Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
A place for victory: Eleonora Zampieri School of Archaeology and Ancient History [email protected] Supervisor: Dr. Sarah Scott the Forum of Caesar in Rome Image source: http://upload.wikimedia.org/wikipedia/commons/4/40/The_Triumph_of_Titus_Alma_Tadema.jpg THE FORUM OF CAESAR The Forum of Caesar was one of the most important cityplanning innovations undertaken by the dictator Julius Caesar (100-44 BC) in ancient Rome. The complex was dedicated in 46 BC, after Caesar’s triumph over Gallia, Africa and Asia. It was composed of a central area, surrounded on three sides by porticoes; on the fourth side there was a temple dedicated to Venus Genetrix, the protector goddess of Caesar (the Iulii were thought to descend from Venus). After the defeat of his enemy Pompey the Great at the battle of Pharsalus in 48 BC, and particularly after the end of the Civil War in 46 BC, Caesar decided to introduce in the decoration of his Forum messages connected to his military and political victory. The Forum of Caesar in Rome, view from NW (copyright: author) BUT WHERE AND HOW WERE THESE MESSAGES CONVEYED? The Griffins The ancient sources report that the temple of Venus had been vowed to the goddess upon victory at the battle of Pharsalus, and that the frontal part of the building was used by Caesar for meetings with the Senate. Inside the temple, Caesar displayed the cult statue of Venus Genetrix and other works of art that celebrated his victories: a cuirass made of pearls from Britain; six dactylothecae (collections of engraved gems); two paintings, representing Ajax and Medea. If the cuirass and the gems symbolised his successes in Britain and Egypt, the paintings had a much more controversial significance: Caesar’s triumph over Pompey during the Civil War (Sauron 2001: 192-198). The Equestrian Statue Statue of Venus Genetrix, Museé du Louvre, Paris (copyright: author) Caesar also dedicated a bronze equestrian statue representing himself mounting his horse, in front of the temple of Venus; it originally represented Alexander the Great with his horse Bucephalus. It was dedicated on the occasion of Caesar’s triumph, and was perhaps part of the spoils brought to Rome (Cadario 2006: 27 and 36). Because of the events connected to the birth of Bucephalus and of Caesar’s horse, the statue represented the dictator’s supremacy sanctioned by his victory at Pharsalus and was also an allusion to Pompey’s defeat. Griffins featured in the decoration of both the porticoes and the temple of Venus. They were primarily the symbol of Nemesis, the goddess of the right vengeance and retribution, who in order to accomplish her task as guarantor of justice was often helped by these animals. On the temple of Venus, the griffins were watered by cupids, which, in relation to the later Forum of Trajan, have been interpreted as celebrating the military victories of the emperor. These mythological animals therefore expressed Caesar’s supremacy and supported his claim of having begun the Civil War because he was the victim of a terrible injustice. DIFFERENT MESSAGES, DIFFERENT PEOPLE The Forum of Caesar in Rome therefore expressed multiple messages related to military triumph. Some of these, related to Caesar’s victorious campaigns, were evident, and could have been understood by the majority of people; others (very controversial, connected to the Civil War) were likely meant to be read and understood only by a smaller and specific group, who also possessed the education and knowledge of politics that was necessary to decrypt them: namely the aristocracy, and in particular the senators. Bibliography: Cadario M. 2006, “Le statue di Cesare a Roma tra il 46 e il 44 a.C.”, in ACME, LIX, 3, pp.25-70 Sauron G. 2001, “Vénus entre deux fous au forum de César”, in Evers C. and Tsingarida A. (eds.), Rome et ses provinces. Genèse et diffusion d’une image du pouvoir. Hommages à Jean Charles Balty”, Le Livre Timperman, Bruxelles, pp. 187-199 Image source: http://upload.wikimedia.org/wikipedia/commons/3/39/Statue_of_a_Griffin,_Parliament_building_%28Vienna%29.jpg (modified) The Temple Image source: http://upload.wikimedia.org/wikipedia/commons/1/13/Julius_Caesar_Coustou_Louvre.png Image source: http://upload.wikimedia.org/wikipedia/commons/3/36/Alexander_%26_Bucephalus_by_John_Steell.JPG (modified)