(minimum-delay or zero
... 20 s to 400 s period. The rms residual is only 1/3000 of the rms output signal, and consists mainly of ambient long-period noise. ...
... 20 s to 400 s period. The rms residual is only 1/3000 of the rms output signal, and consists mainly of ambient long-period noise. ...
Helix Player and RealPlayer for Linux
... • Reliable A/V sync over long playback times • Portability to other processors and operating systems • Multiplexing input for interaction w/other media apps • Advanced playback modes (DVD-like seeking) • Access to (Legal) codecs • Secure audio path for DRM content ...
... • Reliable A/V sync over long playback times • Portability to other processors and operating systems • Multiplexing input for interaction w/other media apps • Advanced playback modes (DVD-like seeking) • Access to (Legal) codecs • Secure audio path for DRM content ...
Purple Audio Inc.
... The two different names (Compressors and Limiters) generally refer to the degree to which the dynamic range is reduced. The relationship of input level change to output level change is called the Compression Ratio. If, for example, an increase of 8 dB input signal level should cause the output to in ...
... The two different names (Compressors and Limiters) generally refer to the degree to which the dynamic range is reduced. The relationship of input level change to output level change is called the Compression Ratio. If, for example, an increase of 8 dB input signal level should cause the output to in ...
How Digital Audio Works
... Terms: Digital (digits, as counting on fingers) and Analog (the electrical signal is analogous to the audio signal) Master Clock Issues: Digital audio relies on the principle that the audio is sampled at exact and constant preset intervals. Otherwise, it could also work well with unevenly spaced int ...
... Terms: Digital (digits, as counting on fingers) and Analog (the electrical signal is analogous to the audio signal) Master Clock Issues: Digital audio relies on the principle that the audio is sampled at exact and constant preset intervals. Otherwise, it could also work well with unevenly spaced int ...
TL Audio IVORY SERIES User Manual VP
... signal reduces below the threshold. This feature helps to reduce the distortion commonly caused when using a compressor with a short release time to process a low frequency signal, for example a bass guitar, where the compressor attempts to modify the gain during each half cycle of the input wavefor ...
... signal reduces below the threshold. This feature helps to reduce the distortion commonly caused when using a compressor with a short release time to process a low frequency signal, for example a bass guitar, where the compressor attempts to modify the gain during each half cycle of the input wavefor ...
Russ Long`s Review of the Quartet in Pro Audio
... tube gain stage. The opto compressor/limiter section features separate Threshold, Ratio (variable from 1.5:1 to 15:1) and output controls. The compressor’s tube output stage will supply up to 15 dB of make-up gain. The Mode switch selects the mode of compression. The four options include: Fast (peak ...
... tube gain stage. The opto compressor/limiter section features separate Threshold, Ratio (variable from 1.5:1 to 15:1) and output controls. The compressor’s tube output stage will supply up to 15 dB of make-up gain. The Mode switch selects the mode of compression. The four options include: Fast (peak ...
ADU2a User Manual
... precautions: 1.) the noise of the scanner should be dampened by using double hearing protection: earplugs/eartips of the correct size, please make sure that the plugs/tips are properly inserted into the ear canal, and external earmuffs, which should fit tightly and cover the whole earlobe. The effec ...
... precautions: 1.) the noise of the scanner should be dampened by using double hearing protection: earplugs/eartips of the correct size, please make sure that the plugs/tips are properly inserted into the ear canal, and external earmuffs, which should fit tightly and cover the whole earlobe. The effec ...
Readout ASIC for SiPM detector of the CTA new
... ALPS chip– Layout sent to fabrication 03/03/2014 ...
... ALPS chip– Layout sent to fabrication 03/03/2014 ...
【Features】 【Specifications】
... The SRM-353X is the exclusive driver unit (amplifier) produced in order to drive STAX electrostatic type Earspeaker much more ideally. Carefully selected high-quality parts of an audio grade further improved the tone quality, and re-examination of circuit details realized much wider frequency respon ...
... The SRM-353X is the exclusive driver unit (amplifier) produced in order to drive STAX electrostatic type Earspeaker much more ideally. Carefully selected high-quality parts of an audio grade further improved the tone quality, and re-examination of circuit details realized much wider frequency respon ...
Word Doc version
... processing modules on the two audio inputs and six mono processing blocks applied to each output; allowing 2x2, 2x2 +sub, 2x3, 1x4, 1x5, 1x6 configurations. Stereo processing blocks include 1/3 octave graphic EQ, RMS compressor, Noise gate, Phase, Feedback suppression and Sub-harmonic generator. Mon ...
... processing modules on the two audio inputs and six mono processing blocks applied to each output; allowing 2x2, 2x2 +sub, 2x3, 1x4, 1x5, 1x6 configurations. Stereo processing blocks include 1/3 octave graphic EQ, RMS compressor, Noise gate, Phase, Feedback suppression and Sub-harmonic generator. Mon ...
TAP 318 - 3: Data transfer on an optical fibre
... Placed across the output of the radio receiver, the oscilloscope shows the radio-frequency carrier varying in strength (modulated) at audio frequencies. The detector extracts the audio signal. The audio signal is made to vary the brightness of a red light-emitting diode (LED). You may be able to se ...
