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... 1. Complete the statement. If a transversal intersects two parallel lines, then _____. a. Corresponding angles are supplementary b. Same-side interior angles are complementary c. Alternate interior angles are congruent d. None of these 2. Complete the statement. If a transversal intersects two paral ...
... 1. Complete the statement. If a transversal intersects two parallel lines, then _____. a. Corresponding angles are supplementary b. Same-side interior angles are complementary c. Alternate interior angles are congruent d. None of these 2. Complete the statement. If a transversal intersects two paral ...
Algebra Geometry Glossary
... up and down in direction 75) vertical angles / ساويتاٌ يتماتهتاٌ تانزأص:ٌساويتاٌ رأسيَتا two non-adjacent angles with the same measure, formed when two straight lines cross Example: 1 and 2 are vertical angles. ...
... up and down in direction 75) vertical angles / ساويتاٌ يتماتهتاٌ تانزأص:ٌساويتاٌ رأسيَتا two non-adjacent angles with the same measure, formed when two straight lines cross Example: 1 and 2 are vertical angles. ...
Spring Break 2010 Geometry Regents Review
... alternate interior angles, then the two lines are parallel. C. If two lines cut by a transversal form congruent corresponding angles, then the two lines are parallel. D. If two lines cut by a transversal form same side interior angles that are supplementary, then the two lines are ...
... alternate interior angles, then the two lines are parallel. C. If two lines cut by a transversal form congruent corresponding angles, then the two lines are parallel. D. If two lines cut by a transversal form same side interior angles that are supplementary, then the two lines are ...
Perspective (graphical)
Perspective (from Latin: perspicere to see through) in the graphic arts is an approximate representation, on a flat surface (such as paper), of an image as it is seen by the eye. The two most characteristic features of perspective are that objects are smaller as their distance from the observer increases; and that they are subject to foreshortening, meaning that an object's dimensions along the line of sight are shorter than its dimensions across the line of sight.Italian Renaissance painters including Paolo Uccello, Piero della Francesca and Luca Pacoima studied linear perspective, wrote treatises on it, and incorporated it into their artworks, thus contributing to the mathematics of art.