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Adapted from the best-selling book, The Very Cranky Bear, by Nick Bland Cranky Bear Director’s Note “Who in your life do you remember most fondly? Those who were kindest to you, I bet?” Goerge Saunders. When I first read Nick Bland’s book, The Very Cranky Bear, I was smitten! The more I investigated it the more I realised what a beautifully simple yet sophisticated work it is. Leonardo Da Vinci said, “Simplicity is the ultimate sophistication” and that is what we get with this story: an easy to read, entertaining, funny and poignant story that is loaded with insight and meaning. Like all the best stories, it connects us to big human themes in a compelling way that is immediately accessible to a 4 year old. That’s some achievement! That is why we felt compelled to adapt this story for theatre – to honour the story and open it up in a new way for live audiences. We have chosen to present Cranky Bear as a “cabaret show” because the flamboyant threesome of Zebra, Lion and Moose seem to exist naturally within that world. They’re entertainers – audacious, extravert, confident, self-assured, charming and playful. They are cabaretiers by nature! They represent the whimsical, chaotic and outlandish aspect of personality in the extreme. They have self-belief almost beyond reason – hubris. What they lack a little of is the kindness and compassion of the unassuming sheep, who in our story, gives credence to the importance of empathy and humility. Our misunderstood Cranky Bear finds a soulmate when the kind and thoughtful sheep acts with courage and empathy to resolve the Bear’s troubles. In our theatre adaptation, we explore the big human themes that our story offers – insights into self-belief, being misunderstood, feeling overwhelmed, finding courage, acting with integrity, the power of humility, the meaning of empathy and the importance of kindness. We are excited to present the humour and pathos of this wonderful children’s story for our audiences to enjoy and absorb. “Kindness allows us to live stronger, more optimistic, serene and loving lives.” Nikki Gemmell The Importance of Play “Play is the highest form of research.” Albert Einstein There is nothing I love more than sitting in a theatre full of children watching a quality show. Children are enchanted by theatre and parents and carers love sharing the magic. Yes! In the world of the mega-movie, the iPad and other amazing technological delights, children love theatre – because theatre does things differently. It is elegant and simple. It is universal and timeless. It is whimsical and metaphorical. It invites children to use their imaginations to create the world being suggested to them through the story, music, song, costume, lights, image, dance, sound, mask, movement and design. Good theatre is an important part of the rich and diverse palette of activity all parents should wish their children to be part of. And children deserve the best. Engaging, challenging, refined, sophisticated and entertaining experiences that touch their hearts and minds. Patch Theatre is a 42-year old Adelaide-based professional theatre company that specialises in developing and producing high quality theatre for 4-8 year olds. Each year we perform locally, nationally and internationally. Our mission is to energise the creative instincts of the 4-8 year old child in order to keep “those instincts alive in the child” beyond those years. “Every child is an artist; the challenge is to keep them so.” Albert Einstein Dave Brown Artistic Director, Patch Theatre Company. Health Partners Learning Activities With generous support from our project partner, Health Partners, every child attending our performance will receive a Cranky Bear mask. The mask is a springboard for a range of creative learning activity that explores the themes and ideas of the Cranky Bear story, available through our dedicated Cranky Bear website. K-3 children from Sturt Street Community School worked with Patch Theatre artists over a 5-week period to develop these creative learning activities. Please take the time to share our learning adventures with your children by viewing our simple-to-use online resource. www.crankybearpatch.com Revisit the Performance We have provided images from the performance in the pages that follow, together with some conversation starter questions, as an entry point to the learning activities provided online. “There is no greater gift we can give each other than the gift of understanding, of looking and really seeing, of peering beyond the persona and into the person with an awareness that however different our struggles and circumstances may be, we are bonded by the great human longing to be truly seen for who we are.” Maria Popova Patch Theatre Company Cranky Bear 1. Showtime How many performers are in the show? How many characters did they play? 1 2. Scene Changes There are six scenes in the show: Scene 1 - The Jungle Scene 2 – Four Little Friends Scene 3 – The Cranky Bear Experience Scene 4 – Zebra, Lion and Moose’s Big Idea Scene 5 - What Bear Wants Scene 6 – A Kind and Thoughtful Sheep Can you tell us what happened in one or more of these scenes? 