PDF of the lab
... Pulse Amplitude Modulation is a form of signal modulation where the message information is encoded in the amplitude of a series of signal pulses. The output is a series of pulses, the amplitude of which vary in proportion to the modulating signal. The samples are taken at regular interval of time. ...
... Pulse Amplitude Modulation is a form of signal modulation where the message information is encoded in the amplitude of a series of signal pulses. The output is a series of pulses, the amplitude of which vary in proportion to the modulating signal. The samples are taken at regular interval of time. ...
MTS-4A - Meyer Sound
... surge suppression and dual circuit breakers. The dual-fan cooling system forces air over the heatsinks only, not over the electronics, avoiding residue buildup that can shorten component life. All four amplifier channels operate class AB/H and employ complementary power MOSFET output stages. For max ...
... surge suppression and dual circuit breakers. The dual-fan cooling system forces air over the heatsinks only, not over the electronics, avoiding residue buildup that can shorten component life. All four amplifier channels operate class AB/H and employ complementary power MOSFET output stages. For max ...
dual band compressor - Ruppert Musical Instruments
... Audio compressors cut down the peaks or spikes, the loudest parts in a sound pattern, thus reduce the dynamic range and make, depending on the setting, either the amplitude envelope (i.e. the volume changes over time) of the instrument appear more balanced or the tone sound more punchy. To enable re ...
... Audio compressors cut down the peaks or spikes, the loudest parts in a sound pattern, thus reduce the dynamic range and make, depending on the setting, either the amplitude envelope (i.e. the volume changes over time) of the instrument appear more balanced or the tone sound more punchy. To enable re ...
Signal-strength display to an FM
... antenna connection to the audio out-put. External components include one tunable LC circuit for the local oscillator,a few capacitors,two resistors,and a potentiometer to control the variable-capacitance-diode tuning. The IC has an FLL (frequency-locked-loop) structure. The filtered output of the FM ...
... antenna connection to the audio out-put. External components include one tunable LC circuit for the local oscillator,a few capacitors,two resistors,and a potentiometer to control the variable-capacitance-diode tuning. The IC has an FLL (frequency-locked-loop) structure. The filtered output of the FM ...
B-100R front panel
... 1. 0dB Input accepts a standard 1/4” instrument plug from your bass. This input is suited for use with instruments that have passive electronics. 2. -15dB Input accepts a standard 1/4” instrument plug from high output basses. This input is padded 15dB to compensate for higher output sources and is s ...
... 1. 0dB Input accepts a standard 1/4” instrument plug from your bass. This input is suited for use with instruments that have passive electronics. 2. -15dB Input accepts a standard 1/4” instrument plug from high output basses. This input is padded 15dB to compensate for higher output sources and is s ...
writeup
... Single supply design (Vcc = 5V) was required to power the circuit components. Transduction The CdS cell changes resistance in response to the amount of light it receives. To work with this signal requires that it is transduced into a voltage. The CdS cell was placed in series with a 47 KOhm resistor ...
... Single supply design (Vcc = 5V) was required to power the circuit components. Transduction The CdS cell changes resistance in response to the amount of light it receives. To work with this signal requires that it is transduced into a voltage. The CdS cell was placed in series with a 47 KOhm resistor ...
General Set-Up Functions Parameters
... The bass drum sound is triggered by the Trigger input. Common triggers are analogue or digital gate-signals of a step-sequencer, a MIDI-CV/Gate-converter or a square-LFO. Alternatively, drum pads, dynamic or piezo-trigger-microphones may also be used. Dynamic triggering will not only affect the soun ...
... The bass drum sound is triggered by the Trigger input. Common triggers are analogue or digital gate-signals of a step-sequencer, a MIDI-CV/Gate-converter or a square-LFO. Alternatively, drum pads, dynamic or piezo-trigger-microphones may also be used. Dynamic triggering will not only affect the soun ...
gain - Bek Varcoe
... for the connector, which meant "X Series," "Latch," and "Rubber." In fact, you'll also sometimes see these connectors referred to as "Cannon" connectors. XLR has since evolved into a generic industry term, and many manufacturers now make this style connector. In audio work, XLR connectors are normal ...
... for the connector, which meant "X Series," "Latch," and "Rubber." In fact, you'll also sometimes see these connectors referred to as "Cannon" connectors. XLR has since evolved into a generic industry term, and many manufacturers now make this style connector. In audio work, XLR connectors are normal ...
Intro-to-Signal-Generators-Fact
... – The AFG3000 has a dedicated front panel button for common signal types. – Less common signals are selected from the on-screen menu once you select the signal category. ...
... – The AFG3000 has a dedicated front panel button for common signal types. – Less common signals are selected from the on-screen menu once you select the signal category. ...
the common-source amplifier
... For the circuit shown in Figure 6.13, assume that the transistor is biased in the saturation region by resistors R1 and R2, and that the signal frequency is sufficiently large for the coupling capacitor to act essentially as a short circuit. The signal source is represented by a Thevenin equivalent ...
... For the circuit shown in Figure 6.13, assume that the transistor is biased in the saturation region by resistors R1 and R2, and that the signal frequency is sufficiently large for the coupling capacitor to act essentially as a short circuit. The signal source is represented by a Thevenin equivalent ...
