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Eleven Rack User Guide - akmedia.[bleep]
... 8 You can browse through Eleven Rack’s various Rigs, by turning the Scroll wheel. ...
... 8 You can browse through Eleven Rack’s various Rigs, by turning the Scroll wheel. ...
FWR manual - Foxrox Electronics
... What is it? The Foxrox Wah Retrofit is a specially tuned buffer-amp that is encased in heat shrink, with a volume control and four wires coming out of it (ground, voltage, input, output). It gets installed into your Wah Wah pedal, giving it the ability to retain its' entire sweep when driving the in ...
... What is it? The Foxrox Wah Retrofit is a specially tuned buffer-amp that is encased in heat shrink, with a volume control and four wires coming out of it (ground, voltage, input, output). It gets installed into your Wah Wah pedal, giving it the ability to retain its' entire sweep when driving the in ...
MYT_manual_fix_2011
... Depth settings in between zero and 12 o’clock. 3. Heavy tremolo: set Speed to the rhythm of the song or in an even multiple of it, so that effect clings to the rhythm. Set Depth at noon or slightly higher – advancing further on Depth approaches more of an on/off effect, sometimes desirable. 4. Boost ...
... Depth settings in between zero and 12 o’clock. 3. Heavy tremolo: set Speed to the rhythm of the song or in an even multiple of it, so that effect clings to the rhythm. Set Depth at noon or slightly higher – advancing further on Depth approaches more of an on/off effect, sometimes desirable. 4. Boost ...
Tech 21 CompTortion Manual
... the distortion alone. And, of course, you can mix the two together.You can also use the CompTortion solely for a clean boost, up to 12dB. Compression and distortion in the same signal chain are inherently very noisy. Even if you had “the best” compressor hooked up with “the best” distortion unit, th ...
... the distortion alone. And, of course, you can mix the two together.You can also use the CompTortion solely for a clean boost, up to 12dB. Compression and distortion in the same signal chain are inherently very noisy. Even if you had “the best” compressor hooked up with “the best” distortion unit, th ...
twinsonic overdrive / boost
... LO: for a softer tone and more compression, good for pickups with low output and playing at bedroom level HI: louder, less compressed, more dynamic and punchy sound with tighter bass – better suited for more powerful pickups, in front of an already distorting amp and for playing on stage volume ...
... LO: for a softer tone and more compression, good for pickups with low output and playing at bedroom level HI: louder, less compressed, more dynamic and punchy sound with tighter bass – better suited for more powerful pickups, in front of an already distorting amp and for playing on stage volume ...
Screamer User Manual
... gain, all the way clockwise is about twice the gain of a typical Overdrive pedal. IN—Guitar Input to the pedal. This jack disconnects power, so unplug when not in use. OUT - Output of the pedal. Plug this either into your amp or into any other effects you want after this effect. Bypass Switch - Kick ...
... gain, all the way clockwise is about twice the gain of a typical Overdrive pedal. IN—Guitar Input to the pedal. This jack disconnects power, so unplug when not in use. OUT - Output of the pedal. Plug this either into your amp or into any other effects you want after this effect. Bypass Switch - Kick ...
Soundblox Motion-Controlled Distortion, Flanger
... sounds, you can do killer chicken pickin’ with clear compression and zero gain, OR choose from the synth-sounding, octave-up settings that recreate clavinet and other amazing sounds. Super flexible and easy to use.” In the multi band mode, the Multiwave Distortion also divides the input signal into ...
... sounds, you can do killer chicken pickin’ with clear compression and zero gain, OR choose from the synth-sounding, octave-up settings that recreate clavinet and other amazing sounds. Super flexible and easy to use.” In the multi band mode, the Multiwave Distortion also divides the input signal into ...
Effects unit
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Effects units are electronic devices that alter how a musical instrument or other audio source sounds. Some effects subtly ""color"" a sound, while others transform it dramatically. Effects are used during live performances or in the studio, typically with electric guitar, keyboard and bass. While most frequently used with electric or electronic instruments, effects can also be used with acoustic instruments, drums and vocals. Examples of common effects units include wah-wah pedals, fuzzboxes and reverb units.Effects are housed in amplifiers, table top units, ""stompboxes"" and ""rackmounts"", or they are built into the instruments themselves. A stompbox (or ""pedal"") is a small metal or plastic box placed on the floor in front of the musician and connected to his or her instrument. The box is typically controlled by one or more foot-pedal on-off switches and contains only one or two effects. A rackmount is mounted on a standard 19-inch equipment rack and usually contains several different types of effects.While there is currently no firm consensus on how to categorize effects, the following are seven common classifications: distortion, dynamics, filter, modulation, pitch/frequency, time-based and feedback/sustain. Guitarists derive their signature sound or ""tone"" from their choice of instrument, pickups, effects units, and guitar amp.