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EMI: Experiments in Musical Intelligence One man’s dream to create new works from the composers who are decomposing What is EMI? • • • • Written by David Cope Originally a fix for “composer’s block” Became a tool for composing entire works Writes works that emulate styles of various composers Central Challenges • Creating a grammar that holds all of the basic rules for coherent music • Using previous works to bring life into the music • Passing off new works as written by the “original” composer Music as seen by EMI Implementation of EMI • Parses existing musical examples into a complex catalog of lexicons • Augmented Transition Networks provide a way of linking lexicons of words into meaningful musical sentences SPEAC Identifiers • • • • • Statement - declaration of material Preparation - introductory gesture Extension - continuance of material or ideas Antecedent - active function Consequent – conclusive, paired with antecedent SPEAC Analysis of Bach Chorale Nested Musical Phrases • Musical phrase analysis on multiple levels Extracting the Essence • Finding a composer’s signature and using it in the new works • Two Mozart piano sonata excerpts: Success of EMI • Styles are always recognizable • “EMI’s Mozart is better than 99 percent of non-Mozart classical music.” - Cope • Performers can often feel the depth, richness, and emotion in EMI’s works • Tested before experts at Eastman • Live performance of Mozart’s 42nd The End – Any Questions?