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Theatre Studies The Journal of Japanese Society for Theatre Research Number 37. (1999) Dialogue and Narrative SUGA Yasuo Acting and Feeling / Emotion YAMANOUCHI Tomio The Structure of Rhythm in a Dramatic Performance TAKASHI Akinami On “Kasama no Noh” – A Viewpoint of Noh Plays around Shogun in the Period of Establishment of Noh – AMANO Fumio To Read Aotozoshi hana no nishikie; Mainly the Scene “Hamamatsuya oku-zashiki” IMAO Tetsuya The Personality of Ichikawa Kanjuro the First OGASAWARA Kyoko Kabuki Buyo (Kabuki Dance) SUWA Haruo Changes in ‘Shunkan’ Figures – The Tale of the Heike, Noh, Ningyo-joruri, Kabuki, and KURATA Momozo’s Shunkan – WATANABE Tamotsu Talking Shows in the Precinct of ‘Osaka Tenmagu’ Shrine in the late Edo Era NAKAGAWA Katsura Hyoryukidan seiyo kabuki – A Turning point of the Modernization of Kabuki – KAWATAKE Toshio The “Edo” aspect of Naturalism in Japan – Hogetsu, Ryugai and Shinpa People – KAMIYAMA Akira The Passive Hero in Kinoshita’s Shigosen no Matsuri (The Rite of the Meridian) – On the Characteristics of ‘Taira no Tomomori’ and ‘Kagemi’ – The Origin of Roman Drama: A Reconsideration KIKUKAWA Tokunosuke KIMURA Kenji Theatre as Virtual Reality Media – Concerning Pierre Corneille’s L’Illusion comique – YABASE Toru “The Play of the Japanese” in Switzerland – Between Theatre studies and Folklore – MIYASHITA Keizo Dostoevsky and Chekhov YAMADA Kohei The Development of Augusto Boal’s Theatre SUZAKI Asako Number 38. (2000) Special Issue: Realism In Theatre edited by SETO Hiroshi Symposium: What is Realism in Theatre? KAMIYAMA Akira, NAGATA Yasushi, MORI Mitsuya, SAITO Tomoko, SETO Hiroshi Introduction The Concept of Realism in Theatre Socialist Realism as Rhetoric Realism in the History of Theatrical Style Realism after Modernism Afterword What is “Realism” in Theatre? – Büchner and Brecht – ICHIKAWA Akira Self-consciousness and Playfulness in Realist Drama ODANAKA Akihiro * * * A Study of Narrative in Sekkyo-shohon KIM Gyeongran Skepticism of Comedy – The Taming of the Shrew and the Playhouse – NAKAMURA Yuki Impersonation and Exclusion – The Poetics of Culture in Le Bourgeois gentilhomme by Molière – YABASE Toru Introduction of Obscurity – Reinhardt’s Acting Method – OBAYASHI Noriko Number 39. (2001) Special Issue: Narrative in Theatre edited by NORIZUKI Toshihiko Introduction: “Katari” (Story-telling) and Theatre NORIZUKI Toshihiko A Consideration of the Narrative Element in German Theories of Drama MIYASHITA Keizo The Black Oral Tradition in August Wilson’s Fences KUWABARA Ayako A Study of Narrative in KARA Jyuro’s Plays SAITO Tomoko The Theatricality of “Katari” in Noh Drama MATSUDA Tamotsu Reading Kakitsubata (Iris) AMANO Fumio An Examination of the “Katari” Accent in Gidayu SAKAMOTO Kiyoe “Katari” and Drama: on Gidayu-kyogen IMAO Tetsuya “Katari” in Kabuki Acting MIZUOCHI Kiyoshi “Katari” in Kabuki KAMIMURA Iwao The Engagement of the Joruri Player NAKAGAWA Katsura * * * Schema and Concretisation in Theatre Performance MURAI Hanayo Music as Narrator in Wagner’s Theory of Drama HASEGAWA Etsuro On Robert Lepage: Mirror, Reflection and Theatre FUJII Shintaro Number 40. (2002) Special Issue: Theatre and the Art of Teaching edited by ODANAKA Akihiro Theater and the art of teaching Prolegomena to “Theater and the Art of Teaching” ODANAKA Akihiro A Theatrical Space Called “Classroom” SATOMI Minoru Drama Therapy in School: the Healing Potential of Theatre in the Field of Education ONOE Akeyo Possibility of