____________________________________________ State: ________ Zip: _____________________
Having a local function? Call us for all your beverage needs.
Exp. Date: _______________________________________________________ CVV:____________________
Signature: ___________________________________________________________________________
INFORMATION
Name: _______________________________________________________________________________
Email: _______________________________________________________________________________
Phone number(s): _____________________________________________________________________
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Anniversa
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Seabreeze Liquors
Season Raff le
(Delivery and pick-up available on Cape Ann.)
Follow us on Twitter • Like us on Facebook
Please call or email Allison Brigham, Function Manager
978-283-8414
127 Eastern Avenue • Gloucester, MA
47
Music
ENJOY
ALL SUMMER
AT THE SHALIN LIU PERFORMANCE CENTER
ROCKPORT CHAMBER MUSIC FESTIVAL
June-July 13
Proud to support
Claremont Trio | Schubertiade Evening
Shanghai Quartet | Calder Quartet
Richard & Mika Stoltzman (clarinet & marimba)
Gloucester Stage
Company
Chanticleer | Imani Winds
And Much More!
Claremont Trio
SUMMER AT ROCKPORT
Jazz, Folk, World & Pop Music
July-August
Martin Sexton | Loudon Wainwright III
Bad Plus-Joshua Redman
And Much More!
ROCKPORT JAZZ FESTIVAL
August 13-17
Kenny Barron | Donal Fox | Cyrille Aimée
And Much More!
The Eagle-Tribune
Gloucester Daily Times
100 Turnpike Street • North Andover, Mass 01945
978-946-2000
36 Whittemore Street • Gloucester, MA 01930
978-283-7000
Visit our
website or
call for details
on these
and other
upcoming
concerts.
Christian McBride
Tina Packer’s Women of Will
Sunday, August 10
Shakespeare & Co’s Artistic
Director Tina Packer presents
Women of Will, an exploration
of Shakespeare’s heroines.
rockportmusic.org :: 978.546.7391
48
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Gloucester Stage Co. Size: 5"x 8", B&W
Award winning American Bistrot
with classical French influences.
Celebrating 10 years in business.
Humanely raised meats, grass-fed beef,
and sustainable seafoods prepared with love
and served in half or full portions.
Your hosts Chef Ken and Nicole Duckworth
Dinner Tuesday-Thursday 5-9:30
Dinner Friday and Saturday 4-9:30
Reservations Suggested
Closed Sunday and Monday
Get
Get10%
10%off
offwith
with your
your ticket
ticket and
andletlet
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offan
with
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and let
show
you
an
encore
performance.
ususshow
you
encore
performance.
us show you an encore performance.
Duckworth’s Bistrot
1/3 mile from Gloucester Stage
197 East Main St., Gloucester, MA 01930
978-282-4426
www.duckworthsbistrot.com
“Buy Where The Builders Buy”
Congratulations on Gloucester Stage Company’s
35th Anniversary!
4 POND ROAD • 978-283-0195 • GLOUCESTER, MA 01930
23 LOW STREET • 978-462-0402 • NEWBURYPORT, MA 01950
80 COLON STREET • 978-922-0921 • BEVERLY, MA 01915
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AUDIENCE SERVICES
CONTACT INFORMATION:
BAD WEATHER POLICY:
Administrative Office: 978-281-4099
Box Office: 978-281-4433
Fax: 978-281-0550
www.gloucesterstage.com
The Gloucester Stage Company does not
typically cancel performances due to bad
weather. If you cannot make it to the
theater, please call the box office before
your scheduled performance. The box
office will attempt to reschedule you for a
different performance of the same show.
No refunds will be issued.
BOX OFFICE HOURS:
Monday – Friday: 11am – 5pm
Saturday & Sunday: 12pm – 5pm
The box office is open one hour before
curtain on performance days.
BOX OFFICE:
The box office accepts cash, checks,
MasterCard, Visa and Discover cards.
A transaction fee is added to all orders.
All tickets, subscriptions and fees are
non-refundable and non-transferable.
All schedules are subject to change.
Tickets can also be ordered online at
www.gloucesterstage.com.
GROUPS:
Special discount rates are available. For
more information please contact the box
office at 978-281-4433.
LATECOMERS:
For the convenience of those patrons
arriving on time and for the safety
of all of our patrons, latecomers
will not be seated until a suitable
moment in the performance—for some
productions, not until intermission.
Seating is at the discretion of the House
Manager. You may be asked to sit in
a convenient empty seat rather than
your designated seat until intermission.
Refunds/exchanges will not be issued
to latecomers. This also applies after
intermission.
ACCESS:
Patrons with a wheelchair and/or
oxygen tank or requiring other assistance
must inform the box office when making
reservations so accessible seating can be
reserved for you.
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PLEASE!
Smoking is permitted outdoors only.
Infants are not permitted in the theater.
Food and drink are not permitted in the
theater.
Please turn off all pagers, cellular phones,
watch alarms, and other noisemaking
equipment when in the theater.
The photographing or sound recording of
any performance or the possession of any
device for such photographing or sound
recording in this theater is prohibited
by law. Violators may be punished by
confiscation of equipment and ejection.
Violations may render the offender liable
to financial charges.
The Gloucester Stage Company reserves
the right to ask any patron causing a
disturbance to leave the premises without
refund.
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business owners seeking complete financial solutions
and extraordinary customer service.
BankGloucester.com
978-283-8200
160 Main St., Gloucester, MA 01930
Member FDIC, Member SIF
Trust Matters
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Invest with an experienced, knowledgeable financial
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Call Diane today for more information or to
schedule a FREE consultation. 978-675-9940
160 Main Street, Gloucester, MA 01930
BGFinancialGrp.com
Securities and financial planning offered through LPL Financial, a registered investment advisor. Member FINRA/SIPC.
Insurance products offered through LPL Financial or its licensed affiliates. LPL Financial is not affiliated with BankGloucester .
Not FDIC Insured
No Bank Guarantee
May Lose Value
Not a Bank Deposit
Not Insured by Any Federal Government Agency