Side-Chain Filtering Issue 74
... (and therefore apply more gain reduction) to low frequencies, and can yield not only a compressed sound but a dull sound as well. This can be corrected by engaging the side-chain filters and applying a high-pass filter; removing all the low frequency content of the side-chain signal. This will make ...
... (and therefore apply more gain reduction) to low frequencies, and can yield not only a compressed sound but a dull sound as well. This can be corrected by engaging the side-chain filters and applying a high-pass filter; removing all the low frequency content of the side-chain signal. This will make ...
Emperor - Looptrotter
... the sidechain signal, so the EMPEROR can act more transparently and naturally on bass and signals with lots of low frequency information (eg. kick drums, bass guitars, drum loops etc.) With this option set to ON, processor's behaviour would be less affected by low frequencies, allowing you to give y ...
... the sidechain signal, so the EMPEROR can act more transparently and naturally on bass and signals with lots of low frequency information (eg. kick drums, bass guitars, drum loops etc.) With this option set to ON, processor's behaviour would be less affected by low frequencies, allowing you to give y ...
Dual Compressor / Limiter
... mono /stereo: In mono mode both audio channels operate completely independently. In stereo mode the two side chains are linked together internally; this causes both channels always to be compressed by the same amount (LIMIT) limit in: Switches the limiter into the audio chain (LIMIT) attack fast / s ...
... mono /stereo: In mono mode both audio channels operate completely independently. In stereo mode the two side chains are linked together internally; this causes both channels always to be compressed by the same amount (LIMIT) limit in: Switches the limiter into the audio chain (LIMIT) attack fast / s ...
Dynam o - Bastl Instruments
... interesting part of this compressor architecture is that the attenuation on the VCA CV input allows you to create negative compression ratios. Most compressors stop at the limiter setting. Of course the signal processed in the VCA doesn't have to be the same signal that is being analysed by the Dyna ...
... interesting part of this compressor architecture is that the attenuation on the VCA CV input allows you to create negative compression ratios. Most compressors stop at the limiter setting. Of course the signal processed in the VCA doesn't have to be the same signal that is being analysed by the Dyna ...
Final
... 1. Write a truth table for minority function and optimize the circuit using Karnuah map. The system has 3 inputs, A,B, and C. The output will be the minor vote of these 3 inputs. For example if A=1, B=1, and C=0, the output will be 0. On the other hand, if the input are A=0, B=0, and C=1, the output ...
... 1. Write a truth table for minority function and optimize the circuit using Karnuah map. The system has 3 inputs, A,B, and C. The output will be the minor vote of these 3 inputs. For example if A=1, B=1, and C=0, the output will be 0. On the other hand, if the input are A=0, B=0, and C=1, the output ...
what-happens-to-my-recording-when-it`s-played-on-the-radio
... “dropping off the dial.” AGCs can be either single-band or multiband. If they are multiband, it’s rare to use more than two bands because AGCs operate slowly, so “spectral gain intermodulation” (such as bass’ pumping the midrange) is not as big a potential problem as it is for later compression stag ...
... “dropping off the dial.” AGCs can be either single-band or multiband. If they are multiband, it’s rare to use more than two bands because AGCs operate slowly, so “spectral gain intermodulation” (such as bass’ pumping the midrange) is not as big a potential problem as it is for later compression stag ...
phonic paa3 - Cascade Audio Engineering
... 31-band Real Time Spectrum Analyzer allows Db analysis of offending frequencies 31-band EQ setting value display (Boost/Cut) T60 measurement Built-in calibrated measurement microphone Phase checker Noise generator with pink noise, 1kHz and polarity test signal, balanced output Memory and average cal ...
... 31-band Real Time Spectrum Analyzer allows Db analysis of offending frequencies 31-band EQ setting value display (Boost/Cut) T60 measurement Built-in calibrated measurement microphone Phase checker Noise generator with pink noise, 1kHz and polarity test signal, balanced output Memory and average cal ...
Lecture 7
... different voltage levels, with each level corresponding to a different binary number. This process is called quantization Converted to the closest binary value provided in the digitizing system At each sampling interval, the analog amplitude is quantized into the closest available quantization level ...
... different voltage levels, with each level corresponding to a different binary number. This process is called quantization Converted to the closest binary value provided in the digitizing system At each sampling interval, the analog amplitude is quantized into the closest available quantization level ...
Classic Vitalizer
... few if any other equalizer or enhancer type products can offer. In combination with a single-ended noise reduction unit, the Classic Vitalizer becomes the ultimate post production system to sweeten old masters. Operation The control panel is divided into two separately controllable, identical channe ...
... few if any other equalizer or enhancer type products can offer. In combination with a single-ended noise reduction unit, the Classic Vitalizer becomes the ultimate post production system to sweeten old masters. Operation The control panel is divided into two separately controllable, identical channe ...
Dynamic range compression
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Dynamic range compression (DRC) or simply compression reduces the volume of loud sounds or amplifies quiet sounds by narrowing or ""compressing"" an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction and broadcasting and on instrument amplifiers.Audio compression reduces loud sounds which are above a certain threshold while quiet sounds remain unaffected. The dedicated electronic hardware unit or audio software used to apply compression is called a compressor. In recorded and live music, compression parameters may be adjusted by an audio engineer to change the way the effect sounds.