* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Download Chapter 8 Powerpoint
Ancient Greek astronomy wikipedia , lookup
Ancient Greek grammar wikipedia , lookup
Regions of ancient Greece wikipedia , lookup
Ancient Greek architecture wikipedia , lookup
Greek Revival architecture wikipedia , lookup
Ancient Greek religion wikipedia , lookup
Greek contributions to Islamic world wikipedia , lookup
Pottery of ancient Greece wikipedia , lookup
Ancient Greek literature wikipedia , lookup
History of science in classical antiquity wikipedia , lookup
Greek Vase Painting Geometric Period The Earliest Greek Vases were decorated with bands of simple geometric patterns covering most of the vessel. Funerary Vase: 8th Century B.C. Amphora A tall ancient Greek jar with two handles and a narrow neck. Vase with Ajax and Achilles Playing Dice. 540 B.C. Amphora Figures are more lifelike and were placed in Storytelling scenes Exekias was an ancient Greek vase-painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. Signed his artwork. Vase with Ajax and Achilles Playing Dice. 540 B.C. The earliest Artist to sign his name was Sophilos in 580 B.C. The Evolution of Greek Sculpture Artists to Meet Myron Phidias Polyclitus You’ll be able to explain how Greek sculpture changed over time from the Archaic, Classical, and Hellenistic Periods Archaic Period 600-400 B.C. The first main period of Greek art; became less rigidly stylized and more naturalistic. Calf Bearer – c. 570 B.C. Kouros – 600 B.C. male youth Kore – 530 B.C. Maiden (female) - Originally painted - Left foot forward 1345–1337 BC 600 to 480 BC young male god or athlete Archaic Greek sculptures Korai – clothed women, often goddesses The Hera of Samos Stone cylinder Stiff pose like kouros Bent left arm Symbol of authority Classical Period 510-332 B.C. The 2nd major period of Greek Life Besides war and conquest, in this period of Ancient Greece, the Greeks produced great literature, poetry, philosophy, drama, and art. Classical Greece includes the period known as the Age of Pericles Contrapposto A pose in which the weight of the body is balanced on one leg while the other leg is free and relaxed. S-curve The marble Kritios Boy or Kritian Boy belongs to the Early Classical period of ancient Greek sculpture. It is the first statue that we have that uses contrapposto c. 480 BC. Myron’s Discus Thrower Classical Period Bold new ideas More skill Abandon the stiff monoliths Figures move in space 450 B.C. Myron Chief material was bronze Never worked in marble All original bronzes were melted down long ago What is known today of Greek works comes from copies made later by the Romans Phidias Athena Parthenos 42 Feet Tall White Ivory Over 1 ton of gold Precious stones for eyes Phidias Continued Procession of Horsemen Interactive 350 people 125 horses Religious parade 440B.C. Polyclitus’s Spear Thrower 440 B.C. Appears lifelike Confident Athletic Compare to Michelangelo’s David Hellenistic Period between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire 3rd period of Greek Art- filled with expression and emotion Extremely skillful and confident Beauty was less important than expression Lack precise balance and harmony of Classical sculptures Pathos A quality that causes people to feel sympathy and sadness Represents an appeal to the audience's emotions The Dying Gaul- 240 B.C. The white marble statue — which may have originally been painted — depicts a wounded, slumping Celt with remarkable realism and pathos, particularly as regards the face. A bleeding sword puncture is visible in his lower right chest. The figure is represented as a Celtic warrior with characteristic hairstyle and moustache and is nude save for a torc around his neck. He lies on his fallen shield while his sword, belt, and a curved trumpet lie beside him. The Nike of Samothrace 190 B.C. Made to look like the prow of a ship Fabric appears to blow in the wind and cling to the skin The Seated Boxer 50 B.C. Appeals to emotionalism Laocoön and His Sons The figures are near life-size (6 ft 7 in) showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The group has been "the prototypical icon of human agony" in Western art Summary Archaic Archaic period – The Kouros, the stiff and solid sculptures were created during a time when artists were seeking greater control of their materials Summary Classical By the Classical period, sculptors had achieved near perfection in balance, proportion and sense of movement. The Discus Thrower demonstrates the sculptor’s ability to create realistic work. The Spear Thrower is an example of balance, harmony, and beauty. Summary Hellenistic During Hellenistic times, sculptures, such as the Seated Boxer reveal the artist’s interest in more dramatic and emotional subjects Compare the three Periods Gothic Sculpture ca. 1220-1230 AD Archaic Sculpture 480 B.C. Classical Sculpture 440 B.C. Renaissance Sculpture 1504 AD Hellenistic Sculpture 200 B.C. Baroque Period 'Ecstasy of Saint Theresa' (1647-52) in Cornaro Chapel, Rome by Giovanni Lorenzo Bernin