http://www - RP Classes
... burlesque -- A comic imitation of a serious literary form, burlesque relies on a sharp contrast between the subject itslef and the way it is treated. In Tom Thumb, we see Fielding mocking heroic drama. The intent of such a play is to make fun of a certain ...
... burlesque -- A comic imitation of a serious literary form, burlesque relies on a sharp contrast between the subject itslef and the way it is treated. In Tom Thumb, we see Fielding mocking heroic drama. The intent of such a play is to make fun of a certain ...
translating wilfred owen in argentina
... explained, the first type emphasizes the visual elements in a poem, the second highlights the melody and the third stresses its notional components. However, one must bear in mind that the three components operate as feedback, so much so that ‘meaning’ is significantly determined by visual and aural ...
... explained, the first type emphasizes the visual elements in a poem, the second highlights the melody and the third stresses its notional components. However, one must bear in mind that the three components operate as feedback, so much so that ‘meaning’ is significantly determined by visual and aural ...
poetry - Dementia Arts
... Call and Response The core concept of the Alzheimer’s Poetry Project is call and response, when the session leader recites a line of poetry and then has the group echo back the words. It is a technique I have used in working with everyone from preschool children to 100-year old elders. I have used ...
... Call and Response The core concept of the Alzheimer’s Poetry Project is call and response, when the session leader recites a line of poetry and then has the group echo back the words. It is a technique I have used in working with everyone from preschool children to 100-year old elders. I have used ...
Eisteddfod – 2009 The English Competitions
... “Family and Friends” Rules • Stay focused on writing about the given topic • Shape your writing into a format on the page suited to a poem • Your poem should have a minimum of 8 lines, and a maximum of 30 lines. Lines may be organised into a number of stanzas, or organised as lines without a break • ...
... “Family and Friends” Rules • Stay focused on writing about the given topic • Shape your writing into a format on the page suited to a poem • Your poem should have a minimum of 8 lines, and a maximum of 30 lines. Lines may be organised into a number of stanzas, or organised as lines without a break • ...
Lit Terms Glossary
... Canon Those works generally considered by scholars, critics, and teachers to be the most important to read and study, which collectively constitute the "masterpieces" of literature. Since the 1960s, the traditional English and American literary canon, consisting mostly of works by white male writers ...
... Canon Those works generally considered by scholars, critics, and teachers to be the most important to read and study, which collectively constitute the "masterpieces" of literature. Since the 1960s, the traditional English and American literary canon, consisting mostly of works by white male writers ...
Unit 9 - apel slice
... Historical fiction is based on true events but includes made-up characters and incidents. Fantasy may be set in the real or a make-believe world, but its characters do impossible things and the plots are highly imaginative. In science fiction, the action is usually set in a future world, which chara ...
... Historical fiction is based on true events but includes made-up characters and incidents. Fantasy may be set in the real or a make-believe world, but its characters do impossible things and the plots are highly imaginative. In science fiction, the action is usually set in a future world, which chara ...
Poetry Terms Paradox
... Way of speaking particular to a region Examples: A wicked Noreaster blowin’ hard. Y’all come back now real soon. ...
... Way of speaking particular to a region Examples: A wicked Noreaster blowin’ hard. Y’all come back now real soon. ...
Student Handbook of Literary Terms
... Setting - is the time and place in which the action of a literary work occurs. Soliloquy - is a speech delivered by a character when he or she is alone or stage. It is as though the character is thinking out loud. Stereotype - is a form that does not change. A "stereotyped" character has no individ ...
... Setting - is the time and place in which the action of a literary work occurs. Soliloquy - is a speech delivered by a character when he or she is alone or stage. It is as though the character is thinking out loud. Stereotype - is a form that does not change. A "stereotyped" character has no individ ...
English 127
... religious lessons but is sometimes used for satiric or political purposes. Examples of allegorical works include Edmund Spenser's The Faerie Queene and John Bunyan's The Pilgrim's Progress. (See also Exemplumand Fable.) Allusion: A reference to a familiar literary or historical person or event, used ...
... religious lessons but is sometimes used for satiric or political purposes. Examples of allegorical works include Edmund Spenser's The Faerie Queene and John Bunyan's The Pilgrim's Progress. (See also Exemplumand Fable.) Allusion: A reference to a familiar literary or historical person or event, used ...