Theatre Education in Elementary School KINOSHITA Izumi Theatre Education and Teaching Materials of Japanese Language ̶ A Study of the Dialogue Text by Oriza Hirata NAMBA Hirotaka The Teacher’s Role in the Class of Theatre Sports Improvisation TAKAO Takashi A Learning Process Designed as Theatre ̶ A Case Study of EN 15 “It’s all about the MONEY” WATANABE Jun An Application of Performance Theories to Teaching at Junior College ISATUGU Hiroko How Traditional Art Techniques are Taught / Learned?: Community as School and Traditional Performance Arts in Japan SAIGOH Yuhuko Traditional Performance Arts and Education IWAI Masami * * * The Event Composed: on Nobumitsu’s waki noh, Higami HIRABAYASHI Kazunari Number 41. (2003) Special Issue: Contemporary Japanese Theatre edited by NISHIMURA Hiroko 50 Years of Kansai Branch of JSTR Colloquium 2002 Contemporary Japanese Theatre Part I Contemporary Theatre in Japan A long Row of Graves: On FUKUDA Yoshiyuki’s Play INOUE Yoshie “Make sense who may.”: The Influence of Samuel Beckett on BETSUYAKU Minoru’s Dramaturgy OKAMURO minako TSUKA Kôhei’s Beginner’s Course for Revolution Hiryûden: His Concept of History YUKI Sôichi Japanese Metatheatre: Toward the Demystification of the Little Theatre in the 1980s HIBINO Kei AMEYA Norimizu’s Theatrical Activities in the 1980s NAKANO Masaaki The Rise of “Quiet Theater” BOYD Mariko The Style of HIRATA Oriza: The Dramatic Structure of the “Quiet Theatre” MATSUMOTO Katsuya The Apocalypse in MATSUDA Masataka’s Island Plays DEGUCHI Ippei The Collapse of Theatre UNITA Momiichi Some Thoughts on the Little Theater Movement in Kansai KIKUKAWA Tokunosuke Part II Contemporary Theatre in Abroad Other Voices, Other Stage: A Historical Transformation of American Alternative Theatre ICHINOSE Kazuo German Plays after the New Theatre Movement in the 1970s NIINO Morihiro British Fringe Theatres Today: A Report with Two Interviews ONO Hiroyuki The Cancellation of the Avignon Theatre Festival, Summer 2003 MATSUBARA Michitsuna 20 Years of the Experimental Theater in China IIZUKA Yutori Alternative Theatre of Southeast Asia: From the Post-colonial Age to the Present HATA Yuki Further Steps for the Research of Japanese “Little Theatre”: The Editor’s Note NISHIMURA Hiroko 50 Years of Kansai Branch̶ JSTR Colloquium 2002 on 50 Years of Kansai Theatre ̶ Opening Speech: GODA Yoshikazu 50 Years of Kansai Theatre SUGA Yasuo My Kansai Theatre: From Kurumi-za to Department of Theatre Studies at Osaka University YAMAZAKI Masakazu Two Interviews and a Symposium * * * Peter Shaffer’s Quest for God: The History of Revisions of Amadeus YAMADA Ryo Number 42. (2004) Special Issue: Theatre and Memory Guest Edited: YAMASHITA Yoshiteru Introduction YAMASHITA Yoshiteru Disappearing of Geidan and the Lack of Imagination in Theatre Criticism KAMIYAMA Akira Personal Memories and Theatre Historiography: the Memoir of Bogdanova-Orlova NAGATA Yasushi Copenhagen and Chichi to Kurasba (The Face of Jizo): Two Plays of Memory in Contrast HIRAKAWA Daisaku War and Historical Memory: Henry V in the Napoleonic War * * YASUDA Hiroshi * Articles TSUTSUI Tokujiro’s Theatre Tour Abroad and Its Influence on Copeau, Dullin, Piscator, Brecht and Meyerhold TANAKA Tokuichi “Kashu” and “Besshi Kuden”: Which was Written Earlier? * * OMOTO Yorihiko * Special Contributions The World Bank Drama Joseph ROACH (trans. TSUNEYAMA Nahoko) Who Saved Kabuki? : Facts about the Censorship of Kabuki during the American Occupation in Japan James BRANDON (trans. SUZUKI Masae) Number 43. (2005) Special