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CAST (in alphabetical order) Dee Jacobson/Ellen………………………………………………………..Allison Blaize Gabe Gabriel………………………………………………………..…………..Leith Burke* Machine Dog…………………………………...…………………………………Ray Dennis Sweets Crane…………………………………………………………Hawthorne James Melvin Smeltz………………………………………………………………...Matt Jennings Evie Ames………………………………………………………..………...Saadiqa-­‐Kamille Shanty Mulligan…………………………………………………………Ben Landmesser Mary Lou Bolton…….……………………………………………..Meghan Renee Lang Mike Maffucci…………………………………………………..…….Gianluca Malacrino Sergeant Cappaletti……………………………………………….Monty Montgomery Judge Bolton…………………………………………………………………Darrell Philip Cora Beasley …………………………………………...…………………….. Kacie Rogers Johnny Williams………………………………………………………Sammie Wayne IV * Actors appear courtesy of Actors Equity Association Time: 1969 A Play in Three Acts There is one 15-­‐minute intermission ACT ONE Scene 1 PLACE: New York City. SETTING: Johnny’s Bar. Scene 2 TIME: A week later. Scene 3 TIME: Three weeks later. Late morning. ACT TWO Scene 1 TIME: Two days later. Scene 2 TIME: Two weeks later. Afternoon. Scene 3 TIME: A day later. Late afternoon. ACT THREE Scene 1 TIME: Two weeks later. Scene 2 TIME: Three days later. Afternoon. Scene 3 TIME: A day later. Afternoon. PRODUCTION TEAM Director/Producer..…..………………………………..…….…….Ben Guillory* Production Stage Manager……..............………………………Tamir Elbassir Rehearsal Assistant Stage Manager…....…….Melvin Ishmael Johnson Assistant Stage Manager/Prop Master………………………Kiana Lyons Scenic Design……………………………………………………………Tom Meleck Lighting Design…………………………………………………..Micheal D. Ricks Costume Design………………………..…………..…....Naila Aladdin Sanders Music/Sound Design…………………………….…...……….……..Julio Hanson Graphic Design……………………………..…...............…................Jason Mimms Production Photographer..........................................Niketa Calame-­‐Harris Publicist…………………………………………….…..…..…………Phillip Sokoloff Development Director…………….……..…….…….………….Judith Bowman * Team Members appear courtesy of Actors Equity Association 7%6<M,"N65!N:!OM5<8<!N5!72%"!O%6;!
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A MESSAGE FROM THE PRODUCING ARTISTIC DIRECTOR Welcome Ladies and Gentlemen to Robey’s first production of the 2016 spring season of the Los Angeles Theatre Center. Charles Gordone ‘s 1969 Pulitzer prize play NO PLACE TO BE SOMEBODY is rarely performed these days. The language and extraordinary poetry is rough & in your face and it is this unflinching quality that conjures up the world of the play and what makes it an unforgettable piece of writing. Its characters are razor sharp and unapologetic. Johnny Williams, out to get revenge on the white system that has excluded him, is a reflection of many who’ve been marginalized too long and as a result lash out at everyone around them even those who care for them. Gabe Gabriel the poet-­‐actor, who’s been denied professional opportunities, ironically because of the lightness of his skin, is filled with a bitter and angry frustration that settles into a melancholy when he’s not emotionally erupting. Dee Jacobson abused, confused, and running scared, is a tragic figure who’s momentary insights give the revelation of someone who’s seen and knows too much of the dark side that many inhabit. This raw, gritty, violent, and lowdown noir world is not a nice place, but a specific one, with its inhabitance all searching desperately for a way out of the place they’re in and a way into some place to become … somebody. Thank you for joining us. Ben Guillory Producing Artistic Director ROBEY THEATRE COMPANY THANKS FRIENDS OF ROBEY Lonnie Brook • Kellie Davis Akousa Hobert-­‐Pierce Bobbie Lyons • Carolyn Magbie Parenthysis Garner • Lonnie Calvin BOLT BARBERS CENTER THEATRE GROUP Yvonne Bell KPFK InnerVisions; An African Perspective Kamau Ramsey Rev. Meri Ka Ra Richard Byrd Julio Marinez KJLH – Front Page Dominique DiPrima Dr. E Jay Pierce & Akousa Hobert-­‐Pierce Edward Martinez Richard Martinez MEYER and SON Direct Mail Advertising Company Toyin Moses Akinfemi Joseph Akinwale, Musican CAST & CREW * Actors appear courtesy