* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Download Zeros, theme vowels, and construction morphology
Portuguese grammar wikipedia , lookup
Modern Hebrew grammar wikipedia , lookup
Ukrainian grammar wikipedia , lookup
Spanish grammar wikipedia , lookup
Zulu grammar wikipedia , lookup
Musical syntax wikipedia , lookup
Semantic holism wikipedia , lookup
Old Irish grammar wikipedia , lookup
Polish grammar wikipedia , lookup
Ancient Greek grammar wikipedia , lookup
Scottish Gaelic grammar wikipedia , lookup
Georgian grammar wikipedia , lookup
Yiddish grammar wikipedia , lookup
Old English grammar wikipedia , lookup
Internalism and externalism wikipedia , lookup
Serbo-Croatian grammar wikipedia , lookup
Latin syntax wikipedia , lookup
Cognitive semantics wikipedia , lookup
Dependency grammar wikipedia , lookup
Construction grammar wikipedia , lookup
Agglutination wikipedia , lookup
Integrational theory of language wikipedia , lookup
Pipil grammar wikipedia , lookup
Morphology (linguistics) wikipedia , lookup
Zeros, theme vowels, and construction morphology The standard take on the morpheme is that it is, at least prototypically, a mapping between phonology semantics. As all Chuck’s students and colleagues know, he is famously opposed to zero morphemes. If all that is added to a construction is meaning, then there are better ways to do that. However, construction morphology crucially introduces the notion that morphemes also have syntactic properties. Unfortunately, little work has been done to elaborate what follows from that fact. Drawing on data from English, Latin, and Native American languages, I will show that a typology of morphemes reveals that syntactic properties — either construction internal or external — are the only necessary part of a morpheme. Given that constructions can have phonological, syntactic, and semantic content, it is possible to imagine that there could be up to seven distinct kinds of morphemes depending on whether they contribute phonological, syntactic, or semantic content to their construction. (The eighth, Type H isn’t possible because a morpheme must contribute something in order to exist at all.) Morpheme type Phonological content Syntactic content Semantic content A + + + B C + + + – – + Table I D + – – E – + + F – + – G – – + (H) – – – Do all these types of morphemes actually exist? Type A is garden variety morpheme, e.g. the English verb burn which has the phonological content [bәrn], the syntactic content of being a basically intransitive verb, and the semantic content of ‘burn’. Type B morphemes are common enough. The best known examples are theme vowels. For example, the Latin morpheme am- is a root meaning ‘love’, but amcannot function as an inflecable stem without some futher morphology. The addition of the theme vowel -ā- turns am- into a verb stem, but adds no semantic content; the addition of -ōr turns am- into a noun stem, again adding no semantic content. Morpheme types E and F are kinds of zero. For example, one class of English simple adjectives can be converted into nouns referring to humans (The Good, the Bad, and the Ugly). This is a zero morpheme of Type E. It changes word class syntactically and adds the semantics of [human] and [plural]. There is a question whether there are any clear examples of Type F. One putative case is the morpheme that converts English unaccusative verbs to transitive verbs, e.g. burn (intransitive) > burn (transitive). If this is the correct analysis no further semantics is needed, the syntactic addition of an actor to the frame is sufficient. I will conclude by arguing that putative cases of morphemes without syntactic content (Types C, D, and G) should be analyzed in other ways, and conclude that the defining characteristic of a morpheme is that it has syntactic content, since that feature alone distinguishes the possible morpheme types from the impossible ones.