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Series Sponsor: Lodging Sponsors: Media Sponsor: Printing donated by: Dear Teacher/Parent: We have included the following study guide from ArtsPower to help make your students’ theater experience with The Monster Who Ate My Peas as meaningful as possible. For many, it will be their first time viewing a live theatrical production. We have learned that when teachers discuss the play with their students before and after the production, the experience is more significant and long-lasting. Please use this study guide as inspiration for creating your own activities and areas for discussion. We hope you and your class enjoy the show! About Lebanon Opera House Youth Education Series Each year, LOH presents a series of events for school children in the Upper Valley community. Made possible by support from the series’ sponsors, the YES! events provide many of the community’s school children with their first exposure to live performances. The series features school-day matinees by national touring companies that specialize in shows for young and family audiences. About ArtsPower ArtsPower's twofold mission is to provide young people, many for the very first time, with the unforgettable opportunity to experience the transporting power of outstanding theatre that entertains, stimulates, and educates; and to enhance “character education” among young people by creating theatre that fosters sound moral development, encourages self-expression, ignites the desire to read, and advances their development as productive members of society. Celebrating our 29th anniversary in 2014, ArtsPower is one of America’s preeminent nonprofit producers and presenters of professional theatre for young and family audiences. With over 500 performances annually, ArtsPower has amassed an audience of more than 13 million people in 49 states. ArtsPower is led by Founding Co-Directors Gary W. Blackman and Mark A. Blackman. Greg Gunning serves as Artistic Director and resident playwright. Karen Bibbo is Company and Production Manager. Please review this common theater etiquette with your class before attending the performance. Do: Arrive at Lebanon Opera House early. Use the restroom before the performance. Turn off cell phones, alarms, and other electronic devices. Wait for your school or group to be dismissed. Keep your feet on the floor. Show your appreciation of the performers by applauding. Stay with your group or school at all times. Watch and listen closely to the performers. Don’t: Stand in the aisles. Put your feet on the seats or balcony railing. Talk, sing, hum or fidget. Take pictures or record the actors during the performance. Leave the theater during the performance. Kick the seat in front of you. Eat, drink or chew gum in the theater. Leave your seat before the performers have taken their curtain call. Enjoy the show! Name _______________________ School ____________________________________ (Optional) (Optional) What grade levels attended the performance? ___________________________ Was the performance appropriate for this grade(s)? Yes No Did this performance fit in with your curriculum? Yes No Was the post-show discussion valuable to your students? Yes Was the study guide helpful? Yes How would you rate the entertainment quality of the performance? No No Outstanding Above Average Average Below Average Outstanding Above Average Average Below Average Very Challenged Challenged Not Challenged Above Average Average Below Average How would you rate the educational quality of the performance? To what extent were your students challenged by the content of this performance? How did this program compare to similar programs you’ve attended in the past? Will you bring your students back to another YES! performance? Yes What types of shows would you like to see us present in the future? Music Non-musical Theater Literature based Dance Puppetry Multicultural No Musical Theater Historical Other _________________ How did you hear about the Youth Education Series? LOH Website Mailing LOH Brochure Poster Newspaper Teacher Enrichment/Arts Coordinator Additional Comments: E-mail Radio Parent Other _________________ Please return your evaluation to: Lebanon Opera House | PO Box 384 | Lebanon, NH 03766 Evaluations can also be completed online at www.lebanonoperahouse.org/yesloh/ A Note to Families Dear Family, Today, Lebanon Opera House presented ArtsPower’s The Monster Who Ate My Peas to your child’s class. This performance was made possible by generous support from our underwriters and sponsors: Hypertherm HOPE Foundation, The Valley News, and Gnomon Copy. Below are a few questions that might help initiate a conversation about your child’s experience at the performance. For more information about The Monster Who Ate My Peas, including suggested reading and other performance related activities please download a copy of our study guide at www.lebanonoperahouse.org/yesloh/ What type of performance did you see? (Music, theatre, etc.) What was the performance about? What was your favorite part of the performance? What did you learn from the performance? How did the performance make you feel? If you could be one of the performers/characters, which would you choose and why? Draw a picture of your favorite moment in the performance: Series Sponsor: 2015/2016 Programs Mermaid Theatre of Nova Scotia in GOODNIGHT MOON AND THE RUNAWAY BUNNY Friday, October 16, 2015 // 10am Recommended for Pre K – grade 2 ArtsPower in ArtsPower in THE MONSTER WHO ATE MY PEAS Wednesday, February 10, 2016 // 10am Recommended for Pre K – grade 3 Enchantment Theatre Company in FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKWEILER PETER RABBIT TALES City Center Ballet in Theatergroep Kwatta in Friday, November 20, 2015 // 10am Recommended for K – grade 6 CLARA IN CONTEXT Friday, December 4, 2015 // 10am Recommended for grades 4 - 8 Theatreworks USA in LOVE THAT DOG Wednesday, May 11, 2016 // 10am Recommended for grades 2 - 6 Theaterworks USA in FREEDOM TRAIN Tuesday January 19, 2016 // 10am Recommended for grades 3 - 9 Media Sponsor: Thursday, April 21, 2016 // 10am Recommended for Pre K – grade 4 Lodging Sponsors: CURIOUS GEORGE: THE GOLDEN MEATBALL Tuesday, May 31, 2016 // 10am Recommended for Pre K – grade 3 Printing donated by: Study Buddy Table of Contents Teacher Information…Page 2 From Page to Stage….Page 3 Actors as Characters…Page 4 Creating Theatre.