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Medieval Theatre th th 6 –15 Century After the collapse of the Roman Empire in the 5th Century, the theatre lost support and funding. With the spread of Christianity throughout Europe, actors and acting were banned as seen as evil from the 5th Century. Church Drama By the 9th Century these same Christians began to use drama to portray the story of their religion and church. Slowly, starting from short scenes and gradually moving to plays, churches became the venue where performances were given. This was called liturgical/church drama and was widespread throughout Europe. At first these plays were spoken then acted by priests and choirboys, and later as popularity increased, by other men. Women were not yet allowed to perform. The Performance Venues As these plays were performed in churches, the altar was the central background, and on one side was Heaven and the other side was Hell. Simple sets and props were created and used as part of the plays, and the audience sat in the usual church pews. The Church did not condone actors portraying the devil inside the church building. As plays became more complicated, church performances became impractical and some performances were now done outdoors, on the steps and outside the front doors of the church. Theatre Moves Back Into the Community When the plays left the church buildings, the town began to run pageants These pageants were organised by the Trade Guilds, very like today’s trade Unions All the tailors were in one guild, all the carpenters were in one guild, etc. Each guild organised to create and present a biblical story related to its trade The fishermen might stage a scene from ‘Jonah and the Whale’ ‘Noah’s Ark’ could be staged by the shipbuilders’ guild Performance Venues There were two ways in which these plays were performed to their audiences: Each scene could be performed in a different place, on scaffolding set up in the street, and the audience moved from scene to scene Or the audience could stay in one place and the scenes were performed on wagons that would move to where the next audience waited for them Religion & Theatre All the plays were religious They were called ‘mystery plays’ and were based on stories from The Bible However the Guilds would add comedy to their scenes to further entertain their audiences Features of Mystery Plays Use of humour Pageant wagons or temporary outdoor staging Many actors, both male and female Multi storey stages, often with three levels representing Heaven, Hell and Earth Elaborate costumes Special Effects (SPX) including fire and fireworks Types of Medieval Theatre There were three types of medieval theatre: Mystery Plays Miracle Plays Morality Plays Mystery plays were performed by the Guilds and were based on biblical stories Miracle Plays were based on the stories of lives of the saints. Morality Plays were performed to show right from wrong according to the church. Townspeople were easily influenced as they were mostly uneducated and illiterate General Characteristics Most plays were well written The plays highlighted the ever present reality of eternity, by hell and heaven being so dominant on stage. Eternity was more important than time on earth, so historical accuracy was not seen as necessary. God’s power was seen as all powerful, and cycle plays were common. These cycles were made up of many mystery plays that could be run together to represent the Bible from beginning to end. Stagecraft There were no theatre buildings Performances took place at various venues and usually outdoors Temporary stages were set against buildings or in the middle of a town square, and represented earthly and eternal existence Scenery was used in a tokenistic way to represent different locations Medieval clothes were worn by all human characters in the play Fancy dress and accessories were worn by angels, devils, saints and God Devils also wore hideous masks and costumes Special effects (SPX) were exciting and sometimes dangerous, eg. fire Medieval Theatre Today Some of the medieval plays are still performed today in various parts of the world. They include the morality play ‘Everyman’, and the mystery plays known as ‘The Wakefield Cycle’, and the ‘Passion Play’ from Oberammergau, Germany. Everyman –a modern version Oberammergau, Germany –The Passion Play Into The Renaissance As society changed and began to probe issues more deeply, there was a need for non religious drama and so the religious plays declined in the 15th Century. This change was driven by two things: The split in the Church and the introduction of Protestantism The introduction of The Renaissance and its different general philosophy