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Accent marks In music notation, an accent mark indicates a louder dynamic to apply to a single note or an articulation mark. The most common is the horizontal accent, the fourth symbol in the diagram above; this is the symbol that most musicians mean when they say accent mark. The vertical accent, third in the diagram, may be stronger or weaker than the horizontal accent; composers have never been consistent in using these markings. The vertical accent has many informal names such as a teepee, housetop, or mamba-jamba. In most musical works this type of accent is meant to be played more forcefully and usually shorter. The remaining marks typically shorten a note. 1. Staccato, the first symbol shown above, indicates that the last part of a note should be silenced to create separation between it and the following note. The duration of a staccato note may be about half as long as the note value would indicate, although the tempo and performers' taste varies this quite a bit. 2. Staccatissimo: shown second, is usually interpreted as shorter than the staccato, but composers up to the time of Mozart used these symbols interchangeably. A staccatissimo quarter note would be correctly played in traditional art music as a lightly articulated sixteenth note followed by rests which fill the remainder of the beat. 3. Martelato: The third one shown, the vertical accent, is played with the same dynamics as a regular accent mark but condensed into about half the original length of the note (depending on style, song, preference, etc.), essentially a combination of accent and staccato. This type of accent is known incorrectly as marcato by many classically-trained musicians, and even as just a "rooftop accent" by those not knowing its name at all. It is correctly known as martelato or martellato, which is Italian for "hammered". 4. Marcato :The fourth mark shown, the Accent mark, indicates that the marked note should have an emphasized beginning and then taper off rather quickly. This mark is correctly known by classically trained musicians as marcato, though it is usually simply referred to as an accent. 5. Tenuto: The fifth above, indicates that a note is to be separated with a little space from surrounding notes. This separation may be enough to emphasize the note, or it may have to be played a little louder, at the discretion of the player. The tenuto mark also indicates that the note should be played for its full value - not cut off earlier. Sometimes these symbols are used in combination. Tenuto is Italian for "sustained," and notes should be played as full valued as possible with a medium strengthed, legato accent. Even when these symbols are absent, experienced musicians will introduce the appropriate gesture according to the style of the music. Sforzato [Italian, Forced] A directive to perform a specific note or chord of a composition with particular emphasis. The note or chord would be performed as if it had an accent as shown below and performed at the dynamic level indicated. It is typically shown as the abbreviation, sfz, sffz, or sfffz. This term can be confused with sforzando which has a similar effect (shown below) and is indicated by the abbreviation sf, sff, or sfff. In fact, many music dictionaries show both Sforzato and sforzando as having the same meaning. Forte Dynamic Sforzato Sforzando Fortissimo Dynamic Fortississimo Dynamic Sforzato Sforzato Sforzando Sforzando Sforzando piano A directive to perform a specific note or chord of a composition with particular emphasis pollowed by a sudden decrease in loudness. The note or chord would be performed as if it had an accent as shown below. It is typically shown as the abbreviation, sfp. Common Dynamic Markings