……..Page 5 Words, Music, and Sets………………..………Page 6 Create Your Own Monster…………….......Page 7 Let Us Know What You Think!.................Page 8 ArtsPower National Touring Theatre Gary W. Blackman Mark A. Blackman Executive Producers The Monster Who Ate My Peas Based on the book THE MONSTER WHO ATE MY PEAS by Danny Schnitzlein Illustrated by Matt Faulkner Published by Peachtree Publishers, 2010 Presented under an agreement with Peachtree Publishers. All rights reserved. Book and Lyrics by Greg Gunning Music by Richard DeRosa Costume Design & Construction by Fred Sorrentino Set Illustrations by Dan Helzer/Blitz Design Based on the book by Danny Schnitzlein with illustrations by Matt Faulkner ArtsPower ● 9 Sand Park Road ● Suite 6 ● Cedar Grove, NJ 07009-1272 ● 973.239.0100 ● www.artspower.org 2 Study Buddy Teacher Information This study guide is designed to help you and your students prepare for, enjoy, and discuss ArtsPower’s musical play, The Monster Who Ate My Peas. This guide contains background information and cross-curricular activities to complete both before and after the performance. You may reproduce and distribute this Study Buddy to your students. Please read this page about ArtsPower’s musical to your students before attending the performance. The main characters appear in boldface type. What Happens in The Monster Who Ate My Peas? The Monster Who Ate My Peas is a musical based on the book by author Danny Schnitzlein and illustrator Matt Faulkner published in 2010. Danny is a boy with a problem: he hates eating peas. Although Danny lives happily with his Mom, Dad, and pet dog Ralph, his parents demand that Danny eats his peas at the dinner table. Danny refuses and says, “I would rather eat dirt !” As much as he wished for those peas to disappear from his plate, nothing happened. One night at dinner, Danny repeats his wish for the peas to go away. Just then, as if somebody had heard his wish, a Monster appears. The Monster didn’t really scare Danny. In fact, the Monster told Danny that he could “help kids like you,” by eating all the foods that most “small stomachs” don’t like. But the Monster wasn’t going to eat Danny’s peas for nothing. He demanded something that Danny had as payment each evening when he returned to eat the peas. But Danny was never happy to give the Monster any of his stuff. The Monster forces Danny into making a very difficult decision by demanding he hand over his most valued possession. Will Danny be able to save the one thing that is most important to him by eating his peas and sending the Monster away forever? How to Be a Good Audience In order to be a good audience member, remember to: Listen quietly Pay attention to the things the actors say and do — some things might make you happy, and some might be funny. Feel free to laugh at things you think are funny! Be respectful of the actors and your fellow audience members by not talking during the performance, unless you are requested to do so by the actors onstage. If you enjoy the play, applaud at the end. Please sit quietly and do not whisper or move around a lot during the show. You and the actors are in the same room, and noise from the audience could distract them. 3 Study Buddy From Page to Stage ArtsPower National Touring Theatre produces literaturebased musicals and plays that tour to regional theatres, cultural centers, university auditoriums, and schools throughout the United States. “Literature-based” means that each book we choose to produce provides the story for the musical. Some of the book’s characters, settings, and events remain the same in the musical. Some change. Because reading a book is different than seeing a live performance on stage, the playwright, or the person who writes the lines that the actors speak, must change parts of the story or bring new qualities to the characters that are not found in the book. In other words, the playwright adapts the book into a musical play, or changes parts of it to turn the words on the page into a live performance. Learning Activity COMPARE IT! Before the performance, read THE MONSTER WHO ATE MY PEAS. After the performance, compare and contrast the characters, settings, and events in each version. What Is a Musical? Please read this to your students before attending the performance. A musical is a story told through spoken words and songs by live actors onstage. The spoken words are called lines. The words that are sung are called lyrics. The music that was composed just for this show has been recorded. This music is called the show’s soundtrack. For this performance, the soundtrack has been recorded on to a CD which is operated by the stage manager. The musical The Monster Who Ate My Peas is presented onstage with actors who play some of the characters found in the book. The actors wear costumes and perform in front of their set. ArtsPower National Touring Theatre Please read this to your students before attending the performance. Why is ArtsPower called a national touring theatre? Learning Activity TALK ABOUT IT! Look at the list of the people who create theatre on Page 5. Which job would you like? Why? The four actors and one stage manager: ● present performances all over the United States. ● pack the set, costumes, and sound equipment in their van. ● set up, change, and pack the set. ● take care of costumes and props — objects such as a soccer ball, the garbage can, and other things handled by the actors. ● stay in hotels when they travel. ● sometimes present up to 10 performances in a week. 4 Study Buddy Actors as Characters In the theatre, actors who