The Tides of “We Real Cool” by Juli Grace
... This "less than lean" poem probably has enough sustenance for its many interpretations to feed on. Poetry is, after all, so often equal parts writer and reader. ...
... This "less than lean" poem probably has enough sustenance for its many interpretations to feed on. Poetry is, after all, so often equal parts writer and reader. ...
Jaz Storyboard III
... TeacherTube to find - The video that I find and select for my presentation will be entered into my presentation either via a videos for my link or upload, and added as a 30 second – 1 minute section. project. These - It is unknown at this time if words will be used as visuals in the presentation. vi ...
... TeacherTube to find - The video that I find and select for my presentation will be entered into my presentation either via a videos for my link or upload, and added as a 30 second – 1 minute section. project. These - It is unknown at this time if words will be used as visuals in the presentation. vi ...
Poetry Terms!!!
... Imagery Words and phrases that create vivid sensory experiences for a reader. ...
... Imagery Words and phrases that create vivid sensory experiences for a reader. ...
Glossary of Poetry Terms Types and Forms
... effect. After your brother breaks your mother’s favorite vase, by fooling around in the living room: “That was a cool move, man.” ...
... effect. After your brother breaks your mother’s favorite vase, by fooling around in the living room: “That was a cool move, man.” ...
Literary Terms Teaching Powerpoint
... 2) The author’s choice of words An author has the option of choosing any word from our language, why does he/she choose to use certain words and not others? In order to create a certain tone. ...
... 2) The author’s choice of words An author has the option of choosing any word from our language, why does he/she choose to use certain words and not others? In order to create a certain tone. ...
Understanding Poetry
... “Mine breathes fire and smoke and such.” “Mine has skin you’d hate to touch.” ...
... “Mine breathes fire and smoke and such.” “Mine has skin you’d hate to touch.” ...
Introduction to the three genres: Short stories, poetry
... A paradox is an apparent contradiction that is nevertheless true. It may either be a situation or a statement ("damn with faint praise"). Overstatement, or hyperbole, is simply exaggeration but exaggeration in the service of truth. Understatement, or saying less than one means, may exist in what one ...
... A paradox is an apparent contradiction that is nevertheless true. It may either be a situation or a statement ("damn with faint praise"). Overstatement, or hyperbole, is simply exaggeration but exaggeration in the service of truth. Understatement, or saying less than one means, may exist in what one ...
trimester 1
... King Lear (William Shakespeare): This unit is based on activities inspired by the Oregon Shakespeare Festival. It requires that you understand the performance of the play and how this affects its interpretation. You will also analyze the play on four levels: physical, psychological, mythical, and sp ...
... King Lear (William Shakespeare): This unit is based on activities inspired by the Oregon Shakespeare Festival. It requires that you understand the performance of the play and how this affects its interpretation. You will also analyze the play on four levels: physical, psychological, mythical, and sp ...
Jamieson 7th Grade Unit 3 Poetry Literary Terms To know
... Some in their wealth, some in their body's force, Some in their garments, though new-fangled ill; Some in their hawks and hounds, some in their horse; And every humour hath his adjunct pleasure, Wherein it finds a joy above the rest: But these particulars are not my measure; All these I better in on ...
... Some in their wealth, some in their body's force, Some in their garments, though new-fangled ill; Some in their hawks and hounds, some in their horse; And every humour hath his adjunct pleasure, Wherein it finds a joy above the rest: But these particulars are not my measure; All these I better in on ...
Literary Terms - cloudfront.net
... poem. A stanza of two lines is called a couplet; a stanza of three lines is called a tercet; a stanza of four lines is called a quatrain. ...
... poem. A stanza of two lines is called a couplet; a stanza of three lines is called a tercet; a stanza of four lines is called a quatrain. ...
Elements of Style: Literary Devices
... If somebody gave you these two poems and told you one was written by E. E. Cummings and one by Dr. Seuss, would you be able to tell which was which? If you’ve ever read anything by either writer, you almost certainly would know the first is by Dr. Seuss and the second is by E. E. Cummings. But how w ...
... If somebody gave you these two poems and told you one was written by E. E. Cummings and one by Dr. Seuss, would you be able to tell which was which? If you’ve ever read anything by either writer, you almost certainly would know the first is by Dr. Seuss and the second is by E. E. Cummings. But how w ...
What is Poetry - Digilander
... it is rarely read by the general public. This is partly related to the perceived difficulty of poetry in contrast with the accessibility of most prose. Two essential components of poetry which distinguish it from fiction are concision and exactitude. The form of it great poem has a finality, a sense ...
... it is rarely read by the general public. This is partly related to the perceived difficulty of poetry in contrast with the accessibility of most prose. Two essential components of poetry which distinguish it from fiction are concision and exactitude. The form of it great poem has a finality, a sense ...
Louise Bogan - Iowa Research Online
... subclasses of a class; any provides bridge Analogies larger are not each so and other's when subclasses made except meanings, intentionally are sources its in the way Nor the that by psychic signals. poem's meaning sources are of the within "The Dream" and "The part meaning psychic Sleep to Sources ...
... subclasses of a class; any provides bridge Analogies larger are not each so and other's when subclasses made except meanings, intentionally are sources its in the way Nor the that by psychic signals. poem's meaning sources are of the within "The Dream" and "The part meaning psychic Sleep to Sources ...
