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Name:_______________ Class:___________ Music Workbook Semester 1 Content Rhythm and Metre Compound Metre Anacrusis Pitch and Melody s,l, drm sl d’ m3rd M2nd M3rd Perfect 4th Perfect 5th All note names on treble clef, F B, La Pentatonic Part Work Canon, Tonic Dominant accompaniments, ostinato, Partner Songs Form and Structure Da capo al fine Tone Colour All Orchestral Instruments, Instruments - other cultures Expressive Elements p pp f ff mp mf pause Semester 1 Task Sing the Pentatonic Scale in Canon with Optional Ostinato In pairs (one on a part), sing the extended pentatonic scale in canon. To receive an A or B, you may create an ostinato to perform during the canon. 1. Did you sing in tune? 2. Did the canon work? 3. Was there a balance between the parts? 4. Did you perform the ostinato accurately? In this task I learnt… (May refer to: pentatonic scale and intervals, canon, balance and part work, ostinato) Activity 1 Aural ___ ___ Write the notes in minims F A C E (high) E (low) G B Spaces Lines D F Activity 2 Aural – Circle what you hear List the four families of orchestral Instruments _________ _________ _________ __________ Activity 3 Aural - Spot the Difference Assessment: Two-Part Rhythmic Composition Are there two dotted crotchet beats in a bar? Are your beats under each other? Does your piece have a strong finish? Do your two parts work well together? Activity 4 Aural Adding a flat lowers the note by a half step also known as a semitone or a minor second. This note is B flat. Aural – 1. Binary 2. Binary 3. Binary 4. Binary Activity 5 Ternary Rondo Ternary Rondo Ternary Rondo Ternary Rondo Ludwig van Beethoven 1770 – 1827 Born in Germany Composer and pianist Symphony No. 6 in F Major, Opus 68, also known as the Pastoral Symphony expresses Beethoven’s love of nature. Activity 6 Aural - Create the Ending s l d’ l s m __ __ __ __ __ Draw lines to match the terms, symbols and meanings. Moderately soft Soft Very Soft Moderately Loud Loud Very Loud Forte Mezzo Piano Fortissimo Pianissimo Mezzo Forte Piano Activity 7 Aural – Create your own Rhythmic pattern p f mf pp mp ff Activity 8 Aural - Dictation – ending Tim-ka Two uneven sounds on one beat, the first one longer. Activity 9 Aural - Create the ending When the beat divides equally into two, then it is ‘simple metre’, when the beat divides equally into three, then it is ‘compound metre’. Listen to these rhythms and circle the answer: 1. Simple / Compound 2. Simple / Compound 3. Simple / Compound 4. Simple / Compound 5.Simple / Compound Activity 10 Aural – Dictation D.C. al fine, or da capo al fine, means “from the head [beginning] to the end.” It is an indication to repeat from the beginning of the music, and continue until you reach the final barline or a double-barline marked with the word fine. Activity 11 Aural Circle what you hear Circle the interval you hear. 1. Major 3rd minor 3rd 2. Perfect 4th Major 2nd 3. Perfect 5th Major 3rd 4. Perfect 4th Perfect 5th Perfect Octave Activity 12 Aural - Circle what you hear Activity 13 Aural - Spot the difference A pause or fermata is an articulation mark that allows a note or chord to be held for as long as desired. Activity 14 Aural Dictation What do you hear? 1 2 3 A B C 4 D Colour the Mandala as follows: Crotchets – Blue Minims – Yellow Quavers – Red Semiquavers - green Glossary Tie - a curved line connecting two notes of the same pitch. Tied notes are held for the length of both notes. Canon – A piece of music where one voice repeats the part of another, throughout the whole piece. It is singing the same song starting at different times. Partner Songs - Two different songs, that have a similar harmonic structure so that they may be sung together. Introduction – The beginning of a piece of music. Ostinato – A repeated rhythmic or melodic pattern. Accompaniment - is the art of playing along with an instrumental or vocal soloist or ensemble, in a supporting manner. Piano – p - soft Pianissimo – pp - very soft Mezzo Piano – mp - moderately soft Forte – f - loud Fortissimo – ff - very loud Mezzo Forte – mf - moderately loud Staccato – short and detached Legato – smooth and connected Crescendo – Gradually getting louder Decrescendo – Gradually getting softer Anacrusis – the note or sequence of notes which precedes the first beat in a bar. There is a corresponding number of beats missing from the music's final bar. Ternary Form – a musical structure consisting of two contrasting sections followed by a repetition of the first (ABA). Often, the first section is repeated (AABA). Binary Form – a musical structure with two sections (AB); each section is often repeated (AABB). Rondo Form – a musical structure with a recurring theme alternating with different sections (ABACADAEA) or (ABACABA). Accent – an emphasis placed on a particular note. Volta Brackets – Numbered brackets that change the end of each repeated passage. D.C. al fine, or da capo al fine, means “from the head [beginning] to the end.” It is an indication to repeat from the beginning of the music, and continue until you reach the final barline or a double-barline marked with the word fine.