Reading and Preparing your Wilfred Owen
... A poet uses all of his or her techniques in order to convey the theme and mood of a poem. In your essay you should show how the poet uses these methods to convey the theme. That is to say, you shouldn't talk about the theme as something separate from the poem. A poet's choice of structure, imagery, ...
... A poet uses all of his or her techniques in order to convey the theme and mood of a poem. In your essay you should show how the poet uses these methods to convey the theme. That is to say, you shouldn't talk about the theme as something separate from the poem. A poet's choice of structure, imagery, ...
Reviewing poetic techniques
... hold so high is but a lie”, highlights how wrong and un-Christian racism is. A strong visual image is created by the language the poet uses in the description, “But when a child comes home in tears fierce anger sears”, is used. Both this example and the metaphor, “Vile men jeer because my skin is br ...
... hold so high is but a lie”, highlights how wrong and un-Christian racism is. A strong visual image is created by the language the poet uses in the description, “But when a child comes home in tears fierce anger sears”, is used. Both this example and the metaphor, “Vile men jeer because my skin is br ...
File - Wingate English
... A poet uses all of his or her techniques in order to convey the theme and mood of a poem. In your essay you should show how the poet uses these methods to convey the theme. That is to say, you shouldn't talk about the theme as something separate from the poem. A poet's choice of structure, imagery, ...
... A poet uses all of his or her techniques in order to convey the theme and mood of a poem. In your essay you should show how the poet uses these methods to convey the theme. That is to say, you shouldn't talk about the theme as something separate from the poem. A poet's choice of structure, imagery, ...
For my Sister Molly Who in the Fifties
... in praise of someone he loved. Very few sonnets seem to be written by the women of those times. To write a sonnet was a challenge, a kind of game. The writer wanted to see how well he could express his feelings while following certain rules. He also wanted to see how close to natural speech his form ...
... in praise of someone he loved. Very few sonnets seem to be written by the women of those times. To write a sonnet was a challenge, a kind of game. The writer wanted to see how well he could express his feelings while following certain rules. He also wanted to see how close to natural speech his form ...
Literary Terms and Techniques
... 68. rhythm - the arrangement of stressed and unstressed syllables into a pattern. 69. sarcasm- a type of irony in which a person appears to be praising something but is actually insulting it. 70. sensory language- writing or speech that appeals to one or more of the senses. 71. setting- the time and ...
... 68. rhythm - the arrangement of stressed and unstressed syllables into a pattern. 69. sarcasm- a type of irony in which a person appears to be praising something but is actually insulting it. 70. sensory language- writing or speech that appeals to one or more of the senses. 71. setting- the time and ...
Rhythm
... To a higher degree than that classic memory-tickler, poetry appeals to the mind and arouses the feelings. Poetry may state facts, but, more important, it makes imaginative statements that we may value even if its facts are incorrect. Coleridge’s error in placing a star within the horns of the cresce ...
... To a higher degree than that classic memory-tickler, poetry appeals to the mind and arouses the feelings. Poetry may state facts, but, more important, it makes imaginative statements that we may value even if its facts are incorrect. Coleridge’s error in placing a star within the horns of the cresce ...
does the sea actually come suddenly around the cape or appear to?
... Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be, Much pleasure; then from thee much more must flow, And soones ...
... Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be, Much pleasure; then from thee much more must flow, And soones ...
Bloom`s Taxonomy—Levels of Understanding
... An exaggeration made for effect and should not be taken literally. EX: “I’ve got a million things to do.” ...
... An exaggeration made for effect and should not be taken literally. EX: “I’ve got a million things to do.” ...
Basic Versification Terms
... e.g., To fetch a pail of water [trimeter, 2 iambs + 1 amphibrach] e.g., Had we but world enough and time [iambic tetrameter] 2 e.g., It is the grave of Jesus where he lay [iambic pentameter] 3 e.g., For I would we were changed to white birds on the wandering foam: I and you [anapestic hexameter] 4 e ...
... e.g., To fetch a pail of water [trimeter, 2 iambs + 1 amphibrach] e.g., Had we but world enough and time [iambic tetrameter] 2 e.g., It is the grave of Jesus where he lay [iambic pentameter] 3 e.g., For I would we were changed to white birds on the wandering foam: I and you [anapestic hexameter] 4 e ...
CHAPTER II REVIEW OF RELATED LITERATURE A. Figurative
... Understatement is saying less than one means that may exist in what are said or merely in how one says it.24 Understatement is the opposite of overstatement. As the researcher has already noted that overstatement is saying more, while understatement is saying less than what the words means. For exam ...