Analyzing Poetry
... Toomer's "Georgia Dusk," which refers to a time of day as well as to dark-skinned people. Does it strike a balance, as in Rita Dove's "Beulah and Thomas"? Is there an obvious antithesis, as with Robert Frost's "Fire and Ice"? Is there historical significance to the title? For example, Robert L ...
... Toomer's "Georgia Dusk," which refers to a time of day as well as to dark-skinned people. Does it strike a balance, as in Rita Dove's "Beulah and Thomas"? Is there an obvious antithesis, as with Robert Frost's "Fire and Ice"? Is there historical significance to the title? For example, Robert L ...
Module 2: Poetry
... Dreaming of evening walks through learned cities They reined their violent horses on the mountains, Those fields like ships to castaways on islands, Visions of green to them who craved for water. ...
... Dreaming of evening walks through learned cities They reined their violent horses on the mountains, Those fields like ships to castaways on islands, Visions of green to them who craved for water. ...
A Review of Margaret Avison`s Listening
... limited and her eyesight was poor, so she was not very active though she made a point of walking with her walker outside every day for a short distance. What she could still do was to read/write under a strong light in her high-backed chair; this enabled her to carry on with her poetry, as well as w ...
... limited and her eyesight was poor, so she was not very active though she made a point of walking with her walker outside every day for a short distance. What she could still do was to read/write under a strong light in her high-backed chair; this enabled her to carry on with her poetry, as well as w ...
Characteristics of the Ballad (From Princeton Encyclopedia of Poetry
... Characteristics of the Ballad (From Princeton Encyclopedia of Poetry and Poetics) A. Has “folk” or “popular” tradition. B. Short narrative song ...
... Characteristics of the Ballad (From Princeton Encyclopedia of Poetry and Poetics) A. Has “folk” or “popular” tradition. B. Short narrative song ...
Poetry Vocabulary
... Very conversational - sounds like someone talking with you Example: See “Fog” by Carl Sandburg ...
... Very conversational - sounds like someone talking with you Example: See “Fog” by Carl Sandburg ...
Term Definition Example 1. metaphor a comparison between two
... pretentious, exaggeratedly learned language; when a person tries to be eloquent by using the largest, most uncommon words, one falls into bombast ...
... pretentious, exaggeratedly learned language; when a person tries to be eloquent by using the largest, most uncommon words, one falls into bombast ...
A Framework for Teaching Poetry
... ‘Schools need poetry because poetry is uniquely placed to allow schoolchildren to say what they really want to say in the way they want to say it’ (Michael Rosen, A Year With Poetry’). ‘Poetry is text in which emotions, ideas and sounds of language are presented in a way that satisfies both the writ ...
... ‘Schools need poetry because poetry is uniquely placed to allow schoolchildren to say what they really want to say in the way they want to say it’ (Michael Rosen, A Year With Poetry’). ‘Poetry is text in which emotions, ideas and sounds of language are presented in a way that satisfies both the writ ...
poetry_ppt
... The six words that end each of the lines of the first stanza are repeated in a different order at the end of lines in each of the ...
... The six words that end each of the lines of the first stanza are repeated in a different order at the end of lines in each of the ...
File
... Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, ...
... Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, ...
Poetry Terms - Lamont High
... Connotation: the emotions, values, or images associated with a word. The intensity of emotions or the power of the values and images associated with a word varies. Words connected with religion, politics, and sex; tend to have the strongest feelings and images associated with them. For most people, ...
... Connotation: the emotions, values, or images associated with a word. The intensity of emotions or the power of the values and images associated with a word varies. Words connected with religion, politics, and sex; tend to have the strongest feelings and images associated with them. For most people, ...
Topographical poetry
Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham's 1642 poem ""Cooper's Hill"" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout the medieval era and during the Renaissance. Though the earliest examples come mostly from continental Europe, the topographical poetry in the tradition originating with Denham concerns itself with the classics, and many of the various types of topographical verse, such as river, ruin, or hilltop poems were established by the early 17th century. Alexander Pope's ""Windsor Forest"" (1713) and John Dyer's ""Grongar Hill' (1762) are two other oft-mentioned examples. More recently, Matthew Arnold's ""The Scholar Gipsy"" (1853) praises the Oxfordshire countryside, and W. H. Auden's ""In Praise of Limestone"" (1948) uses a limestone landscape as an allegory. Subgenres of topographical poetry include the country house poem, written in 17th-century England to compliment a wealthy patron, and the prospect poem, describing the view from a distance or a temporal view into the future, with the sense of opportunity or expectation. When understood broadly as landscape poetry and when assessed from its establishment to the present, topographical poetry can take on many formal situations and types of places. Kenneth Baker identifies 37 varieties and compiles poems from the 16th through the 20th centuries—from Edmund Spenser to Sylvia Plath—correspondent to each type, from ""Walks and Surveys,"" to ""Mountains, Hills, and the View from Above,"" to ""Violation of Nature and the Landscape,"" to ""Spirits and Ghosts.""Common aesthetic registers of which topographical poetry make use include pastoral imagery, the sublime, and the picturesque. These latter two registers subsume imagery of rivers, ruins, moonlight, birdsong, and clouds, peasants, mountains, caves, and waterscapes.