Issue: Women Playwrights of Japan Guest Editor: INOUE Yoshie The Quest for Salvation in the Plays of AKIMOTO MATSuyo GOODMAN David KISHIDA Rio’s Tsui no Sumika Kari no Yado: The Emperor System, Gender, and Nationalism ANAN Nobuko ICHIDO Rei: Metatheatre in the 1980s NISHIMURA Hiroko NGAI Ai’s “Conventional Theatre” – Allegorical Comedy of Manners SAITO Tomoko Deconstructing Narrative: KISARAGI Koharu and her Subject-Position as a Woman Playwright TONOOKA Naomi WATANABE Eriko in the 1980s YUKI Soichi “The Earth is Female”: Feminist Theatre in America HORI Mariko Women’s Solidarity in the Latin American Theatre Scene YOSHIKAWA Emiko Reading OKADA Yachiyo’s A Boxwood Comb: Influences of MORI Ogai and KINOSHITA Mokutaro HAYASHI Hirochika HASEGAWA Shigure’s Skura-fubuki TERADA Shima An apple Pie Afternoon (Appurupai no gogo) by OSAKI Midori MORI Naoko TANAKA Sumie’s A Woman Who Beats the Drum HESHIKI Shoko The Image of Fluttering Cherry Blossoms in the World of the New Noh Play, Fumigara ITO Maki * * * Articles <Camp> Appropriating or Appropriated: Mae West in the 1930s and 1970s * * SAKAI Takashi * The complete memorandum record of my father Shigetoshi KAWATAKE, who was actually involved in the censorship of Shochiku Kabuki by GHQ during the American Occupation in Japan KAWATAKE Toshio Number 44. (2006) Special Issue: Theatre Education in University Guest Editor: KIKUKAWA Tokunosuke and KUMAGAI Yasuhiro Introduction to Theatre Education in University KIKUKAWA Tokunosuke Scholarship of Teaching and Learning for the Discipline of Theatre KUMAGAI Yasuhiro Teacher Training and Drama Work WATANABE Jun An Issue about the Fundamental Education of the Specific Department of Drama FUJISAKI Syuhei Japanese Folkloric Dance Course at School SAIGO Yufuko Ethnomethodology and Conversation Analysis: Theatre-making as an Experiment of Clinical Methodology in the Undergraduate Curriculum of Education Studies The Orientation to Theatre Studies as Interdisciplinary Studies * * AKIBA Yoshiki NAGATA Yasushi * Articles Harley Granville Barker’s Direction of a Fantasy Play, Prunella FUJIOKA Ayumi YAMAZAKI Chonosuke’s Rensageki: Banzuke (Programs) in Ikeda Bunko Archives YOKOTA Hiroshi Theme of Town, River and Sea in SHIMIZU Kunio’s Plays around 1970 MATSUMOTO Katsuya Number 45. (2007) Articles Chronological Study of Noh Plays written by Zeami and his Reratives: on Zeami’s Favorite Tearms, ‘KABU’ and ‘BUGA’ OMOTO Yorihiko The Dramaturgy of ENOMOTO Torahiko: The style and idea of Kyogashima Musume no Ikenie OHASHI Yumi Dramaturgy of a Waiting Woman: On Madame de Sade YUKI Souichi Play on the borderline: Reading Red Demon written by Hideki Noda SHIMADA Naoya The Construction of Jewish Identity Seen in the Making Process of George Tabori’s Jubilee: Around the Determination / Interpretation of the Last Scene YAMASHITA Yoshiteru KAWAKAMI Otojiro’s First Production of Konjiki Yasha [The Golden Demon] and Its Abroad INOUE Yoshie Number 46. (2008) Articles The House of Man (Jinru-kan) by CHINEN Seishin SAKAMOTO HESHIKI Shoko The Alienation Effect Produced by Okinawa: Okinawa in Okinawa by KINOSHITA Junji KIKUKAWA Tokunosuke “OKINAWA”: on the Drama Texts of OHTA Shogo NISHIDO Kojin A film Gosamaru Seichu Roku and Rensa-geki of Okinawa SERA Toshikazu An Anonymous Wall Painting: Engeki Centre 68/71’s The Dance of Angels Who Burn Their Own Wings UMEYAMA Itsuki A Portrait of the Writer in Beckett’s Ohio Impromptu: The Fictitious ‘Other’ Created by the Hands of the Blind KYONG Youngsuk Number 47. (2008) Articles