... Understatement is saying less than one means that may exist in what are said or merely in how one says it.24 Understatement is the opposite of overstatement. As the researcher has already noted that overstatement is saying more, while understatement is saying less than what the words means. For exam ...
Poetry Notes
... Because I was embarrassed my face was as red as a ripe tomato. My love is like a red, red rose. The world is like a stage. “As dry as a bone” “As easy as shooting fish in a barrel” “They fought like cats and dogs” “Stand out like a sore thumb” ...
... Because I was embarrassed my face was as red as a ripe tomato. My love is like a red, red rose. The world is like a stage. “As dry as a bone” “As easy as shooting fish in a barrel” “They fought like cats and dogs” “Stand out like a sore thumb” ...
Basics of English Studies: An introductory course for students of
... page. Thus, before they have actually started reading, readers of poetry are given an instant indication that what they are going to read is probably a poem. In consequence, a reader’s attention is likely to focus on ‘poetic features’ of the text. Poetry is often associated not only with specialised ...
... page. Thus, before they have actually started reading, readers of poetry are given an instant indication that what they are going to read is probably a poem. In consequence, a reader’s attention is likely to focus on ‘poetic features’ of the text. Poetry is often associated not only with specialised ...
poetry - Universitas Brawijaya
... Wordsworth, Matthew Arnold and Ralph Waldo Emerson. Mathew Arnold says that “Poetry is simply the most beautiful, impressive, and widely effective mode of saying things”. William Wordsworth as a romantic poet defines it as the spontaneous overflow of powerful feelings which takes its origin from emo ...
... Wordsworth, Matthew Arnold and Ralph Waldo Emerson. Mathew Arnold says that “Poetry is simply the most beautiful, impressive, and widely effective mode of saying things”. William Wordsworth as a romantic poet defines it as the spontaneous overflow of powerful feelings which takes its origin from emo ...
12th Grade Advanced Placement Summer Reading
... required to complete a summer reading assignment. Reading over the summer will help each student improve vocabulary, comprehension, and writing skills that will make all studies more beneficial to academic achievement. The summer reading/writing assignments for all students will be due on Friday, Se ...
... required to complete a summer reading assignment. Reading over the summer will help each student improve vocabulary, comprehension, and writing skills that will make all studies more beneficial to academic achievement. The summer reading/writing assignments for all students will be due on Friday, Se ...
8R.2.1.7ballad rhythm and meter
... The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed—and gazed—but little thought ...
... The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed—and gazed—but little thought ...
LAD Category Descriptions
... abab cdcd efef gg. The couplet at the end is often a commentary on or resolution of the preceding lines. Example: ...
... abab cdcd efef gg. The couplet at the end is often a commentary on or resolution of the preceding lines. Example: ...
Topographical poetry
Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham's 1642 poem ""Cooper's Hill"" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout the medieval era and during the Renaissance. Though the earliest examples come mostly from continental Europe, the topographical poetry in the tradition originating with Denham concerns itself with the classics, and many of the various types of topographical verse, such as river, ruin, or hilltop poems were established by the early 17th century. Alexander Pope's ""Windsor Forest"" (1713) and John Dyer's ""Grongar Hill' (1762) are two other oft-mentioned examples. More recently, Matthew Arnold's ""The Scholar Gipsy"" (1853) praises the Oxfordshire countryside, and W. H. Auden's ""In Praise of Limestone"" (1948) uses a limestone landscape as an allegory. Subgenres of topographical poetry include the country house poem, written in 17th-century England to compliment a wealthy patron, and the prospect poem, describing the view from a distance or a temporal view into the future, with the sense of opportunity or expectation. When understood broadly as landscape poetry and when assessed from its establishment to the present, topographical poetry can take on many formal situations and types of places. Kenneth Baker identifies 37 varieties and compiles poems from the 16th through the 20th centuries—from Edmund Spenser to Sylvia Plath—correspondent to each type, from ""Walks and Surveys,"" to ""Mountains, Hills, and the View from Above,"" to ""Violation of Nature and the Landscape,"" to ""Spirits and Ghosts.""Common aesthetic registers of which topographical poetry make use include pastoral imagery, the sublime, and the picturesque. These latter two registers subsume imagery of rivers, ruins, moonlight, birdsong, and clouds, peasants, mountains, caves, and waterscapes.