Download The GUITAR RIG 4 PRO software boasts a vast array of meticulously

The GUITAR RIG 4 PRO software boasts a vast array of meticulously modeled stomp boxes and effects
which can be combined in any order or quantity you desire. Two distortion components, three delay units,
four equalizers? No problem! You will find just about everything you need to get the tone you’re after.
Every single effect unit has been completely overhauled to provide you with the best imaginable sound
quality. What's more, nearly all of GUITAR RIG's components can now be switched to true stereo. Whether
you’re playing with two guitars, creating spacey effects in virtual rooms or just processing a stereo signal
from your sequencer, true stereo is what you need, and what you get with GUITAR RIG 4.
The Grain Delay allows for a spacious refinement of your tones as well as massive walls of echoing sound.
With the Grain Delay, it gets just as weird as you like - and yet perfectly controllable.
The Twin Delay combines two parallel delay modules to provide advanced stereo effects. It works like a
charm for bouncing the sound from left to right in any imaginable way.
The Iceverb is a very colorful reverb that puts you in a giant icy cave – or in an igloo! It offers a wide
range of hall characteristics and a filter that can even be used like a very special wahwah effect when
controlled with a foot pedal.
The Octaverb is a powerful stereo reverb, precisely emulating the early acoustic reflections of eight
different rooms. It also offers some unique features that can be used both for subtle tone shaping and for
extreme effects.
R
4 provide
es you with eleven excellen
nt fuzz, distorttion and overd
drive units. Th
hese compone
ents
GUITAR RIG
are accura
ate reproductions of classic hardware dev
vices, and sou
und just like the originals:
Cat: distortion pedal ba
ased on ProCo
o™ The Rat™
Skreamerr: warm overd
drive, just perrfect for rhyth
hm guitar and smooth leads
s
Distortion
n: whenever you
y
need classic distortion...
Big Fuzz: based on Ele
ectro Harmonix
x™ Big Muff™
™, this is the distortion
d
of ch
hoice
for some serious
s
rock and roll
Fuzz: based on Arbiter™
™ Fuzz Face™
™
ammer: base
ed on Marshall™ Jackhamm
mer™
Sledge Ha
Mezone: delivers pure metal with prre and post co
ontrols
D
ba
ased on MXR™
™ Dime Distorttion™
Demon Distortion:
Trans Am
mp: this versattile distortion box set the stage for the la
ater generatio
on of
digital won
nderboxes
Treble Bo
ooster: treble
e boosters werre used by ma
any pros to pu
ush their tube
amps into crispy distorttion.
Gain Booster: for insane amounts of
o overdrive, to compensate
e for settings that
t
vel, or simply to get your am
mp up to 11
reduce lev
Delays an
nd reverbs are the bread and
a
butter of every guitaris
st's arsenal, which
w
is why we took extra ca
are to deliver the
t
finest sele
ection of virtual delays and
reverbs av
vailable. Based
d on award winning NI algo
orithms, these
e units will go the
distance on
o any setup.
y
want to warm up your sound
s
with so
ome spring rev
verb, or use
Whether you
complex te
empo-synced delays, you’lll find your perrfect treat in the
t
Reverb and
Delay Bank.
on offers you a vast array of
o modulators that can be be
b inserted
This sectio
anywhere in your rig: tremolos, flang
gers, phasers,, octavers, rottating effects,,
chorus and ensemble, ring
r
modulatio
on, a pitch ped
dal and much more.
The perfec
ctly modeled effects
e
provide a number of options for making
m
your sound
s
more dyna
amic - whethe
er a pulsating tremolo or a swirling 70's style
s
phaser, or
even producing wild syn
nthesizer soun
nds.
urposes, from sound and to
one design to hum
These efffects serve a number of pu
eliminattion, giving em
mphasis and adding
a
charactter to an instrrument, enhan
ncing
leads, rh
hythmical filte
er-effects and improving dis
stortion.
hape your sou
und, and GUIT
TAR
Filtering is one of the most powerrful ways to sh
g
tools to do it. Choose from an imprressive range of
RIG 4 offfers several great
filter-based effects, frrom wahwah's
s to EQs.
e
are ca
apable of much
h more than just simple lou
udness contro
ol! You’ll
Volume effects
find a rang
ge of tools to dynamically or
o interactively
y adjust levels - from Volum
me Pedal to
Noise Gate
e, Limiter, and
d Compressorr.
The Split Module
M
allows
s you to create
e parallel (insttead of serial)) effects chain
ns.
This mean
ns you can pro
ocess the splitt the sound an
nd process it with
w
different effects and th
hen mix the re
esults
back togetther at the en
nd. Serial, parallel, and mix
xed serial/para
allel combinations offer a prractically limittless
range of possibilities
p
for combining effects,
e
for a trruly original sound. The Split Module can
n be inserted
anywhere in the rack.
This dev
vice is similar to the Split Module
M
- it splits the signal path
p
into two..
However, in this case, you
y
can set a dividing line ("crossover
(
po
oint") in the frrequency resp
ponse, and send
lower freq
quencies to one split and hig
gher frequenc
cies to the oth
her split. With the Split Mod
dule you can, for
f
examle, crreate rich effe
ect chains thatt only affect the high frequencies and miix with a more
e solid natural
foundation
n of the sound
d.