... Placed across the output of the radio receiver, the oscilloscope shows the radio-frequency carrier varying in strength (modulated) at audio frequencies. The detector extracts the audio signal. The audio signal is made to vary the brightness of a red light-emitting diode (LED). You may be able to se ...
The Art of Instrumentation & Vibration Analysis
... What this means is that the voltage reference of the ADC is used to set the conversion range 0V input will cause the converter to output all zeros. If the input to the ADC is equal to or larger than Vref, then the converter will output all ones. For inputs between these two voltages, the ADC will ou ...
... What this means is that the voltage reference of the ADC is used to set the conversion range 0V input will cause the converter to output all zeros. If the input to the ADC is equal to or larger than Vref, then the converter will output all ones. For inputs between these two voltages, the ADC will ou ...
An Overview of Automatic Level Control
... This is the time it takes to reduce the gain after the output signal has exceeded the threshold level. The time constant of the attack is given by 15,000 X CCT seconds, where CCT is the external timing capacitor. The selection of the time constant is application specific. For example, in application ...
... This is the time it takes to reduce the gain after the output signal has exceeded the threshold level. The time constant of the attack is given by 15,000 X CCT seconds, where CCT is the external timing capacitor. The selection of the time constant is application specific. For example, in application ...
Pocket Multi-channel Signal Analyzer
... Version 2.0, is used together with a MCSA-16000 Pocket Multi-Channel Signal Analyzer purchased. It is compatible with Window operation systems 98/2000/ME/NT/XP. The software has a built-in help and is easy to install and upgradeable. The PMSA Version 2.0 is specially designed for analysis of pulse h ...
... Version 2.0, is used together with a MCSA-16000 Pocket Multi-Channel Signal Analyzer purchased. It is compatible with Window operation systems 98/2000/ME/NT/XP. The software has a built-in help and is easy to install and upgradeable. The PMSA Version 2.0 is specially designed for analysis of pulse h ...
View Poster
... crosses zero volts twice per Hz, two arcs are required per Hz to create the tone. Arcs are created by switching a large power supply on and off at a musical frequency. The musical frequencies we are targeting exist between 20Hz and 1.2kHz, so up to 2,400 switches per second are required. To accompli ...
... crosses zero volts twice per Hz, two arcs are required per Hz to create the tone. Arcs are created by switching a large power supply on and off at a musical frequency. The musical frequencies we are targeting exist between 20Hz and 1.2kHz, so up to 2,400 switches per second are required. To accompli ...
twinsonic overdrive / boost
... The headroom switch activates an internal circuit that electronically doubles the supplied voltage (i. e. 18 volts from a 9 volts battery or power supply). DO NOT SUPPLY MORE THAN 9 VOLTS OR WRONG POLARITY, you may damage the pedal. DO NOT SUPPLY AC, you will definitely damage the pedal. ...
... The headroom switch activates an internal circuit that electronically doubles the supplied voltage (i. e. 18 volts from a 9 volts battery or power supply). DO NOT SUPPLY MORE THAN 9 VOLTS OR WRONG POLARITY, you may damage the pedal. DO NOT SUPPLY AC, you will definitely damage the pedal. ...
Specification
... DESCALING METHOD: The control box supplies a square wave signal to a coil of wire that is wrapped around the pipe. The signal is swept from 1,000 to 20,000 times a second, producing a modulating frequency waveform that hits the resonant frequency of the calcium molecules causing them to lose it's ad ...
... DESCALING METHOD: The control box supplies a square wave signal to a coil of wire that is wrapped around the pipe. The signal is swept from 1,000 to 20,000 times a second, producing a modulating frequency waveform that hits the resonant frequency of the calcium molecules causing them to lose it's ad ...
Analog Signal Conditioning
... The inverting amplifier can amplify the signal with certain gain but with inverting the polarity of the input signal. ...
... The inverting amplifier can amplify the signal with certain gain but with inverting the polarity of the input signal. ...
Model 1176LN Solid-State Limiting Amplifier
... Thank you for purchasing this reproduction of the classic 1176LN compressor. When my father designed this product, he was very proud of his accomplishment. Being a recording engineer himself, this was a piece of gear he used extensively. He was also very proud of its reception by his peers in both t ...
... Thank you for purchasing this reproduction of the classic 1176LN compressor. When my father designed this product, he was very proud of his accomplishment. Being a recording engineer himself, this was a piece of gear he used extensively. He was also very proud of its reception by his peers in both t ...
Week 3 - Making the Right Connections
... track, this is called multitrack recording In the recording studio, a number of microphones or sources can be recorded simultaneously The signal from each mic and/or source can be recorded to a different track so that it can be processed separately and mixed later You can also record one mic ( ...
... track, this is called multitrack recording In the recording studio, a number of microphones or sources can be recorded simultaneously The signal from each mic and/or source can be recorded to a different track so that it can be processed separately and mixed later You can also record one mic ( ...
Dynamic range compression
Dynamic range compression (DRC) or simply compression reduces the volume of loud sounds or amplifies quiet sounds by narrowing or ""compressing"" an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction and broadcasting and on instrument amplifiers.Audio compression reduces loud sounds which are above a certain threshold while quiet sounds remain unaffected. The dedicated electronic hardware unit or audio software used to apply compression is called a compressor. In recorded and live music, compression parameters may be adjusted by an audio engineer to change the way the effect sounds.