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Theatre Studies
The Journal of Japanese Society for Theatre Research
 Number 37. (1999)
 Dialogue and Narrative
SUGA Yasuo
 Acting and Feeling / Emotion
YAMANOUCHI Tomio
 The Structure of Rhythm in a Dramatic Performance
TAKASHI Akinami
 On “Kasama no Noh” – A Viewpoint of Noh Plays around Shogun in the Period of Establishment of Noh –
AMANO Fumio
 To Read Aotozoshi hana no nishikie; Mainly the Scene “Hamamatsuya oku-zashiki”
IMAO Tetsuya
 The Personality of Ichikawa Kanjuro the First
OGASAWARA Kyoko
 Kabuki Buyo (Kabuki Dance)
SUWA Haruo
 Changes in ‘Shunkan’ Figures – The Tale of the Heike, Noh, Ningyo-joruri, Kabuki, and KURATA
Momozo’s Shunkan –
WATANABE Tamotsu
 Talking Shows in the Precinct of ‘Osaka Tenmagu’ Shrine in the late Edo Era
NAKAGAWA Katsura
 Hyoryukidan seiyo kabuki – A Turning point of the Modernization of Kabuki –
KAWATAKE Toshio
 The “Edo” aspect of Naturalism in Japan – Hogetsu, Ryugai and Shinpa People –
KAMIYAMA Akira
 The Passive Hero in Kinoshita’s Shigosen no Matsuri (The Rite of the Meridian) – On the Characteristics
of ‘Taira no Tomomori’ and ‘Kagemi’ –
 The Origin of Roman Drama: A Reconsideration
KIKUKAWA Tokunosuke
KIMURA Kenji
 Theatre as Virtual Reality Media – Concerning Pierre Corneille’s L’Illusion comique –
YABASE Toru
 “The Play of the Japanese” in Switzerland – Between Theatre studies and Folklore –
MIYASHITA Keizo
 Dostoevsky and Chekhov
YAMADA Kohei
 The Development of Augusto Boal’s Theatre
SUZAKI Asako
 Number 38. (2000)
 Special Issue: Realism In Theatre
edited by SETO Hiroshi
 Symposium: What is Realism in Theatre?
KAMIYAMA Akira, NAGATA Yasushi, MORI Mitsuya, SAITO Tomoko, SETO Hiroshi
Introduction
The Concept of Realism in Theatre
Socialist Realism as Rhetoric
Realism in the History of Theatrical Style
Realism after Modernism
Afterword
 What is “Realism” in Theatre? – Büchner and Brecht –
ICHIKAWA Akira
 Self-consciousness and Playfulness in Realist Drama
ODANAKA Akihiro
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 A Study of Narrative in Sekkyo-shohon
KIM Gyeongran
 Skepticism of Comedy – The Taming of the Shrew and the Playhouse –
NAKAMURA Yuki
 Impersonation and Exclusion – The Poetics of Culture in Le Bourgeois gentilhomme by Molière –
YABASE Toru
 Introduction of Obscurity – Reinhardt’s Acting Method –
OBAYASHI Noriko
 Number 39. (2001)
 Special Issue: Narrative in Theatre
edited by NORIZUKI Toshihiko
 Introduction: “Katari” (Story-telling) and Theatre
NORIZUKI Toshihiko
 A Consideration of the Narrative Element in German Theories of Drama MIYASHITA Keizo
 The Black Oral Tradition in August Wilson’s Fences
KUWABARA Ayako
 A Study of Narrative in KARA Jyuro’s Plays
SAITO Tomoko
 The Theatricality of “Katari” in Noh Drama
MATSUDA Tamotsu
 Reading Kakitsubata (Iris)
AMANO Fumio
 An Examination of the “Katari” Accent in Gidayu
SAKAMOTO Kiyoe
 “Katari” and Drama: on Gidayu-kyogen
IMAO Tetsuya
 “Katari” in Kabuki Acting
MIZUOCHI Kiyoshi
 “Katari” in Kabuki
KAMIMURA Iwao
 The Engagement of the Joruri Player
NAKAGAWA Katsura
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 Schema and Concretisation in Theatre Performance
MURAI Hanayo
 Music as Narrator in Wagner’s Theory of Drama
HASEGAWA Etsuro
 On Robert Lepage: Mirror, Reflection and Theatre
FUJII Shintaro
 Number 40. (2002)
 Special Issue: Theatre and the Art of Teaching
edited by ODANAKA Akihiro
Theater and the art of teaching
 Prolegomena to “Theater and the Art of Teaching”
ODANAKA Akihiro
 A Theatrical Space Called “Classroom”
SATOMI Minoru
