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History of the Theater When and where did it begin? • Theatre emerged from • The information we do myth, ritual, and ceremony. have from long ago comes • Through these rituals, from wall paintings, leaders, or actors of sorts, decorations, artifacts, and emerged. These hieroglyphics that show acting/leadership roles were the importance of often filled by elders and successful hunts, seasonal priests. changes, life cycles, and • Acting spaces or stories of the gods. auditoriums developed as a result of more elaborate rituals. The Very First Play!!! • The earliest example of theatre comes from ancient Egypt. • The Abydos passion play concerns the story of Osiris, the first mummy. This drama was enacted at the most sacred place in Egypt, Abydos- the burial site of Osiris. • Performed annually from 2500 to 550 B.C. • First of its kind ever recorded. Greek Origins • At the early Greek festivals, • Because of the limited the actors, directors, and number of actors allowed dramatists were all the same on-stage, the chorus person. evolved into a very active part of Greek theatre. • Later, only three actors could be used in each play. • The chorus was given as many as one-half the total • After some time, nonlines of the play. speaking roles were allowed to perform on-stage. • Music was often played during the chorus' delivery of its lines. The first Roman performance occurred in Rome around 364 B.C. Romans borrowed Greek and Etruscan methods in their own theatre. The first permanent theatre structures in Rome were dedicated to the god Venus. In contrast to ancient Greece, comedy was more popular in Rome than tragedy. Middle Ages • Even though the Catholic • After the fall of the Church deemed these Roman Empire, small travelers as “sinners” they nomadic bands revived drama with traveled around reenactments of bible performing. stories. • They consisted of • The church always storytellers, jesters, reserved the right to jugglers and many approve or disapprove a other performers. script before it became a production. Directors emerged to handle the sometimes large numbers of actors, special effects, and money that would be put into productions. A play committee would have duties such as: • • • • • directing the constructing of the stage seating for the audience casting and rehearsing assigning people to take up money at the door addressing the audience at the beginning and end of the play • In Italy staging was made popular by using perspective architecture and painting. • These methods gave audience members the illusion of distance and depth. • Scenery and stages were raked or angled to increase the illusion and create a perspective setting. • Italians also came up with new methods of shifting scenery using wings and painted canvas coverings. •The man known as the greatest dramatist of all time is William Shakespeare. •He was involved in all aspects of theatre, more than any other writer of his day and is said to have written over 38 plays. Say what?? During Shakespearean times, there were– no women actors – little props – open auditoriums – flag colors to determine the type of play performed th 18 Century Origins • The playwright was also the director of a play, and • The first designer rehearsals from 11 a.m.-1 p.m. broke up floor space with pieces of scenery, • Actors got paid on popularity, giving more depth and and usually played the same type of roles. dimension to the stage. • Playwrights got proceeds • Others experimented from the third and sixth with lighting by using nights, but only for the original run of the show. candles and large chandeliers over the • Pantomimes would also perform before and after a stage. play. th 19 Century American Theater • Large cities had longer runs of shows, but theatres cut down on the number of shows that they would do in a year. • This caused a rise in the per-pay contract, and actors were paid for one year or until the run of the show ended. • A company was composed of actors, designers, and directors who came together for one year. Each person would play one role. We’re in the MONEY!! • The royalty system was developed in which a playwright was paid a fee for every performance. • Developed copyright system to protect playwrights by law. • By 1900, the international copyright agreement was developed to keep track of plays and their writers. • Playwrighting finally became a profitable profession.