of Actors Equity Association Allison Blaize (Dee Jacobson/Ellen) Allison Blaize graduated from the American Musical Dramatic Academy in LA. Prior to AMDA, she received her B.A. in Theatre Arts from the University of New Orleans. She's thrilled to be part of this amazing cast and story. Leith Burke* (Gabe Gabriel) This is Leith’s debut with Robey. Credits include Judgement at Nuremburg on Broadway with the late, and wonderful, Maximillian Schell; 3 seasons with the Oregon Shakespeare Festival; Antony and Cleopatra at the Guthrie; Miss Julie at San Jose Rep.; Tours with the S.F. Mime Troupe; the premiere of Neighbors at the Matrix Theater; and Citizen at the Fountain. Television credits include: Tyler Perry’s The Have and Have Nots; Scorpion; The Young and the Restless; Real Husbands of Hollywood; Grey’s Anatomy; Parenthood; NCIS; Criminal Minds; CSI: NY; Numbers; and the West Wing. Upcoming Film: The Tiger Hunter; Choir Director… A founding member of Berkeley’s Shotgun Players, Leith is from New York and a graduate of the American Conservatory Theater. More at Leithburke.com Ray Dennis (Machine Dog) Ray was born and raised in New Orleans, L.A. He has always had an affinity for working on plays that bring the African-­‐American experience and pertinent issues to life. He was last seen with Robey in the production of The Magnificent Dunbar Hotel at the National Black Theatre Festival. He is grateful for this opportunity. Hawthorne James (Sweets Crane), a Chicago native, received his B.A. from the University of Notre Dame and his M.A. from the University of Michigan. After teaching at Illinois State University, he attended the London Shakespeare Academy in London, England. He has been extremely active in all aspects of entertainment including, an executive of a major Hollywood film studio, director of national theatrical tours, films and commercials. He has performed in over three hundred plays and received several awards including being nominated several times for Drama Logue, NAACP Theatre Awards and several international film awards. Some of the film and television credits include, The Five Heartbeats, Speed, Seven, The Color Purple, Cheers, Frasier, Martin, Charmed, I'm Gonna Git You Sucka, just to name a few. CAST & CREW Matt Jennings (Melvin Smeltz) is thrilled to be part of the No Place To be Somebody cast. He would like to give thanks to God, The Robey Theater Company, family and friends for their support. www.mattlawrencejennings.weebly.com Saadiqa Kamille (Evie Ames) is extremely excited to be working with The Robey Theatre Company and playing the role of “Evie” in this production. She gives thanks to God for her many gifts and talents, her friends and family for their support and an “I love you the most” to her number one fan, her son Maseeh. Ben Landmesser (Shanty Mulligan) a Chicago native, Ben performed in San Francisco before moving to LA. Credits include Sazonov (Coast of Utopia, Shotgun Players), Horatio/Laertes (Hamlet, Do It Live!) and Azdak (The Caucasian Chalk Circle, AMDA-­‐LA). Catch him in the web series The Partitioned this summer. Ben holds a BFA from AMDA-­‐LA. Meghan Lang (Mary Lou Bolton), originally from New Mexico, recently graduated from AMDA following two years of training in the acting conservatory program. While in New Mexico, she appeared in shows such as The Crucible and Rodger and Hammerstein's Cinderella. This is her first Los Angeles production. She is excited to be working with this group of people. Gianluca Malacrino (Mike Maffucci/Louie) is a Welsh/Italian actor and recent graduate of AMDA College & Conservatory of The Performing Arts in Los Angeles. He is delighted to be working with The Robey Theatre Company on his first production out of college, as well as starring in the Christopher Ad Castillo film Night Rider, later this year. CAST & CREW Monty Montgomery (Sergeant Cappaletti/Harry) is a Retired Master Sargent and Iraqi Veteran from Chicago. While on active duty his motto was “One Team – One Fight”. Since retirement it has changed to “One Man-­‐One Mic”. He would like to thank Mr. Ben Guillory & the Robey Theatre Company for the opportunity