 Drama Therapy in School: the Healing Potential of Theatre in the Field of Education
ONOE Akeyo
 Possibility of Theatre Education in Elementary School
KINOSHITA Izumi
 Theatre Education and Teaching Materials of Japanese Language ̶ A Study of the Dialogue Text by
Oriza Hirata
NAMBA Hirotaka
 The Teacher’s Role in the Class of Theatre Sports Improvisation
TAKAO Takashi
 A Learning Process Designed as Theatre ̶ A Case Study of EN 15 “It’s all about the MONEY”
WATANABE Jun
 An Application of Performance Theories to Teaching at Junior College
ISATUGU Hiroko
 How Traditional Art Techniques are Taught / Learned?: Community as School and Traditional
Performance Arts in Japan
SAIGOH Yuhuko
 Traditional Performance Arts and Education
IWAI Masami
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 The Event Composed: on Nobumitsu’s waki noh, Higami
HIRABAYASHI Kazunari
 Number 41. (2003)
 Special Issue: Contemporary Japanese Theatre
edited by NISHIMURA Hiroko
50 Years of Kansai Branch of JSTR Colloquium 2002
Contemporary Japanese Theatre
Part I
Contemporary Theatre in Japan
 A long Row of Graves: On FUKUDA Yoshiyuki’s Play
INOUE Yoshie
 “Make sense who may.”: The Influence of Samuel Beckett on BETSUYAKU Minoru’s Dramaturgy
OKAMURO minako
 TSUKA Kôhei’s Beginner’s Course for Revolution Hiryûden: His Concept of History
YUKI Sôichi
 Japanese Metatheatre: Toward the Demystification of the Little Theatre in the 1980s
HIBINO Kei
 AMEYA Norimizu’s Theatrical Activities in the 1980s
NAKANO Masaaki
 The Rise of “Quiet Theater”
BOYD Mariko
 The Style of HIRATA Oriza: The Dramatic Structure of the “Quiet Theatre”
MATSUMOTO Katsuya
 The Apocalypse in MATSUDA Masataka’s Island Plays
DEGUCHI Ippei
 The Collapse of Theatre
UNITA Momiichi
 Some Thoughts on the Little Theater Movement in Kansai
KIKUKAWA Tokunosuke
Part II
Contemporary Theatre in Abroad
 Other Voices, Other Stage: A Historical Transformation of American Alternative Theatre
ICHINOSE Kazuo
 German Plays after the New Theatre Movement in the 1970s
NIINO Morihiro
 British Fringe Theatres Today: A Report with Two Interviews
ONO Hiroyuki
 The Cancellation of the Avignon Theatre Festival, Summer 2003
MATSUBARA Michitsuna
 20 Years of the Experimental Theater in China
IIZUKA Yutori
 Alternative Theatre of Southeast Asia: From the Post-colonial Age to the Present
HATA Yuki
 Further Steps for the Research of Japanese “Little Theatre”: The Editor’s Note
NISHIMURA Hiroko
50 Years of Kansai Branch̶ JSTR Colloquium 2002 on 50 Years of Kansai Theatre ̶
 Opening Speech:
GODA Yoshikazu
 50 Years of Kansai Theatre
SUGA Yasuo
 My Kansai Theatre: From Kurumi-za to Department of Theatre Studies at Osaka University
YAMAZAKI Masakazu
 Two Interviews and a Symposium
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 Peter Shaffer’s Quest for God: The History of Revisions of Amadeus
YAMADA Ryo
 Number 42. (2004)
 Special Issue: Theatre and Memory
Guest Edited: YAMASHITA Yoshiteru
Introduction
YAMASHITA Yoshiteru
 Disappearing of Geidan and the Lack of Imagination in Theatre Criticism
KAMIYAMA Akira
 Personal Memories and Theatre Historiography: the Memoir of Bogdanova-Orlova
NAGATA Yasushi
 Copenhagen and Chichi to Kurasba (The Face of Jizo): Two Plays of Memory in Contrast
HIRAKAWA Daisaku
 War and Historical Memory: Henry V in the Napoleonic War
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Articles
 TSUTSUI Tokujiro’s Theatre Tour Abroad and Its Influence on Copeau, Dullin, Piscator, Brecht and
Meyerhold
TANAKA Tokuichi
 “Kashu” and “Besshi Kuden”: Which was Written Earlier?
