MANLEY - Barry Rudolph
... If the source is "stereo" then the best method is to switch from SEP to LINK. This insures that both left and right sides will change gain the same amount at the same time. That way a sound located in center will stay in center and not move around. This unit uses both the channels to control the gai ...
... If the source is "stereo" then the best method is to switch from SEP to LINK. This insures that both left and right sides will change gain the same amount at the same time. That way a sound located in center will stay in center and not move around. This unit uses both the channels to control the gai ...
Modulation & More - University of Maine System
... Computers don’t necessarily care what medium the modems communicate on. That is left up to the modem hardware. Computers usually communicate via RS-232 to the modems (both are serial devices, remember). All the computer has to know is how to send and receive bits on the serial port. The modem does t ...
... Computers don’t necessarily care what medium the modems communicate on. That is left up to the modem hardware. Computers usually communicate via RS-232 to the modems (both are serial devices, remember). All the computer has to know is how to send and receive bits on the serial port. The modem does t ...
Fiber Optic Communications - New Mexico State University
... – The ratio of the communications signal to the amount of noise present – The noise should be much smaller than the signal. – Noise equivalent power is the minimum detectable power level at which the signal equals the noise in a 1-Hz system. ...
... – The ratio of the communications signal to the amount of noise present – The noise should be much smaller than the signal. – Noise equivalent power is the minimum detectable power level at which the signal equals the noise in a 1-Hz system. ...
Electronic-Circuit II Chap 4. Communication Systems
... • Amplitude Modulation in the Oscillator circuit • Examples of both types of modulation ...
... • Amplitude Modulation in the Oscillator circuit • Examples of both types of modulation ...
SVP PRO front panel
... drive the preamp harder (into distortion). The tone of the signal is also changed to provide a smoother overdrive. The tone controls may have to be readjusted to obtain the overall desired tone. The Gain control (4) and Pad (3) interact with the Drive control. For greater overdrive, the attenuator s ...
... drive the preamp harder (into distortion). The tone of the signal is also changed to provide a smoother overdrive. The tone controls may have to be readjusted to obtain the overall desired tone. The Gain control (4) and Pad (3) interact with the Drive control. For greater overdrive, the attenuator s ...
General Set-Up Connections Trigger Sound parameters
... may as well use drum pads, piezo microphones or dynamic microphones. The two Sens controls will individually adjust the input sensitivity. Dynamic triggering will not only affect the volume of the sound but also attack and decay parameters. You may intentionally set trigger sensitivity to a “wrong” ...
... may as well use drum pads, piezo microphones or dynamic microphones. The two Sens controls will individually adjust the input sensitivity. Dynamic triggering will not only affect the volume of the sound but also attack and decay parameters. You may intentionally set trigger sensitivity to a “wrong” ...
BELT-PACK IFB AMPLIFIER type C1MB
... The C1MB battery-powered belt-pack unit allows either loudspeaker or headphone monitoring of a communications or audio feed, and is typically used with a presenter’s earpiece as part of an IFB kit. ...
... The C1MB battery-powered belt-pack unit allows either loudspeaker or headphone monitoring of a communications or audio feed, and is typically used with a presenter’s earpiece as part of an IFB kit. ...
Physics 517/617 Experiment 5 Operational Amplifiers
... In the previous lab you built a 3 stage AM radio. The last two stages of the radio amplified the signal so that it would be audible. Replace the last two transistors with a non-inverting amplifier of gain 40 dB. See the circuit below. Pick R1 and R2 in the same fashion that they were chosen for the ...
... In the previous lab you built a 3 stage AM radio. The last two stages of the radio amplified the signal so that it would be audible. Replace the last two transistors with a non-inverting amplifier of gain 40 dB. See the circuit below. Pick R1 and R2 in the same fashion that they were chosen for the ...
Epiphone_Valve_Junio..
... Install a jumper across R6 (1M). There is an extra set of holes marked for a capacitor that may come in handy for jumpering across R6. If you want to be adventurous, you can even install a single pole switch here to allow you to switch to higher or lower gain. What this does As designed, the amp thr ...
... Install a jumper across R6 (1M). There is an extra set of holes marked for a capacitor that may come in handy for jumpering across R6. If you want to be adventurous, you can even install a single pole switch here to allow you to switch to higher or lower gain. What this does As designed, the amp thr ...