3. The Jungle A storm in the jungle is no place to be. Why? 2 4. Moose’s Antlers Moose loves his antlers. What are some things that you like about yourself? 3 4 Patch Theatre Company Cranky Bear 5. Lion and Zebra What makes the Lion happy? What makes the Zebra happy? 6. Sheep is Plain At the beginning of our story sheep is very shy and feels overwhelmed by the confidence of Zebra, Lion and Moose. Tell us about a time when you have felt shy. 7. The Cranky Bear Experience Tell us about a time when you’ve been scared by something. 8. Out in the Rain Again Would you rather be in a cosy, warm cave with a cranky bear or out in the jungle during a storm with thunder and lightning all around? Why? 5 6 7 8 Patch Theatre Company Cranky Bear 9. Parade of Possibilities Zebra, Lion and Sheep think they know how to cheer up the Cranky Bear. Go to our website www.crankybearpatch.com to make a Snap Pack of cards and explore the meaning of empathy. 9 10. Who Did This To Me? Why does the bear get angry when Zebra, Lion and Moose try to cheer him up? 11. Cranky Bear is Miserable. Cranky Bear doesn’t like being in this story very much because all he gets to do is roar and be cranky! He feels miserable and misunderstood. He wishes he could be a happy bear. Have you ever felt miserable about something? 12. What Bear Wants Bear wants to be in a story where he gets to sing, dance and be happy. Does he get his wish? 10 11 12 Patch Theatre Company Cranky Bear 13. Bear Hug 13 Sheep, with some kind thoughts, a listening ear and a big hug, helps the bear feel better about himself. Can you think of a time when someone did that for you? 14. Shorn Sheep Why did sheep clip off half her wool? Won’t she get cold out in the jungle rain? 15. A Pillow for Bear’s Head There are four words that describe sheep’s actions in this story; “brave”, “kind”, “thoughtful” and “empathetic”. Can you tell us how sheep was each of these things? 16. Song and Dance A shy sheep and a cranky bear are transformed by their adventure. Make you own costumes for each of the characters in the story and make up some more Cranky Bear stories. www.crankybearpatch.com/activities Patch Theatre Company acknowledges the generous support of our Digital Partner, Freerange Future. 14 15 16 Cranky Bear by Patch Theatre Company Based on the book The Very Cranky Bear written and illustrated by Nick Bland. Text and illustrations copyright © Nick Bland 2008. First published by Scholastic Press, a division of Scholastic Australia Pty Limited in 2007. This production produced under license from Scholastic Australia Pty Limited. Cranky Bear song lyric copyright © Nick Bland 2008. Words by Nick Bland. Music by Belinda Gehlert. Additional Libretto by Dave Brown. Collaboratively devised by: Dave Brown, Geoff Cobham, David Gadsden, Belinda Gehlert, Jude Henshall, Tim Overton, Ailsa Paterson, Stephen Sheehan with creative development support from Cameron Goodall. Director: Dave Brown Composer/Arranger: Belinda Gehlert Production Designer: Ailsa Paterson Lighting Designer: Geoff Cobham Production Manager: David Gadsden Stage Manager: Catherine Turnbull Lighting/Sound Operator: Steve Tilling Costumes: Enken Hagge Stage Management Secondment: Laura Palombella Set Construction: State Theatre Company of SA Curtain Painting: Scenic Studios Cabaretier/Zebra/Bear: Tim Overton Cabaretier/Lion/Sheep: Jude Henshall Cabaretier/Moose: Stephen Sheehan Understudy: Stuart Day Associate Director in Residence (rehearsal period): Thom Browning Associate Director in Residence (creative development): Naomi Edwards Health Partners Community Engagement Project Project Co-ordinator: Roz Hervey Educators: Anne Marie Shin, Jenni Harpas, Poh Keng Low Artists: Morag Cook, Roz Hervey, Ashton Malcolm, Sam Oster Researcher: Elspeth Harley Creative Education Partnership: Sturt Street Community School and Patch Theatre Company, supported by ArtsSA and the Australia Council for the Arts Cranky Bear Snap Pack Software: designed by Freerange Future Cranky Bear Community Engagement Activities Devised by: Roz Hervey, Thom Browning Presented by: Roz Hervey, Dave Brown, Jude Henshall, Tim Overton, Stephen Sheehan Patch Theatre Company Staff General Manager: Christine Schloithe Bookings Coordinator: Elda Corbo Marketing Coordinator: Helen Preece Program Coordinator: Lynda de Koning Odeon Theatre Manager: Paul Taylor Patch Theatre Company Odeon Theatre 57A Queen Street Norwood SA 5067 Ph: +61 8 8333 0444 Fax: +61 8 8332 2256 [email protected] www.patchtheatre.org.au