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OMOTO Yorihiko
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Special Contributions
 The World Bank Drama
Joseph ROACH (trans. TSUNEYAMA Nahoko)
 Who Saved Kabuki? : Facts about the Censorship of Kabuki during the American Occupation in Japan
James BRANDON (trans. SUZUKI Masae)
 Number 43. (2005)
 Special Issue: Women Playwrights of Japan
Guest Editor: INOUE Yoshie
 The Quest for Salvation in the Plays of AKIMOTO MATSuyo
GOODMAN David
 KISHIDA Rio’s Tsui no Sumika Kari no Yado: The Emperor System, Gender, and Nationalism
ANAN Nobuko
 ICHIDO Rei: Metatheatre in the 1980s
NISHIMURA Hiroko
 NGAI Ai’s “Conventional Theatre” – Allegorical Comedy of Manners
SAITO Tomoko
 Deconstructing Narrative: KISARAGI Koharu and her Subject-Position as a Woman Playwright
TONOOKA Naomi
 WATANABE Eriko in the 1980s
YUKI Soichi
 “The Earth is Female”: Feminist Theatre in America
HORI Mariko
 Women’s Solidarity in the Latin American Theatre Scene
YOSHIKAWA Emiko
 Reading OKADA Yachiyo’s A Boxwood Comb: Influences of MORI Ogai and KINOSHITA Mokutaro
HAYASHI Hirochika
 HASEGAWA Shigure’s Skura-fubuki
TERADA Shima
 An apple Pie Afternoon (Appurupai no gogo) by OSAKI Midori
MORI Naoko
 TANAKA Sumie’s A Woman Who Beats the Drum
HESHIKI Shoko
 The Image of Fluttering Cherry Blossoms in the World of the New Noh Play, Fumigara
ITO Maki
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Articles
 <Camp> Appropriating or Appropriated: Mae West in the 1930s and 1970s
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SAKAI Takashi
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 The complete memorandum record of my father Shigetoshi KAWATAKE, who was actually involved in
the censorship of Shochiku Kabuki by GHQ during the American Occupation in Japan
KAWATAKE Toshio
 Number 44. (2006)
 Special Issue: Theatre Education in University
Guest Editor: KIKUKAWA Tokunosuke and KUMAGAI Yasuhiro
 Introduction to Theatre Education in University
KIKUKAWA Tokunosuke
 Scholarship of Teaching and Learning for the Discipline of Theatre
KUMAGAI Yasuhiro
 Teacher Training and Drama Work
WATANABE Jun
 An Issue about the Fundamental Education of the Specific Department of Drama
FUJISAKI Syuhei
 Japanese Folkloric Dance Course at School
SAIGO Yufuko
 Ethnomethodology and Conversation Analysis: Theatre-making as an Experiment of Clinical
Methodology in the Undergraduate Curriculum of Education Studies
 The Orientation to Theatre Studies as Interdisciplinary Studies
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AKIBA Yoshiki
NAGATA Yasushi
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Articles
 Harley Granville Barker’s Direction of a Fantasy Play, Prunella
FUJIOKA Ayumi
 YAMAZAKI Chonosuke’s Rensageki: Banzuke (Programs) in Ikeda Bunko Archives
YOKOTA Hiroshi
 Theme of Town, River and Sea in SHIMIZU Kunio’s Plays around 1970 MATSUMOTO Katsuya
 Number 45. (2007)
Articles
 Chronological Study of Noh Plays written by Zeami and his Reratives: on Zeami’s Favorite Tearms,
‘KABU’ and ‘BUGA’
OMOTO Yorihiko
 The Dramaturgy of ENOMOTO Torahiko: The style and idea of Kyogashima Musume no Ikenie
OHASHI Yumi
 Dramaturgy of a Waiting Woman: On Madame de Sade
YUKI Souichi
 Play on the borderline: Reading Red Demon written by Hideki Noda
SHIMADA Naoya
 The Construction of Jewish Identity Seen in the Making Process of George Tabori’s Jubilee: Around the
Determination / Interpretation of the Last Scene
YAMASHITA Yoshiteru
 KAWAKAMI Otojiro’s First Production of Konjiki Yasha [The Golden Demon] and Its Abroad
INOUE Yoshie
 Number 46. (2008)
Articles
 The House of Man (Jinru-kan) by CHINEN Seishin
SAKAMOTO HESHIKI Shoko
 The Alienation Effect Produced by Okinawa: Okinawa in Okinawa by KINOSHITA Junji
KIKUKAWA Tokunosuke
 “OKINAWA”: on the Drama Texts of OHTA Shogo
NISHIDO Kojin
 A film Gosamaru Seichu Roku and Rensa-geki of Okinawa
