Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
ARCANGELOCORELLI ConcertogrossoinB-flatmajor,Op.6,No.11 Born:February17,1653,inFusignano,nearImola,Italy Died:January8,1713inRome Workcomposed:(ca.1680–90) OneofthegreatlightsofthemiddleBaroquewasArcangeloCorelli,highlyesteemedasaviolinistand asanimaginativeandfastidiouscomposerwhowrotecomparativelylittlemusic,allofithighlypolished andjewel-like.Fewerthan100piecessurvive,includehislandmarksetof12concertigrossi,Op.6, widelyknownandemulatedbycomposersthroughoutEurope.Hevirtuallyinventedtheconcerto grosso,amulti-movementworkthatdividestheorchestrainalargercomponentcalledtheripienofor thecomparativelyeasiermusic,andthesmallerconcertino,whichhandlesthemorevirtuosiclines. Corellibeganwritingconcertosinthe1680s.In1710,hegatheredmanyofthesemusicaloffspringfor publicationasaset,butdiedbeforecompletingthetask.Astudent,MatteoFornari,facilitatedediting andarrangementofthefinalmanuscripts;thecollectionwaspublishedin1714byEstienneRogerof Amsterdam.Ofthedozenworks,the“ChristmasConcerto”(No.8)isunquestionablythebestknown, buteveryoneofthesesplendidworksisathingofexquisitebeautyandcraftsmanship. Numbers1–8aredesignateddachiesa(“ofthechurch”),whichsimplymeanstheyhavenodance movements;theyarenotnecessarilyreligiousinnature.Thefinalfourworksaredacamera(“ofthe chamber”)withmovementtitlesandrhythmicformulasdrawnfromthedance,e.g.,Allemanda, Corrente,SarabandaandGiga—aswellasGavottaandMinuetto. ConcertoNo.11inB-flatopenswithaslow,gentlyrockingintroductoryPreludiothatyieldstothe concertino(thesmallersologroupwithintheripieno,i.e.,theentireensemble).TheensuingAllemanda announcesitsarrivalwithaseriesofboldlyinflectedchords.Scurryingstringfiguresaccompanythe melodicline.AbriefAdagiocomesnext,bearingdarkerexpressiveharmoniesbeneathasearchingsolo violinline;silencesbetweenchordsenhanceemotion. Anotherslowmovement,markedAndantelargolivesintheminormodeandfeaturesanotherwalking basslinewithtypicallyrichCorellianharmonicsuspensions.Asubtle“echo”effectaddsfurtherinterest. ASarabandafollowsgracedwithachordalaccompanimentunderasweetandlyricalmelody.Witha nodtowardsBritain,aquick-pacedGiga(“Gigue”)brieflydetoursintheminormodebeforeending resolutelyinthemajor. ©2016StevenLowe