play characters tell the story on stage. In The Monster Who Ate My Peas, four actors play a total of six characters or roles. Doubling Cast Two of the actors in The Monster Who Ate My Peas play more than one role. This is called doubling. The actors who double must change their voices and body movements when taking on their other character. You will know that actors are doubling — have become new characters — when he or she changes the ways he or she speaks and moves. Danny A young boy Dad/Monster Danny’s Dad who doubles as the Monster During rehearsals, the director worked with actors who double to change characters by having them: Mom/Narrator ● seem younger or older ● speak differently ● move their bodies differently Danny’s Mom who doubles as the Narrator Ralph Learning Activity Danny’s dog DELIVERING LINES Learning Activity “Oh, Danny. Don’t forget. Eat your peas!” Try speaking these lines as a: 1) young boy 2) a cranky old man 3) a teenaged girl 4) a nervous actor WHO IS DANNY? During the performance, look for the changes the actors make when they double. SCARED TOO DRAMATIC ANGRY HAPPY ANNOYED BRAVE Why do you think traveling theatre companies like ArtsPower have actors double in roles? After you have seen the performance, talk about the words below that you think describe Danny: 5 Study Buddy Creating Theatre Please read this page to your students before attending the performance. Creating a musical theatre production like The Monster Who Ate My Peas takes a lot of time and creative energy from a group of people. Many people work together to turn a book into a musical. Changes and additions are developed by the theatre company, ArtsPower National Touring Theatre, that help transform the book into an hour-long musical. ● The playwright writes lines that the actors speak. ● The composer writes the music. ● The lyricist writes the words to the songs that the actors sing. ● The actors audition for parts and memorize lines and songs. ● The designers create sets, costumes, and lighting. ● The director rehearses the actors and makes artistic decisions. ● The stage manager oversees all backstage elements of a show. ● The producers raise the money to create the show and manage all aspects of the production and its tour throughout the United States. The Creative Team Author Danny Schnitzlein received the Young Hoosier Book Award for The Monster Who Ate My Peas and was nominated for reader’s choice awards in five states. Danny also writes scripts and songs for children’s educational television. He enjoys playing guitar and ukulele, reading, painting, and movies. www.dannyschnitzlein.com Playwright, lyricist, and director Greg Gunning, who is also ArtsPower’s Artistic Director, has written or cowritten the books (or dialogue) to all of ArtsPower's theatre productions. Greg’s script for Lily’s Crossing, based on the Newbery Honor book by Patricia Reilly Giff, is included in “The Signet Book of Short Plays,” compiled by Penguin Books. Illustrator Matt Faulkner has written and illustrated a number of children's books. In addition, he is a contributing illustrator to such national periodicals as The New York Times, The Wall Street Journal and Forbes. Matt teaches illustration at the Art Academy University in San Francisco. www.mattfaulkner.com Composer and arranger Richard DeRosa is presently an associate professor and director of jazz composition and arranging studies at the University of North Texas. Richard has composed and orchestrated the scores to all but three ArtsPower productions. http://jazz.unt.edu/derosa 6 Study Buddy Words, Music, and Sets Please read this page to your students before attending the performance. Lyrics There is no musical without music and lyrics. Lyrics are the words to the songs. Playwright Greg Gunning wrote the lyrics to all the songs in The Monster Who Ate My Peas. What do these lyrics that Danny sings tell you about his character? Music Richard DeRosa is the composer who wrote and arranged the music for The Monster Who Ate My Peas. Richard used an electronic keyboard and synthesized music – sounds generated by a special computer – to record the soundtrack. During the performance, the actors sing live to the prerecorded soundtrack on CD that the stage manager operates from off stage. My parents keep saying: “Danny, please eat your peas.” But even the sight Makes me weak in the knees. I could die if I eat them. I keep telling them – please, No way, I just can’t eat those peas. Learning Activity GOOD LISTENING! When you attend the performance, listen to the music throughout the show. ● Did all of the music you heard have lyrics to it? ● Did you sometimes hear music when the actors were talking but not singing? ● Did the music and lyrics help to tell the story? Sets Sets are pieces of scenery that help identify places and locations during the show. You will see the actors moving the set pieces (including the three rolling flats represented to the right) around the stage throughout the musical. This signifies time passing or moving to a different place or scene. Theater is live, so the actors must make time pass by using their imaginations and telling the story to you. It’s up to you to use your imagination and play along with the actors. That way, you’ll understand the story together. Set illustrations by Dan Helzer/Blitz Design 7 Study Buddy Create Your Own Monster Can you draw your very own monster in the box below? 8 Study Buddy Let Us Know What You Think! After you see The Monster Who Ate My Peas, use the space below to write to us OR send us a picture showing your favorite part of the performance. Please send them to ArtsPower, 9 Sand Park Road, Suite 6, Cedar Grove, NJ 07009. You may also visit us online at http://www.artspower.org and click on “Contact Us.” Thanks! Your school School’s city and state Date Dear ArtsPower, I saw The Monster Who Ate My Peas at: Here’s what I enjoyed about the performance: Here’s why: Here’s what I would change about the performance: Here’s why: From, Your Name: