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Why did you choose to write this particular musical
Why did you choose to write this particular musical

... Which comes first, words or music? SK: The book! In writing the songs, I generally wrote the lyrics before the music, taking cues from either the draft of the book or from the screenplay, as well as discussions where we’d just sit in a room talking about what and how much should be sung versus spoke ...
Chapter 3
Chapter 3

... AMOS ‘N’ ANDY ...
Musical Theatre Guild
Musical Theatre Guild

... Musical theatre is a form of performance in which music, songs, spoken dialogue, acting and dance are equally combined. All of these forms of expression enhance the emotional aspects of a story. Music and theatre have been combined in performances since Greek and Roman times. The more modern form ca ...
PRESS RELEASE * PRESS RELEASE * PRESS RELEASE
PRESS RELEASE * PRESS RELEASE * PRESS RELEASE

... Production sponsors are Platt Electric and The Oregonian. BROADWAY ROSE THEATRE COMPANY, a not-for-profit arts organization, has been successfully producing musical theater in Tigard since 1992 under the artistic direction of Sharon Maroney. As the only professional musical theater company in Washin ...
Musical Dramaturgy in Late Nineteenth and Early Twentieth
Musical Dramaturgy in Late Nineteenth and Early Twentieth

... The purpose of this study is to identify the extent music was used as a dramaturgical component in late nineteenth and early twentieth-century theatre. In order to complete this project paradigmatic examples and historical evidence of theatrical practice are considered alongside film sound theory. T ...
Musicals in the 1960`s Broadway
Musicals in the 1960`s Broadway

... It remains Broadway's sixteenth longest-running show in history. The production was very profitable and highly praised. It won nine Tony Awards, including Best Musical, score, book, direction and choreography. It produced five Broadway revivals and a highly successful 1971 film adaptation, and the s ...
November 15, 2016 American playwright, librettist, and screenwriter
November 15, 2016 American playwright, librettist, and screenwriter

... Princeton University’s Lewis Center for the Arts. The discussion will take place on Monday, November 21 at 2:00 p.m. in the James M. Stewart ’32 Theater at 185 Nassau Street as a part of Doyle’s course, “Luminaries of the American Musical Theater.” Presented by the Lewis Center’s new Program in Musi ...
November 2, 2016 Musical Theater Orchestrator and Composer
November 2, 2016 Musical Theater Orchestrator and Composer

... Best Musical, Drama Desk nomination for Best Director); Mahagonny (Los Angeles Opera, two Grammy Awards); Passion (Classic Stage Company, Drama Desk nomination for Best Director of a Musical); Road Show (Public Theatre); Caucasian Chalk Circle (American Conservatory Theatre); and Kiss Me Kate (Stra ...
October 10, 2016 Tony Award-winning performer Donna McKechnie
October 10, 2016 Tony Award-winning performer Donna McKechnie

... of a Musical); Road Show (Public Theatre); Caucasian Chalk Circle (American Conservatory Theatre); and Kiss Me Kate (Stratford Festival Theatre). In addition to numerous credits in London’s West End, Doyle has also directed at Sydney Opera House, the Metropolitan Opera, Houston Grand Opera, La Feni ...
stephen sondheim - The Talent House
stephen sondheim - The Talent House

... by Mr. Sondheim and directed by Des McAnuff (December 15 to January 16 at the Canon Theatre), David Mirvish is delighted to present AN EVENING WITH STEPHEN SONDHEIM, a rare appearance by the theatre artist in Toronto on December 6, 2010 at the Princess of Wales Theatre. AN EVENING WITH STEPHEN SONDH ...
press release - Sierra Repertory Theatre
press release - Sierra Repertory Theatre

... measured, Noises Off, playing April 14 through May 14. A riotous whirlwind of theatrical catastrophe, Noises Off presents a pitiful acting troupe stumbling through rehearsal and performance of a ludicrous farce. Bedlam reigns on stage and off, from missing contact lenses and misplaced props to phila ...
critics` picks - Windy City Playhouse
critics` picks - Windy City Playhouse

... of This seem to careen at us from out of nowhere. When each of your characters is unfailingly eloquent and never at a loss for words, you can feel the distinct lack of any stuttering, trailing off or vocal befuddlement, and it can be distancing. That said, I recommend having a gander at this visuall ...
Pinocchio, a 100% Italian musical produced by Compagnia della
Pinocchio, a 100% Italian musical produced by Compagnia della

... PINOCCHIO The Italian Musical is a show suitable for the whole family which amuses and surprises with its great special effects and fascinates with dances and songs. A great cast of the very best performers, surprising and special effects, spectacular changes of scene, exciting songs, colourful cost ...
Musical Theatre
Musical Theatre

... • Musicals of this time emphasized big dance routines and popular songs • Plot was not as strong/emphasized • Many shows were revues • Raised production values – musicals became more expensive ...
Musical Theatre Hist.. - Queen Anne`s County Public Schools
Musical Theatre Hist.. - Queen Anne`s County Public Schools

... Colored lights were formed by putting colored “gels” over the lights. In modern-day theatre, sets sometimes move themselves (do not require as much back-stage personnel), sets are designed to represent where the characters are rather than what they are feeling, and sets are much more advanced than e ...
The musical or musical theatre
The musical or musical theatre

... The musical or musical theatre Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical are communicated through the words, music, movement and technical aspects of the entertainment as an integrated who ...
Hammerstein`s Broadway - Katonah Museum of Art
Hammerstein`s Broadway - Katonah Museum of Art

... family historian. He has devoted much of his life to studying and preserving his family’s heritage and their contribution to American culture. He lectures frequently at universities, institutes, and theatrical and civic organizations on the Hammerstein family’s pivotal role in shaping the developmen ...
Season Sponsor of Young People`s Theatre
Season Sponsor of Young People`s Theatre

... “This is a wonderful show that both performers and audience members alike will love. It has a great story and fabulous musical numbers, and is the perfect show for the whole family. Once you've heard the tunes, you'll be humming them for days,” said Adorlie Hillstrom, artistic director, DIWC. Josep ...
MUSC 1562 or THEA 1562 MUSIC THEATRE
MUSC 1562 or THEA 1562 MUSIC THEATRE

... its major developments from its origins to the present day. Recognize major musical works by composers such as Jerome Kern, Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Frank Loesser, Jerry Herman, John Kander, Frederic Loewe, Stephen Sondheim, Andrew Lloyd Webber and others. ...
Encuc ia of UUorld Drama
Encuc ia of UUorld Drama

... legitimate theatre was dissolved under the Licensing Act of 1843, there had emerged a theatre in which music-and-dance pieces were an integral part of the production. The Licensing Act, meanwhile, contributed to the creation of another popular entertainment, the Music Hall, by licensing some theatre ...
Slide 1
Slide 1

... • modern day performance art where the entertainers literally cover their entire bodies in blue greasepaint and treat their audience to an evening of percussive rock music, flying food, a dazzling light show, tons of paper, and of course audience participation. ...
Music - Part 1 - Portora Royal School
Music - Part 1 - Portora Royal School

... A level music will require you to work as a performer, composer and researcher of a wide range of musical styles. A level music is considerably more demanding of you as a musician than was GCSE. The following task has been designed to help you prepare for the kind of work that you will be expected ...
the ladies of lyric and song: female composers
the ladies of lyric and song: female composers

... female  composers  and  lyricists  faced.    These  songs  reflect  the  styles  of  their  time   and  include  operetta,  jazz,  golden  era,  folk  rock,  and  contemporary  cabaret.   ...
CAST NAMED FOR MUSICAL.doc
CAST NAMED FOR MUSICAL.doc

... be played by Michelle Atkins, Kendra Beck, Carla Hartley, Amber Long, Oksana Khariv, Tricia Studer, and Martha Waneck. For the first time, the TC Drama, Orchestra, and Vocal departments will collaborate on the spring production. The show will be directed by Al Alford with musical direction and chore ...
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Concept musical

A concept musical is a musical where the show's metaphor or statement is more important than the actual narrative. Also known as a deconstructed or bookless musical, the concept musical has its roots in the plays with music that Bertolt Brecht wrote with Kurt Weill and other composers. While the genre's exact definition is debated, it is generally agreed that the concept musical's theme often provides social commentary and further room for exploration of form and structure. Characters may be isolated from one another, reflecting and commenting upon themselves through song. There is a strong focus on visual presentation, representation, and imagery when staging a concept musical.Concept musicals were first introduced in the 1940s, though two shows compete for the title of 'first concept musical:' Allegro and Love Life. The form began to flourish in the late 1960s, with the advent and subsequent popularity of Man of La Mancha, Cabaret, and Hair. Stephen Sondheim, the most prolific author of concept musicals, created Company in 1970, bringing the genre to the forefront of the commercial realm. Director-choreographer Bob Fosse and producer-director Harold Prince were equally instrumental in making defining contributions to the concept musical. Modern examples of the concept musical include Assassins and Avenue Q. Shows ranging from Fiddler on the Roof to Sweeney Todd have been argued as being concept musicals, though there is little critical agreement. The concept musical has direct ties to the megamusical, which has similar roots in the Andrew Lloyd Webber work Cats, and the similarly plotless revue. Mirroring the social upheaval of the 1960s and beyond, the concept musical as a form provided a means of expression and experimentation for musical theatre writers and audiences alike.
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