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PROSPECTUS 2017-2019 1 INTRODUCTION Whittingham Lives is a two year multi-faceted arts and heritage project aimed at researching, exploring, celebrating, and maybe critically reviewing, the culture and legacy of Whittingham Asylum in Preston, from its beginnings in the 1850s till its closure and demolition in 2016. Its aims are: “to preserve for future generations a comprehensive record of the history, culture and achievements of Whittingham Asylum”. Constitution of the Whittingham Lives Association 2 WHAT’S IT ALL ABOUT? The Whittingham Lives is a programme of arts and heritage events, to be held in and around Preston over the next two years. It is for mental health service users, ex-patients and workers, artists, musicians, visualizers, writers and members of the public. Its central aim is to change public attitudes towards mental illness. It has five creative strands: Heritage: where, when, how, why it was built and who worked there Musical: concerts, recitals, new commissions, singing, community events Visual: photographs, paintings, sculpture, exhibitions, workshops Literary: research, creative writing, drama, poetry, short stories, life-writing and readings Digital: on-line blogs, talks, reports, learning materials, international link-ups 3 HERITAGE Whittingham Lives will open new opportunities for recording, exhibiting and preserving the historical, physical, visual, written, oral and photographic narratives associated with Whittingham Asylum. It will research the role of early trades’ unions in the nursing of mentally ill patients. It will record the stories of the ordinary, and extraordinary, people who lived and worked there. It will seek to preserve the physical archive records and objects, associated with the asylum, for future generations to explore. In Food, Farming and the Asylum Diet, we will even eat the food that the asylum provided and explore the link between good diet and good mental well-being. The project will look at the extensive textual and visual materials held at Lancashire County Council Archives in Preston and elsewhere. It will present items to the public, some for the first time, physical records, museum artefacts, pieces from private collections, historic images, which display the life and culture of Whittingham Asylum as it changed over the 150 years of its existence. Swallowed Objects:361 buttons recovered, postmortem 4 MUSICAL Like most asylums, music played an enormous part in the life of Whittingham. Patients and staff played, performed, danced and listened to music throughout its life. We would like to find out more about Whittingham’s musical heritage and explore the use of music in therapeutic settings. There will be courses on song-writing, concerts of music by ‘mad’ composers, a newly commissioned choral piece on a theme of madness for amateur choirs and professional soloists. There’ll be a celebration of the music (and paintings) of Kevin Coyne who was once an Occupational Therapist at Whittingham and was himself plagued by depression throughout his creative life. But it was by no means all doom and gloom! Whittingham put on full-scale stage musicals throughout the 20th century. It would be nice to find people who took part. 5 VISUAL The visual world has been part of the therapeutic treatment options for service users almost since the asylum movement started. The buildings themselves were often very beautiful and set in attractive rural locations. Initially, their architectural features were of the highest aesthetic quality. In the more enlightened institutions, the visual arts were encouraged as part of the recovery process. Patients made their own imagery, often in the most unlikely places. We would like to involve current service users, communities, ex-staff, workers and the public in exploring and adding to this visual legacy. There is a very extensive range of photographic material associated with Whittingham, ranging from early portraiture of patients…..to the wilder outreaches of urban explorers. 6 LITERARY ‘O, let me not be mad, not mad, sweet heaven! I would not be mad.’ King Lear But thousands were; and some of our most inspired literature comes from people who suffered enduring mental health conditions. Literary Whittingham Lives wants to explore the links between writing and our mental states, by running workshops and creative writing sessions, encouraging service users and members of the public, to explore their internal selves and give shape to their feelings through the act of writing. There may be some people – some ‘mute inglorious Miltons’ - as Gray termed them, who sleep unknown amongst the archive material. There may be others, living in our own communities, who deserve to have their gifts developed, recognised and published. That’s what Whittingham Lives, will try to achieve. And with actors and service users, we’d like to write a new play, Whittingham Lives, about patients, family and staff who lived and worked there, in the period just before the First World War. Much Madness is divinest Sense To a discerning Eye Much Sense the starkest Madness ‘Tis the Majority In all this, as All, prevail Assent and you are sane Demur – you’re straight Dangerous And handled with a Chain. Emily Dickinson 7 DIGITAL The Story of Whittingham Asylum needs to be more widely known. Even in the preparatory research period of this last three years, we have received enquiries from all over Britain and abroad; from current and former patients, survivor movement activists, ex- employees, artists, actors, painters, writers, musicians and members of the general public. We have given talks to local history groups, arts organisations, academic conferences, politicians, NHS groupings and the Royal College of Psychiatrists. There is an enormous revival of interest in the asylum movement and we believe that it is now time for a re-visioning of how they worked, their benefits and faults and the therapeutic value of these vast institutions. We have no interest in bringing back the asylums, but they need a more nuanced, critical examination; if only to stop us thinking that the present system is ‘good enough’. It isn’t. To do this we need websites, Facebook pages, Twitter account, blogs, You tube videos, Whats apps and Snapchats – which, at the present time, we do not have. If you’d like to help, we’d love to hear from you. Email Dr Eric Northey, secretary of the Whittingham Lives Association at [email protected] The Management Board Whittingham Lives Association. 8 Supported by Photos courtesy of Lancashire County Council Archives 9 10