to be a part of No Place to be Somebody. Darrell Philip (Judge Bolton) Darrell studied with Kathy Griffin, and Ivana Chubbuck. Stage: Cyrano in Cyrano de Bergerac, California Suite, Blithe Spirit, Gross Indecency: The Three Trials of Oscar Wilde, Pity the Proud Ones, and Bronzeville. TV: Dead of Night, Unusual Suspects, Murder Book, and an AT&T commercial. Look for him in the films The Algerian, and Saint Mary’s Secret. Kacie Rogers (Cora Beasley) a Native Houstonian, received her classical training from AMDA College and Conservatory of the Arts and kept her instincts sharp with improvisation training from The Second City. She is thankful for the journey so far and looks forward to gracing many more stages and screens, both big and small. Sammie Wayne IV (Johnny Williams) Sammie is an Actor, Lighting Designer, Stage Manager and Director, last seen as Chester Himes in The Magnificent Dunbar Hotel. Awards received: Best Supporting Actor -­‐ One Woman Two Lives (2009) and Anna Lucasta (2013), Best Lighting Design -­‐ Pieces of Me (2011), Hattie: What I Need You To Know (2012) and Camp Logan (2013). He directed several episodes of America’s Next Top Model Cycle 20. CAST & CREW Ben Guillory (Director/Producer) studied at the American Conservatory Theatre. He appeared in, Julius Caesar, The Taming of the Shrew, The Cherry Orchard, Othello, Athol Fugard’s Sizwe Banzi is Dead for the Arizona Theater Company, The Los Angeles Theatre Center’s Ma Rainey’s Black Bottom, Sacramento Theatre’s Fences, the Mark Taper Forum’s, Miss Ever’s Boys, and the Robey/Greenway co-­‐production of Permanent Collection at the Kirk Douglas Theatre. Mr. Guillory is Producing Artistic Director of the award-­‐winning Robey Theatre Company and instructor for its Advanced Scene Workshop. Co-­‐producing Bee-­‐
Luther-­‐Hatchee with Elephant Industries, Yohen with East-­‐West Players, For The Love of Freedom Trilogy with Greenway Arts Alliance and the Los Angeles Cultural Affairs Department, The Last Season with Legacy Productions, A Medley of One Act Plays with the Against Type Theatre Company, and producing the Paul Robeson Theatre Festival are some of his accomplishments. He received San Francisco Critic’s Circle Award, for his portrayal of Paul Robeson, in Illustrated Stage’s Are You Now or Have You Ever Been. For his Los Angeles performances of Phillip Hayes Dean’s Paul Robeson, he received the DramaLogue Award and a NAACP Theatre Award, and for his directing of For the Love of Freedom: Part I, he received a NAACP Theatre Award. In 2010 he received honors from Playwrights Arena for Outstanding Contributions to the Los Angeles Theatre Community, and NAACP Best Producer awards for The River Niger, The Reckoning in 2011, and Camp Logan in 2013. He was also presented with the 2013 National Black Theatre Festival Larry Leon Hamlin Producer Award. Television credits include: Eli Stone, My Name is Earl, The West Wing, Charmed, The Guardian, Dynasty, Judging Amy, LA Law, JAG, The Young and the Restless, NCSI, and General Hospital. Film credits include: The Color Purple, Our Father, The Tuskegee Airmen, Star Wars, Maid to Order, 3 Strikes, Crawlers, America’s Dream and The Harimaya Bridge. Charles Gordone (Playwright) Charles Gordone won an Obie (an award given to off-­‐Broadway productions) for his performance in an all-­‐black production of John Steinbeck’s Of Mice and Men in 1964. Between acting and directing jobs, Gordone worked as a waiter in a Greenwich Village tavern. His experiences there inspired him to write his most famous play No Place to be Somebody. The play opened off Broadway at the New York Shakespeare Festival Public Theatre in May of 1969 to rave reviews, and made Gordone an instant celebrity. Over the next two years the play would be performed over 900 times off-­‐Broadway, before moving to the Morosco Theatre on Broadway in 1971. No Place to Be Somebody won the 1970 Pulitzer Prize for drama, making Gordone the first CAST & CREW
