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Transcript
Elena Dominguez Romero (University of Huelva, Spain), "Some considerations on
William Shakespeare's "editorial hand" in the pastoral anthology Englands Helicon
(1600-1614)"
Englands Helicon is a pastoral anthology first published in 1600 and republished with
additions in 1614. The hundred and fifty poems compiled in the first edition of the
Helicon are attributed to some thirty authors, not to mention “Ignoto” and
“Anonymous”. The second edition adds two new names. And in the total are included
very well known poets of the Elizabethan age as George Peele, Robert Greene, Sir
Philip Sidney, Michael Drayton, Christopher Marlowe and Edmund Spencer.
Barthomew Yong, translator of Jorge de Montemayor’s Diana, is the leading
contributor, so far as concerns quantity, with twenty-five poems. William Shakespeare,
meanwhile, is the author of one single poem of Englands Helicon “The Passionate
Shepherd’s Song” [34]. This is maybe the reason why H. E. Rollins (1935: 31), editor of
the anthology, does not agree with W. C. Hazlitt when this author points to the idea that
Shakespeare could have had an editorial hand in the Helicon. W. C. Hazlitt goes to the
first song of Autolycus in The Winter’s Tale and the structure of the composition with
which Twelfth Night concludes to support William Shakespeare’s collaboration in the
editorial process of the Helicon. Nevertheless, the author never takes into consideration
the fact that the only poem by William Shakespeare in the Helicon, though taken from
the anthology entitled The Passionate Pilgrime. By William Shakespeare (1599), was
first published in the play by the same author Love’s Labour’s Lost (IV. iii. 101-120).
And this fact is of great help to support W. C. Hazlitt’s own theory. Thus, the present
paper analyses the relation of this poem by Shakespeare and its sources with the rest of
the poems in the Helicon. This analysis intends to be a contribution to previous
discussions by important authors such as W. C. Hazlitt and H. E. Rollins, who already
tried to clarify William Shakespeare’s degree of implication or collaboration with the
editors of Englands Helicon.