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The Seagull Study Guide - Goodman Theatre Education
The Seagull Study Guide - Goodman Theatre Education

... While the director and cast are in rehearsal, the designers and their technicians have been hard at work on all of the other components such as lighting, sound, costumes, scenery. Tech is the period when all of these elements finally come together on the stage. This period – usually lasting a week – ...
printable version - Brunel University London
printable version - Brunel University London

... score which accompanied the choreographed visual performance. In Ivo van Hove’s Dutch production of the same play with Het Zuidelijk Toneel, seen at the Edinburgh Festival in 1999, voice was separated from other sound effects and the music. Music was presented live on stage by a small group of musi ...
August: Osage County - Arden Theatre Company
August: Osage County - Arden Theatre Company

... pain killers, prescription sleep aids and other, more addictive drugs. It also increases the risk of negative and possibly fatal interactions between drugs, especially when they are not used as prescribed. Drug addiction is a biological, pathological process that alters how the brain functions. Prol ...
A Midsummer Night`s Dream
A Midsummer Night`s Dream

... • At the Blackfriars, we offer the same kind of experience during our pre-show and intermission entertainments. If you want to join in the pre-show fun, arrive up to a half hour early. During intermission there will be more entertainment, but this is also the time when you can stretch your legs, use ...
Staging the Story Michael Harvey www.michaelharvey.org
Staging the Story Michael Harvey www.michaelharvey.org

... Thomas’ Take these Chains from my Heart). In this way the stories told have a looser relationship to the storytellers than scripted material which is copyrighted by an author, although word for word renditions of other storytellers’ work are seriously frowned on. Although maintaining a cultural link ...
New Theatre Quarterly Embodying, Imagining, and Performing
New Theatre Quarterly Embodying, Imagining, and Performing

... create resonances between socio-political realities and historical memories for a contemporary central European audience. We decided to assemble and shape the performance score from three types of sources/ stimuli: (1) performance structures devised from non-verbal psychophysical work with states of ...
The apocalyptic theatre of Sarah Kane
The apocalyptic theatre of Sarah Kane

... those features of her drama which mark out her importance as a writer, together with the role her work can provide in teaching practice, linking ideas and themes from past dramatic forms, texts and practitioners. Sarah Kane’s debut, Blasted on 12th January 1995 provides a fortuitous nexus for theatr ...
Based on a True Story
Based on a True Story

... that the “power which poetry has of harming even the good (and there are very few who are not harmed) is surely an awful thing” (Plato 29). This power Plato speaks of is the same power both Schiller and Zola felt was a positive characteristic of the theatre; however, Plato does not approve of truth ...
The Drama in Context - Blackwell Publishing
The Drama in Context - Blackwell Publishing

... only by candlelight, so its deceptions and imperfections could not be noticed from the auditorium. This setting made of wings, borders and shutters would not have been any wider or deeper than a box set, but it could do something the box could not: it could change in a twinkling. Plays from the Rest ...
Second semester Drama (1) Fourth Year Modern Drama: major
Second semester Drama (1) Fourth Year Modern Drama: major

... exemplifies Zola’s laws is Therese Raquin (1873) in which he used all the elements of Naturalism.  With Zola appeared a Norwegian playwright called Henrik Ibsen. Ibsen began a series of plays that would mark the emergence of modern theatre; he helped a lot in pushing drama forward. Most of Ibsen’s ...
Shakespeare`s scripts as blueprints for performance at
Shakespeare`s scripts as blueprints for performance at

... be given the opportunity to gain a sense of Shakespeare’s works as blueprints for performance within their original socio-historical contexts, to appreciate the scripts as being written for the ‘wooden O’ type framework of Elizabethan theatres such as The Rose and The Globe. And then, yes, students ...
An Inspector Calls by JB Priestley
An Inspector Calls by JB Priestley

... He found himself having political discussions with his father’s socialist friends. ...
before seeing the performance…
before seeing the performance…

... way. When we watch these programs at home, we get tricked, sucked-in, it’s much harder to be critical or to see it for what it is. The theatrical deconstruction of Reality TV, to expose or ridicule the watcher and point to our own addiction to this particular vice is by its very nature, satirical. A ...
Theatre Audiences and Perceptions of `Liveness` in
Theatre Audiences and Perceptions of `Liveness` in

... importantly, audiences’ talk about a performance. Crucially, Phelan formulates this definition as ontological, a description of the essential nature of performance. In response, Auslander argues not only that the status and perception of live performance as live is historically contingent, but that ...
Fahrenheit 451 Fahrenheit 451
Fahrenheit 451 Fahrenheit 451

... Now, twenty-six years after the novel’s publication, and thirteen years after Francois Truffaut’s evocative film, I called all of my characters together inside my head one night and said to them: What’s new? What’s happened to all of you in the past years? In what secret ways have you grown? What ca ...
fringe application form - Centre for Creative Arts
fringe application form - Centre for Creative Arts

... * All technical details need to be carefully written up on the application form as FRINGE participants will be subject to the technical specs as set out by the Elizabeth Sneddon Theatre/ and the available technical rig that is set up for the main festival. * Successful applicants will receive detail ...
27 jan – 5 march 2011
27 jan – 5 march 2011

... truth, relates to the concept of faith itself. Faith is a belief in something which we cannot see or prove, something intangible. As the world of the play only exists in the writing, and the writing never gives us a complete or objective account, there is in fact no ‘true’ version of events; if the ...
Special Educational Needs Resource Pack
Special Educational Needs Resource Pack

... still be effective (although a little more difficult for some). You can make the doorway into Narnia using people’s bodies as an archway and ...
emily - Palace Theatre
emily - Palace Theatre

... Face the Problem The audience learns the story of Fish Face through the words – called lines of dialogue in the theatre – that actors speak. In Fish Face, Emily’s lines reveal her problems. Read each of Emily’s lines below. Then pretend you are Emily’s friend. Give her some advice on how she might t ...
D. H. Lawrence`s Theatre: Identity and Naturalism in A
D. H. Lawrence`s Theatre: Identity and Naturalism in A

... background. Most of the writes have to achieve this only through previous documentation. Lawrence realism is presented as the ‘social life of the mining village as a knowable community’ (Holderness 23). Moreover, his plays differ from other realistic plays in that ‘rather than examining works in ter ...
Childrens Theatre Performance Scoring Rubric
Childrens Theatre Performance Scoring Rubric

... appropriate to their piece and would appeal to children. (ex. Bright colors, masks, puppets, etc.). (10 pts.) The piece demonstrated good practices of children’s theatre. By respecting children, using appropriate content, not talking down to the audience, and following the rules of good children’s t ...
Japanese Theater
Japanese Theater

... Demon Mask ...
Japanese Theatre
Japanese Theatre

... Demon Mask ...
theatre studies top class 2011
theatre studies top class 2011

... space. I know I found it so much easier to experiment with ideas without the script in my hand! Crucial to my creative process was settling on a context, as this not only affected my choice of set and costume, but also my characterisation. I then went through my monologue and highlighted words and l ...
Teacher Notes
Teacher Notes

... We!all!know!what!it’s!like!to!be!misunderstood.!For!people!to!look!at!you!and!think!you!are!something! that!you!are!not.!Sometimes!your!voice!is!a!little!different!than!everyone!else!because!you!grew!up!in!a! different!city,!or!you!walk!a!little!differently!than!everyone!else!cause!your!feet!are!a!d ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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