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The GUITAR RIG 4 PRO software boasts a vast array of meticulously modeled stomp boxes and effects which can be combined in any order or quantity you desire. Two distortion components, three delay units, four equalizers? No problem! You will find just about everything you need to get the tone you’re after. Every single effect unit has been completely overhauled to provide you with the best imaginable sound quality. What's more, nearly all of GUITAR RIG's components can now be switched to true stereo. Whether you’re playing with two guitars, creating spacey effects in virtual rooms or just processing a stereo signal from your sequencer, true stereo is what you need, and what you get with GUITAR RIG 4. The Grain Delay allows for a spacious refinement of your tones as well as massive walls of echoing sound. With the Grain Delay, it gets just as weird as you like - and yet perfectly controllable. The Twin Delay combines two parallel delay modules to provide advanced stereo effects. It works like a charm for bouncing the sound from left to right in any imaginable way. The Iceverb is a very colorful reverb that puts you in a giant icy cave – or in an igloo! It offers a wide range of hall characteristics and a filter that can even be used like a very special wahwah effect when controlled with a foot pedal. The Octaverb is a powerful stereo reverb, precisely emulating the early acoustic reflections of eight different rooms. It also offers some unique features that can be used both for subtle tone shaping and for extreme effects. R 4 provide es you with eleven excellen nt fuzz, distorttion and overd drive units. Th hese compone ents GUITAR RIG are accura ate reproductions of classic hardware dev vices, and sou und just like the originals: Cat: distortion pedal ba ased on ProCo o™ The Rat™ Skreamerr: warm overd drive, just perrfect for rhyth hm guitar and smooth leads s Distortion n: whenever you y need classic distortion... Big Fuzz: based on Ele ectro Harmonix x™ Big Muff™ ™, this is the distortion d of ch hoice for some serious s rock and roll Fuzz: based on Arbiter™ ™ Fuzz Face™ ™ ammer: base ed on Marshall™ Jackhamm mer™ Sledge Ha Mezone: delivers pure metal with prre and post co ontrols D ba ased on MXR™ ™ Dime Distorttion™ Demon Distortion: Trans Am mp: this versattile distortion box set the stage for the la ater generatio on of digital won nderboxes Treble Bo ooster: treble e boosters werre used by ma any pros to pu ush their tube amps into crispy distorttion. Gain Booster: for insane amounts of o overdrive, to compensate e for settings that t vel, or simply to get your am mp up to 11 reduce lev Delays an nd reverbs are the bread and a butter of every guitaris st's arsenal, which w is why we took extra ca are to deliver the t finest sele ection of virtual delays and reverbs av vailable. Based d on award winning NI algo orithms, these e units will go the distance on o any setup. y want to warm up your sound s with so ome spring rev verb, or use Whether you complex te empo-synced delays, you’lll find your perrfect treat in the t Reverb and Delay Bank. on offers you a vast array of o modulators that can be be b inserted This sectio anywhere in your rig: tremolos, flang gers, phasers,, octavers, rottating effects,, chorus and ensemble, ring r modulatio on, a pitch ped dal and much more. The perfec ctly modeled effects e provide a number of options for making m your sound s more dyna amic - whethe er a pulsating tremolo or a swirling 70's style s phaser, or even producing wild syn nthesizer soun nds. urposes, from sound and to one design to hum These efffects serve a number of pu eliminattion, giving em mphasis and adding a charactter to an instrrument, enhan ncing leads, rh hythmical filte er-effects and improving dis stortion. hape your sou und, and GUIT TAR Filtering is one of the most powerrful ways to sh g tools to do it. Choose from an imprressive range of RIG 4 offfers several great filter-based effects, frrom wahwah's s to EQs. e are ca apable of much h more than just simple lou udness contro ol! You’ll Volume effects find a rang ge of tools to dynamically or o interactively y adjust levels - from Volum me Pedal to Noise Gate e, Limiter, and d Compressorr. The Split Module M allows s you to create e parallel (insttead of serial)) effects chain ns. This mean ns you can pro ocess the splitt the sound an nd process it with w different effects and th hen mix the re esults back togetther at the en nd. Serial, parallel, and mix xed serial/para allel combinations offer a prractically limittless range of possibilities p for combining effects, e for a trruly original sound. The Split Module can n be inserted anywhere in the rack. This dev vice is similar to the Split Module M - it splits the signal path p into two.. However, in this case, you y can set a dividing line ("crossover ( po oint") in the frrequency resp ponse, and send lower freq quencies to one split and hig gher frequenc cies to the oth her split. With the Split Mod dule you can, for f examle, crreate rich effe ect chains thatt only affect the high frequencies and miix with a more e solid natural foundation n of the sound d.