African-­‐American to win the coveted award. It also won the New York Drama Critics Award and the Vernon Rice Award in the same year and holds the distinction of being the first off-­‐Broadway play to win the Pulitzer. Gordone continued to write and direct during the 1970s and 1980s but was never able to repeat the success that he enjoyed with No Place. In the mid-­‐1970s he was involved in the Cell Block Theatre Program in New Jersey which used theatre as a rehabilitation tool for inmates. Gordone remained active in community theatres around the U.S. until accepting a teaching position with Texas A&M University in 1986. Gordone died of cancer on November 13, 1995 in College Station, Texas. Tamir Elbassir (Production Stage Manager) Tamir Elbassir is a Sudanese Egyptian director, actor, and fight choreographer from Long Beach, CA. He received his AA in Acting from Long Beach City College and his BA in Theatre with a Directing Emphasis from UC San Diego. He is very honored to be working on this production. Melvin Ishmael Johnson (Assistant Stage Manager/Veteran Intern/Prop Master) is the founder of Dramastage-­‐Qumran and Veterans Community Theater Workshop. He is a member of The Robey Theatre Company’s Playwrights Lab. Born December 1, 1947 in Greenville, Mississippi, he graduated from Coleman High School. After high school, Melvin attended Mississippi Valley State University and served in the United States Marine Corps (1969-­‐71). After being honorably discharged from the service, he attended Eastern Michigan University. He is the author of plays Surviving The Nickel, Catch The Tiger, Number One Recruit, Nail Heads and The Emperor's Last Performance. Tom Meleck (Scenic Design) attended NYU for his Master’s Degree in Theatrical Stage Design. He designed Arrabal’s The Architect and the Emperor of Assyria while in New York City. He assisted on the Broadway productions of Lenny, Jesus Christ Superstar, and on Candide at the opening of the Kennedy Center in Washington D.C. Tom’s Los Angeles credits include sets and lighting for the musical Paquito’s Christmas, Just Men, Parental Discretion, Sacrificial Lamb, Tight Quarters, and Love is Always the Matter. He was nominated as Best Set Designer by the LA Weekly for his work on The Imposter, and three times by the NAACP for Section 8 and for The Robey Theatre Company’s For the Love of Freedom Pt. I: Toussaint, and Knock Me A Kiss. He won an L.A. Weekly theater award for his lighting of They Shoot Horses, Don’t They? at the Greenway Court Theater. A d d i t i o n a l c r e d i t s i n c l u d e : the LA Met Theater’s production of California Dreamin’ Women in Shorts at the Working Stage Theater, and Bronzeville, for the Robey Theatre Company on location in Manzanar. His other design credits include Clueless and The Larry Sanders Show, the pilot season of Dennis Miller Live, Quantum Leap, and Fast Times at CAST & CREW
Ridgemont High, the final season of the Sonny & Cher Comedy Hour, the Emmy Award-­‐winning shows Murder, She Wrote, and The Parsley Garden, Brad Pitt’s first film Across the Tracks, and Natalie Wood’s final movie, Brainstorm. Micheal D. Ricks (Lighting Designer) With a BFA in theatre, and a BS in Set Design, Micheal David Ricks, originally from Detroit, has acclimated himself as a most sought after set/lighting designer. Nominated in 2007 for an NAACP Image Award for best Set Design Crash Pad, Micheal also designed sets for Dawgs, Shoplife, and 9 to 5. In Lighting, he designs for the BBC, PhilaDanCo, LWDT, also plays Parade, Peter Pan, and Anul and the Night Visiters. “I don’t just create sets, I create awe-­‐inspiring environments…” Naila Aladdin Sanders (Costume Design) has recent credits which include Neighbors for the Matrix Theatre, In the Red & Brown Water, The Ballad of Emmett Till, Gem of the Ocean, and Joe Turner’s Come and Gone for the Fountain Theatre, The Color Purple, The Women of Brewster Place: the Musical, and Haram Iran for the Celebration Theatre, The Many Mistresses of Martin Luther King for Ensemble Studio Theatre, and Good Bobby for the Greenway Court Alliance and the 59th Street Theatre in NYC. Knock Me A Kiss, Bronzeville, The River Niger, The Reckoning, Transitions, A House With No Walls, Permanent Collection, and The Haitian Trilogy were designed by Naila for The Robey