SERA Toshikazu
 An Anonymous Wall Painting: Engeki Centre 68/71’s The Dance of Angels Who Burn Their Own Wings
UMEYAMA Itsuki
 A Portrait of the Writer in Beckett’s Ohio Impromptu: The Fictitious ‘Other’ Created by the Hands of the
Blind
KYONG Youngsuk
 Number 47. (2008)
Articles
 The Function of Musical Numbers in Cabaret
FUJIWARA Mayuko
 CHANG Weixian and His Theatrical Activities in Colonial Taiwan: the Influence of His Studies in Japan
LI Wangu
 Kabuki in Japanese Proletarian Theatre
MASAKI Yoshikatsu
 Theatre in Farm Villages during the Pacific War
HATANAKA Sayuri
 A Study of ‘Sakurai’ of Gigaku Dance
LEE Eungsoo
Documents
 Annual Conference 2088: Abstracts
 Working Groups: September 2007 – August 2008
Book Review
 Number 48. (2009)
Articles
 On deity of “Nochijite” in Zeami’s Waki Noh
OMOTO Yorihiko
 A philological study of “Asibumi” in Zeami Densho
SAWANO Kana
 “Hayagawari” in Kabuki Tsubosaka Reigenki
HOSODA Akihiro
 A transition of Hamlet directed by Yukio Ninagawa: on his production in 2003
KIKUCHI Azusa
 Johann Jakob Engel’s Ideen zu einer Mimik
NIINUMA Tomoyuki
Report
 Japanese-Chinese theatrical exchanges at the dawn of Chinese Huaju
YOSHIDA Toshiko
 On the acting course at Beijing Film Academy
TSUJI Shugo
 Number 49. (2009)
Articles
 Research on Japanese Wartime Theatre 1931-1945: Achievements and Perspectives
HIBINO Kei, HAYASHI Hirochika, and YAMASHITA Yoshiteru
 KISHIDA Kunio’s Wartime Play: On the Two Versions of Kaeraji-to
KODAMA Naoki
 On the practice of the Japanese agitprop troupe “Mezamashi-Tai (Alarm Clock Troupe)”: a new theatrical
approach in opposition to the conventional theatre and its transformation until 1945
HAGIWARA Ken
 The National Theatre contest and the play of national policy in Japan under WWII
NAKANO Masaaki
 The Daitoa War: Kabuki’s Three War Plays
James R. BRANDON, trans. By HIBINO Kei
 Kabuki at the age of The Fifteen Years War
KAMIMURA Iwao
Documents
 Annual Conference 2009: Abstracts
 Working Groups: September 2008 – August 2009
 Number 50. (2010)
Articles
 Returning to the beginning of Theatre Studies: A private memory on the early days of Japanese Society
for Theatre Research
KAWATAKE Toshio
 A Note on Narratology of Theatre: Play and Performance
MORI Mitsuya
 An Introduction to Zenchiku: A Survey of Zenchiku’s Works from four perspectives, ‘effect’, ‘background’,
‘theme’, and ‘taste’
AMANO Fumio
 Research Methodologies of Drama/Theatre Education Today: Encounters between qualitative
drama/theatre education research and performative qualitative research
TAKAO Takashi
 Theatre Research from a New Perspective: the Practice and Analysis of HIJIKATA’s “Earthen Statue
Project”
KOSUGE Hayato, MORISHITA Takashi, HOMMA Yu, KAMEMURA Yoshihiro
 On the Studies of Japanese Modern and Contemporary Drama
NISHIMURA Hiroko
 From Theatre Experience to Theatre Research: On Reflection
KIKUKAWA Tokunosuke
 Studies of Noh and Kyogen by Kunitake Kume and His Aesthetics of Noh Performance: From listening to
Noh drama to seeing Noh performance
ITO Maki
 What is Theatre Research? – A word form a researcher in Modern Japanese Theatre
INOUE Yoshie
 Document of the performance of the German kabuki play, Death of Kampei, by Erwin Toku Balz (1938)
TANAKA Tokuichi
 The evolution of Japanese folktale dramas: Utayomizaru (The Monkey Poet) by Budoza Theatrical
Company
SUGAWA Wataru
Documents
 Contents of “THEATRE STUDIES: Journal of Japanese Society for Theatre Research” No.37, 1999 –
No.50, 2010
 Number 51. (2010)
Articles
 Paris imagined: A study on Jean Giraudoux’s The Mad Woman of Chaillot
TANOKUCHI Seigo
 Structure of Images in Samuel Beckett’s …but the clouds…
KATAOKA Noboru
 The Birth of the Musical
TSUNEYAMA Nahoko
 First appearance of Otojiro Kawakami in Japanese Modern Theatre
INOUE Yoshie
Documents
 Annual Conference 2010: Abstracts
 Working Groups: September 2009 – August 2010