Download RESTORATION AND 18TH CENTURY ENGLISH THEATRE

Survey
yes no Was this document useful for you?
   Thank you for your participation!

* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project

Document related concepts
no text concepts found
Transcript
RESTORATION AND 18TH
CENTURY ENGLISH
THEATRE
RESTORATION AND 18TH CENTURY
ENGLISH THEATRE
• King Charles II
– Restored to throne 1660
– Fashioned theatre after that in France
• Elizabethan playhouses had been torn down by
Puritans so new ones were needed
• New indoor theatres were
built
• John Dryden
– All for Love
• Women were allowed to
perform
• William Congreve
– The Way of the World
• Audience
– sophisticated
aristocracy
• Restoration ended in 1737
• Play = comedies / satires
SATIRE
• Satire is a play in which sarcasm, irony, and
ridicule are used to expose or attack folly or
pretension is society
• Stories represented real people and real
events
• Strengths and weaknesses in characters are
exposed and all characters are held up to
moral standards either civically or divinely
• Parliament limited public playhouses to 3
• The term “Legitimate Theatre” was born
– Then, it meant plays were censored.
Oliver Goldsmith (1728-1774)
Considered best comedy writer since Shakespeare
Romanticism
Romanticism
• Relied on emotions and feelings
• Melodrama- most popular type of
Romanticism where the hero always succeeded
• Playwrights made clear distinctions between
good and evil
• Forces of good always won
MELODRAMA
• Comes from "music drama"
– music was used to increase emotions or to signify
characters (signature music).
• A simplified moral universe; good and evil are
embodied in stock characters.
• Episodic form
– the villain poses a threat, the hero or heroine escapes,
etc.—with a happy ending.
• Usually 2-5 acts
– (five acts reserved for "serious" drama).
• Many special effects
– fires, explosions, drownings, earthquakes.
Realism
1820-1920
• Began as reaction against Romanticism
• Mid century dramatic style = Realism
– Seeks the truth / depicts a selected view
• Presented things as in real life (often dealt
with social problems)
• Major author: Henrik Ibsen (1828-1906)
– “Father of Realism”
– Revolutionary themes
• Ghosts
• A Doll’s House
– Realistically showed the day’s problems
Henrik Ibsen
Drama depicting real people, real events
• Ibsen's early plays are wild and epic, concentrating
on romantic visions of the rebel figure in search of
an ultimate truth which is always just out of reach
• "modern" phase suppresses his Romanticism and
focuses instead on the problems of modern society
• These plays are characterized by their "realism,"
which he hoped would help audiences to more
easily digest his radical views
England’s George Bernard Shaw (1856-1950)
Pygmalion
– Wanted to reform the world through his work
Oscar Wilde (1856-1900)
– The Importance of Being Earnest
• Comedy of Manners
• 20th century playwrights include Arthur
Miller (The Crucible and Death of a Salesman)
• Tennessee Williams (The Glass Menagerie)
• Lillian Hellman – most influential female
playwright
MUSICAL THEATRE
• A play in which the story is told through a
combination of spoken dialogue and
musical numbers
• Andrew Lloyd Webber – composer of a
variety of musicals
– Cats
– Jesus Christ Superstar
– Joseph and the Amazing Technicolor
Dreamcoat
– Phantom of the Opera
– Evita