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ESTHETICS AND SHADE SELECTION 1 CONTENTS • • • • • • ESTHETIC (ANATOMY OF SMILE & APPEARANCE ZONE) LIGHT AND COLOR DIMENSION OF COLOR SHADE GUIDES SEQUENCE OF SHADE SELECTION REFERENCES 2 Esthetic Anatomy of smile & appearance zone depend on some factors of esthetic dentofacial composition Frame and Reference: are the constructional system that gives shape; work as a standard for measuring or constructing. Proportion and Idealism: the relation of one part to another or to the whole with respect to magnitude,quantity,or degree;a standard of perfection,beauty,or excellence. Symmetry: is the correspondence in size,shape,and relative position of parts on opposite sides of a dividing line or median plane or around a center or axis. Perspective and Illusion: are the technique or process of representing on a plane or curved surface the spatial relation of objects as they might appear to the eye. Narrowing Widening shortening Light and color • • Without light color does not exist. Scientifically, light is described as visible electro-magnetic energy. the eye is sensitive only to the visible part of the electro-magnetic spectrum, a narrow band with wavelength of 380 to 750 nm. • COLOURS: – Primary colors: – Red, Yellow, Blue • These colors cannot be formed by mixing other colors. They occur naturally by themselves. – Secondary colors: • • • • Are formed by mixing primary colors. RED + Yellow = Orange Yellow + Blue = Green Blue + Red = Violet. – Complimentary colors: They look good together they enhance appearance of one and another. Red – Green; Yellow-Violet; & Blue-Orange. – E.g. A3 shade contains orange hue + blue stain. 5 Dimensions of color 1) VALUE (BRILLIANCE): Is the relative lightness (brightness) or darkness of the hue. On a scale of black-white (High value = white & Low value = dark) E.g. Hue A of Vita shade (A1-brightest; A4- darkest) 2) CHROMA – Is intensity or saturation of color tone (Hue) e.g. In Vita shade guide A1- lowest chroma, A4 – Highest chroma. 3) HUE – Is simply the colour tone i.e. RED, BLUE, YELLOW etc. 4) TRANSLUCENCY: It is best represented by value differences. Highly translucent teeth tend to be lower in value. – Chroma - value – E.g. A4 has high chroma and low value shade, A1 has low chroma and high value shade. 6 Shade Guides 1. 2. 3. 4. Vita pan classic Chromascop and Vitapan 3D shade master Vintage Halo shade guide (Shofu dental) Vita pan Classic – in this hue is categorized according to group or families: A – Orange (A1,A2,A3,A3.5,A4) B – Yellow. (B1,B2,B3,B4) C – Yellow/Grey (C1,C2,C3,C4) D – Orange / Grey (D2,D3,D4) • Chromoscope system: – Instead of letters to identify shade numbers were used: – 100 – White, 200 – Yellow, 300 – Orange, 400 – Grey, 500 – Dark. 7 Vitapan 3D shade master – By this, shade selection is a logical progression of 3 simplified steps, enabling the clinician to find desired shade quickly. 1– value determination – value levels from 1-5 1: lighest (high value) 5: darkest (low value) 2- chroma determination – 1-3 1: least chromatic, 3 : more chromatic 3- hue determination- more yellowish (L), more reddish (R) 1-5 levels of value Chroma.1,2,3 Hue- L-M-R more yellowish (L), more reddish(R) 8 ADVANCES IN SHADE DETERMINATION Easyshade system Clear Match System ShadeRite Dental Vision System The Vita Easyshade Colorimeters Shade Scan 9 SpectroShade Advantages of technology based ( advance) systems • Less subjective • Less time • Dehydration of tooth is no more an issue • Shade of a restoration can be verified before placement of a restoration Disadvantages • Cost • Still subjective i.e. depends on the skill and knowledge of the technician fabricating the restoration 10 • Shade guides for oral soft tissues: 1)Lucitone 199 (Dentsply trubyte) 4 glossy shade types • Original (OR) • Light (LT) • Light reddish pink (LRP) • Dark (DARK) 2) Ivoclar Plus Gingiva indicator (Ivoclar V) 4 shades – 3) IPS gingival (Ivoclar) 5 regular shades – G1 – G5 4) Gummy gingiva indicator set (Shofu Dental) 3 reddish shades – light, medium, dark 11 Sequence (methods) of Color matching Preliminary • Ask patient to remove any ( large jewelry, eyeglass, facial makeup) that could distract the dentist • Shade matching be performed at the beginning of the appointment • Rubber dam should not be placed & tooth should not be dried too much Dentist position • Tooth should be viewed along the long axis • To avoid Metamerism the choice be verified under different light source & from different angles • If the patient spends most of the time in a particular light source that light be used to match shade • Dentist’s eye should be at the level of patient tooth at standard reading distance of 25 – 33 cm 12 Tab placement • Tab be placed parallel to the tooth & same relative edge position • Tab carrier should be put along its normal axis to avoid impact on tab color • • • • Time length & pause First impression is usually the best match Trials be limited to 5 sec Matching of other attributes : Surface roughness & gloss of the tooth & tabs be compared If the tab & tooth being matched are not of the same texture both should be rewetted with water to eliminate this difference 13 REFERENCES • Fundamentals of Fixed Prosthodontics, Herbert T. Shillingburg • Contemporary Fixed Prosthodontics ,Stephen F.Rosensteil • Goldestein RE. Aesthetics in dentistry. Bc Decker inc., 1998 14