The Function of Musical Numbers in Cabaret FUJIWARA Mayuko CHANG Weixian and His Theatrical Activities in Colonial Taiwan: the Influence of His Studies in Japan LI Wangu Kabuki in Japanese Proletarian Theatre MASAKI Yoshikatsu Theatre in Farm Villages during the Pacific War HATANAKA Sayuri A Study of ‘Sakurai’ of Gigaku Dance LEE Eungsoo Documents Annual Conference 2088: Abstracts Working Groups: September 2007 – August 2008 Book Review Number 48. (2009) Articles On deity of “Nochijite” in Zeami’s Waki Noh OMOTO Yorihiko A philological study of “Asibumi” in Zeami Densho SAWANO Kana “Hayagawari” in Kabuki Tsubosaka Reigenki HOSODA Akihiro A transition of Hamlet directed by Yukio Ninagawa: on his production in 2003 KIKUCHI Azusa Johann Jakob Engel’s Ideen zu einer Mimik NIINUMA Tomoyuki Report Japanese-Chinese theatrical exchanges at the dawn of Chinese Huaju YOSHIDA Toshiko On the acting course at Beijing Film Academy TSUJI Shugo Number 49. (2009) Articles Research on Japanese Wartime Theatre 1931-1945: Achievements and Perspectives HIBINO Kei, HAYASHI Hirochika, and YAMASHITA Yoshiteru KISHIDA Kunio’s Wartime Play: On the Two Versions of Kaeraji-to KODAMA Naoki On the practice of the Japanese agitprop troupe “Mezamashi-Tai (Alarm Clock Troupe)”: a new theatrical approach in opposition to the conventional theatre and its transformation until 1945 HAGIWARA Ken The National Theatre contest and the play of national policy in Japan under WWII NAKANO Masaaki The Daitoa War: Kabuki’s Three War Plays James R. BRANDON, trans. By HIBINO Kei Kabuki at the age of The Fifteen Years War KAMIMURA Iwao Documents Annual Conference 2009: Abstracts Working Groups: September 2008 – August 2009 Number 50. (2010) Articles Returning to the beginning of Theatre Studies: A private memory on the early days of Japanese Society for Theatre Research KAWATAKE Toshio A Note on Narratology of Theatre: Play and Performance MORI Mitsuya An Introduction to Zenchiku: A Survey of Zenchiku’s Works from four perspectives, ‘effect’, ‘background’, ‘theme’, and ‘taste’ AMANO Fumio Research Methodologies of Drama/Theatre Education Today: Encounters between qualitative drama/theatre education research and performative qualitative research TAKAO Takashi Theatre Research from a New Perspective: the Practice and Analysis of HIJIKATA’s “Earthen Statue Project” KOSUGE Hayato, MORISHITA Takashi, HOMMA Yu, KAMEMURA Yoshihiro On the Studies of Japanese Modern and Contemporary Drama NISHIMURA Hiroko From Theatre Experience to Theatre Research: On Reflection KIKUKAWA Tokunosuke Studies of Noh and Kyogen by Kunitake Kume and His Aesthetics of Noh Performance: From listening to Noh drama to seeing Noh performance ITO Maki What is Theatre Research? – A word form a researcher in Modern Japanese Theatre INOUE Yoshie Document of the performance of the German kabuki play, Death of Kampei, by Erwin Toku Balz (1938) TANAKA Tokuichi The evolution of Japanese folktale dramas: Utayomizaru (The Monkey Poet) by Budoza Theatrical Company SUGAWA Wataru Documents Contents of “THEATRE STUDIES: Journal of Japanese Society for Theatre Research” No.37, 1999 – No.50, 2010 Number 51. (2010) Articles Paris imagined: A study on Jean Giraudoux’s The Mad Woman of Chaillot TANOKUCHI Seigo Structure of Images in Samuel Beckett’s …but the clouds… KATAOKA Noboru The Birth of the Musical TSUNEYAMA Nahoko First appearance of Otojiro Kawakami in Japanese Modern Theatre INOUE Yoshie Documents Annual Conference 2010: Abstracts Working Groups: September 2009 – August 2010