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Press release May 2009 Pioneer Darwin opera by The Knife and acclaimed theatre company Hotel Pro Forma sold abroad Tickets Sales for TOMORROW, IN A YEAR’s World Premiere from 11 May! World premiere, 2 September 2009 at Old Stage, The Royal Danish Theatre in Copenhagen, Denmark Performances, 4 – 5 September 2009 Château Rouge, La Bâtie – Festival de Genève, Switzerland 11 – 12 September 2009 Hellerau – European Centre for the Arts, Dresden, Germany 8 – 9 October 2009 The Concert Hall Aarhus, Denmark 27–28 November Already before the opening of ticket sales for The Knife and Hotel Pro Forma’s eagerly awaited Darwin opera TOMORROW, IN A YEAR in Copenhagen, there is massive international interest in the production. Four whole months prior to the world premiere on 2 September on the Old Stage at The Royal Danish Theatre in Copenhagen, the performance has already been sold to Geneva and Dresden – and negotiations with London, Paris, Stockholm and other major cities are in full swing! But from Monday, 11 May it will be possible to buy tickets for the performance here in Denmark, not only at The Royal Danish Theatre but also, on 27 and 28 November, at The Concert Hall Aarhus. Tickets for TOMORROW, IN A YEAR can be bought at BILLETnet on tel. (+45) 70 15 65 65, or on tel. (+45) 89 40 40 40 (The Concert Hall Aarhus) and (+45) 33 69 69 69 (The Royal Danish Theatre). After it emerged that the Swedish world-name The Knife was to collaborate with the already internationally famous and award-winning performance Danish theatre company Hotel Pro Forma, interest in TOMORROW, IN A YEAR has been great both in Denmark and abroad. After the premiere at The Royal Danish Theatre, Hotel Pro Forma will first travel to Geneva where there will be performances on 11 and 12 September at Château Rouge in connection with La Bâtie - Festival de Genève in Switzerland, then to Hellerau, Dresden in Germany, where it will play on 8 and 9 October, and the performance returns to Denmark to play at The Concert Hall Aarhus. This year it will be 150 years since the father of the theory of evolution Charles Darwin published his ‘The Origin of Species’. And it is precisely Darwin’s conception of the world that is the point of departure for TOMORROW, IN A YEAR, which will be a pioneer electro-opera about the course of life, time and nature. The Knife will reveal completely new sides of itself in its musical work for the performance. For the first time, it will be collaborating with Mount Sims and Planningtorock. Among other things, Olof Dreijer from The Knife has been in the Amazon for two weeks in order to make sound recordings for the performance. TOMORROW, IN A YEAR will be an opera like no other – and with a string of the best artistic capacities both on and behind stage. The artistic duo from Hotel Pro Forma, Kirsten Dehlholm and Ralf Richardt Strøbech, are responsible for the concept and staging, while the choreography is in the hands of Hiroaki Umeda, the Japanese choreographer who is one of the most sought-after international names in modern dance at present. The dancers, singers and actors who meet on stage are Lærke Winther Andersen, Kristina Wahlin, Jonathan Johansson, Lisbeth Sonne Andersen, Agente Beierholm, Alexandre Bourdat, Bo Madvig Jacob Stage and Jan Strøbech. On the visual side, Danish costume designer Maja Ravn and lighting designer Jesper Kongshaug will create the costumes and lighting design for the performance. TOMORROW, IN A YEAR is co-produced by La Bâtie – Festival de Genève, Hellerau - European Center for the Arts Dresden and The Concert Hall Aarhus. The performance is supported by Bikubenfonden, Oticon Fonden, Toyota-Fonden, Beckett-Fonden, Tuborgfondet and Fondet for Dansk-Svensk Samarbejde. TOMORROW, IN A YEAR is produced in cooperation with The Royal Danish Theatre Hotel Pro Forma is supported by The Danish Arts Council – Committee for the Performing Arts. With best wishes Have PR & Kommunikation Tel. (+45) 33 25 21 07 Contact: Michael Feder, cell phone: 22 43 49 42, mail@[email protected] Facts about TOMORROW, IN A YEAR: Director: Ralf Richardt Strøbech & Kirsten Delholm Music, libretto: The Knife Musical collaborators: Mount Sims, Planningtorock Concept, set design: Ralf Richardt Strøbech Costumes: Maja Ravn Lighting design: Jesper Kongshaug Sound design: Anders Jørgensen Production: Hotel Pro Forma Associate producer: Sarah Ford / Quaternaire Singers: Lærke Winther Andersen, Jonathan Johansson, Kristina Wahlin Dancers: Lisbeth Sonne Andersen, Agnete Beierholm, Alexandre Bourdat, Bo Madvig, Jacob Stage, Jan Strøbech Plan of performances: 2, 4–5 September 2009 Main Stage, Det Kongelige Teater, Copenhagen 11–12 September 2009 Château Rouge, La Bâtie – Festival de Genève, Switzerland 8–9 October 2009 Hellerau – European Center for the Arts Dresden, Germany 27–28 November 2009 Main Hall, Musikhuset Aarhus Profiles: Hotel Pro Forma Hotel Pro Forma is an international laboratory for dramatic art. Each production is a new exploration that involves a dual staging: space and content. The architecture and the tradition and history of the performance venue are co-players. Perception, perspective and themes from the present-day world are blended into a conceptual, visual art form. Each performance is the result of a close cooperation between professional performers from various disciplines: music, architecture, art, dancing, film, science, literature and digital media. Hotel Pro Forma has created performances for public buildings and theatres in Europe, Asia, Australia, Russia and USA. Performance venues include Sydney Opera, Brooklyn Academy of Music in New York and the Venice Biennale. Kirsten Dehlholm, visual artist, is Hotel Pro Forma’s artistic director. For further information, go to www.hotelproforma.dk The Knife The Knife was formed in 1999 by the brother and sister team Olof Dreijer and Karin Andersson. They are known for their non-compromising ability to break with conventions and challenge their audiences within electronic music and pop music. Their four releases, The Knife (2001), Hannah med H soundtrack (2003), Deep Cuts (2004) and Silent Shouts (2006) have gained considerable recognition, and the group won six Swedish Grammies in 2006, including the Artist of the Year award, which they also won in 2003. Their first and only live tour Silent Shout in 2006 displayed a unique way of performing music in an artistically experimental context. The Knife is known for creating its music from the bottom up – they fabricate their own basic molecules for the music, in which processed voices are woven into the musical material. For further information, go to www.theknife.net