Theatre Company. Julio Hanson (Music/Sound Design) actor, singer, songwriter, and dancer. A native of Inglewood, California, Julio has appeared in the feature films, American Carol, and Angels and Demons. Julio was in the stage musical Paquito's Christmas directed by Luis Avalos (Electric Company), and had a recurring role on RPM Miami on the television station Mun2. Julio portrayed Paul Laurence Dunbar in the Robey Theatre Company production of The Magnificent Dunbar Hotel, written by Levy Lee and selected for the National Black Theatre Festival. Julio is proud of his African-­‐American and Panamanian heritage and ability to speak English, Spanish, and other languages. Julio toured and performed with Toni Braxton, Keith Washington, Mint Condition, Chante Moore, Shanice Wilson, Howard Hewett, Yolanda Adams, La Ley, Kelis, and others. Julio was nominated for Best Musical Director at the NAACP awards for the play, Hattie McDaniels. Kiana Lyons (Assistant Stage Manager / Prop Master), a Los Angeles native, began acting as a tribute to her brother Malcolm and to God. A mental health advocate she works with NAMI (National Association of Mental Illness) to help further educate families of color about the many resources within every community which will give them a more accurate understanding of mental illness. Kiana studied at Santa Monica College where she pursued a degree in CAST & CREW Business Marketing and Advertising. Kiana would love to thank her family, Maya Angelou (R.I.P), for getting her through dark times with her wisdom and understanding of love, Ben Guillory for giving her, her first real opportunity to work for a theatre company, and the cast/staff for welcoming her so openly while continuing to inspire her with their incredible acting abilities. Jason Mimms (Graphic Design) Teaming up with Robey again, Jason shares other talents that extend beyond the stage with the addition of graphic design to his credit. Working as a freelance Video editor and Graphic Designer, Jason heads his own media production company, Black Canvas Productions where he has worked for a variety of clients including Jack Daniel’s Tennessee Honey. Jason has always aligned with the notion that an artist is not limited by any form of expression, yet, only the limitations placed by ourselves. Niketa Calame-­‐Harris (Production Photographer) Niketa Calame is most noted as the voice of “Young Nala” in Disney's Film The Lion King. She received her MFA in Acting from The Actors Studio Drama School in New York, her BA in Theater from UC Santa Cruz and studied theater for a year overseas at University of Exeter in England. A SAG/AFTRA and Equity member, Niketa's credits include: “Squeak” in The Color Purple, Celebration Theater's Ovation Award Winning Production, Co-­‐star roles on NBC, FOX and MTVu. NiketaCalameHarris Photography has always been a passion and she loved shooting for The Robey Theatre. Philip Sokoloff (Publicist) is L.A.'s most active theatre publicist, representing over 100 live attractions annually throughout the city, as well as independent films. He has worked with The Robey Theatre Company for thirteen years. Judith Bowman (Development Director) brings some measure of her love for culture and passion for anything creative to every project. The variety of hats she wears for Robey reflects the roles she plays—researcher, grant writer, volunteer coordinator, and project manager. Her energy has helped produce the ancillary historical overview available on the Robey website. Chris Carnell (Webmaster) is a multimedia consultant and IT specialist with more than 15 years of experience in print, online media, and video. He learned web programming during the onset of the “dynamic web” and has been designing interactive websites ever since. Chris is a Microsoft Certified Professional and an A+ Certified Technician. He is currently practicing mobile development and social media marketing. Chris is grateful to be working with The Robey Theatre Company, increasing their web presence and growing their social media reach. %698=!"L82"%8!962%<!6O!<N%8,"6%!
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