Tech Note 10 Microphone Amplifier Design, or, Why
... are mostly operated on internationally-standardized phantom power, which sets some hard limits on the amount of power available for such a circuit. Modern sound recording requires a very wide dynamic range – it’s not possible to preserve the lowest noise floor along with a high overload point to han ...
... are mostly operated on internationally-standardized phantom power, which sets some hard limits on the amount of power available for such a circuit. Modern sound recording requires a very wide dynamic range – it’s not possible to preserve the lowest noise floor along with a high overload point to han ...
Bryston B-60 SST Integrated Amplifier
... remote control. • High current reserves for lightning-fast response. ...
... remote control. • High current reserves for lightning-fast response. ...
Datasheet - Albalá Ingenieros
... the last correct frame when the input signal is lost. • Allows adjustment of luminance, chrominance and black levels. • Performs complete EDH packet processing. ...
... the last correct frame when the input signal is lost. • Allows adjustment of luminance, chrominance and black levels. • Performs complete EDH packet processing. ...
The Pixie "micro-power Telegraph transceiver kit
... See the last page of the document accompanying drawings, Q1 and surrounding components constituting a typical Colpitts oscillator and keeps oscillating (the oscillation signal leaks around 1mW) when receiving the local oscillator signal is directly coupled through a capacitor to Q2. Emission state ( ...
... See the last page of the document accompanying drawings, Q1 and surrounding components constituting a typical Colpitts oscillator and keeps oscillating (the oscillation signal leaks around 1mW) when receiving the local oscillator signal is directly coupled through a capacitor to Q2. Emission state ( ...
SSPA 2.2-2.4-40 DS_SSPA 2.2-2.4-40 DS.qxd
... 17 dB min Small Signal Gain External On/Off Command Small Compact Module ...
... 17 dB min Small Signal Gain External On/Off Command Small Compact Module ...
Series - RAM Audio
... demand and thereby eliminating any limiting of the signal dynamics. More like a valve amplifier, RAM Audio's ICL system maintains sonic quality even when the amplifiers have exceeded the threshold of clipping, providing very high dynamics at negligible distortion levels. Commonly the anticlip system ...
... demand and thereby eliminating any limiting of the signal dynamics. More like a valve amplifier, RAM Audio's ICL system maintains sonic quality even when the amplifiers have exceeded the threshold of clipping, providing very high dynamics at negligible distortion levels. Commonly the anticlip system ...
TRANSMITTER FUNDAMENTALS
... SSB Operating Notes - 1 • Like AM and FM, SSB signals can be overmodulated. • The result is distortion and splatter. • SSB Transmitters have a built in control to automatically adjust the speech level. (Called the automatic level control ALC) • The ALC can’t handle audio signals that are excessivel ...
... SSB Operating Notes - 1 • Like AM and FM, SSB signals can be overmodulated. • The result is distortion and splatter. • SSB Transmitters have a built in control to automatically adjust the speech level. (Called the automatic level control ALC) • The ALC can’t handle audio signals that are excessivel ...
for DOWNLOADABLE PDF Glossary.
... Automatic gain control: Property of an amplifier to maintain a constant output level as the input varies by a certain amount. AM Amplitude modulation: a modulation format used for the transmission of video in the USA. Amplifier An active device that increases the strength of a signal by a predetermi ...
... Automatic gain control: Property of an amplifier to maintain a constant output level as the input varies by a certain amount. AM Amplitude modulation: a modulation format used for the transmission of video in the USA. Amplifier An active device that increases the strength of a signal by a predetermi ...
So what makes you think your compressor is “bad”?
... Introduction ‐ The Danfoss BD 35 and BD 50 compressors used in all Frigoboat systems are incredibly reliable machines and very robust. It takes a lot of abuse to “kill” one (they don’t simply die from natural causes), so if you suspect that your compressor is faulty, it’s important to know how the ...
... Introduction ‐ The Danfoss BD 35 and BD 50 compressors used in all Frigoboat systems are incredibly reliable machines and very robust. It takes a lot of abuse to “kill” one (they don’t simply die from natural causes), so if you suspect that your compressor is faulty, it’s important to know how the ...
Dynamic range compression
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Dynamic range compression (DRC) or simply compression reduces the volume of loud sounds or amplifies quiet sounds by narrowing or ""compressing"" an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction and broadcasting and on instrument amplifiers.Audio compression reduces loud sounds which are above a certain threshold while quiet sounds remain unaffected. The dedicated electronic hardware unit or audio software used to apply compression is called a compressor. In recorded and live music, compression parameters may be adjusted by an audio engineer to change the way the effect sounds.